A Practical Approach To 16th Century Counterpoint

Author : Robert Gauldin
Publisher : Waveland Press
Page : 312 pages
File Size : 49,5 Mb
Release : 2013-03-04
Category : Music
ISBN : 9781478608752

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A Practical Approach to 16th Century Counterpoint by Robert Gauldin Pdf

Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

Author : Robert Gauldin
Publisher : Prentice Hall
Page : 334 pages
File Size : 54,7 Mb
Release : 1985
Category : Music
ISBN : STANFORD:36105042448071

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A Practical Approach to Sixteenth-century Counterpoint by Robert Gauldin Pdf

The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

Author : Robert Gauldin
Publisher : Waveland Press
Page : 335 pages
File Size : 49,9 Mb
Release : 2013-03-04
Category : Music
ISBN : 9781478608769

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A Practical Approach to 18th Century Counterpoint by Robert Gauldin Pdf

Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.

Author : Robert Gauldin
Publisher : Unknown
Page : 360 pages
File Size : 42,6 Mb
Release : 1995
Category : Language Arts & Disciplines
ISBN : UOM:39015064216404

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A Practical Approach to Eighteenth-century Counterpoint by Robert Gauldin Pdf

Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.

Author : Gustave Fredric Soderlund
Publisher : Unknown
Page : 150 pages
File Size : 54,5 Mb
Release : 1947
Category : Music
ISBN : UOM:39015009604490

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Direct Approach to Counterpoint in 16th Century Style by Gustave Fredric Soderlund Pdf

Author : Robert Gauldin
Publisher : Prentice Hall
Page : 330 pages
File Size : 42,8 Mb
Release : 1985
Category : Music
ISBN : UOM:39015009689517

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A Practical Approach to Sixteenth-century Counterpoint by Robert Gauldin Pdf

The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.

Author : Knud Jeppesen
Publisher : Courier Corporation
Page : 322 pages
File Size : 49,5 Mb
Release : 2013-04-15
Category : Music
ISBN : 9780486318875

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Counterpoint by Knud Jeppesen Pdf

First paperback edition of classic introductory text features history of contrapuntal theory, technical features, "species" exercises in 2-, 3- and 4-part counterpoint; canon, motet, Mass, more. Includes many musical examples.

Author : Douglass Green,Evan Jones
Publisher : Routledge
Page : 452 pages
File Size : 48,6 Mb
Release : 2010-11-01
Category : Music
ISBN : 9781136935091

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The Principles and Practice of Modal Counterpoint by Douglass Green,Evan Jones Pdf

Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.

Author : Dmitri Tymoczko
Publisher : OUP USA
Page : 469 pages
File Size : 40,7 Mb
Release : 2011-03-21
Category : Mathematics
ISBN : 9780195336672

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A Geometry of Music by Dmitri Tymoczko Pdf

In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.

Author : Job IJzerman
Publisher : Oxford University Press, USA
Page : 417 pages
File Size : 45,5 Mb
Release : 2018
Category : Music
ISBN : 9780190695002

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Harmony, Counterpoint, Partimento by Job IJzerman Pdf

A new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: · the hardcopy text, providing essential stylistic and technical information and repertoire discussion; · an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; · an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.

Author : Robert Stewart
Publisher : Scarecrow Press
Page : 0 pages
File Size : 40,8 Mb
Release : 1994
Category : Music
ISBN : 1880157071

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An Introduction to Sixteenth-century Counterpoint and Palestrina's Musical Style by Robert Stewart Pdf

Presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance.

Author : Gustave Fredric Soderlund
Publisher : Unknown
Page : 133 pages
File Size : 52,9 Mb
Release : 1947
Category : Contrepoint
ISBN : 0390829471

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Direct Approach to Counterpoint in 16th Century Style by Gustave Fredric Soderlund Pdf

Author : Teresa Davidian
Publisher : Rowman & Littlefield
Page : 260 pages
File Size : 43,6 Mb
Release : 2015-02-10
Category : Music
ISBN : 9781442234604

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Tonal Counterpoint for the 21st-Century Musician by Teresa Davidian Pdf

Students today have grown up in the age of digital technology. As a result, they process information in radically different ways than preceding generations. They like their information fast and consider visual images as important as textual content. In Tonal Counterpoint for the 21st-Century Musician, Teresa Davidian finally provides students a textbook that is quick, direct, and visual—a direct reflection of the age in which they live. This book is easy to understand, comprehensive, and distinctly modern in its approach to the study of counterpoint. Written in a style that is clear, simple, and informal writing style, Davidian artfully mixes the history of counterpoint with an outline of its structure, placing musical examples from J. S. Bach side by side with those from The Beatles to illustrate the universality and currency of counterpoint in music analysis and composition. Designed as a single-semester introduction, Tonal Counterpoint brings the study of counterpoint into the present by: Making ample use of diagrams and flow charts Including helpful step-by-step prompt sheets for analyzing inventions and fugues Placing just as much emphasis on the composition as on the analysis of counterpoint Offering a broad array of musical examples, including the work of women composers, American songwriters, current students, and pop music composers Throughout, Davidian explains how the techniques of 18th-century contrapoint still readily apply to how music is composed today. Tonal Counterpoint for the 21st-Century Musician is ideal for students in the fields of music theory, composition, music history, and performance.

Author : Felix Salzer,Carl Schachter
Publisher : Columbia University Press
Page : 504 pages
File Size : 51,8 Mb
Release : 1989
Category : Composition (Music)
ISBN : 9780231070393

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Counterpoint in Composition by Felix Salzer,Carl Schachter Pdf

-- Stanley Persky, City University of New York

Author : Anne Smith
Publisher : Oxford University Press
Page : 256 pages
File Size : 47,8 Mb
Release : 2011-03-30
Category : Music
ISBN : 9780199793082

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The Performance of 16th-Century Music by Anne Smith Pdf

Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge and skill needed to perform the music of this period. She takes readers through the significance of part-book notation; solmization; rhythmic flexibility; and elements of structure in relation to rhetoric of the time; while familiarizing them with contemporary criteria and standards of excellence for performance. Through The Performance of 16th-Century Music, today's musicians will gain fundamental insight into how 16th-century polyphony functions, and the tools necessary to perform this repertoire to its fullest, most glorious potential.