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Author : Gustave Fredric Soderlund
Publisher : Unknown
Page : 150 pages
File Size : 41,5 Mb
Release : 1947
Category : Music
ISBN : UOM:39015009604490
Author : Gustave Fredric Soderlund
Publisher : Unknown
Page : 133 pages
File Size : 50,6 Mb
Release : 1947
Category : Contrepoint
ISBN : 0390829471
Author : Gustave Fredric 1881-1972 Soderlund
Publisher : Hassell Street Press
Page : 152 pages
File Size : 52,5 Mb
Release : 2021-09-10
Category : Electronic
ISBN : 1014961491
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Gustave Frederic Soderlund
Publisher : Unknown
Page : 144 pages
File Size : 41,9 Mb
Release : 2013-10
Category : Electronic
ISBN : 1494020718
This is a new release of the original 1947 edition.
Author : Gustave Fredric Soderland
Publisher : Unknown
Page : 128 pages
File Size : 50,6 Mb
Release : 1947-06
Category : Electronic
ISBN : 0132145677
Author : Gustave F. Soderlund
Publisher : Unknown
Page : 133 pages
File Size : 48,5 Mb
Release : 2013-03-01
Category : Electronic
ISBN : 0781296641
Bonded Leather binding
Author : Robert Gauldin
Publisher : Waveland Press
Page : 312 pages
File Size : 40,8 Mb
Release : 2013-03-04
Category : Music
ISBN : 9781478608752
Practical work in writing counterpoint! Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a non-species or direct approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices are taken from musical literature or composed by the author; demonstrates the possibility of employing a single given pitch series within the contexts of different compositional techniques; includes a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasizes Palestrina and the Counter-Reformation sacred style; discusses various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author : Robert Gauldin
Publisher : Prentice Hall
Page : 334 pages
File Size : 52,8 Mb
Release : 1985
Category : Music
ISBN : STANFORD:36105042448071
The author emphasizes acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth century sacred polyphonic idioms in this volume. The author follows a didactic method of a "non species or direct" approach. While no previous contrapuntal training is necessary to absorb this material, some acquaintance with Baroque polyphonic terminology proves helpful. Key features include: musical examples illustrating specific devices taken from musical literature or composed by the author; demonstration of the possibility of employing a single given pitch series within the contexts of different compositional techniques; a collection of complete or excerpted movements drawn from musical literature at the conclusion of each major textual division; emphasis of Palestrina and the Counter Reformation sacred style; discussion of various compositional procedures of the late Renaissance, including paraphrase, cantus firmus, familiar style, parody, polychoral technique, and chromaticism.
Author : Douglass Green,Evan Jones
Publisher : Routledge
Page : 452 pages
File Size : 42,5 Mb
Release : 2010-11-01
Category : Music
ISBN : 9781136935091
Covering modal music from Gregorian chant through the seventeenth-century, The Principles and Practice of Modal Counterpoint is a comprehensive textbook combining stylistic composition, theory and analysis, music history, and performance. By supplementing a modified species approach with a wealth of complete musical examples and historical information, this textbook thoroughly joins principle with practice, providing a truly immersive experience in the study of modal counterpoint and familiarizing students with modal repertoire.
Author : Thomas Benjamin
Publisher : Psychology Press
Page : 214 pages
File Size : 45,7 Mb
Release : 2005
Category : Counterpoint
ISBN : 0415971721
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Leonard B. Meyer,Eugene Narmour,Ruth A. Solie
Publisher : Pendragon Press
Page : 494 pages
File Size : 50,6 Mb
Release : 2024-07-03
Category : Electronic
ISBN : 0918728940
Author : Willi Apel
Publisher : Harvard University Press
Page : 968 pages
File Size : 46,7 Mb
Release : 1969
Category : Music
ISBN : 0674375017
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Author : Robert Stewart
Publisher : Scarecrow Press
Page : 240 pages
File Size : 54,8 Mb
Release : 1994-01-01
Category : Music
ISBN : 9781461722946
This is a music theory text that presents a systematic approach to polyphonic composition in the ecclesiastical style of Palestrina. It is designed for use in beginning and intermediate level courses in modal counterpoint and helps students develop a systematic and reliable method to compare individual composers and stylistic trends of the Renaissance. It contains a comprehensive collection of Palestrina's works as well as selections from Lassus. Tear-out exercises can be used in conjunction with the text.
Author : Mark Germer
Publisher : The AMS
Page : 162 pages
File Size : 55,9 Mb
Release : 1990
Category : Bulletin of the American Musicological Society
ISBN : 8210379456XXX
Author : Tom Bruner
Publisher : Mel Bay Publications
Page : 73 pages
File Size : 47,5 Mb
Release : 2023-10-10
Category : Music
ISBN : 9781513475936
The author of How to Play Guitar in a Big Band, Tom Bruner, has performed in pit orchestras in theatrical productions, as a studio guitarist for television productions and with numerous artists, and played guitar on hundreds of TV and radio jingles. Topics included in this book are: Preparing yourself, the right equipment, the right sound, handling the different styles of a big band; including swing, dance rhythms, traditional Jazz, rock rhythm, and contemporary jazz.