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From an international career in classical ballet ended suddenly by an on-stage accident, Ken Ludden found himself perfectly suited to journalism. Follow this prolific writer's quirky path to an art form of communication-the written word-that had been so difficult for him to master as a student. His experiences in life, beginning with international travel at a young age and vast experience on stage, led him to write on a wide range of subjects: Classical Ballet -- Activism - AIDS/HIV - Alcoholism - Relationships - Celebrities - Sexuality - Employment - Politics - Family - Fashion - Health - Obituaries - Exercise - Cooking - History - Art - Education - Mysticism -- Entertainment and more. With more than two dozen books currently in print, Ludden's work chronicles life from the mid-1970s to the current, with a building authority along that route.
A journalist and mother of two athletic kids exposes the physical and emotional dangers of our over-the-top youth sports culture—and offers practical solutions for positive change. A decade ago, Joan Ryan’s exposé, Little Girls in Pretty Boxes, changed the way we look at elite sports, namely figure skating and gymnastics. Today, there is another crisis in youth sports. It may affect any child, from the kindergartner on the soccer field to the high school athlete competing for scarce scholarship money. Regan McMahon’s Revolution in the Bleachers is a wake-up call for parents who spend their lives shuttling their kids from one field and practice to the next and wonder what happened to family life. Have late weeknight practices made family meals a thing of the past? Do you spend hours in the car each week, driving to games across town (or across the state)? Do you worry that your kids will miss out (on competitive experiences, college scholarships, and other advantages) if they do not specialize in one sport early on? Do you feel pressured to have your kids join elite club teams with steep fees and demanding travel schedules? Do your kids get repetitive stress injuries that necessitate trips to orthopedic surgeons or physical therapists? Do you miss your non-sports-related vacations as a family? If so, the good news is, you are not alone. Other parents and kids (and even some coaches) are on your side. And you have a choice. Regan McMahon’s book began as a cover story for the San Francisco Chronicle Magazine. Titled "How Much is Too Much?" it got a tremendous response. Finally, someone had dared to say what many parents were thinking! Parents, kids and coaches responded, prompting McMahon to criss-cross the country, doing interviews and research to find out how deep the problem goes and how to fix it. In Revolution in the Bleachers, McMahon traces the evolution of the over-the- top youth culture and gives you a practical plan of action to bring balance back to kids’ lives and our families. McMahon’s rallying cry for a revolution in the bleachers could not be more timely or useful for parents trying to do the best for their kids.
DIVBeautifully illustrated with archival and modern photography, rare memorabilia, and detailed stats, The Giants Baseball Experience provides the full 130-year history of what it means to be a true fan of the San Francisco Giants. /div
Killer Looks is the definitive story about the long-forgotten practice of providing free nose jobs, face-lifts, breast implants, and other physical alterations to prisoners, the idea being that by remodeling the face you remake the man. From the 1920s up to the mid-1990s, half a million prison inmates across America, Canada, and the U.K willingly went under the knife, their tab picked up by the government. In the beginning, this was a haphazard affair -- applied inconsistently and unfairly to inmates, but entering the 1960s, a movement to scientifically quantify the long-term effect of such programs took hold. And, strange as it may sound, the criminologists were right: recidivism rates plummeted. In 1967, a three-year cosmetic surgery program set on Rikers Island saw recidivism rates drop 36% for surgically altered offenders. The program, funded by a $240,000 grant from the Department of Health, Education, and Welfare, was led by Dr. Michael Lewin, who ran a similar program at Sing-Sing prison in 1953. Killer Looks draws on the intersectionality of socioeconomic success, racial bias, the prison industry complex and the fallacy of attractiveness to get to the heart of how appearance and societal approval creates self-worth, and uncovers deeper truths of beauty bias, inherited racism, effective recidivism programs, and inequality.
"Maisel has a wonderful voice and A Writer's San Francisco reads like a gritty, fluent love letter. He moves seamlessly between thoughtful descriptions of modern San Francisco and the San Francisco of the '60s and '70s in narratives that bring the city alive on the page. His affection and respect for the city are inspiring to all writers and artists, but also to anyone who has ever spent time in San Francisco and fallen in love with her." — Chris DeLorenzo, Laguna Writers Workshop San Francisco holds a special place in the history of American literature and in the hearts of creative people everywhere. In thirty-one essays, Eric Maisel takes you on an enchanted journey through one of the world's greatest cities. Walk San Francisco's twisting streets, climb its famous hills, explore bohemian landmarks like City Lights Bookstore, and check out lesser-known neighborhoods. Along the way, Maisel conjures the city's past and present writers, including Twain, Ferlinghetti, and Kerouac, and tells personal stories from his own years as a Bay Area writer, teacher, and creativity coach. Whether you're a San Francisco native, a visitor, an armchair traveler, or an artistic soul seeking inspiration, you'll find lots to inspire you in these pages.
In 1968, future "gonzo journalist" Hunter S. Thompson predicted Bob Bone would write a book someday "on How to Beat the NY Big Salary-Death-in-Life Syndrome." This, at last, is that book. Robert W. Bone has visited every continent and covered at least 75 countries. For four decades, thousands of travelers to Hawaii, Australia and New Zealand carried the latest editions of his prize-winning Maverick Guides or read his groundbreaking work on the "last frontier," Fielding's Alaska and the Yukon. He wrote travel articles for magazines, and using his personal syndication system, hundreds more for the travel sections of newspapers throughout the U.S. and Canada. Thompson joined him on some of his early adventures in the U.S. and abroad, admiring Bone's ability to live the kind of life that office drones dream of. Put the formula down on paper, Thompson wrote him: "Shit, you'd sell 50,000 copies in NY alone." Fire Bone! is an unvarnished memoir of thrilling experiences with newspapers, magazines and book publishers, and the childhood and youthful love affairs that led up to them. Bone has been shot at and robbed. He's battled American and foreign bureaucrats. But as his grandmother predicted, everything he did "would always come out for the best." He's climbed to the top of a mast at sea and planted a revolutionary flag at a world's fair. And he's never been fired from a job. Fire Bone! explains all that, too.
Reclaiming San Francisco by James Brook,Chris Carlsson,Nancy J. Peters,City Lights Books Pdf
Reclaiming San Francisco is an anthology of fresh appraisals of the contrarian spirit of the city-a spirit "resistant to authority or control." The official story of San Francisco is one of progress, development, and growth. But there are other, unofficial, San Francisco stories, often shrouded in myth and in danger of being forgotten, and they are told here: stories of immigrants and minorities, sailors and waterfront workers, and poets, artists, and neighborhood activists-along with the stories of speculators, land-grabbers, and the land itself that need to be told differently. Contributors include historians, geographers, poets, novelists, artists, art historians, photographers, journalists, citizen activists, an architect, and an anthropologist. Passionate about the city, they want San Francisco to be more itself and less like the city of office towers, chain stores, theme parks, and privatized public services and property that appears to be its immediate fate. San Francisco is not alone in being transformed according to the dictates of the global economy. But San Franciscans are unusual in their readiness to confront the corporate agenda for their city.
A major new urban history of the design and development of postwar San Francisco Designing San Francisco is the untold story of the formative postwar decades when U.S. cities took their modern shape amid clashing visions of the future. In this pathbreaking and richly illustrated book, Alison Isenberg shifts the focus from architects and city planners—those most often hailed in histories of urban development and design—to the unsung artists, activists, and others who played pivotal roles in rebuilding San Francisco between the 1940s and the 1970s. Previous accounts of midcentury urban renewal have focused on the opposing terms set down by Robert Moses and Jane Jacobs—put simply, development versus preservation—and have followed New York City models. Now Isenberg turns our attention west to colorful, pioneering, and contentious San Francisco, where unexpectedly fierce battles were waged over iconic private and public projects like Ghirardelli Square, Golden Gateway, and the Transamerica Pyramid. When large-scale redevelopment came to low-rise San Francisco in the 1950s, the resulting rivalries and conflicts sparked the proliferation of numerous allied arts fields and their professionals, including architectural model makers, real estate publicists, graphic designers, photographers, property managers, builders, sculptors, public-interest lawyers, alternative press writers, and preservationists. Isenberg explores how these centrally engaged arts professionals brought new ideas to city, regional, and national planning and shaped novel projects across urban, suburban, and rural borders. San Francisco’s rebuilding galvanized far-reaching critiques of the inequitable competition for scarce urban land, and propelled debates over responsible public land stewardship. Isenberg challenges many truisms of this renewal era—especially the presumed male domination of postwar urban design, showing how women collaborated in city building long before feminism’s impact in the 1970s. An evocative portrait of one of the world’s great cities, Designing San Francisco provides a new paradigm for understanding past and present struggles to define the urban future.
History of Journalism in San Francisco: Anthology of editorials [1850-1900] [1941? by Writers' Program (Calif.),History of San Francisco Journalism Project Pdf
V. 1. History of foreign journalism in San Fransico. 1939. -- v. 2. Frontier journalism in San Francisco, 1939. -- v. 3. History of the San Francisco-Oakland newspaper guild, by Russell Quinn, 1940. v. 4. Trends in size, circulation, news and advertising in San Francisco journalism, 1870-1938, 1940. v. 5. The San Fransico press and the fire of 1906, by Russell Quinn, 1940. v. 6. History of the physical growth and technological advance of the San Francisco press, by Charles Holmes and Isom Shepard, 1940. v. 7. Anthology of editorials 1850-1900, 1941?.
National bestselling author of APOCALYPSE NEVER skewers progressives for the mishandling of America’s faltering cities. Progressives claimed they knew how to solve homelessness, inequality, and crime. But in cities they control, progressives made those problems worse. Michael Shellenberger has lived in the San Francisco Bay Area for thirty years. During that time, he advocated for the decriminalization of drugs, affordable housing, and alternatives to jail and prison. But as homeless encampments spread, and overdose deaths skyrocketed, Shellenberger decided to take a closer look at the problem. What he discovered shocked him. The problems had grown worse not despite but because of progressive policies. San Francisco and other West Coast cities — Los Angeles, Seattle, Portland — had gone beyond merely tolerating homelessness, drug dealing, and crime to actively enabling them. San Fransicko reveals that the underlying problem isn’t a lack of housing or money for social programs. The real problem is an ideology that designates some people, by identity or experience, as victims entitled to destructive behaviors. The result is an undermining of the values that make cities, and civilization itself, possible.
Why be a journalist? It can be a difficult job with long hours, hard work and an uncertain future. Journalists face relentless criticism and an industry in transition. Aaron Chimbel has put together a collection of essays from working journalists who answer the question — why be a journalist? — with their personal stories of coming up, toiling in the field and writing important, career-defining stories. These journalists come from different platforms, beats and locations, offering varying accounts of the travails and rewards of being a working journalist across changing landscapes and timelines. The essays in Why I’m a Journalist offer encouragement and wisdom about the path to being a reporter, a broadcaster, an editor or a media professional. This is a collection for students interested in the field, early upstarts engaged with building their careers and seasoned pros looking to learn from their colleagues.
Revised and updated to celebrate the San Francisco Giants' latest World Series victory in 2012, "Giants Past & Present" offers a unique look back at 130 years of one of baseball's most storied and successful franchises.
San Francisco in Fiction by David M. Fine,Paul Skenazy Pdf
"In the beginning there was the bay, the land, the forty-three hills, the coastline down to Monterey, the strip of mountains, the quiet valley behind, the vast ocean, the hidden faults." And with the landscape came the stories, as Paul Skenazy and David Fine note in their introduction to this new anthology of essays. San Francisco is as much a place in the mind as on the map; if the terrain set the stage for the stories, the stories have helped remake our perceptions of the space. These twelve essays explore the relationship between place and prose--between San Francisco the city and San Francisco the territory of fiction. From the Gold Rush times of Mark Twain and Bret Harte, through the Prohibition Era of Dashiell Hammett to the Beat days of Jack Kerouac and the present works of writers like Maxine Hong Kingston, Amy Tan, and Arturo Islas, San Francisco has been blessed with great writers who have given life to the land in their fiction. These essays engage the history and geography, ethnic, gender, and class conflicts, and stylistic range of the fiction. They demonstrate how authors as various as Jack London, Gertrude Atherton, Frank Norris, William Saroyan, James D. Houston, Joan Didion, and Wallace Stegner have re-created and revised our understanding of this region.
