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A Traveller's History of Venice. Peter Mentzel by Peter Mentzel Pdf
This text presents a concise overview of the history of Venice from the fifth century AD to the present day. The main theme is the unique place that Venice has occupied in the history of Europe in general and in Italy in particular.
A Brief History of Venice by Elizabeth Horodowich Pdf
In this colourful new history of Venice, Elizabeth Horodowich, one of the leading experts on Venice, tells the story of the place from its ancient origins, and its early days as a multicultural trading city where Christians, Jews and Muslims lived together at the crossroads between East and West. She explores the often overlooked role of Venice, alongside Florence and Rome, as one of the principal Renaissance capitals. Now, as the resident population falls and the number of tourists grows, as brash new advertisements disfigure the ancient buildings, she looks at the threat from the rising water level and the future of one of the great wonders of the world.
The language and way of thinking of the Venetians set them aside from the rest of Italy. They are an island people, linked to the sea and to the tides, rather than the land. The moon rules Venice, Ackroyd writes 'It is built on ocean shells and ocean ground; it has the aspect of infinity'.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ St. Mark's Rest: The History Of Venice Written For The Help Of The Few Travellers Who Still Care For Her Monuments John Ruskin Wiley, 1890 Art; Venice (Italy)
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Excerpt from The Stones of Venice, Vol. 2: Introductory Chapters and Local Indices (Printed Separately) For the Use of Travellers While Staying in Venice and Verona The reason of this is, that the finial is properly the orna ment of gabled architecture; it is the compliance, in the 'or features of the building, with the spirit of its towers, ridged roof, and spires. Venetian building is not gabled, but horizontal in its roots and general masses; therefore the finial is a feature contradictory to its spirit, and adopted only in that search for morbid excitement which is the infallible indication of decline. When it occurs earlier, it is on fragments of true gabled architecture, as, for instance, on the porch of the Carmini. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Sexy, surprising, funny, insightful, and wildly entertaining” (Huffington Post)—the definitive biography of Giacomo Casanova, the impoverished boy who became the famous writer, notorious libertine, and self-invented genius in decadent eighteenth-century Europe. Today, “Casanova” is a synonym for “great lover,” yet the real story of this remarkable figure is little known. A figure straight out of a Henry Fielding novel, Giacomo Casanova was erotic, brilliant, impulsive, and desperate for recognition; a self-destructive genius. Over the course of his lifetime, he claimed to have seduced more than one hundred women, among them married women, young women in convents, girls just barely in their teens, women of high and low birth alike. Abandoned by his mother, an actress and courtesan, Casanova was raised by his illiterate grandmother, coming of age in a Venice filled with spies and political intrigue. He was intellectually curious and read forbidden books, for which he was jailed. He staged a dramatic escape from Venice’s notorious prison, I Piombi, the only person known to have done so. He then fled to France, ingratiated himself at the royal court, and invented the national lottery that still exists to this day. He crisscrossed Europe, landing for a while in St. Petersburg, where he was admitted to the court of Catherine the Great. He corresponded with Voltaire and met Mozart and Lorenzo da Ponte—assisting them as they composed the timeless opera Don Giovanni. And he wrote what many consider the greatest memoir of the era, the twelve-volume Story of My Life. Laurence Bergreen’s Casanova recounts this astonishing life in rich, intimate detail, and at the same time, paints a dazzling portrait of eighteenth-century Europe, filled with a cast characters from serving girls to kings and courtiers, “great fun for any history lover” (Kirkus Reviews).
'Memory's images, once they are fixed in words, are erased,' Marco Polo said. 'Perhaps I am afraid of losing Venice all at once, if I speak of it, or perhaps, speaking of other cities, I have already lost it, little by little.' Italo Calvino, Invisible Cities Venice, La Serenissima, is one of the most breathtaking cities in the world. A floating labyrinth; the world's greatest museum, frozen in time; a cultural jewel, slowly sinking into the lagoon from which it rose; tourist-trap, irresistible muse. From its earliest beginnings in the 7th century, Venice has been a magnetic centre of trade and culture, wealth and power and has acted as a crossroads for an array of religious pilgrims and refugees, diplomats, crusading armies and merchants. Later, its fabled beauty and reputation as a haven for freedom of expression seduced some of the most celebrated figures in history: artists such as Durer, Bellini and Turner; writers Dickens, Byron, Kafka, Poe, Rousseau, Thomas Mann, Ruskin and Ezra Pound and composers Mozart, Tchaikovsky, Verdi and Stravinsky. In this captivating guide to literary Venice, the author uncovers the city's myriad secrets, revealing how every floating palace, gilded church and bustling square is imbued with the lives and creations of those who were inspired by the city, which still echoes with their voices.
The Stones of Venice: Introductory Chapters and Local Indices for the Use of Travellers While Staying in Venice and Verona; Volume 1 by John Ruskin Pdf
Explore the beauty and history of Venice and Verona with John Ruskin as your personal guide. This book includes introductory chapters and local indices to enhance your travels and deepen your understanding of the art, architecture, and culture of these stunning cities. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
