A William Maxwell Portrait Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of A William Maxwell Portrait book. This book definitely worth reading, it is an incredibly well-written.
A William Maxwell Portrait by Charles Baxter,Michael Collier,Edward Hirsch Pdf
Writers who knew and were inspired by William Maxwell--revered as one of the 20th century's great American writers--offer intimate essays, most specifically written for this volume.
In this magically evocative novel, William Maxwell explores the enigmatic gravity of the past, which compels us to keep explaining it even as it makes liars out of us every time we try. On a winter morning in the 1920s, a shot rings out on a farm in rural Illinois. A man named Lloyd Wilson has been killed. And the tenuous friendship between two lonely teenagers—one privileged yet neglected, the other a troubled farm boy—has been shattered. Fifty years later, one of those boys—now a grown man—tries to reconstruct the events that led up to the murder. In doing so, he is inevitably drawn back to his lost friend Cletus, who has the misfortune of being the son of Wilson's killer and who in the months before witnessed things that Maxwell's narrator can only guess at. Out of memory and imagination, the surmises of children and the destructive passions of their parents, Maxwell creates a luminous American classic of youth and loss.
To eight-year old Bunny Morison, his mother is an angelic comforter in whose absence nothing is real or alive. To his older brother, Robert, his mother is someone he must protect, especially since the deadly, influenza epidemic of 1918 is ravaging their small Midwestern town. To James Morison, his wife, Elizabeth, is the center of a life that would disintegrate all too suddenly were she to disappear. Through the eyes of these characters, William Maxwell creates a sensitive portrait of an American family and of the complex woman who is its emotional pillar. Beautifully observed, deftly rendering the civilities and constraints of a vanished era, They Came Like Swallows measures the subterranean currents of love and need that run through all our lives. The result confirms Maxwell's reputation as one of the finest writers we have.
Conversations with William Maxwell by William Maxwell Pdf
Conversations with William Maxwell collects thirty-eight interviews, public speeches, and remarks that span five decades of the esteemed novelist and New Yorker editor's career. The interviews collectively address the entirety of Maxwell's literary work--with in-depth discussion of his short stories, essays, and novels including They Came Like Swallows, The Folded Leaf, and the American Book award-winning So Long, See You Tomorrow--as well as his forty-year tenure as a fiction editor working with such luminaries as John Updike, John Cheever, Eudora Welty, Vladimir Nabokov, and J.D. Salinger. Maxwell's words spoken before a crowd, some previously unpublished, pay moving tribute to literary friends and mentors, and offer reflections on the artistic life, the process of writing, and his Midwestern heritage. All retain the reserved poignancy of his fiction. The volume publishes for the first time the full transcript of Maxwell's extensive interviews with his biographer and, in an introduction, correspondence with writers including Updike and Saul Bellow, which enlivens the stories behind his interviews and appearances.
Conversations with William Maxwell by Barbara Burkhardt Pdf
Conversations with William Maxwell collects thirty-eight interviews, public speeches, and remarks that span five decades of the esteemed novelist and New Yorker editor’s career. The interviews collectively address the entirety of Maxwel’s literary work—with in-depth discussion of his short stories, essays, and novels including They Came Like Swallows, The Folded Leaf, and the American Book Award–winning So Long, See You Tomorrow—as well as his forty-year tenure as a fiction editor working with such luminaries as John Updike, John Cheever, Eudora Welty, Vladimir Nabokov, and J.D. Salinger. Maxwell’s words spoken before a crowd, some previously unpublished, pay moving tribute to literary friends and mentors, and offer reflections on the artistic life, the process of writing, and his midwestern heritage. All retain the reserved poignancy of his fiction. The volume publishes for the first time the full transcript of Maxwell’s extensive interviews with his biographer and, in an introduction, correspondence with writers including Updike and Saul Bellow, which enlivens the stories behind his interviews and appearances.
A compelling reflection on wisdom, friendship, and the craft of writing, My Mentor is also the touching story of a young man's education at the hands of a master, William Maxwell. At age twenty-four, Alec Wilkinson approached Maxwell in hopes of being taught to write. A quarter century of friendship followed. As a fiction editor of The New Yorker, Maxwell was unquestionably one of the past century's most respected editors; as the author of the masterpieces They Came Like Swallows and So Long, See You Tomorrow, he was one of its greatest American writers. His unparalleled ear for language and eye for detail, his depth of understanding and experience, make his instructions on writing an essential guide to the craft. In honoring this great man of letters, Wilkinson creates a "deft and sympathetic portrait" (New York Times Book Review).
Best known as the longtime fiction editor at The New Yorker, William Maxwell worked closely with greats like Vladimir Nabokov, John Updike, Mary McCarthy, John Cheever, and many others. His own novels include They Came Like Swallows and So Long, See You Tomorrow, and have become so highly acclaimed that many now consider him to be one of the twentieth-century's most important writers. Barbara A. Burkhardt's William Maxwell: A Literary Life represents the first major critical study of Maxwell's life and work.Writing with an economy and elegance befitting her subject, Burkhardt addresses Maxwell's highly autobiographical fiction by skillfully interweaving his biography with her own critical interpretations. She begins each chapter with commentary on the biographical circumstances and literary influences that affected each of his compositions. By contextualizing his novels and short stories in terms of events including his mother's early death from influenza, his marriage, and the role of his psychoanalysis under the guidance of Theodore Reik, Burkhardt's subsequent literary analyses achieve an unprecedented depth.Drawing on a wide range of previously unavailable material, Burkhardt includes letters written to Maxwell by authors like Eudora Welty and Louise Bogan, excerpts from Maxwell's unpublished manuscripts and correspondence, and her own interviews with key figures from his life, including John Updike, Roger Angell, New Yorker fiction editor Robert Henderson, and Maxwell's family and friends. She also presents several lengthy sessions with Maxwell himself.A must for anyone already familiar with the understated charms of Maxwell's writing, this volume also represents a major addition to the growing collection of New Yorker lore, sure to fascinate anyone interested in the fiction, history, and personalities connected with the most influential weekly.Barbara A. Burkhardt is an assistant professor of English at the University of Illinois at Springfield. A close acquaintance of Maxwell, she organized his correspondence for the Maxwell archives at the University of Illinois at Urbana-Champaign library, as well as writing the catalog for two exhibitions.
William Merritt Chase: Portraits in oil by Ronald G. Pisano,William Merritt Chase,D. Frederick Baker Pdf
V. 1. "This gorgeous book, the first of a four-volume definitive catalogue, features Chase's stunning paintings in pastel, which constitute a major and previously understudied body of work by the artist; monotypes; painted tiles and plates; watercolors; and prints. Reconstructing Chase's oeuvre is a daunting task, as the artist left few records of any kind, and no documentation of his individual works exists. Furthermore, Chase's paintings and pastels have been forged in great numbers throughout the years, and many of these works still surface on the art market. Making this long-awaited volume even more valuable is a list of every known exhibition of Chase's work during the artist's lifetime, selected examples of major post-1917 exhibitions, and an essay on Chase's innovative pastel technique"--Jacket.
Fifty more essays from famous writers on their incurable love affair with the Big Apple What do Francine Prose, Suketu Mehta, and Edwidge Danticat have in common? Each suffers from an incurable love affair with the Big Apple, and each contributed to the canon of writing New York has inspired by way of the New York Times City Section, a part of the paper that once defined Sunday afternoon leisure for the denizens of the five boroughs. Former City Section editor Constance Rosenblum has again culled a diverse cast of voices that brought to vivid life our metropolis through those pages in this follow-up to the publication New York Stories (2005). The fifty essays in More New York Stories unite the city’s best-known writers to provide a window to the bustle and richness of city life. As with the previous collection, many of the contributors need no introduction, among them Kevin Baker, Laura Shaine Cunningham, Dorothy Gallagher, Colin Harrison, Frances Kiernan, Nathaniel Rich, Jonathan Rosen, Christopher Sorrentino, and Robert Sullivan; they are among the most eloquent observers of our urban life. Others are relative newcomers. But all are voices worth listening to, and the result is a comprehensive and entertaining picture of New York in all its many guises. The section on “Characters’’ offers a bouquet of indelible profiles. The section on “Places” takes us on journeys to some of the city’s quintessential locales. “Rituals, Rhythms, and Ruminations” seeks to capture the city’s peculiar texture, and the section called “Excavating the Past” offers slices of the city’s endlessly fascinating history. Delightful for dipping into and a great companion for anyone planning a trip, this collection is both a heart-warming introduction to the human side of New York and a reminder to life-long New Yorkers of the reasons we call the city home.
William Maxwell: Early Novels and Stories (LOA #179) by William Maxwell,Christopher Carduff Pdf
With his second book, They Came Like Swallows (1937), William Maxwell found his signature subject matter—the fragility of human happiness—as well as his voice, a quiet, cadenced Midwestern voice that John Updike has called one of the wisest and kindest in American fiction. Set against the background of the Spanish flu epidemic of 1918, this short novel presents the loving character of Elizabeth Morison, a devoted wife and mother, through the eyes of those whom she is fated to leave decades before her time. Edmund Wilson described The Folded Leaf (1945) as “a quite unconventional study of adolescent relationships—between two boys, with a girl in the offing—in Chicago and in a Middle Western college: very much lived and very much seen.” He praised this “drama of the immature” for the compassion Maxwell brings to his male protagonists, whose intensely felt, unarticulated bond is beyond their inchoate ability to understand. Time Will Darken It (1948) is a drama of the mature: a good man’s struggle to keep duty before desire and his family’s needs before his own. It paints a portrait of Draperville, Illinois, in 1912, a proud and isolated community governed by gossip, where an ambitious young woman must not overreach the limits society has placed on her sex, and an older, married gentleman must not encourage her should she dare. Together with these major works, this Library of America edition of Maxwell’s early fiction collects his lighthearted first novel, Bright Center of Heaven (1934), out of print for nearly 70 years, and nine masterly short stories. It concludes with “The Writer as Illusionist” (1955), Maxwell’s fullest statement on the art of fiction as he practiced it. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
A compelling biographical study of a leading twentieth-century British artist, 'Graham Sutherland: Life, Work and Ideas' offers new insight into how he and his paintings developed. In the culmination of her life's work, Rosalind Thuillier builds on the reflections and recollections of a friendship spanning decades to craft a comprehensive study of Sutherland's life and works, interweaving his perceptive responses to his own art, taken from personal notes and correspondence, with critical reviews and collectors' musings to give an authentic picture of the man whose work divided critics. Drawing on Sutherland's personal archive, the book includes an expansive collection of images that provide a fresh view of the artist. Studies by Sutherland, along with preparatory works for what would become renowned paintings, are published for the first time. Graham Sutherland's distinctive style and the emotions that shaped the paintings are here vividly explored. Thuillier describes not only the inspiration he found in the windswept Pembrokeshire countryside, but also his time as an official war artist, and his friendships inside and outside the art world. She expertly details the process behind the creation of works such as the controversial portrait of Churchill (1954), subsequently destroyed, and his most famous work, the huge 'Christ in Glory in the Tetramorph' tapestry (1962) in Coventry Cathedral. 'Graham Sutherland: Life, Work and Ideas' is not merely a biography, but a journey behind the scenes of the artist'scareer, exploring the paintings, relationships and influences that formed his vision as an artist and his undeniable contribution to art.
Moral Agents: Eight Twentieth-Century American Writers by Edward Mendelson Pdf
A deeply considered and provocative new look at major American writers—including Saul Bellow, Norman Mailer, and W.H. Auden—Edward Mendelson’s Moral Agents is also a work of critical biography in the great tradition of Plutarch, Samuel Johnson, and Emerson. Any important writer, in Mendelson’s view, writes in response to an idea of the good life that is inseparable from the life the writer lives. Fusing biography and criticism and based on extensive new research, Moral Agents presents challenging new portraits of eight writers—novelists, critics, and poets—who transformed American literature in the turbulent twentieth century. Eight sharply distinctive individuals—inspired, troubled, hugely ambitious—who reimagined what it means to be a writer. There’s Saul Bellow, a novelist determined to rule as a patriarch, who, having been neglected by his father, in turn neglected his son in favor of young writers who presented themselves as his literary heirs. Norman Mailer’s extraordinary ambition, suppressed insecurity, and renegade metaphysics muddled the novels through which he hoped to change the world, yet these same qualities endowed him with an uncanny sensitivity and deep sympathy to the pathologies of American life that make him an unequaled political reporter. William Maxwell wrote sad tales of small-town life and surrounded himself with a coterie of worshipful admirers. As a powerful editor at The New Yorker, he exercised an enormous and constraining influence on American fiction that is still felt today. Preeminent among the critics is Lionel Trilling, whose Liberal Imagination made him a celebrity sage of the anxiously tranquilized 1950s, even as his calculated image of Olympian reserve masked a deeply conflicted life and contributed to his ultimately despairing worldview. Dwight Macdonald, by contrast, was a haute-WASP anarchist and aesthete driven by an exuberant moral commitment, in a time of cautious mediocrity, to doing the right thing. Alfred Kazin, from a poor Jewish émigré background, remained an outsider at the center of literary New York, driven both to escape from and do justice to the deepest meanings of his Jewish heritage. Perhaps most intriguing are the two poets, W.H. Auden and Frank O’Hara. Early in his career, Auden was tempted to don the mantle of the poet as prophet, but after his move from England to America he lived and wrote in a spirit of modesty and charity born out of a deeply idiosyncratic understanding of Christianity. O’Hara, tireless partygoer and pioneering curator at MoMA, wrote much of his poetry for private occasions. Its lasting power has proven to be something different from its avant-garde reputation: personal warmth, individuality, rootedness in ancient traditions, and openness to the world.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.