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Alexander Young Jackson (1882-1974) is a name that instantly conjures up images of our rugged northern landscape and the controversial Group of Seven. This is the first-ever full-length biography of one of Canada's most beloved characters, and the first to examine in one book the artist, outdoorsman, soldier, teacher, debater, writer, and outspoken defender of modern art. Jackson spent nearly seventy years travelling Canada on a lifelong quest to, rendering his impressions of its diverse character on canvas and promoting a vibrant, uniquely Canadian style of painting. From southern Alberta to Ellesmere Island, from Newfoundland to Northern British Columbia, he covered more ground than any other artist – scoffing at harsh weather and hostile criticism along the way. A.Y. Jackson takes readers on a journey through Jackson's struggles and triumphs, from his childhood in Victorian-era Montreal through his final years as a living legend of Canadian art who thought nothing of camping in a tent on Baffin Island at age 82.
A founding member of the Group of Seven, Jackson portrayed the Canadian landscape in a bold and inventive manner, illustrating a key chapter in Canadas coming of age.
A founding member of the Group of Seven, A.Y. Jackson portrayed the Canadian landscape in a bold and inventive manner. His paintings show us the vastness and diversity of our country and illustrate a key chapter in the story of Canada's coming of age as a nation.
Works by A.Y. Jackson from the 1930s by Naomi Groves Pdf
This volume by A.Y. Jackson's niece provides fascinating insights into the man and his work at a time the author calls "a rugged-romantic high point in A.Y.'s life." The illustrations reproduced and discussed come mainly from the Carleton University Art Collection. Groves places the works in the context of Canadian art history and social history.
A captivating account of the formative years of one of Canada’s best-known artists, Jackson’s Wars follows A.Y. Jackson’s education and progress as a painter before he was a well-known artist and his time on the battlefield in Europe, before he cast his lot in with a group of like-minded Toronto artists. Jackson fought many battles: he was a feisty and opinionated combatant when he crossed swords with critics, collectors, museums, galleries, and fellow painters as an emerging artist. Moving from Montreal to Toronto in 1913, he became a key figure in a landscape movement that was determined to depict Canada in a bold new way, only to have a war dash the group's collective ambitions. Alone among his close associates, Jackson enlisted to fight with the 60th Infantry Battalion. Wounded at Sanctuary Wood in 1916, he returned to the field of combat as an official war artist – the first Canadian artist appointed, the only infantryman in the program – and militated for other Canadian appointments to what is now a storied moment of creation for such artists as F.H. Varley and Arthur Lismer. Jackson produced some of Canada’s most memorable depictions of the world’s first industrial-scale conflict, even as he reckoned with the anguish caused by the mysterious death of his close friend Tom Thomson. A life-changing event for soldiers, families, and nations alike, the First World War has been understood as a moment of stasis in the visual arts in Canada – the dead ground from which the Group of Seven emerged in the early 1920s. Douglas Hunter shows how Jackson’s war was a moment of intense transformation and artistic development on the canvas as well as an experience that tempered a young man into a constructive elder statesman for Canadian art. On his return home he was not only instrumental in the formation of the Group of Seven in Toronto, but a key figure for the Beaver Hall Group in Montreal. Jackson’s Wars is a story of brotherhoods of painters and soldiers, shot through with inspiration, ambition, trauma, and loss, on the home front as well as on the battlefield. Hunter widens and deepens A.Y. Jackson’s world of friends, family, and colleagues to capture the life of a complex man and the crucial events and relationships behind the creation of Canada’s best-known art collective.
Art Et Architecture Au Canada by Loren Ruth Lerner,Mary F. Williamson Pdf
Identifies and summarizes thousands of books, article, exhibition catalogues, government publications, and theses published in many countries and in several languages from the early nineteenth century to 1981.
Beginning in 1912, Defiant Spirits traces the artistic development of Tom Thomson and the future members of the Group of Seven, Franklin Carmichael, Lawren Harris, A. Y. Jackson, Franz Johnston, Arthur Lismer, J. E. H. MacDonald, and Frederick Varley, over a dozen years in Canadian history. Working in an eclectic and sometimes controversial blend of modernist styles, they produced what an English critic celebrated in the 1920s as the “most vital group of paintings” of the 20th century. Inspired by Cézanne, Van Gogh and other modernist artists, they tried to interpret the Ontario landscape in light of the strategies of the international avant-garde. Based after 1914 in the purpose-built Studio Building for Canadian Art, the young artists embarked on what Lawren Harris called “an all-engrossing adventure”: travelling north into the anadian Shield and forging a style of painting appropriate to what they regarded as the unique features of Canada’s northern landscape. Rigorously researched and drawn from archival documents and letters, Defiant Spirits constitutes a “group biography,” reconstructing the men’s aspirations, frustrations and achievements. It details not only the lives of Tom Thomson and the members of the Group of Seven but also the political and social history of Canada
Meet the Group of Seven by David Wistow,Kelly McKinley,Art Gallery of Ontario Pdf
A beautiful introduction to Canada’s famous artists. In 1920, a group of Toronto artists exhibited their work together for the first time. They called themselves the Group of Seven. Their paintings were very different from the art of the time. Some people were excited by their unique styles, and some were horrified. It took years for their work to be fully appreciated. But today, the Group of Seven are some of Canada’s best-loved artists. Here’s a must-have reference to the artists who changed the landscape of Canadian art forever.
In the Footsteps of the Group of Seven by Jim Waddington,Sue Waddington,Tom Smart Pdf
Includes reproductions of original paintings by the Group of Seven and contemporary photographs of the locations where the original works were created.
The Beaver Hall Group and Its Legacy by Evelyn Walters Pdf
An exploration of the lives and works of the members of the Beaver Hall Group. Founded in 1920, the group was in the vanguard of bringing Modernism to Canada and is notable for its inclusion of women who now rank among the country’s most outstanding painters.