Abstract Objects Ideal Forms And Works Of Art

Author : Robert Rose-Coutré
Publisher : iUniverse
Page : 88 pages
File Size : 43,7 Mb
Release : 2006-11
Category : Philosophy
ISBN : 9780595416868

Get Book

Abstract Objects, Ideal Forms, and Works of Art by Robert Rose-Coutré Pdf

Joining philosophy of language with phenomenological aesthetics, this book defines the epistemological status of abstract objects and works of art. Beginning with a provocative conversation between Socrates, Plato, Wittgenstein, and Jung, the book introduces the concept, and coins the term, "Platonic Inductive Fallacy," deriving from a cycle of language games. The author then invokes Robert Stalnaker to clarify the difference between real and actual objects, which gives new insight into the epistemology of abstract objects. Armed with defined abstract objects, the reader is taken through a fascinating journey from 1890s aestheticism to present-day phenomenological aesthetics. The book clearly establishes principles and methods for defining works of art, and applies them to two versions of a Henry James novella. The clear definitions and inventive methods, supported with impressive, detailed research, lead to compelling and well-taken conclusions. This journey pays off with important and exciting results.

Author : Christy Mag Uidhir
Publisher : OUP Oxford
Page : 319 pages
File Size : 43,8 Mb
Release : 2013-01-17
Category : Philosophy
ISBN : 9780191655722

Get Book

Art and Abstract Objects by Christy Mag Uidhir Pdf

Art and Abstract Objects presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). Da Vinci's Mona Lisa is currently located in Paris. Richard Serra's Tilted Arc is 73 tonnes of solid steel. Johannes Vermeer's The Concert was stolen in 1990 and remains missing. Michaelangelo's David was attacked with a hammer in 1991. By contrast, the standard way of thinking about repeatable (multiple-instance) artworks such as novels, poems, plays, operas, films, symphonies is that they must be abstract (i.e., immaterial, causally inert, outside space-time): consider the current location of Melville's Moby Dick, the weight of Yeats' "Sailing to Byzantium", or how one might go about stealing Puccini's La Bohème or vandalizing Mozart's Piano Concerto No. 9. Although novels, poems, and symphonies may appear radically unlike stock abstract objects such as numbers, sets, and propositions, most philosophers of art think that for the basic intuitions, practices, and conventions surrounding such works to be preserved, repeatable artworks must be abstracta. This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields.

Author : Paul Crowther,Isabel Wünsche
Publisher : Routledge
Page : 312 pages
File Size : 54,5 Mb
Release : 2012
Category : Art
ISBN : 9780415899932

Get Book

Meanings of Abstract Art by Paul Crowther,Isabel Wünsche Pdf

"This book explores the relation of abstract art to nature. Traditional picturing and sculpture are based on conventions of resemblance between the work and that which it is a representation "of". Abstract works, in contrast, adopt alternative modes of visual representation, or break down and reconfigure the mimetic conventions of pictorial art and sculpture. Obviously this means that abstract art takes many different forms. However, this diversity should not mask some key structural features; these center on two basic relations to nature (understanding nature in the broadest sense to comprise the world of recognisable objects, creatures, organisms, processes, and states of affairs). The first involves abstracting from nature, to give selected aspects of it a new and extremely unfamiliar appearance. The second involves abstract art as the affirmation of a relatively unconstrained natural creativity that issues in new, autonomous forms that are not constrained by mimetic conventions. (Such creativity is often attributed to the power of the unconscious.)The book contains three categories of essays: 1) those on classical modernism (Mondrian, Malevich, Kandinsky, Arp, early American abstraction), 2) those on post-war abstraction (Pollock, Still, Newman, Smithson, Noguchi, Arte Povera, Michaux, postmodern developments), and 3) those of a broader art historical and philosophical scope"--Provided by publisher.

Author : Briony Fer
Publisher : Yale University Press
Page : 216 pages
File Size : 47,9 Mb
Release : 2000-01-01
Category : Art
ISBN : 0300087357

Get Book

On Abstract Art by Briony Fer Pdf

Introducing abstract painting and sculpture of the 20th century, this volume explores new ways to think about abstract art and the problems of interpretation it raises. Each of the ten chapters in the book addresses a particular problem associated with abstract art by focusing on specific works.

Author : E. Zalta
Publisher : Springer Science & Business Media
Page : 205 pages
File Size : 43,7 Mb
Release : 2012-12-06
Category : Philosophy
ISBN : 9789400969803

Get Book

Abstract Objects by E. Zalta Pdf

In this book, I attempt to lay the axiomatic foundations of metaphysics by developing and applying a (formal) theory of abstract objects. The cornerstones include a principle which presents precise conditions under which there are abstract objects and a principle which says when apparently distinct such objects are in fact identical. The principles are constructed out of a basic set of primitive notions, which are identified at the end of the Introduction, just before the theorizing begins. The main reason for producing a theory which defines a logical space of abstract objects is that it may have a great deal of explanatory power. It is hoped that the data explained by means of the theory will be of interest to pure and applied metaphysicians, logicians and linguists, and pure and applied epistemologists. The ideas upon which the theory is based are not essentially new. They can be traced back to Alexius Meinong and his student, Ernst Mally, the two most influential members of a school of philosophers and psychologists working in Graz in the early part of the twentieth century. They investigated psychological, abstract and non-existent objects - a realm of objects which weren't being taken seriously by Anglo-American philoso phers in the Russell tradition. I first took the views of Meinong and Mally seriously in a course on metaphysics taught by Terence Parsons at the University of Massachusetts/Amherst in the Fall of 1978. Parsons had developed an axiomatic version of Meinong's naive theory of objects.

Author : Sara Heinämaa,Mirja Hartimo,Ilpo Hirvonen
Publisher : Routledge
Page : 295 pages
File Size : 45,5 Mb
Release : 2022-03-30
Category : Philosophy
ISBN : 9781000553932

Get Book

Contemporary Phenomenologies of Normativity by Sara Heinämaa,Mirja Hartimo,Ilpo Hirvonen Pdf

This volume investigates forms of normativity through the phenomenological methods of description, analysis, and interpretation. It takes a broad approach to norms, covering not only rules and commands but also goals, values, and passive drives and tendencies. Part I "Basic Perspectives" begins with an overview of the phenomena of normativity and then clarifies the constitution of norms by Husserlian and Heideggerian concepts. It offers phenomenological alternatives to the neo-Kantian and neo-Hegelian approaches that dominate contemporary debates on the "sources of normativity." Part II "From Perception to Imagination" turns to the normativity of three basic types of experiences. This part first sheds light on the normativity of perception and then illuminates the kind of normativity characteristic of imagination and drive intentionality. Part III "Social Dimensions" analyzes the norms that regulate the formation of practical communities. It takes a broad view of practical norms, discussing social and moral norms as well as the epistemic norms of scientific practices. By clarifying the divergences and interrelations between various types and levels of norms, the volume demonstrates that normativity is not one phenomenon but a complex set of various phenomena with multiple sources. Contemporary Phenomenologies of Normativity: Norms, Goals, and Values will be of interest to researchers and advanced students working on issues of normativity in phenomenology, epistemology, ethics, and social philosophy.

Author : Daniel Herwitz
Publisher : University of Chicago Press
Page : 388 pages
File Size : 54,7 Mb
Release : 1993-11
Category : Art
ISBN : 0226328910

Get Book

Making Theory/Constructing Art by Daniel Herwitz Pdf

Artists and critics regularly enlist theory in their creation and assessment of artworks, but few have scrutinized the art theories themselves. Making Theory/Constructing Art: On the Authority of the Avant-Garde is among the first philosophical texts to provide a close encounter with this theoretical tendency in twentieth-century art and aesthetics, exploring the norms, assumptions, historical conditions, and institutions that have framed the development and uses of theory in art. In a series of intricate readings of constructivism, Mondrian, and John Cage, Daniel Herwitz outlines the avant-garde's belief that theory can perfectly prefigure the avant-garde art object and invest it with utopian force. Through similarly insightful treatments of Arthur Danto, Andy Warhol, Jean-Francois Lyotard, Jean Baudrillard, and postmodern art and theory, Herwitz demonstrates how the contemporary art world is heir to the avant-garde's theoretical assumptions and practices. In fact, avant-garde art objects live as art only by partly resisting the master theories of their makers and interpreters. Skillfully resisting the lure of grand theory himself, Herwitz urges the art world to be more self-critical and self-reflective about its uses of theory. Making Theory/Constructing Art is as accessible and entertainingly written as it is philosophically incisive. Since the book is both a philosophical and a cultural encounter with theory in twentieth-century art, it will engage all those who have tried to grapple with the inscrutability of the theoretical art muse.

Author : David Davies
Publisher : Oxford University Press
Page : 234 pages
File Size : 51,9 Mb
Release : 2024-02-21
Category : Philosophy
ISBN : 9780192665232

Get Book

An Ontology of Multiple Artworks by David Davies Pdf

Multiple artworks are works that can have multiple 'instances' which can play a particular kind of role in the appreciation of those works: for example, there can be multiple copies of a novel, or multiple performances of a musical work. An Ontology of Multiple Artworks is the first book-length critical analytic treatment of the metaphysical issues relating to 'multiple' artworks for over three decades. David Davies takes various considerations to which authors have appealed in arguing for ontological understandings of works in particular multiple art-forms as putative explananda, arguing that an adequate ontology of multiple artworks should be reflectively accountable to these. After clarifying what 'multiplicity' in the arts amounts to, Davies critically assesses the 'Platonist' idea that multiple artworks must be abstract or generic entities of some sort ('types') that exist independently of our creative and appreciative practices. The evolution of this idea is traced, and its ability to deal with the different explananda in play in the literature is gauged. The methodological constraints that should govern this kind of inquiry are also assessed. On the basis of these investigations, it is concluded that Platonism about multiple artworks is seriously compromised. Different non-Platonist options are then considered, and it is argued that the account that best explains the weighted explananda is the 'Wollheimian type' theory, according to which multiple artworks are performances essentially embedded in artistic practices. Finally, sceptical challenges to the very idea that there are such things as multiple artworks are considered.

Author : Anonim
Publisher : Unknown
Page : 528 pages
File Size : 43,7 Mb
Release : 1867
Category : Philosophy
ISBN : UOM:39015068415507

Get Book

The Journal of Speculative Philosophy by Anonim Pdf

Author : Leah Dickerman,Matthew Affron
Publisher : The Museum of Modern Art
Page : 378 pages
File Size : 42,9 Mb
Release : 2012
Category : Art
ISBN : 9780870708282

Get Book

Inventing Abstraction, 1910-1925 by Leah Dickerman,Matthew Affron Pdf

This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).

Author : Jason Gaiger
Publisher : Bloomsbury Publishing
Page : 257 pages
File Size : 46,5 Mb
Release : 2022-10-20
Category : Philosophy
ISBN : 9781350104891

Get Book

Philosophy of Painting by Jason Gaiger Pdf

What can philosophy reveal about painting and how might it deepen our understanding of this enduring art form? Philosophy of Painting investigates the complex relationship between the painted surface and the depicted subject, opening up current debates to address questions concerning the historicality of art. Embracing contemporary painting, it examines topics such as the post-medium condition and the digital divide, and the work of artists such as Lynette Yiadom-Boakye, Amy Sillman and Katharina Grosse. Illustrated with 24 colour plates and highly readable throughout, Philosophy of Painting provides a philosophically rigorous defence of the relevance of painting in the 21st century, making an original contribution to the major ideas informing painting as an art. Here is a clear and coherent account of the contemporary significance of painting and the pressures and possibilities that distinguish it from other art forms.

Author : Stein Bråten
Publisher : Cambridge University Press
Page : 486 pages
File Size : 53,6 Mb
Release : 1998
Category : Language Arts & Disciplines
ISBN : 0521622573

Get Book

Intersubjective Communication and Emotion in Early Ontogeny by Stein Bråten Pdf

The concept of intersubjectivity, explicit or implicit, has emerged as a common denominator in approaches to interpersonal engagements in early infancy and children's understanding of others' thought and emotion. This 1999 book brings together the most senior international figures in psychology, psychopathology, sociology and primatology to address the key question of the role of intersubjectivity in early ontogeny. Together, they offer an interesting perspective on child development, learning and communication and highlight important comparisons with processes in autistic development and in infant ape development. The book is divided into four parts, focusing on intersubjective attunement in human infancy; companionship and emotional responsiveness in early childhood; imitation, emotion and understanding in primate communication; and intersubjective attunement and emotion in language learning and language use. It is an invaluable resource for researchers in emotion and communication across the social and behavioural sciences.

Author : James O. Young
Publisher : Routledge
Page : 244 pages
File Size : 55,8 Mb
Release : 2020-06-11
Category : Philosophy
ISBN : 9781000179354

Get Book

Radically Rethinking Copyright in the Arts by James O. Young Pdf

This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of art to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: (1) creativity is restricted and (2) they primarily serve the interests of large corporations over those of the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics and philosophy of art, metaphysics, philosophy of law, and intellectual property law.

Author : David Davies
Publisher : Oxford University Press
Page : 234 pages
File Size : 44,8 Mb
Release : 2024-06-07
Category : Art
ISBN : 9780192848864

Get Book

An Ontology of Multiple Artworks by David Davies Pdf

David Davies examines the ontology of multiple artworks, such as books and musical performances. He argues against a theory of multiple works as 'types' that are independent of creative and appreciative acts, instead defending a view on which they are performances essentially embedded in artistic practices.

Author : Charles A. Cramer
Publisher : Associated University Presse
Page : 196 pages
File Size : 46,5 Mb
Release : 2006
Category : Art
ISBN : 087413935X

Get Book

Abstraction and the Classical Ideal, 1760-1920 by Charles A. Cramer Pdf

This study traces an important but largely overlooked conception of abstraction in art from its roots in eighteenth-century empirical epistemology to its application in the pursuit of ideal form from Joshua Reynolds to Piet Mondrian. Theorized by Enlightenment philosophy as a means of discovering ideal essence by purging natural form of its accidental and contingent qualities abstraction was a major focus of philosophical, scientific, and aesthetic discourse for more than one hundred fifty years, serving as the nucleus of fundamental debates about the philosophy of mind, the relationship between the Ancients and the Moderns, the nature of human racial and functional variety, the nature of God's creative ideas, the use of brushwork in painting, the validity of abstraction in art, and the visual appearance of ideal truth and beauty.