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Hard-boiled noir meets academic satire in Academy Gothic. Tate Cowlishaw is late for another faculty meeting when he discovers the body of Scoot Simkins, dean of Parshall College. Cowlishaw might be legally blind but sees that a man with three bullets in his head didn't put them there himself. The police disagree. When Cowlishaw investigates, he is told his teaching contract won't be renewed. Suspects aren't hard to come by at the college annually ranked "Worst Value" by U.S. News & World Report. While the faculty brace for a visit from the accreditation board, Cowlishaw's investigation leads him to another colleague on eternal sabbatical. Before long, his efforts to save his job become efforts to stay alive. A farcical tale of incompetence and corruption, Academy Gothic scathingly redefines higher education as it chronicles the last days of a dying college.
A Research Guide to Gothic Literature in English by Sherri L. Brown,Carol Senf,Ellen J. Stockstill Pdf
The Gothic began as a designation for barbarian tribes, was associated with the cathedrals of the High Middle Ages, was used to describe a marginalized literature in the late eighteenth century, and continues today in a variety of forms (literature, film, graphic novel, video games, and other narrative and artistic forms). Unlike other recent books in the field that focus on certain aspects of the Gothic, this work directs researchers to seminal and significant resources on all of its aspects. Annotations will help researchers determine what materials best suit their needs. A Research Guide to Gothic Literature in English covers Gothic cultural artifacts such as literature, film, graphic novels, and videogames. This authoritative guide equips researchers with valuable recent information about noteworthy resources that they can use to study the Gothic effectively and thoroughly.
Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day by Isabella van Elferen Pdf
Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day presents an interdisciplinary approach to an important aspect of Gothic texts, films, and music: that of rewriting. From the eighteenth-century Gothic novel to present-day vampire films and Goth music, the genre is characterised by its nostalgic reflection on past worlds, narratives, and identities. Gothic nostalgia is often accompanied by a transgressive drive, resulting in perversions of the rewritten past—the modern vampire is no longer embodied evil but an attractive dandy, while Goth subcultures reflect on Victorian aesthetics but pervert them by adding fetishist elements. Gothic nostalgia transforms the past, turning it upside down, foregrounding its background, and corrupting its order. In this volume an international group of philosophy, literature, film, and music scholars investigates the instrumental role of nostalgia and perversion in the Gothic’s rewriting of the past. If elements of both nostalgia and perversion are operative in Gothic rewriting, how are they connected? How do they play out in differing media? How do they change audiences’ views on the relationships between binaries such as past and present, other and self, and norm and deviation? Nostalgia or Perversion brings together the early Gothic novel, present-day female and black Gothic literature, Goth subculture and music, and the imagery of horror films and comic books, thus broadening the definition of ‘Gothic’ from a literary genre to a gesture of pervasive cultural criticism. The interdisciplinary analysis of nostalgia and perversion in Gothic rewriting uncovers wholly new insights into the artistic and social functions of the Gothic, making the volume useful to both scholars and students. As the essays reflect on academic as well as popular texts and media, it is also accessible to general readers. "Nostalgia or Perversion provides a sophisticated analysis of how the Gothic radically rewrites the past, not as nostalgia but as a calculated act of transgression. The past and how its reconstructions break down the boundaries between real and unreal, and normal and abnormal, is examined across a range of different media, including novels, films, comic books, television and music. The essays in this collection also address how this issue shapes Gothic formulations of race, sexuality, and gender. Both ambitious in scope and focused and rigorous in its analysis, this book provides a critically important re-evaluation of the Gothic tradition." —Andrew Smith, University of Glamorgan (UK).
George Webber’s poignant black-and-white photographs transport us into the forgotten, unknowable communities of the Canadian prairies. Throughout the journey, we’re confronted by the mysterious particulars of life, death, landscape and faith. Intimate portraits and the hard facts of the place are woven together to create a body of work that is by turns inspiring, consoling and sometimes achingly sad. Individually, these works startle and challenge. As a collection, they represent a photographer’s decades-long meditation on the ever-changing face of the Canadian West.
Architecture, Print Culture and the Public Sphere in Eighteenth-Century France by Richard Wittman Pdf
This book focuses on the complex ways in which architectural practice, theory, patronage, and experience became modern with the rise of a mass public and a reconfigured public sphere between the end of the seventeenth century and the French Revolution. Presenting a fresh theoretical orientation and a large body of new primary research, this book offers a new cultural history of virtually all the major monuments of eighteenth-century Parisian architecture, with detailed analyses of the public debates that erupted around such Parisian monuments as the east facade of the Louvre, the Place Louis XV [the Place de la Concorde], and the church of Sainte-Genevieve [the Pantheon]. Depicting the passage of architecture into a mediatized public culture as a turning point, and interrogating it as a symptom of the distinctly modern configuration of individual, society, and space that emerged during this period, this study will interest readers well beyond the discipline of architectural history.
Global Gothic by Barbara Borngässer,Bruno Klein Pdf
Gothic style and contemporary architecture worldwide Although largely overlooked in studies of architectural history, church architecture in a Gothic idiom outlived its 19th century momentum to persist worldwide throughout the 20th century and into the new millennium. Global Gothic presents a first systematic worldwide understanding of "Gothic" in contemporary architecture, both as a distinct variation and as a competitor to recognized modern styles. The book’s chapters critically discuss Gothic’s various manifestations over the past century, describing and illustrating approaches from Gothic Revival living traditions in the former British Empire and original Gothic appropriation in Latin America to competitions of European builders in former Asian and African colonies. The focus is also on the special appropriations in North America, China and Japan, as well as contemporary solutions that tend to be transnational in style. With contributions from renowned architecture experts from around the world, Global Gothic provides an overview of this cultural phenomenon and presents a wealth of stunning material, much of it little known. Richly illustrated in full color, it offers an important contribution to colonial and postcolonial global art history and a seldom acknowledged perspective on art history in general. Contributors: Barbara Borngässer (Technische Universität Dresden), Martín M. Checa-Artasu (Metropolitan Autonomous University, Mexico City), Thomas Coomans (KU Leuven), Pedro Guedes (University of Queensland), Bruno Klein (Technische Universität Dresden), Bettina Marten (Technische Universität Dresden), Olimpia Niglio (Hosei University Tokyo), Peter Scriver (University of Adelaide), Amit Srivastava (University of Adelaide) This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
"Authored by Theodore Crackel, West Point: A Bicentennial History celebrates one of America's most prominent establishments. A revision and refinement of the author's earlier Illustrated History of West Point, published more than ten years ago, it provides the most accurate and comprehensive history yet available on the Academy. It features new research and new perspectives in every chapter, adds a decade of coverage, and has garnered the West Point Bicentennial Committee's official seal of approval."--Jacket.
Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture by LaurenS. Weingarden Pdf
For most of the twentieth century, modernist viewers dismissed the architectural ornament of Louis H. Sullivan (1856-1924) and the majority of his theoretical writings as emotional outbursts of an outmoded romanticism. In this study, Lauren Weingarden reveals Sullivan's eloquent articulation of nineteenth-century romantic practices - literary, linguistic, aesthetic, spiritual, and nationalistic - and thus rescues Sullivan and his legacy from the narrow role imposed on him as a pioneer of twentieth-century modernism. Using three interpretive models, discourse theory, poststructural semiotic analysis, and a pragmatic concept of sign-functions, she restores the integrity of Sullivan's artistic choices and his historical position as a culminating figure within nineteenth-century romanticism. By giving equal weight to Louis Sullivan's writings and designs, Weingarden shows how he translated both Ruskin's tenets of Gothic naturalism and Whitman's poetry of the American landscape into elemental structural forms and organic ornamentation. Viewed as a site where various romantic discourses converged, Sullivan's oeuvre demands a cross-disciplinary exploration of each discursive practice, and its "rules of accumulation, exclusion, reactivation." The overarching theme of this study is the interrogation and restitution of those Foucauldian rules that enabled Sullivan to articulate architecture as a pictorial mode of landscape art, which he considered co-equal with the spiritual and didactic functions of landscape poetry.
Shakespeare famously wrote that some men are born great, some achieve greatness, and some have greatness thrust upon them. Part military history and part group biography, Generals in the Making tells the amazing true story of how George Marshall, Dwight Eisenhower, Douglas MacArthur, George Patton, and their peers became the greatest generation of senior commanders in military history. As the U.S. Army’s triumphant homecoming from World War I was quickly forgotten amidst two decades filled with economic depression and growing isolationism, Marshall, Eisenhower, MacArthur, Patton, Omar Bradley, Lucian Truscott, Matthew Ridgway, and their brothers in arms toiled in a profession most Americans viewed with distrust. Before they became legends, these young officers served their country in posts from Washington D.C. to Panama, from West Point to war-torn China. They taught and studied together in the Army’s schools, attempting to innovate in an era of shrinking budgets, obsolete equipment, and skeletal forces. Beyond these professional challenges, they endured shattering personal tragedies: the sudden deaths of children or spouses, divorce, depression, and court martial. Yet when the world faced possibly its darkest hour, as fascism and barbarism were on the march, they stood ready to lead America’s young men in the fight for civilization. By the end of World War II, even German commanders expressed amazement at the dynamic change in American military leadership since the Great War. Generals in the Making is the first comprehensive history of America’s World War II generals between the wars, an invaluable prequel to every history of that war.