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Acoustic Music for Folk Ensemble, Vol. 2 by Jon Bennett,Jacquie Johnson Pdf
A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.
Acoustic Music for Folk Ensemble, Vol. 2 by Bennett Jon & Johnson Jacqui Pdf
A set of 14 folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts - melody, countermelody, and bass line - as well as chords shown beneath the melody line. In addition to technical tips, there is a video performance of each tune by Moonrakers, played at a steady pace. Suitable for intermediate/advanced players.
New Acoustic Music for Folk Ensemble by Jon Bennett,Jacqui Johnson Pdf
A set of 12 beautiful new folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts – melody, countermelody, and bass line – as well as chords shown beneath the melody line. In addition to technical tips there is a video performance of each tune by Moonrakers played at a steady pace. Suitable for intermediate-level amateurs and professionals alike. Includes access to online video.
New Acoustic Music for Folk Ensemble by Jon Bennett Pdf
A set of 12 beautiful new folk tunes arranged for acoustic instruments and suitable for ensembles ranging from duos to small orchestras. Each tune has three written parts - melody, countermelody, and bass line - as well as chords shown beneath the melody line. In addition to technical tips there is a video performance of each tune by Moonrakers played at a steady pace. Suitable for intermediate-level amateurs and professionals alike. Includes access to online video.
The Concise Garland Encyclopedia of World Music by Garland Encyclopedia of World Music, Pdf
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
Continuum Encyclopedia of Popular Music of the World, Volume 2 by John Shepherd,David Horn,Dave Laing,Paul Oliver,Peter Wicke Pdf
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
The original publications of the 1930s are scarcely to be found. The posthumous 1962 volume in the Soviet Union was limited to a tiny edition. Yet the work of the man who has been called "the foremost authority on Jewish folk music before the Holocaust," Moshe Beregovski, survives and is now available for the first time to the English-speaking world. As a member of the Jewish community as well as an ethnomusicologist in prewar Russia, Beregovski had not only the inspiration to preserve the spirit and vitality of the music that filled the lives of his people but also the professional training to document his findings to exacting standards. The first section of SIobin's book contains translations of some of Beregovski's responses to Jewish folk music in its living context during the 1930s. He raises important questions about ethnicity in his essay on interaction between Ukrainian and Jewish musical influences. His work on klezmer music. the music of the Jewish folk instrumental bands, is the most authoritative on the subject and includes his complete guide to fieldworkers in folk music. In another essay Beregovski analyzes an unmistakable trademark of Jewish folk music, the "altered Dorian" scale, and its symbolism in Eastern European Jewish culture. The second section constitutes Beregovski's anthologies of hundreds of folk songs with full Yiddish and English song texts. Each song is carefully notated exactly as it was sung and is accompanied by Beregovski's notes on origins and variants. Beregovski's essays and transcriptions form a pat and a symbol of what was lost in the mass destruction of Eastern European Jewish culture in this century. They form a cultural record of deep significance not only for the Jewish people, but also for folklorists and scholars as evidence of a distinctive music culture that interacted with—and influenced—the folk musics of Eastern Europe.
History of Music in Russia from Antiquity to 1800, Volume 2 by Nikolai Findeizen Pdf
In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.
Folk Songs for Solo Singers, Volume 2 - Medium High Voice by Jay Althouse Pdf
This volume of 14 best-loved folk songs for solo voice and piano contains memorable works arranged by three of Alfred Music's top writers: Jay Althouse, Mark Hayes and Ruth Elaine Schram. Titles: * All My Trials * All Through the Night * Camptown Races * Cindy * Fire Down Below * Follow the Drinking Gourd * Go 'Way from My Window * He's Gone Away * Old Dan Tucker * Poor Boy * Poor Wayfaring Stranger * Shenandoah * Simple Gifts * The Water is Wide
The Boston Composers Project by Boston Area Music Libraries Pdf
The bibliography lists nearly 5,000 compositions by 200 composers of jazz and "art" music, indicating where scores or realizations can be purchased, rented, or borrowed, and which Boston area libraries have them in their collections.
American Mandolin Method Volume 2 by BRIAN WICKLUND Pdf
The American Mandolin Method is the new standard for mandolin instruction. Master teachers and performers of the mandolin, Brian Wicklund and BenWinship have crafted Volume 2 of their series to be used both as a follow up to Volume 1 and for intermediate players who are already experienced with the mandolin. Using clear illustrations and lucid explanations, the authors review skills such as efficiently holding the mandolin, fretting, picking technique and creating good tone. Students learn techniques such as slides, hammer-ons, pull-offs, bar chords, chop chords and 7th chords while progressing step-by-step through over two dozen universally played jam tunes. The very listenable, high quality, extendedlength online audio recording available with the book allows students to play along with the tunes to simulate jamming. Also included are folded scale exercises, and common sense tips from the authors' long experience teachingand performing. Includes access to online audio
Folk Songs for Solo Singers, Volume 2 - Medium Low Voice by Jay Althouse Pdf
This volume of 14 best-loved folk songs for solo voice and piano contains memorable works arranged by three of Alfred Music's top writers: Jay Althouse, Mark Hayes and Ruth Elaine Schram. Titles: * All My Trials * All Through the Night * Camptown Races * Cindy * Fire Down Below * Follow the Drinking Gourd * Go 'Way from My Window * He's Gone Away * Old Dan Tucker * Poor Boy * Poor Wayfaring Stranger * Shenandoah * Simple Gifts * The Water is Wide
World Music Pedagogy, Volume IV: Instrumental Music Education by Mark Montemayor,William Coppola,Christopher Mena Pdf
World Music Pedagogy, Volume IV: Instrumental Music Education provides the perspectives and resources to help music educators craft world-inclusive instrumental music programs in their teaching practices. Given that school instrumental music programs—concert bands, symphony orchestras, and related ensembles—have borne musical traditions that broadly reflect Western art music and military bands, instructors are often educated within the European conservatory framework. Yet a culturally diverse and inclusive music pedagogy can enrich, expand, and transform these instrumental music programs to great effect. Drawing from years of experience as practicing music educators and band and orchestra leaders, the authors present a vision characterized by both real-world applicability and a great depth of perspective. Lesson plans, rehearsal strategies, and vignettes from practicing teachers constitute valuable resources. With carefully tuned ears to intellectual currents throughout the broader music education community, World Music Pedagogy, Volume IV provides readers with practical approaches and strategies for creating world-inclusive instrumental music programs.
The Garland Handbook of Southeast Asian Music by Terry Miller,Sean Williams Pdf
The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area. Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on island Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying compact disc offers musical examples from Southeast Asia.
