Adirondack Prints And Printmakers

Author : Caroline M. Welsh
Publisher : Syracuse University Press
Page : 248 pages
File Size : 52,5 Mb
Release : 1998-05-01
Category : Art
ISBN : 0815605196

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Adirondack Prints and Printmakers by Caroline M. Welsh Pdf

Since the late eighteenth century, the Adirondacks—first characterized as a "Dismal Wilderness" and then a "Sportsman's Paradise"—has challenged cartographers, scientists, sportsmen, travelers, and artists. In a volume that covers nearly three hundred years of artistic achievement, Adirondack Museum curator Caroline M. Welsh includes essays that were originally presented at the 1995 North American Print Conference at the Adirondack Museum. Comprehensive in scope and lavishly illustrated, the book embodies the artistic spectrum from the documentary to the aesthetic. Paintings of Adirondack scenery were frequently reproduced as prints. Lithographs after original paintings disseminated affordable fine art to a broad middle class, exemplifying a pervasive nineteenth-century faith that art. By 1850, this northern expanse became a sanctuary for artists. Inspired by the drama of the landscape, the purity of the light, and the grandeur of its rugged wilderness, artists flocked to the region. From Winslow Homer, Dr. Arpad Gerster, and the French naturalist Jacques Gerard Milbert to Canadian artist David Milne, Adirondack Prints and Printmakers underscores the importance of the wilderness landscape in American art and culture and the role that prints have played to document, promote, and celebrate the Adirondacks.

Author : David Tatham
Publisher : Syracuse University Press
Page : 304 pages
File Size : 49,6 Mb
Release : 1986-08-01
Category : Art
ISBN : 0815602049

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Prints and Printmakers of New York State, 1825-1940 by David Tatham Pdf

For well over a century, New York has been a microcosm of the art and craft of American printmaking. Until 1825, printmaking in America was almost entirely an artisan's craft. Then, with the arrival of lithography, the realization arose that printmaking could also be a fine art. The essays published in this collection contribute to the body of scholarship by identifying important but hitherto insufficiently studied aspects of the graphic arts and treating them authoritatively. Their subjects concern prints in New York State, whose great metropolitan city was, after 1825, the acknowledged center of nearly everything important in the graphic arts in the U.S. The history of American prints from 1825 on is enormously rich, yet until the 1970s it was the least studied and understood aspect of the history of art in North America. It is a history more deeply rooted in popular culture and more closely tied, for a long time, to the world of commerce than the other arts. The usually small-scale, sometimes ephemeral, and often highly subtle (or highly unsubtle) nature of prints makes it easy to overlook them. The collection of essays included here were originally presented at the Twelfth Annual North American Print Conference, held in 1981 in Syracuse, New York. Locally organized, these conferences have been held during the last decade throughout the U.S. and Canada to further the study of the history of the pictorial graphic arts in North America. Contributors include several leading historians of the graphic arts of nineteenth-century America. Their chapters bring to life and flesh out figures who were previously little more than names, establish facts that correct long-held erroneous assumptions, introduce many prints of exceptional interest that have remained out of the public view for generations, and provide a rich, new context for many familiar images.

Author : Georgia Brady Barnhill
Publisher : David R. Godine Publisher
Page : 132 pages
File Size : 48,9 Mb
Release : 1995
Category : Architecture
ISBN : UOM:39015037417840

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Wild Impressions by Georgia Brady Barnhill Pdf

Here are wood engravings by Winslow Homer, color lithographs after A. F. Tait, hunting scenes from Currier and Ives, and etchings by Stephen Parrish and John Henry Hill. Whether intended to attract tourists, record the landscape, or sway public opinion, these prints not only document the history of a singular region but also mirror the broader cultural trends of a vigorous, expansive, and confident America.

Author : Daegan Miller
Publisher : University of Chicago Press
Page : 336 pages
File Size : 47,8 Mb
Release : 2018-03-22
Category : History
ISBN : 9780226336312

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This Radical Land by Daegan Miller Pdf

“The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature,” wrote Alexis de Tocqueville in 1835. That’s largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent’s natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There’s much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that’s been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California’s sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent—drawing crucial early links between the environment and social justice, links we’re still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past—and of understanding what it can offer us for the present . . . and the future.

Author : Anonim
Publisher : Unknown
Page : 130 pages
File Size : 47,5 Mb
Release : 1999
Category : Prints
ISBN : UCSC:32106020078413

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Print Quarterly by Anonim Pdf

Author : Peter Eisenstadt
Publisher : Syracuse University Press
Page : 1960 pages
File Size : 51,7 Mb
Release : 2005-05-19
Category : History
ISBN : 081560808X

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The Encyclopedia of New York State by Peter Eisenstadt Pdf

The Encyclopedia of New York State is one of the most complete works on the Empire State to be published in a half-century. In nearly 2,000 pages and 4,000 signed entries, this single volume captures the impressive complexity of New York State as a historic crossroads of people and ideas, as a cradle of abolitionism and feminism, and as an apex of modern urban, suburban, and rural life. The Encyclopedia is packed with fascinating details from fields ranging from sociology and geography to history. Did you know that Manhattan's Lower East Side was once the most populated neighborhood in the world, but Hamilton County in the Adirondacks is the least densely populated county east of the Mississippi; New York is the only state to border both the Great Lakes and the Atlantic Ocean; the Erie Canal opened New York City to rich farmland upstate . . . and to the west. Entries by experts chronicle New York's varied areas, politics, and persuasions with a cornucopia of subjects from environmentalism to higher education to railroads, weaving the state's diverse regions and peoples into one idea of New York State. Lavishly illustrated with 500 photographs and figures, 120 maps, and 140 tables, the Encyclopedia is key to understanding the state's past, present, and future. It is a crucial reference for students, teachers, historians, and business people, for New Yorkers of all persuasions, and for anyone interested in finding out more about New York State.

Author : David Tatham
Publisher : Syracuse University Press
Page : 176 pages
File Size : 40,9 Mb
Release : 2004-04-01
Category : Art
ISBN : 0815607733

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Winslow Homer in the Adirondacks by David Tatham Pdf

In this title, David Tatham demonstrates that Winslow Homer's 'Adirondack oils and watercolours constitute a highly original examination of the human race's relationship to the natural world at a time when long-established assumptions about humans, nature, and art itself were undergoing profound change.

Author : Rebecca Foster,Caroline M. Welsh
Publisher : Syracuse University Press
Page : 164 pages
File Size : 45,6 Mb
Release : 2005-06-16
Category : Art
ISBN : 0815608349

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Wild Exuberance by Rebecca Foster,Caroline M. Welsh Pdf

Early in his career, critics and collectors widely recognized that Harold Weston (1894-"1972), was capturing and saying something unusual in his paintings. "There is a young American painter," wrote Duncan Phillips, "who stirs in me the hope for a re-birth on this new soil of something that was lost to the art of painting with the passing of Vincent van Gogh." Along with 104 color and ten black-and-white plates of Weston's works compiled by his daughter, Nina Weston Foster, curator of the Harold Weston Foundation, the catalog includes essays that cover myriad aspects of Weston's life and art. The Adirondack Museum's chief curator Caroline M. Welsh explores nature and wilderness preservation as themes in twentieth-century art and places Weston in the context of his contemporaries who painted the Adirondacks. Theodore E. Stebbins, Jr., curator of American art at the Fogg Art Museum, provides a critical analysis of Weston as a twentieth-century American modernist painter. The biographical essay by Weston's art historian granddaughter, Rebecca Foster, follows the unfolding of a career in parallel to the unfolding of a life. Weston's rich technique is explored by Stephen B. Phillips, curator at the Phillips Collection, in an in-depth analysis of the painting.

Author : James King
Publisher : Dundurn
Page : 384 pages
File Size : 49,5 Mb
Release : 2015-08-08
Category : Biography & Autobiography
ISBN : 9781459729094

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Inner Places by James King Pdf

David Milne was a modernist who broke the mould. In a precarious and roving life, he captured the texture of every place he lived in a different kind of landscape painting. Inner Places opens a window on Milne's constant spirit, his struggles to survive, and the many personal and professional lives of this Canadian original.

Author : Jeffrey L. Horrell
Publisher : Syracuse University Press
Page : 192 pages
File Size : 45,9 Mb
Release : 1999-12-01
Category : Literary Criticism
ISBN : 0815606095

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Seneca Ray Stoddard by Jeffrey L. Horrell Pdf

Seneca Ray Stoddard’s photographic and literary work paralleled the era of exploration of this region as well as the early years of photography. It was during his lifetime—as a result of the changing perceptions of the wilderness—that the area first attracted artists, tourists, and summer residents. Jeffrey L. Horrell’s book explores the nature of this Adirondack pioneer’s work and examines how it influenced and was influenced by the changing attitudes toward wilderness in the last half of the nineteenth century. It is the first complete volume to provide an in-depth study of both Stoddard’s writing and photography. Through his photographs and publishing ventures, Stoddard moved from recording the wilderness landscape to defending it against the logging industry and other developers. Stoddard was instrumental in creating the modern perception of the “forever wild” landscape of the Adirondacks. Although there had been a well-established tradition of guidebooks for American tourist regions, Stoddard’s practice of including illustrations based on photographs represented a new departure. Horrell shows how Stoddard’s work reflected matters of class and power on the emerging tourist industry and its effect on the popular literature of the day.

Author : David Tatham
Publisher : Syracuse University Press
Page : 296 pages
File Size : 41,9 Mb
Release : 2003-04-01
Category : Art
ISBN : 0815629745

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Winslow Homer and the Pictorial Press by David Tatham Pdf

Winslow Homer (1836-1910), arguably the best-known American artist of the nineteenth century, created three distinctly different bodies of work in the course of his long career: paintings, book illustrations, and illustrations for the pictorial press, the magazine-like illustrated journals of his day. A number of books and exhibition catalogues have dealt with his career as a painter, and historian David Tatham treated all of Homer's work as an illustrator of literature in his Winslow Homer and the Illustrated Book. Now, ten years later, Tatham has completed a full, scholarly account of Homer's work for pictorial magazines such as Harper's Weekly, Appleton's Monthly, and Every Saturday. Homer's work for pictorial magazines is substantial, to say the least. It amounts to some 250 wood-engraved images published between 1857 and 1875. These wood engravings are collected assiduously and are exhibited frequently in museums. They differ from Homer's book illustrations in that they are independent from the texts; Homer chose and treated the great majority of his magazine subjects much as he did his paintings. They are, in essence, original works of graphic art. The illustrations reproduced here cover a remarkable range. They constitute the first substantial body of American art about the life of the city streets, the Thanksgiving and Christmas holidays, abolition, and the New Woman. They include compelling treatments of the Civil War, rural childhood, and wilderness. They also comprise an essential contribution to the study of one of the masters of American art.

Author : Melissa Otis
Publisher : Syracuse University Press
Page : 398 pages
File Size : 55,5 Mb
Release : 2018-12-20
Category : History
ISBN : 9780815654537

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Rural Indigenousness by Melissa Otis Pdf

The Adirondacks have been an Indigenous homeland for millennia, and the presence of Native people in the region was obvious but not well documented by Europeans, who did not venture into the interior between the seventeenth and early nineteenth centuries. Yet, by the late nineteenth century, historians had scarcely any record of their long-lasting and vibrant existence in the area. With Rural Indigenousness, Otis shines a light on the rich history of Algonquian and Iroquoian people, offering the first comprehensive study of the relationship between Native Americans and the Adirondacks. While Otis focuses on the nineteenth century, she extends her analysis to periods before and after this era, revealing both the continuity and change that characterize the relationship over time. Otis argues that the landscape was much more than a mere hunting ground for Native residents; rather, it a "location of exchange," a space of interaction where the land was woven into the fabric of their lives as an essential source of refuge and survival. Drawing upon archival research, material culture, and oral histories, Otis examines the nature of Indigenous populations living in predominantly Euroamerican communities to identify the ways in which some maintained their distinct identity while also making selective adaptations exemplifying the concept of "survivance." In doing so, Rural Indigenousness develops a new conversation in the field of Native American studies that expands our understanding of urban and rural indigeneity.

Author : Georgia Brady Barnhill
Publisher : David R. Godine Publisher
Page : 136 pages
File Size : 54,9 Mb
Release : 1995
Category : Architecture
ISBN : 1567920411

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Wild Impressions by Georgia Brady Barnhill Pdf

Here are wood engravings by Winslow Homer, color lithographs after A. F. Tait, hunting scenes from Currier and Ives, and etchings by Stephen Parrish and John Henry Hill. Whether intended to attract tourists, record the landscape, or sway public opinion, these prints not only document the history of a singular region but also mirror the broader cultural trends of a vigorous, expansive, and confident America.

Author : Sophie Lynford
Publisher : Princeton University Press
Page : 264 pages
File Size : 55,9 Mb
Release : 2022-09-20
Category : Art
ISBN : 9780691231914

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Painting Dissent by Sophie Lynford Pdf

A revelatory history of the first artist collective in the United States and its effort to reshape nineteenth-century art, culture, and politics The American Pre-Raphaelites founded a uniquely interdisciplinary movement composed of politically radical abolitionist artists and like-minded architects, critics, and scientists. Active during the Civil War, this dynamic collective united in a spirit of protest, seeking sweeping reforms of national art and culture. Painting Dissent recovers the American Pre-Raphaelites from the margins of history and situates them at the center of transatlantic debates about art, slavery, education, and politics. Artists such as Thomas Charles Farrer and John Henry Hill championed a new style of landscape painting characterized by vibrant palettes, antipicturesque compositions, and meticulous brushwork. Their radicalism, however, was not solely one of style. Sophie Lynford traces how the American Pre-Raphaelites proclaimed themselves catalysts of a wide-ranging reform movement that staged politically motivated interventions in multiple cultural arenas, from architecture and criticism to collecting, exhibition design, and higher education. She examines how they publicly rejected their prominent contemporaries, the artists known as the Hudson River School, and how they offered incisive critiques of antebellum society by importing British models of landscape theory and practice. Beautifully illustrated and drawing on a wealth of archival material, Painting Dissent transforms our understanding of how American artists depicted the nation during the most turbulent decades of the nineteenth century.

Author : Tim Barringer,T. J. Barringer,Gillian Forrester,Sophie Lynford,Jennifer Raab,Nicholas Robbins
Publisher : Yale University Press
Page : 193 pages
File Size : 47,8 Mb
Release : 2018-01-01
Category : Art
ISBN : 9780300233537

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Picturesque and Sublime by Tim Barringer,T. J. Barringer,Gillian Forrester,Sophie Lynford,Jennifer Raab,Nicholas Robbins Pdf

Thomas Cole (1801-1848) is widely acknowledged as the founder of American landscape painting. Born in England, Cole emigrated in 1818 to the United States, where he transformed British and continental European traditions to create a distinctive American idiom. He embraced the picturesque, which emphasized touristic pleasures, and the sublime, an aesthetic category rooted in notions of fear and danger. Including striking paintings and a broad range of works on paper, from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, this book explores the trans-Atlantic context for Cole's oeuvre. These works chart a history of landscape aesthetics and demonstrate the essential role of prints as agents of artistic transmission. The authors offer new interpretations of work by Cole and the British artists who influenced him, including J.M.W. Turner and John Constable, revealing Cole's debt to artistic traditions as he formulated a profound new category in art. the American sublime.