Aesthetic Revolutions And Twentieth Century Avant Garde Movements

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Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements

Aleš Erjavec
Aesthetic Revolutions and Twentieth Century Avant Garde Movements Book PDF

Author : Aleš Erjavec
Publisher : Duke University Press
Page : 344 pages
File Size : 49,9 Mb
Release : 2015-05-08
Category : Art
ISBN : 9780822375661

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Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements by Aleš Erjavec Pdf

This collection examines key aesthetic avant-garde art movements of the twentieth century and their relationships with revolutionary politics. The contributors distinguish aesthetic avant-gardes —whose artists aim to transform society and the ways of sensing the world through political means—from the artistic avant-gardes, which focus on transforming representation. Following the work of philosophers such as Friedrich Schiller and Jacques Rancière, the contributors argue that the aesthetic is inherently political and that aesthetic avant-garde art is essential for political revolution. In addition to analyzing Russian constructivsm, surrealism, and Situationist International, the contributors examine Italian futurism's model of integrating art with politics and life, the murals of revolutionary Mexico and Nicaragua, 1960s American art, and the Slovenian art collective NSK's construction of a fictional political state in the 1990s. Aesthetic Revolutions and Twentieth-Century Avant-Garde Movements traces the common foundations and goals shared by these disparate arts communities and shows how their art worked towards effecting political and social change. Contributors. John E. Bowlt, Sascha Bru, David Craven, Aleš Erjavec, Tyrus Miller, Raymond Spiteri, Miško Šuvakovic

Fast Forward

Tim Harte
Fast Forward Book PDF

Author : Tim Harte
Publisher : Univ of Wisconsin Press
Page : 341 pages
File Size : 48,5 Mb
Release : 2009-11-24
Category : Literary Criticism
ISBN : 9780299233235

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Fast Forward by Tim Harte Pdf

Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.

Art of the Avant-gardes

Professor and Head of Art History Steve Edwards,Steve Edwards,Paul Wood
Art of the Avant gardes Book PDF

Author : Professor and Head of Art History Steve Edwards,Steve Edwards,Paul Wood
Publisher : Yale University Press
Page : 476 pages
File Size : 43,6 Mb
Release : 2004-01-01
Category : Art
ISBN : 0300102305

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Art of the Avant-gardes by Professor and Head of Art History Steve Edwards,Steve Edwards,Paul Wood Pdf

02 This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood. This gorgeous book presents and discusses the oils, works on paper, and other artistic creations of William Holman Hunt, one of the three major artistic talents of the Pre-Raphaelite brotherhood.

The Avant Garde: A Very Short Introduction

David Cottington
The Avant Garde A Very Short Introduction Book PDF

Author : David Cottington
Publisher : Oxford University Press
Page : 153 pages
File Size : 55,5 Mb
Release : 2013-01-31
Category : Art
ISBN : 9780199582730

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The Avant Garde: A Very Short Introduction by David Cottington Pdf

For over a hundred years 'the avant-garde' has been the most influential concept in modern art; its impact on the history of modern culture has been profound. In this Very Short Introduction, David Cottington explores why the avant-garde carries so much authority, and places it within the context of western modernity and capitalist culture.

Harmony and Dissent

R. Bruce Elder
Harmony and Dissent Book PDF

Author : R. Bruce Elder
Publisher : Wilfrid Laurier Univ. Press
Page : 518 pages
File Size : 46,6 Mb
Release : 2008-10-02
Category : Art
ISBN : 9781554580286

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Harmony and Dissent by R. Bruce Elder Pdf

R. Bruce Elder argues that the authors of many of the manifestoes that announced in such lively ways the appearance of yet another artistic movement shared a common aspiration: they proposed to reformulate the visual, literary, and performing arts so that they might take on attributes of the cinema. The cinema, Elder argues, became, in the early decades of the twentieth century, a pivotal artistic force around which a remarkable variety and number of aesthetic forms took shape. To demonstrate this, Elder begins with a wide-ranging discussion that opens up some broad topics concerning modernity’s cognitive (and perceptual) regime, with a view to establishing that a crisis within that regime engendered some peculiar, and highly questionable, epistemological beliefs and enthusiasms. Through this discussion, Elder advances the startling claim that a crisis of cognition precipitated by modernity engendered, by way of response, a peculiar sort of “pneumatic (spiritual) epistemology.” Elder then shows that early ideas of the cinema were strongly influenced by this pneumatic epistemology and uses this conception of the cinema to explain its pivotal role in shaping two key moments in early-twentieth-century art: the quest to bring forth a pure, “objectless” (non-representational) art and Russian Suprematism, Constructivism, and Productivism.

The Aesthetics of Matter

Sarah Posman,Anne Reverseau,David Ayers,Sascha Bru,Benedikt Hjartarson
The Aesthetics of Matter Book PDF

Author : Sarah Posman,Anne Reverseau,David Ayers,Sascha Bru,Benedikt Hjartarson
Publisher : Walter de Gruyter
Page : 448 pages
File Size : 50,7 Mb
Release : 2013-10-29
Category : Literary Criticism
ISBN : 9783110317534

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The Aesthetics of Matter by Sarah Posman,Anne Reverseau,David Ayers,Sascha Bru,Benedikt Hjartarson Pdf

It has often been argued that the arrival of the early-20th-century avant-gardes and modernisms coincided with an in-depth exploration of the materiality of art and writing. The European historical avant-gardes and modernisms excelled in their attempts to establish the specificity of media and art forms as well as in experimenting with the hybridity of the materials of their multiple disciplines. This third volume of the series European Avant-Garde and Modernism Studies sheds light on the full range and import of this aspect in avant-garde and modernist aesthetics across all art forms and throughout the 19th and 20th centuries. The book’s contributions, written by experts from some 20 countries, seek to answer the following questions: What sort of objects and material, works and media help us to properly grasp the avant-garde and modernist “aesthetics of matter”? How were affects, emotions and sensory and bodily experiences transferred and transformed in the experiment with matter? How were “immaterial” things such as concepts of time changed in this aesthetic moment? What “material meanings” were disseminated in the cultural transfer and translation of objects? How did subsequent avant-gardes deal with the “aesthetics of matter” in their response to historical predecessors?

The Early Avant-Garde in Twentieth-Century Literature and Art

Willard Bohn
The Early Avant Garde in Twentieth Century Literature and Art Book PDF

Author : Willard Bohn
Publisher : Routledge
Page : 178 pages
File Size : 46,8 Mb
Release : 2018-05-11
Category : Literary Criticism
ISBN : 9780429941726

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The Early Avant-Garde in Twentieth-Century Literature and Art by Willard Bohn Pdf

This book focuses on avant-garde literature and art in Europe and America during the first quarter of the twentieth century. It examines five movements that shaped our response to the demands of the modern age and contributed to the creation of a modern sensibility: Cubism, Futurism, the Metaphysical School, Dada, and Surrealism. Each of these arose in response to recent scientific, technological, and/or philosophical developments that drastically affected modern civilization. In turn, each was responsible for a major paradigm shift that altered the way in which we view—and respond to--the world around us. The final chapter is comparative in nature and studies the role of the mannequin in literature and art during the same period.

The Total Art of Stalinism

Boris Groys
The Total Art of Stalinism Book PDF

Author : Boris Groys
Publisher : Verso Books
Page : 145 pages
File Size : 44,8 Mb
Release : 2014-05-27
Category : Art
ISBN : 9781844678099

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The Total Art of Stalinism by Boris Groys Pdf

From the ruins of communism, Boris Groys emerges to provoke our interest in the aesthetic goals pursued with such catastrophic consequences by its founders. Interpreting totalitarian art and literature in the context of cultural history, this brilliant essay likens totalitarian aims to the modernists’ goal of producing world-transformative art. In this new edition, Groys revisits the debate that the book has stimulated since its first publication.

The Challenge of the Avant-garde

Paul Wood
The Challenge of the Avant garde Book PDF

Author : Paul Wood
Publisher : Yale University Press
Page : 292 pages
File Size : 49,7 Mb
Release : 1999-01-01
Category : Art
ISBN : 0300077629

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The Challenge of the Avant-garde by Paul Wood Pdf

The Challenge of the Avant-Garde is the fourth of six books in the series Art and its Histories, which form the main texts of an Open University course. The course has been designed for students who are new to the discipline but will also appeal to those who have undertaken some study in this area. This volume traces the challenge posed to the academic canon by the emergent avant-garde of the early and mid-nineteenth century.It looks at significant shifts in the development of the concept, both in moves away from the sense of social leadership to a desire for artistic autonomy in the later nineteenth century and then a reverse movement to bridge the gap between art and life in the revolutionary avant-gardes of the early twentieth century. The book closes with an examination of the eventual incorporation of the avant-garde as a form of modern canon by the eve of World War II. Throughout, it seeks to relate the discourse of artistic avant-gardism in all its forms to contemporary social and political histories.

Douglas Sirk, Aesthetic Modernism and the Culture of Modernity

Victoria L. Evans
Douglas Sirk Aesthetic Modernism and the Culture of Modernity Book PDF

Author : Victoria L. Evans
Publisher : Edinburgh University Press
Page : 208 pages
File Size : 53,9 Mb
Release : 2017-05-24
Category : Performing Arts
ISBN : 9781474409407

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Douglas Sirk, Aesthetic Modernism and the Culture of Modernity by Victoria L. Evans Pdf

The first truly interdisciplinary analysis to link Douglas Sirk's striking visual aesthetic to key movements in twentieth century art and architecture, this book reveals how the exaggerated artifice of Sirk's formal style emerged from his detailed understanding of the artistic debates that raged in 1920s Europe and the post-war United States. With detailed case studies of Final Chord and All That Heaven Allows, Victoria Evans demonstrates how Sirk attempted to dissolve the boundaries of cinema by assimilating elements of avant-garde art, architecture and design into the colour, composition and setting of many of his most well-known films. Treating Sirk's oeuvre as a continuum between his German and American periods, Evans argues that his mise-en-scene was the result of an interdisciplinary, transnational dialogue, and illuminates the broader cultural context in which his films appeared by establishing links between archival documents, Modernist manifestos and the philosophical writings of his peers.

The Total Work of Art in European Modernism

David Roberts
The Total Work of Art in European Modernism Book PDF

Author : David Roberts
Publisher : Cornell University Press
Page : 305 pages
File Size : 48,5 Mb
Release : 2011-12-15
Category : Art
ISBN : 9780801461453

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The Total Work of Art in European Modernism by David Roberts Pdf

In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.

Modernism's History

Bernard Smith
Modernism s History Book PDF

Author : Bernard Smith
Publisher : Yale University Press
Page : 396 pages
File Size : 51,5 Mb
Release : 1998-01-01
Category : Art
ISBN : 0300073925

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Modernism's History by Bernard Smith Pdf

The history of twentieth-century visual arts can no longer be written as a succession of avant-garde movements, contends eminent art historian Bernard Smith in this stimulating book. He argues that a return to the concept of period style is inevitable and that modernism--the dominant "style" of art that emerged at the end of the nineteenth century and continued through the 1960s--deserves recognition as a period style. Smith renames this period Formalesque since it is no longer modern and since it emphasizes the formal values of art more than any previous period does. In a wide-ranging reformulation of art history in the twentieth century, the author defines the nature and development of Formalesque--an avant-garde style that arose between 1890 and the First World War, was institutionalized between the world wars, and flourished anew between 1945 and 1960. Identifying the Formalesque period, says Smith, makes it possible also to identify dialectical adversaries, such true oppositional avant-garde styles of the twentieth century as Dada, Surrealism, and the Neue Sachlichkeit. These constitute the formative elements of the modernism--now called postmodernism--that became increasingly dominant after 1960. The author locates twentieth-century artistic movements and developments in a broad cultural context and concludes with a thought-provoking examination of the relation between the Formalesque and European and American cultural imperialism.

The Aesthetics of Disturbance

David Graver
The Aesthetics of Disturbance Book PDF

Author : David Graver
Publisher : University of Michigan Press
Page : 274 pages
File Size : 41,8 Mb
Release : 1995
Category : Art
ISBN : 0472105078

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The Aesthetics of Disturbance by David Graver Pdf

Explores interconnections among early 20th-century visual, literary, and performance art

A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925

Hubert van den Berg,Marianne Ølholm,Benedikt Hjartarson,Irmeli Hautamäki,Torben Jelsbak,Rikard Schönström,Per Stounbjerg,Tania Ørum,Dorthe Aagesen
A Cultural History of the Avant Garde in the Nordic Countries 1900 1925 Book PDF

Author : Hubert van den Berg,Marianne Ølholm,Benedikt Hjartarson,Irmeli Hautamäki,Torben Jelsbak,Rikard Schönström,Per Stounbjerg,Tania Ørum,Dorthe Aagesen
Publisher : Rodopi
Page : 653 pages
File Size : 47,9 Mb
Release : 2012
Category : Art
ISBN : 9789401208918

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A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 by Hubert van den Berg,Marianne Ølholm,Benedikt Hjartarson,Irmeli Hautamäki,Torben Jelsbak,Rikard Schönström,Per Stounbjerg,Tania Ørum,Dorthe Aagesen Pdf

A Cultural History of the Avant-Garde in the Nordic Countries 1900-1925 is the first publication to deal with the avant-garde in the Nordic countries at the start of the twentieth century. The essays cover a wide range of avant-garde manifestations in arts and culture: literature, the visual arts, painting as well as photography, architecture and design, film, radio, and performing arts like music, theatre and dance. It is the first major historical work to consider the Nordic avant-garde in a transnational perspective which includes all the arts and to discuss the role of the avant-garde not only within the aesthetic field, but in a broader cultural context. It examines the social and cultural context of the avant-garde: its media, its locations, its reception and audiences, the transmissions between Scandinavia and Europe, and its cultural consequences. The essays trace the connections between the avant-garde and the cultural discourses of contemporary currents such as revolutionary socialism, radical nationalism and occultism, and discuss questions of gender, ideology and politics, geographical location and technological innovation. The cultural history thus focuses on the role of the avant-garde in shaping the ideas of cultural modernity in the Nordic countries.

After Thomas Kuhn: The Structure of Aesthetic Revolutions

Oana Şerban
After Thomas Kuhn The Structure of Aesthetic Revolutions Book PDF

Author : Oana Şerban
Publisher : Walter de Gruyter GmbH & Co KG
Page : 248 pages
File Size : 46,6 Mb
Release : 2022-11-07
Category : Philosophy
ISBN : 9783110774726

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After Thomas Kuhn: The Structure of Aesthetic Revolutions by Oana Şerban Pdf

This book reflects the most recent research devoted to a systematized perspective and a critical (re)construction of previous theoretical attempts of explaining, justifying and continuing Kuhn’s ingenious hypothesis in arts. Hofstadter, Clignet and Habermas revealed to be the most engaged scholars in solving this aesthetic "puzzled-problem". In this context, the structural similarities between science and arts are attentively evaluated, thus satisfying an older concern attributed to the historical Kuhn-Kubler dispute, extensively commented along the pages of this book. How can we track the matter of rationality and truth in art and aesthetics, inspired by scientific perspectives? Are artistic styles similar to scientific paradigms? Are we entitled to pursue paradigms and masterpieces as rational models in science, respectively in arts? On what possible grounds can we borrow from science notions such as progress and predictability, in the study of the evolution of art and its aesthetic backgrounds? Are the historical dynamics of science and art affected by political factors in the same manner? This book will be of interest to philosophers, but also to historians of science and historians of art alike in the reassessment it provides of recent debates on reshaping the art world using Kuhn's "paradigm shift".