African American Perspectives In Musical Theatre

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African-American Perspectives in Musical Theatre

Author : Eric M. Glover
Publisher : Unknown
Page : 96 pages
File Size : 54,8 Mb
Release : 2022
Category : African American theater
ISBN : 135024774X

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African-American Perspectives in Musical Theatre by Eric M. Glover Pdf

"From Pauline Elizabeth Hopkins's 1879 musical Peculiar Sam to Lynn Nottage's 2021 musical MJ , the 'Black musical' does not get the credit it deserves for sustaining the genre we know and love. This introductory book is devoted to representative African-American perspectives in musical theatre from the literature of slavery and freedom, 1746-1865, to the contemporary period, offering the reader case studies of what the 'Black musical' is, how it works, and why it matters. Based on Glover's experience teaching Black musical theatre at a conservatory and in the liberal arts, he draws his close readings of Eubie Blake, Pauline Elizabeth Hopkins, and Charlie Smalls from theory and practice. Moreover, Glover investigates how the ballet, the musical comedy, the opera, the play with music, and the revue are similar and different narrative sub-genres. Finally, the book reflect on issues such as blackface minstrelsy, "the Chitlin Circuit", non-traditional casting, and yellowface. Published in the Topics in Musical Theatre series, this short book gives the reader new ways of seeing the aesthetically and politically capacious category of Black musical theatre from an anti-racist approach."--

African American Perspectives in Musical Theatre

Author : Eric M. Glover
Publisher : Bloomsbury Publishing
Page : 63 pages
File Size : 44,7 Mb
Release : 2023-11-16
Category : Performing Arts
ISBN : 9781350247734

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African American Perspectives in Musical Theatre by Eric M. Glover Pdf

From Pauline Elizabeth Hopkins's 1879 musical Peculiar Sam to Lynn Nottage's 2021 musical MJ, the 'Black musical' does not get the credit it deserves for sustaining the genre we know and love. This introductory book is devoted to representative African-American perspectives in musical theatre from the literature of slavery and freedom, 1746-1865, to the contemporary period, offering the reader case studies of what the 'Black musical' is, how it works, and why it matters. Based on Glover's experience teaching Black musical theatre at a conservatory and in the liberal arts, he draws his close readings of Eubie Blake, Pauline Elizabeth Hopkins and Charlie Smalls from theory and practice. Moreover, Glover investigates how the ballet, the musical comedy, the opera, the play with music and the revue are similar and different narrative sub-genres. Finally, the book reflect on issues such as blackface minstrelsy, 'the Chitlin Circuit', non-traditional casting and yellowface. Published in the Topics in Musical Theatre series, this short book gives the reader new ways of seeing the aesthetically and politically capacious category of Black musical theatre from an anti-racist approach.

A Century of Musicals in Black and White

Author : Bernard L. Peterson Jr.
Publisher : Bloomsbury Publishing USA
Page : 554 pages
File Size : 50,8 Mb
Release : 1993-10-25
Category : Literary Criticism
ISBN : 9780313064548

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A Century of Musicals in Black and White by Bernard L. Peterson Jr. Pdf

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

Black Musical Theatre

Author : Allen Woll
Publisher : Da Capo Press
Page : 301 pages
File Size : 42,9 Mb
Release : 1991-08-21
Category : Performing Arts
ISBN : 0306804549

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Black Musical Theatre by Allen Woll Pdf

While theatregoers are generally familiar with the names of such pioneers as George M. Cohan, Irving Berlin and Jerome Kern, the names of their black counterparts - Will Marion Cook, George Walker and Bob Cole, among others - are virtually unknown today. Allen Woll aims to remedy that neglect in this book, offering a thoroughly researched account of the evolution of black musical theatre from the turn of the century to the present day.

Reframing the Musical

Author : Sarah K. Whitfield
Publisher : Bloomsbury Publishing
Page : 241 pages
File Size : 46,7 Mb
Release : 2019-03-01
Category : Performing Arts
ISBN : 9781352004403

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Reframing the Musical by Sarah K. Whitfield Pdf

This critical and inclusive edited collection offers an overview of the musical in relation to issues of race, culture and identity. Bringing together contributions from cultural, American and theatre studies for the first time, the chapters offer fresh perspectives on musical theatre history, calling for a radical and inclusive new approach. By questioning ideas about what the musical is about and who it for, this groundbreaking book retells the story of the musical, prioritising previously neglected voices to reshape our understanding of the form. Timely and engaging, this is required reading for undergraduate and postgraduate students of musical theatre. It offers an intersectional approach which will also be invaluable for theatre practitioners.

A History of African American Theatre

Author : Errol G. Hill,James V. Hatch
Publisher : Cambridge University Press
Page : 652 pages
File Size : 47,5 Mb
Release : 2003-07-17
Category : Drama
ISBN : 0521624436

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A History of African American Theatre by Errol G. Hill,James V. Hatch Pdf

Table of contents

The Cambridge Companion to African American Theatre

Author : Harvey Young
Publisher : Cambridge University Press
Page : 359 pages
File Size : 50,5 Mb
Release : 2023-05-31
Category : Drama
ISBN : 9781009359597

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The Cambridge Companion to African American Theatre by Harvey Young Pdf

This new edition provides an expanded, comprehensive history of African American theatre, from the early nineteenth century to the present day. Including discussions of slave rebellions on the national stage, African Americans on Broadway, the Harlem Renaissance, African American women dramatists, and the New Negro and Black Arts movements, the Companion also features fresh chapters on significant contemporary developments, such as the influence of the Black Lives Matter movement, the mainstream successes of Black Queer Drama and the evolution of African American Dance Theatre. Leading scholars spotlight the producers, directors, playwrights, and actors who have fashioned a more accurate appearance of Black life on stage, revealing the impact of African American theatre both within the United States and around the world. Addressing recent theatre productions in the context of political and cultural change, it invites readers to reflect on where African American theatre is heading in the twenty-first century.

American Musicals in Context

Author : Thomas A. Greenfield
Publisher : Bloomsbury Publishing USA
Page : 411 pages
File Size : 45,7 Mb
Release : 2021-03-29
Category : Social Science
ISBN : 9798216046523

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American Musicals in Context by Thomas A. Greenfield Pdf

American Musicals in Context: From the American Revolution to the 21st Century gives students a fresh look at history-based musicals, helping readers to understand the American story through one of the country's most celebrated art forms: the musical. With the hit musical Hamilton (2015) captivating audiences and reshaping the way early U.S. history is taught and written about, this book offers insight into an array of musicals that explore U.S. history. The work provides a synopsis, overview of critical and audience reception, and historical context and analysis for each of 20 musicals selected for the unique and illuminating way they present the American story on the stage. Specifically, this volume explores musicals that have centered their themes, characters, and plots on some aspect of America's complex and ever-changing history. Each in its own way helps us rediscover pivotal national crises, key political decisions, defining moral choices, unspeakable and unresolved injustices, important and untold stories, defeats suffered, victories won in the face of monumental adversity, and the sacrifices borne publicly and privately in the process of creating the American narrative, one story at a time. Students will come away from the volume armed with the critical thinking skills necessary to discern fact from fiction in U.S. history.

The Routledge Companion to African American Theatre and Performance

Author : Kathy A. Perkins,Sandra L. Richards,Renée Alexander Craft,Thomas F. DeFrantz
Publisher : Routledge
Page : 566 pages
File Size : 53,6 Mb
Release : 2018-12-07
Category : Drama
ISBN : 9781351751438

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The Routledge Companion to African American Theatre and Performance by Kathy A. Perkins,Sandra L. Richards,Renée Alexander Craft,Thomas F. DeFrantz Pdf

The Routledge Companion to African American Theatre and Performance is an outstanding collection of specially written essays that charts the emergence, development, and diversity of African American Theatre and Performance—from the nineteenth-century African Grove Theatre to Afrofuturism. Alongside chapters from scholars are contributions from theatre makers, including producers, theatre managers, choreographers, directors, designers, and critics. This ambitious Companion includes: A "Timeline of African American theatre and performance." Part I "Seeing ourselves onstage" explores the important experience of Black theatrical self-representation. Analyses of diverse topics including historical dramas, Broadway musicals, and experimental theatre allow readers to discover expansive articulations of Blackness. Part II "Institution building" highlights institutions that have nurtured Black people both on stage and behind the scenes. Topics include Historically Black Colleges and Universities (HBCUs), festivals, and black actor training. Part III "Theatre and social change" surveys key moments when Black people harnessed the power of theatre to affirm community realities and posit new representations for themselves and the nation as a whole. Topics include Du Bois and African Muslims, women of the Black Arts Movement, Afro-Latinx theatre, youth theatre, and operatic sustenance for an Afro future. Part IV "Expanding the traditional stage" examines Black performance traditions that privilege Black worldviews, sense-making, rituals, and innovation in everyday life. This section explores performances that prefer the space of the kitchen, classroom, club, or field. This book engages a wide audience of scholars, students, and theatre practitioners with its unprecedented breadth. More than anything, these invaluable insights not only offer a window onto the processes of producing work, but also the labour and economic issues that have shaped and enabled African American theatre. Chapter 20 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Blacks in Blackface

Author : Henry T. Sampson
Publisher : Scarecrow Press
Page : 1573 pages
File Size : 41,5 Mb
Release : 2013-10-30
Category : Performing Arts
ISBN : 9780810883512

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Blacks in Blackface by Henry T. Sampson Pdf

Published in 1980, Blacks in Blackface was the first and most extensive book up to that time to deal exclusively with every aspect of all-African American musical comedies performed on the stage between 1900 and 1940. An invaluable resource for scholars and historians focused on African American culture, this new edition features significantly revised, expanded, and new material. In Blacks in Blackface: A Sourcebook on Early Black Musical Shows, Henry T. Sampson provides an unprecedented wealth of information on legitimate musical comedies, including show synopses, casts, songs, and production credits. Sampson also recounts the struggles of African American performers and producers to overcome the racial prejudice of white show owners, music publishers, theatre managers, and booking agents to achieve adequate financial compensation for their talents and managerial expertise. Black producers and artists competed with white managers who were producing all-Black shows and also with some white entertainers who were performing Black-developed music and dances, often in blackface. The chapters in this volume include: An overview of African American musical shows from the end of the Civil War through the golden years of the 1920s and ’30s New and expanded biographical sketches of performers Detailed information about the first producers and owners of Black minstrel and musical comedy shows Origins and backgrounds of several famous Black theatres Profiles of African American entrepreneurs and businessmen who provided financial resources to build and own many of the Black theatres where these shows were performed A chronicle of booking agencies and organized Black theatrical circuits, music publishing houses, and phonograph recording businesses Critical commentary from African American newspapers and show business publications More than 500 hundred rare photographs A comprehensive volume that covers all aspects of Black musical shows performed in theatres, nightclubs, circuses, and medicine shows, this edition of Blacks in Blackface can be used as a reference for serious scholars and researchers of Black show business in the United States before 1940. More than double the size of the previous edition, this useful resource will also appeal to the casual reader who is interested in learning more about early Black entertainment.

Profiles of African American Stage Performers and Theatre People, 1816-1960

Author : Bernard L. Peterson Jr.
Publisher : Bloomsbury Publishing USA
Page : 441 pages
File Size : 47,8 Mb
Release : 2000-10-30
Category : Performing Arts
ISBN : 9780313065033

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Profiles of African American Stage Performers and Theatre People, 1816-1960 by Bernard L. Peterson Jr. Pdf

This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today. This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

The African American Theatre Directory, 1816-1960

Author : Lena McPhatter Gore
Publisher : Bloomsbury Publishing USA
Page : 332 pages
File Size : 42,9 Mb
Release : 1997-05-28
Category : Performing Arts
ISBN : 9780313033322

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The African American Theatre Directory, 1816-1960 by Lena McPhatter Gore Pdf

A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. A comprehensive directory of more than 600 entries, this detailed ready reference features professional, semi-professional, and academic stage organizations and theatres that have been in the forefront in pioneering most of the advances that African Americans have made in the theatre. It includes groups from the early 19th century to the dawn of the revolutionary Black theatre movement of the 1960s. It is an effort to bring together into one volume information that has hitherto been scattered throughout a number of different sources. The volume begins with an illuminating foreword by Errol Hill, a noted critic, playwright, scholar and Willard Professor of Drama Emeritus, Dartmouth College. Included in the volume are the earliest organizations that existed before the Civil War, Black minstrel troupes, pioneer musical show companies, selected vaudeville and road show troupes, professional theatrical associations, booking agencies, stock companies, significant amateur and little theatre groups, Black units of the WPA Federal Theatre, and semi-professional groups in Harlem after the Federal Theatre. The A-Z entries are supplemented with a classified appendix that also includes additional organizations not listed in the main directory, a bibliography, and three indexes for shows, showpeople, and general subjects. Cross referencing makes related information easy to find.

The Secret Messages in African American Theater

Author : Kimmika Williams-Witherspoon
Publisher : Unknown
Page : 348 pages
File Size : 43,9 Mb
Release : 2006
Category : Literary Criticism
ISBN : UOM:39015066895288

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The Secret Messages in African American Theater by Kimmika Williams-Witherspoon Pdf

An anthropological study on the political economy of African American theatre and its use in contesting power and oppression through various hidden scripts embedded in rituals, rhetorical strategies, and theatrical conventions, including dialogue, stagecraft, lighting, color, design, and spectacle.

American Participation in Theater

Author : AMS Planning & Research Corp
Publisher : Unknown
Page : 72 pages
File Size : 41,6 Mb
Release : 1996
Category : Literary Criticism
ISBN : UOM:39015038019165

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American Participation in Theater by AMS Planning & Research Corp Pdf

Audience attendance at stage plays and audience characteristics, as well as the dynamic forces that shape theater participation, are examined in this monograph.

The Black Circuit

Author : Rashida Z. Shaw McMahon
Publisher : Routledge
Page : 319 pages
File Size : 48,9 Mb
Release : 2020-03-09
Category : Social Science
ISBN : 9781351401623

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The Black Circuit by Rashida Z. Shaw McMahon Pdf

The Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre presents the first book-length study of Chitlin Circuit theatre, the most popular and controversial form of Black theatre to exist outside the purview of Broadway since the 1980s. Through historical and sociological research, Rashida Z. Shaw McMahon links the fraught racial histories in American slave plantations and early African American cuisine to the performance sites of nineteenth-century minstrelsy, early-twentieth-century vaudeville, and mid-twentieth-century gospel musicals. The Black Circuit traces this rise of a Black theatrical popular culture that exemplifies W. E. B. Du Bois’s 1926 parameters of "for us, near us, by us, and about us," with critical differences that, McMahon argues, complicate our understanding of performance and spectatorship in African American theatre. McMahon shows how an integrated and evolving network of consumerism, culture, circulation, exchange, ideologies, and meaning making has emerged in the performance environments of Chitlin Circuit theatre that is reflective of the broader influences at play in acts of minority spectatorship. She labels this network the Black Circuit.