African Modernism

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African Modernism

Manuel Herz,Ingrid Schröder,Hans Focketyn,Julia Jamrozik
African Modernism Book PDF

Author : Manuel Herz,Ingrid Schröder,Hans Focketyn,Julia Jamrozik
Publisher : Unknown
Page : 640 pages
File Size : 45,8 Mb
Release : 2022-10-10
Category : Electronic
ISBN : 3038602949

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African Modernism by Manuel Herz,Ingrid Schröder,Hans Focketyn,Julia Jamrozik Pdf

A new edition of the most comprehensive survey of modern architecture in Africa to date. When the first edition of African Modernism was published in 2015, it was received with international praise and has been sought after constantly ever since it went out of print in 2018. Marking Park Books' 10th anniversary, this landmark book becomes available again in a new edition. In the 1950s and 1960s, most African countries gained independence from their respective colonial power. Architecture became one of the principal means by which the newly formed countries expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d'Ivoire, Kenya, and Zambia. It features one hundred buildings with brief descriptive texts, images, site plans, and selected floor plans and sections. The vast majority of images were newly taken by Iwan Baan and Alexia Webster for the book's first edition. Their photographs document the buildings in their present state. Each country is portrayed in an introductory text and a timeline of historic events. Further essays on postcolonial Africa and specific aspects and topics, also illustrated with images and documents, round out this outstanding volume.

Africa in Stereo

Tsitsi Ella Jaji,Tsitsi Jaji
Africa in Stereo Book PDF

Author : Tsitsi Ella Jaji,Tsitsi Jaji
Publisher : Oxford University Press
Page : 289 pages
File Size : 48,7 Mb
Release : 2014
Category : Art
ISBN : 9780199936373

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Africa in Stereo by Tsitsi Ella Jaji,Tsitsi Jaji Pdf

Stereomodernism and amplifying the Black Atlantic -- Sight reading: early Black South African transcriptions of freedom -- Négritude musicology: poetry, performance and statecraft in Senegal -- What women want: selling hi-fi in consumer magazines and film -- 'Soul to soul': echo-locating histories of slavery and freedom from Ghana -- Pirate's choice: hacking into (post- )pan-African futures -- Epilogue: Singing songs.

The African American Roots of Modernism

James Edward Smethurst
The African American Roots of Modernism Book PDF

Author : James Edward Smethurst
Publisher : Univ of North Carolina Press
Page : 266 pages
File Size : 53,9 Mb
Release : 2011
Category : Social Science
ISBN : 9780807834633

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The African American Roots of Modernism by James Edward Smethurst Pdf

The period between 1880 and 1918, at the end of which Jim Crow was firmly established and the Great Migration of African Americans was well under way, was not the nadir for black culture, James Smethurst reveals, but instead a time of profound response fr

Olive Schreiner and African Modernism

Jade Munslow Ong
Olive Schreiner and African Modernism Book PDF

Author : Jade Munslow Ong
Publisher : Routledge
Page : 196 pages
File Size : 47,6 Mb
Release : 2017-10-20
Category : Literary Criticism
ISBN : 9781317388364

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Olive Schreiner and African Modernism by Jade Munslow Ong Pdf

This book works across established categories of modernism and postcolonialism in order to radically revise the periods, places, and topics traditionally associated with anti-colonialism and aesthetic experimentation in African literature. The book is the first account of Olive Schreiner as a theorist and practitioner of modernist form advancing towards an emergent postcolonialism. The book draws on and broadens discussions in and around the blossoming field of global modernist studies by interrogating the conventionally accepted genealogy of development that positions Europe and America as the sites of innovation. It provides an original examination of the relationships between metaphor, postcolonialism, and modernist experimentation by showing how politically and aesthetically innovative African forms rely on allegorical structures, in contrast to the symbolism dominant in Euro-American modernism. An original theoretical concept of the role of primitivism and allegory within the context of modernism and associated critical theory is proposed through the integration of postcolonial, Marxist, and ecocritical approaches to literature. The book provides original readings of Schreiner’s three novels, Undine, The Story of An African Farm, and From Man to Man, in light of the new theory of primitivism in African literature by directly addressing the issue of narrative form. This argument is contextualised in relation to the work of other Southern African authors, in whose writings the impact of Schreiner’s politics and aesthetics can be traced. These authors include J.M. Coetzee, Nadine Gordimer, Doris Lessing, Solomon T. Plaatje, and Zoe Wicomb, amongst others. This book brings the most current debates in modernist studies, ecocriticism, and primitivism into the field of postcolonial studies and contributes to a widening of the debates surrounding gender, race, empire, and modernism.

Ben Enwonwu

Sylvester Okwunodu Ogbechie
Ben Enwonwu Book PDF

Author : Sylvester Okwunodu Ogbechie
Publisher : University Rochester Press
Page : 338 pages
File Size : 40,9 Mb
Release : 2008
Category : Art
ISBN : 1580462359

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Ben Enwonwu by Sylvester Okwunodu Ogbechie Pdf

An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.

The Black Art Renaissance

Joshua I. Cohen
The Black Art Renaissance Book PDF

Author : Joshua I. Cohen
Publisher : University of California Press
Page : 301 pages
File Size : 48,7 Mb
Release : 2020-07-21
Category : Art
ISBN : 9780520309685

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The Black Art Renaissance by Joshua I. Cohen Pdf

Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.

Tropical Aesthetics of Black Modernism

Samantha A. Noël
Tropical Aesthetics of Black Modernism Book PDF

Author : Samantha A. Noël
Publisher : Duke University Press
Page : 202 pages
File Size : 41,5 Mb
Release : 2021-01-11
Category : Art
ISBN : 9781478012894

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Tropical Aesthetics of Black Modernism by Samantha A. Noël Pdf

In Tropical Aesthetics of Black Modernism, Samantha A. Noël investigates how Black Caribbean and American artists of the early twentieth century responded to and challenged colonial and other white-dominant regimes through tropicalist representation. With depictions of tropical scenery and landscapes situated throughout the African diaspora, performances staged in tropical settings, and bodily expressions of tropicality during Carnival, artists such as Aaron Douglas, Wifredo Lam, Josephine Baker, and Maya Angelou developed what Noël calls “tropical aesthetics”—using art to name and reclaim spaces of Black sovereignty. As a unifying element in the Caribbean modern art movement and the Harlem Renaissance, tropical aesthetics became a way for visual artists and performers to express their sense of belonging to and rootedness in a place. Tropical aesthetics, Noël contends, became central to these artists’ identities and creative processes while enabling them to craft alternative Black diasporic histories. In outlining the centrality of tropical aesthetics in the artistic and cultural practices of Black modernist art, Noël recasts understandings of African diasporic art.

Africa after Modernism

Michael Janis
Africa after Modernism Book PDF

Author : Michael Janis
Publisher : Routledge
Page : 321 pages
File Size : 53,9 Mb
Release : 2013-05-13
Category : History
ISBN : 9781135201517

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Africa after Modernism by Michael Janis Pdf

Africa after Modernism traces shifts in perspectives on African culture, arts, and philosophy from the conflict with European modernist interventions in the climate of colonialist aggression to present identitarian positions in the climate of globalism, multiculturalism, and mass media. By focusing on what may be called deconstructive moments in twentieth-century Africanist thought – on intellectual landmarks, revolutionary ideas, crises of consciousness, literary and philosophical debates – this study looks at African modernity and modernism from critical postcolonial perspectives. An effort to sketch contemporary frameworks of global intersubjective relations reflecting African cultures and concerns must resist taking modernism as a term of African periodization, or master-narrative, but as a constellation of discursive and subjective forms that obtains upon the present moment in African literature, philosophy, and cultural history. Africa after Modernism argues for a philosophical consciousness and pan-African multiculturalist ethos that operate, after the deconstruction of Eurocentrism, beyond self/other paradigms of exoticism or West/Africa political ideologies, in dialogue with postcolonial approaches to cultural reciprocity.

Man Ray, African Art, and the Modernist Lens

Wendy Grossman
Man Ray African Art and the Modernist Lens Book PDF

Author : Wendy Grossman
Publisher : Unknown
Page : 204 pages
File Size : 40,5 Mb
Release : 2009
Category : Modernism (Art)
ISBN : UCSD:31822036434652

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Man Ray, African Art, and the Modernist Lens by Wendy Grossman Pdf

"Exhibition dates: The Phillips Collection, Oct. 10, 2009-Jan. 10, 2010; University of New Mexico Art Museum, Feb. 6-May 30, 2010; University of Virginia Museum of Art, Aug. 7-Oct. 10, 2010; University of British Columbia, Museum of Anthropology Oct. 29, 2010-Jan. 23, 2011." --T.p. verso.

Global Modernists on Modernism

Alys Moody,Stephen J. Ross
Global Modernists on Modernism Book PDF

Author : Alys Moody,Stephen J. Ross
Publisher : Bloomsbury Publishing
Page : 488 pages
File Size : 44,5 Mb
Release : 2020-01-23
Category : Literary Criticism
ISBN : 9781474242349

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Global Modernists on Modernism by Alys Moody,Stephen J. Ross Pdf

Bringing together works by writers from sub-Saharan Africa, Turkey, central Europe, the Muslim world, Asia, South America and Australia – many translated into English for the first time – this is the first collection of statements on modernism by writers, artists and practitioners from across the world. Annotated throughout, the texts are supported by critical essays from leading modernist scholars exploring major issues in the contemporary study of global modernism. Global Modernists on Modernism is an essential resource for students and scholars of modernism and world literature and one that opens up a dazzling new array of perspectives on the field.

Cross-cultural Visions in African American Modernism

Yoshinobu Hakutani
Cross cultural Visions in African American Modernism Book PDF

Author : Yoshinobu Hakutani
Publisher : Ohio State University Press
Page : 262 pages
File Size : 55,6 Mb
Release : 2006
Category : Literary Criticism
ISBN : 9780814210307

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Cross-cultural Visions in African American Modernism by Yoshinobu Hakutani Pdf

Yoshinobu Hakutani traces the development of African American modernism, which initially gathered momentum with Richard Wright's literary manifesto "Blueprint for Negro Writing" in 1937. Hakutani dissects and discusses the cross-cultural influences on the then-burgeoning discipline in three stages: American dialogues, European and African cultural visions, and Asian and African American cross-cultural visions. In writing Black Boy, the centerpiece of the Chicago Renaissance, Wright was inspired by Theodore Dreiser. Because the European and African cultural visions that Wright, Ralph Ellison, Alice Walker, and Toni Morrison acquired were buttressed by the universal humanism that is common to all cultures, this ideology is shown to transcend the problems of society. Fascinated by Eastern thought and art, Wright, Walker, Sonia Sanchez, and James Emanuel wrote highly accomplished poetry and prose. Like Ezra Pound, Wright was drawn to classic haiku, as reflected in the 4,000 haiku he wrote at the end of his life. As W. B. Yeats's symbolism was influenced by his cross-cultural visions of noh theatre and Irish folklore, so is James Emanuel's jazz haiku energized by his cross-cultural rhythms of Japanese poetry and African American music. The book demonstrates some of the most visible cultural exchanges in modern and postmodern African American literature. Such a study can be extended to other contemporary African American writers whose works also thrive on their cross-cultural visions, such as Amiri Baraka, Ishmael Reed, Charles Johnson, and haiku poet Lenard Moore.

Modernist Art in Ethiopia

Elizabeth W. Giorgis
Modernist Art in Ethiopia Book PDF

Author : Elizabeth W. Giorgis
Publisher : Ohio University Press
Page : 487 pages
File Size : 40,7 Mb
Release : 2019-02-11
Category : Art
ISBN : 9780821446539

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Modernist Art in Ethiopia by Elizabeth W. Giorgis Pdf

If modernism initially came to Africa through colonial contact, what does Ethiopia’s inimitable historical condition—its independence save for five years under Italian occupation—mean for its own modernist tradition? In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece.

African Languages, Literatures, and Postcolonial Modernity

Samba Camara,Mohamed Mwamzandi
African Languages Literatures and Postcolonial Modernity Book PDF

Author : Samba Camara,Mohamed Mwamzandi
Publisher : Cambridge Scholars Publishing
Page : 209 pages
File Size : 41,6 Mb
Release : 2024-01-26
Category : Literary Criticism
ISBN : 9781527559004

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African Languages, Literatures, and Postcolonial Modernity by Samba Camara,Mohamed Mwamzandi Pdf

This book offers a fresh look into the “languages of postcolonial modernity” in Africa and, to a lesser degree, its diaspora. It foregrounds the notion of postcolonial modernity in reference to modernization as experienced in the postcolony and its contemporary legacies, and investigates how African languages and literatures, both as means of communication and as instruments of cultural agency, have embodied and mediated modernity. Each chapter grapples with the literary or linguistic dimensions of postcolonial modernity as portrayed in African novels, film, poetry or popular music or as embodied in African and Afro-diasporic languages and dialects. The chapters also reveal how literature and language, respectively, document and embody discourses, phenomena, histories, ideologies, and beliefs that resulted from the legacies of colonialism.

African Fashion, Global Style

Victoria L. Rovine
African Fashion Global Style Book PDF

Author : Victoria L. Rovine
Publisher : Indiana University Press
Page : 328 pages
File Size : 49,9 Mb
Release : 2015-01-12
Category : Art
ISBN : 9780253014139

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African Fashion, Global Style by Victoria L. Rovine Pdf

African Fashion, Global Style provides a lively look at fashion, international networks of style, material culture, and the world of African aesthetic expression. Victoria L. Rovine introduces fashion designers whose work reflects African histories and cultures both conceptually and stylistically, and demonstrates that dress styles associated with indigenous cultures may have all the hallmarks of high fashion. Taking readers into the complexities of influence and inspiration manifested through fashion, this book highlights the visually appealing, widely accessible, and highly adaptable styles of African dress that flourish on the global fashion market.

Performing Blackness

Kimberley W. Benston
Performing Blackness Book PDF

Author : Kimberley W. Benston
Publisher : Routledge
Page : 405 pages
File Size : 46,7 Mb
Release : 2013-04-15
Category : Literary Criticism
ISBN : 9781135078249

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Performing Blackness by Kimberley W. Benston Pdf

Performing Blackness offers a challenging interpretation of black cultural expression since the Black Arts Movement of the 1960s. Exploring drama, music, poetry, sermons, and criticism, Benston offers an exciting meditation on modern black performance's role in realising African-American aspirations for autonomy and authority. Artists covered include: * John Coltrane * Ntozake Shange * Ed Bullins * Amiri Baraka * Adrienne Kennedy * Michael Harper. Performing Blackness is an exciting contribution to the ongoing debate about the vitality and importance of black culture.