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Author : Susan Alyson Stein,George D. McKee
Publisher : Unknown
Page : 408 pages
File Size : 53,5 Mb
Release : 1990
Category : Art
ISBN : UCBK:C041105844
Author : Birgitte Beck Pristed
Publisher : Springer
Page : 343 pages
File Size : 51,9 Mb
Release : 2017-08-01
Category : Literary Criticism
ISBN : 9783319507088
This book takes up the obtrusive problem of visual representation of fiction in contemporary Russian book design. By analyzing a broad variety of book covers, the study offers an absolutely unique material that illustrates a radically changing notion of literature in the transformation of Soviet print culture to a post-Soviet book market. It delivers a profound and critical exploration of Russian visual imaginary of classic, popular, and contemporary prose. Among all the carelessly bungled covers of mass-published post-Soviet series the study identifies gems from experimental designers. By taking a comparative approach to the clash of two formerly separate book cultures, the Western and the Soviet, that results both in a mixture of highbrow and lowbrow forms and in ideological re-interpretations of the literary works, this book contributes to opening an East-West dialogue between the fields of Russian studies, contemporary book and media history, art, design, and visual studies.
Author : Susanne Anderson-Riedel
Publisher : Cambridge Scholars Publishing
Page : 275 pages
File Size : 43,8 Mb
Release : 2010-02-19
Category : Art
ISBN : 9781443820202
The study investigates the engravers’ rise within the French academic system and demonstrates their success in transforming a reproductive medium into a creative and original art genre. In the nineteenth century, graphic artists developed an artistic language that was independent and on par with the original model that they reproduced. The Académie royale de peinture et de sculpture welcomed graphic artists into its ranks in 1655. As talented reproductive artists were able to disseminate works of art produced at the Academy, engravers rose to occupy administrative positions at the compagnie in the eighteenth century. Their success notwithstanding, graphic artists remained unable to overcome the perception of being reproductive artisans rather than creative and original fine artists. The proof of their predicament was the continuous refusal of advanced artistic training for graphic artists within the French academic system. The Section de Gravure at the Institut de France, established in 1803, was the first academic institution that distinguished between imitative and creative artistic execution in the reproductive graphic arts. Through patronage, the supervision of competitions, and the administration of the Prix de Rome program for graphic artists, the Engraving Department established specific guidelines for artistic reproduction and encouraged the formulation of an independent, artistic language in the reproductive arts. Finally, it defined the characteristics of fine engraving as a creative art medium. The Prix de Rome for engraving was crucial in consolidating the new understanding of engraving as an original art form. The engravers’ participation in the Grand Prix competition transformed their artisanal training practice in the master’s workshop into an artistic and academic education of graphic artists in the engraving ateliers. Furthermore, their sojourn at the French Academy in Rome encouraged the collegial collaboration between painters, sculptors, and engravers, leading engravers to develop a free and graphic interpretation of their model. The reproductive engraver was now able to rival painters and sculptors and, consequently, he emerged as a creative and original artist.
Author : Anonim
Publisher : BRILL
Page : 472 pages
File Size : 52,6 Mb
Release : 2016-05-09
Category : History
ISBN : 9789004312319
Essays discuss chronicles, clarify ideas of creation temporally understood, the meaning of “simultaneous times,” or simultaneity, and the concept of “no-time.” Essays also examine time in social and political contexts, as measured by clocks, as notated in music, as embodied in memorializing stone, and as the subject and medium of consciousness.
Author : Ashby Kinch
Publisher : BRILL
Page : 318 pages
File Size : 44,9 Mb
Release : 2013-03-15
Category : History
ISBN : 9789004245815
In Imago Mortis: Mediating Images of Death in Late Medieval Culture, Ashby Kinch argues that late medieval artists, writers, and patrons creatively adapted conventional death iconography in ways that ultimately affirm theiir artistic, social and political identities.
Author : Neil A. Weiss,Peg Weiss,Wassily Kandinsky
Publisher : Yale University Press
Page : 321 pages
File Size : 51,8 Mb
Release : 1995-01-01
Category : Art
ISBN : 9780300056471
Vasilii Kandinsky, whom many consider to be the father of abstract painting, was also a trained ethnographer with an abiding interest in the folklore of Old Russia. In this provocative book, Peg Weiss provides an entirely new interpretation of Kandinsky's art by examining for the first time how this commitment to his ethnic Russian heritage influenced the painter's work throughout his career.
Author : Fiona J. Griffiths
Publisher : University of Pennsylvania Press
Page : 390 pages
File Size : 43,9 Mb
Release : 2011-06-03
Category : History
ISBN : 9780812202113
In The Garden of Delights, Fiona J. Griffiths offers the first major study of the Hortus deliciarum, a magnificently illuminated manuscript of theology, biblical history, and canon law written both by and explicitly for women at the end of the twelfth century. In so doing she provides a brilliantly persuasive new reading of female monastic culture. Through careful analysis of the contents, structure, and organization of the Hortus, Griffiths argues for women's profound engagement with the spiritual and intellectual vitality of the period on a level previously thought unimaginable, overturning the assumption that women were largely excluded from the "renaissance" and "reform" of this period. As a work of scholarship that drew from a wide range of sources, both monastic and scholastic, the Hortus provides a witness to the richness of women's reading practices within the cloister, demonstrating that it was possible, even late into the twelfth century, for communities of religious women to pursue an educational program that rivaled that available to men. At the same time, the manuscript's reformist agenda reveals how women engaged the pressing spiritual questions of the day, even going so far as to criticize priests and other churchmen who fell short of their reformist ideals. Through her wide-ranging examination of the texts and images of the Hortus, their sources, composition, and function, Griffiths offers an integrated understanding of the whole manuscript, one which highlights women's Latin learning and orthodox spirituality. The Garden of Delights contributes to some of the most urgent questions concerning medieval religious women, the interplay of gender, spirituality, and intellectual engagement, to discussions concerning women scribes and writers, women readers, female authorship and authority, and the visual culture of female communities. It will be of interest to art historians, scholars of women's and gender studies, historians of medieval religion, education, and theology, and literary scholars studying questions of female authorship and models of women's reading.
Author : Colum Hourihane
Publisher : Unknown
Page : 4064 pages
File Size : 40,9 Mb
Release : 2012
Category : Art
ISBN : 9780195395365
The Grove Encyclopedia of Medieval Art and Architecture offers unparalleled coverage of all aspects of art and architecture from Medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated Grove Dictionary of Art and adding hundreds of new entries on topics not previously covered, as well as fully updated and expanded entries and bibliographies, The Grove Encyclopedia of Medieval Art and Architecture offers students, researchers, and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture. The Encyclopedia offers scholarly material on Medieval art in intelligent, well-written, and informative articles, each of which is followed by a bibliography to support further research. These include a mixture of shorter, more factual articles and larger, multi-section articles tracing the development of the arts in major regions. There are articles on all subject areas in Medieval art including biographies of major artists, architects and patrons; countries, cities, and sites; cultures and styles (Anglo-Saxon art, Carolingian art, Coptic art, Early Christian art, Romanesque, Gothic, Insular art, Lombard art, Merovingian art, Ottonian art, and Viking art); ivories, books and illuminated manuscripts, metalwork, architecture, painting, tapestries, sculpture, mosaics, reliquaries, and more. Part of the acclaimed Grove Art family of print encyclopedias, The Grove Encyclopedia of Medieval Art and Architecture is lavishly illustrated with more than 460 halftones and 170 color plates. The 6 volumes are organized into a cohesive A-Z format, with a comprehensive index.
Author : Delia Gaze
Publisher : Routledge
Page : 786 pages
File Size : 46,7 Mb
Release : 2013-04-03
Category : Social Science
ISBN : 9781136599019
This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.
Author : Albert Boime
Publisher : University of Chicago Press
Page : 906 pages
File Size : 44,6 Mb
Release : 2008-09-15
Category : Art
ISBN : 9780226063423
From the European revolutions of 1848 through the Italian independence movement, the American Civil War, and the French Commune, the era Albert Boime explores in this fourth volume of his epic series was, in a word, transformative. The period, which gave rise to such luminaries as Karl Marx and Charles Darwin, was also characterized by civic upheaval, quantum leaps in science and technology, and the increasing secularization of intellectual pursuits and ordinary life. In a sweeping narrative that adds critical depth to a key epoch in modern art’s history, Art in an Age of Civil Struggle shows how this turbulent social environment served as an incubator for the mid-nineteenth century’s most important artists and writers. Tracing the various movements of realism through the major metropolitan centers of Europe and America, Boime strikingly evokes the milieus that shaped the lives and works of Gustave Courbet, Edouard Manet, Émile Zola, Honoré Daumier, Walt Whitman, Abraham Lincoln, and the earliest photographers, among countless others. In doing so, he spearheads a powerful new way of reassessing how art emerges from the welter of cultural and political events and the artist’s struggle to interpret his surroundings. Boime supports this multifaceted approach with a wealth of illustrations and written sources that demonstrate the intimate links between visual culture and social change. Culminating at the transition to impressionism, Art in an Age of Civil Struggle makes historical sense of a movement that paved the way for avant-garde aesthetics and, more broadly, of how a particular style emerges at a particular moment.
Author : Museum of Modern Art (New York, N.Y.). Library
Publisher : Unknown
Page : 552 pages
File Size : 42,8 Mb
Release : 1992
Category : Art, Modern
ISBN : UOM:39015020413053
Author : Margaret Deutsch Carroll
Publisher : Penn State University Press
Page : 300 pages
File Size : 52,8 Mb
Release : 2008
Category : Art
ISBN : UOM:39015073933239
" ... offers a chronological account of political engagement in works by early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders."--Page 4 of cover.
Author : Anonim
Publisher : Unknown
Page : 958 pages
File Size : 48,6 Mb
Release : 1992
Category : Bibliographical literature
ISBN : UOM:39015079882398
Author : New York Public Library. Humanities and Social Sciences Library,Jonathan James Graham Alexander,James H. Marrow,Lucy Freeman Sandler
Publisher : Harvey Miller Publishers
Page : 484 pages
File Size : 47,9 Mb
Release : 2005
Category : Art
ISBN : UOM:39015063234564
The New York Public Librarys collection of nearly three hundred Western European illuminated manuscripts is one of the largest in America but also one that is very little known. Dating from the turn of the tenth century unto well into the period of the Renaissance, these works give vivid testimony to the creative impulses of the often nameless craftsmen who discovered ever-new ways of animating the contents of hand-produced books through inventive and sometimes exuberant manipulations of all the elements of the book: form and format, layout, script, decoration, illustration, and binding. To introduce this magnificent collection and many of its most important works to scholars and the wider audience, The Splendor of the Word presents one hundred manuscripts of particular cultural, historical, and artistic significance, selected from the Librarys collection.--Amazon.com.
Author : Kathryn B. Gerry,Walters Art Museum (Baltimore, Md.)
Publisher : Walters Art Gallery
Page : 102 pages
File Size : 45,9 Mb
Release : 2009
Category : Books of hours
ISBN : UCSD:31822036299279