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The best of beloved poet Alden Nowlan's explicitly honest, direct, and insightful poetry. Now featuring an introduction by Susan Musgrave. Alden Nowlan, one of Canada's finest and most influential poets, died in 1983. He leaves a rich legacy of poetry that is accessible yet profound, and that speaks to people's lives with wry observation and keen insight. Alden Nowlan Selected Poems is for Nowlan fans and new readers alike. The poems included in this volume reflect the recurring themes that illuminate Nowlan's work, and it is truly the best of his poetry. Above all, this volume is a tribute to a poet who deserves to be treasured for all time.
"Alden Nowlan, one of Canada's finest and most influential poets, died in 1983. He leaves a rich legacy of poetry that is accessible yet profound. Nowlan fans and new readers alike will treasure this collection of the best of this important poet's work, carefully assembled by award-winning poets, editors, and critics Lorna Crozier and Patrick Lane."
Collected Poems of Alden Nowlan by Alden Nowlan Pdf
Alden Nowlan (1933-1983) once wrote of a desire to leave behind "one poem, one story / that will tell what it was like / to be alive." In an abundance of memorable poems, he fulfilled this desire with candour and subtlety, emotion, and humour, sympathy and truth-telling. For many years, Nowlan has been one of Canada's most-read and -beloved poets, but only now is the true range of his poetic achievement finally available between two covers, with the publication of Collected Poems of Alden Nowlan. Nowlan takes us from nightmarish precincts of fear and solitude to the embrace of friendship and family. Delving into experiences of violence and gentleness, of alienation and love, his poetry reveals our shared humanity as well as our perplexing and sometimes entertaining differences. Nowlan's childhood and adult years are colourfully reflected in his poetry. These autobiographical threads are interwoven with fantasies, an astute historical consciousness, and a keen awareness of the shiftings and transformations of selfhood. Nowlan wrote with formal variety, visually shaping his poems with a dexterity that complicates impressions that he was primarily a "plainspoken" poet. His varied uses of the poetic line -- his handling of line-lengths and -breaks, stanzas, and pauses -- show him to be a writer who skilfully uses the page to suggest and embody the rhythms of speech. This long-awaited volume enables readers to experience his poetic genius in its fullness and uniqueness.
This book examines Nowlan's bravery in accepting the limitations of his class and his art, as well as the myopia of the critical milieu in which his work was measured. Here is a glimpse of his Künstlerroman - the elements of his art and his humanity, which sees his reputation steadily developing internationally.
All the Gold Hurts My Mouth by Katherine Leyton Pdf
Winner, 2017 ReLit Award Katherine Leyton's fresh and vibrant debut collection takes on the sexual politics of the twenty-first century, boldly holding up a mirror to the male gaze and interrogating the nature of images and illusions. Confronting the forces of mass communication -- whether television, movies, or the Internet -- Leyton explores the subtle effects of the media on our perceptions and interactions, including the pain of alienation and the threat of violence simmering just below the surface. And yet, for all its unflinching and raw lyricism, the poetry of All the Gold Hurts My Mouth is warm and searching, full of humour and hope. Engaging her readers with lush vocabulary and spare, tightly controlled forms, Leyton's poems become a rich quest for identity, authenticity, and nature uncorrupted. Reaching gloriously from isolation and pain to connection with love, Leyton channels the wit of past feminists to create a manifesto for our time, an affirmation of what might be possible.
On "A Girl Like This Might Have Loved Glenn Gould": "The poem sits up at its greasy-spoon counter and recounts its tale, a kind of cryptic plain-speech, an inverted code, all the more puzzling for what it plainly says: 'Under a spell so the wrong ones can't find it, / So can't get saved, ' as Robert Frost said." -- Jeffery Donaldson Absorbed in the small, everyday rituals of existence, this remarkable collection of poems tears open the fruit of life and scoops out beauty and joy, pain and suffering, in equal measure. Ritual Lights takes the reader on a journey through an underworld that is both familiar and uncanny, a space between death and life where one nourishes the other. Shadowed by the aftermath of sexual assault, Joelle Barron places candles in the darkest alcoves, illuminates mysteries, and rises again to an abundant Earth where the darkness is transformed into rich loam. These poems follow the speaker through grieving and loss, heartbreak, repression, and discovery, seeking, never finding an answer, but finding meaning in the work of continuing. A meditation on trauma and identity, deeply vulnerable and reserved, funny and full of rage, Ritual Lights explores the sometimes messy and ugly, but always necessary, nature of survival.
In Fauxccasional Poems, Daniel Scott Tysdal imagines himself into poetic voices not his own, writing to commemorate events that never occurred, for the posterity of alternative universes -- and the delight of our own. From the reign of the first philosopher king once envisioned by Plato, to the twelfth-century Iroquois colonization of Europe, to Barack Obama's career as a poet, to the lasting peace to come under the rule of the Democratic Kampuchea Global Party, Tysdal envisions the paths not taken and what might have been. In these poems, the crew of the Enola Gay refuse to drop the atomic bomb on Hiroshima, John F. Kennedy evades assassination, and Karl Marx moonlights as an agent provocateur for a capitalist consortium. In a dizzying display of poetic insight, technical prowess, and playful parody, Fauxccasional Poems brings these alternate universes to life, forcing the reader to ponder the contingency of history and how each moment brings us to a thousand turning points. Despite our certainties, nothing is ever as it seems, and the future unfolds against our best designs. History is an unreliable vessel for the upwelling of our deepest hopes and fears, and in Tysdal's hands poetry shakes history by the lapels and shouts, "Wake up! Your time is now!"
Atlantic Canada is enjoying a renaissance unknown since the days of Alden Nowlan, Milton Acorn, and John Thompson. Coastlines: The Poetry of Atlantic Canada features work by 60 of the region's finest poets in a volume that will whet appetites for more. The earlier poetry renaissance began in 1945, with the establishment of The Fiddlehead magazine. In this new volume, the present Fiddlehead editor Ross Leckie, and his collaborators Ann Compton, Laurence Hutchman, and Robin McGrath, showcase the lasting effects of that earlier renaissance and confidently forecast that the newest generation of Atlantic poets will help to make poetry a pre-eminent literary form in Canada once again. Coastlines provides expansive reading pleasure because of the astonishing range of poetic intelligences it represents and the myriad ways poets find to work and rework the topography of Atlantic culture and landscape. The earliest poems in the anthology were written in the 1950s by the acknowledged greats -- Acorn, Nowlan, and Thompson -- and by Alfred Bailey, Elizabeth Bishop, and Charles Bruce. The collection also features work by senior poets such as Kay Smith, M. Travis Lane, Fred Cogswell, and Douglas Lochhead, and mid-career poets such as Elisabeth Harvor, Harry Thurston, and John Steffler. Poets of the post-1995 renaissance include Anne Simpson, Sue Sinclair, Michael Crummey, and George Elliott Clarke, who won the 2001 Governor General's Award; Lynn Davies, Sue Goyette, and Carole Langille have all been recent finalists, and both Brian Bartlett and matt robinson have won the Petra Kenney Memorial International Poetry Prize. The newest voices in Coastlines belong to Tammy Armstrong and Geoff Cook, whose work was selected from manuscripts published in 2002.
"Prying into the dynamic, liminal space between lovers, Amateurs at Love takes precision aim at the silent climacteric moments of the heart: the interrogating, persuading, confiding, reflecting moments that help us feel and understand that distance. In forms ranging from pangramic love songs to prose poetry, Patricia Young guides us through the many looks and layers of human relationship, exploring fondness and heartbreak with masterful form. At times tender and vulnerable, at others inquisitive and sharp, Amateurs at Love faithfully observes the inner voice that makes sense of our past."--
It's often said that the main export of the Maritimes is Maritimers, and the same is true of Newfoundland. "Going down the road" is a way of life, but so is coming home for Christmas. It is tradition marked by happiness, fun, and sometimes less comfortable emotions. Given the regional penchant for yarn spinning, this common experience yields an abundance of stories. In An Orange from Portugal, editor Anne Simpson takes liberties with the concept of "story" to produce a book bursting with Christmas flavour. Many of her choices are fiction, others are memoirs, tall tales, poems, or essays, and still others defy classification. Some authors are nationally and even internationally famous, some are well known in the region, and others are published here for the first time. Spanning more than a century of seasonal writing, the collection includes a description of killing a pig aboard the sailing ship Argonauta for Christmas dinner; Hugh MacLennan"s Halifax waif who wants nothing more than for Santa to bring him a real orange, an orange from Portugal; a story by Alden Nowlan and another by Harry Bruce giving very different versions of what the animals in the barn do on Christmas Eve; a story about Jewish children hanging up their stockings; and very new work by young writers Lisa Moore and Michael Crummey. Beautiful poems by Lynn Davies, Milton Acorn and others leaven the collection for readers of all persuasions. Other authors include: Wayne Johnston, Mary Pratt, David Adams Richards, Carol Bruneau, Wilfred Grenfeld, L.M. Montgomery, Paul Bowdring, Grace Ladd, Herb Curtis, Joan Clark, Ernest Buckler, Rhoda Graser, Bert Batstone, Elisabeth Harvor, David Weale, Charles G.D. Roberts, Ronald F. Hawkins, Mark Jarman, Elsie Charles Basque, Richard Cumyn, Herménégilde Chiasson, Stan Dragland, Alistair MacLeod, and Bernice Morgan. An Orange from Portugal is a Christmas feast, with the scent of turkey and the sound of laughter wafting from the kitchen, and a flurry of snow outside the window.
Incisive and intensely felt, Stewart Cole's striking debut collection reminds us that we too live in an age of anxiety, disoriented by doubt, and up late, compelled to confront the unanswerable. Sirens draw us to the inevitable fact of human suffering, black-winged redbirds perch aloof above our daily commutes, sex denies and drives our hunger for fidelity, and the comet speaks before it strikes. In an unabashed celebration of intellect and a visceral engagement with our shadowy impulses, Cole's voice veers between the playful and the grave, pillow-talk and eulogy. And despite the odds, love -- private, public, and free of false sentiment -- emerges cloaked in a wit and intelligence at once elusive and warm. From the urbane and civil to the lustful and dark, the poems of Questions in Bed, in an impressive synthesis of content and contour, depict the heat-seeking of our driven days and insomniac nights.
Poetry for the Earth by Sara Dunn,Alan Scholefield Pdf
While the state of the environment is a very current issue, passion and concern for the world around us is nearly as old as the world itself. Poetry for the Earth brings together a cross-section of some of the most beautiful and haunting poetry ever written in tribute to--or in mourning for--our magnificent landscapes.
