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The thrilling science fiction trilogy begins. When the world faces invasion and destruction on an epic scale, three unlikely friends find themselves caught up in an adventure that will take them from the post-apocalyptic ruins of the Earth to a far-flung alien planet on the brink of war. In ALIEN DISASTER, the world is changed forever when London is hit by a mysterious and catastrophic attack. Pursued by otherworldly enemies and covert government forces, science student Brandon Walker is forced to team up with thuggish Jason Brown and his quirky sister Kat, as he battles to uncover a secret within his own family that might hold the key to saving the planet.
Max's book of observations, drawings, experiments, and inventions now includes thoughts contributed by Alien Eraser, an extraterrestrial being intent on telling humans about his great exploits.
What if there really are aliens and they do attack? Read what two scientists reveal in this "how-to" survival manual for the space age. Some events (such as a deliberate asteroid strike) produce such a massive setback to life, the Earth and humanity that we must understand and prepare for them, even if the chances are low that they'll come about. But where to begin? Drs. Travis S. Taylor and Bob Boan are experienced scientists, physicists with expertise in both defense and military signal intelligence and experience working with the Department of Defense and NASA. These two intellectual heavyweights take us on an amazing journey through what we do¾and do not¾know about how to defend ourselves from space. Sure, that day may never come in our lifetimes¾but everyone should have a copy of this lying around just in case. . . . At the publisher's request, this title is sold without DRM (Digital Rights Management).
The controversial, bestselling book (37,500 hardcover copies sold) that helps define the debate about one of the most important and hotly contested issues facing America: immigration.
Philip K. Dick Award finalist Washington Post Best Science Fiction and Fantasy of 2018 Abbey Mei Otis’s short stories are contemporary fiction at its strongest: taking apart the supposed equality that is clearly just not there, putting humans under an alien microscope, putting humans under government control, putting kids from the moon into a small beach town and then the putting the rest of the town under the microscope as they react in ways we ope they would, and then, of course, in ways we’d hope they don’t. Otis has long been fascinated in using strange situations to explore dynamics of power, oppression, and grief, and the twelve stories collected here are at once a striking indictment of the present and a powerful warning about the future. “After I read this book, I woke up with bumpy, reddish growths along my spine. They burst, releasing marvels: aliens, robots, prefab houses, vinyl, chainlink, styrofoam, star stuff, tales from the edge of eviction, so many new worlds. Alien Virus Love Disaster is a super-intelligent infection. Let Abbey Mei Otis give you some lumps.” — Sofia Samatar, author of Tender
Alien Eraser Unravels the Mystery of the Pyramids by Marissa Moss Pdf
Max's book of observations, drawings, experiments, and inventions now includes thoughts contributed by Alien Eraser, an extraterrestrial being intent on telling humans about his role in creating the great pyramids of Egypt.
America's Disaster Culture by Robert C. Bell,Robert M. Ficociello Pdf
Are we inside the era of disasters or are we merely inundated by mediated accounts of events categorized as catastrophic? America's Disaster Culture offers answers to this question and a critical theory surrounding the culture of "natural†? disasters in American consumerism, literature, media, film, and popular culture. In a hyper-mediated global culture, disaster events reach us with great speed and minute detail, and Americans begin forming, interpreting, and historicizing catastrophes simultaneously with fellow citizens and people worldwide. America's Disaster Culture is not policy, management, or relief oriented. It offers an analytical framework for the cultural production and representation of disasters, catastrophes, and apocalypses in American culture. It focuses on filling a need for critical analysis centered upon the omnipresence of real and imagined disasters, epidemics, and apocalypses in American culture. However, it also observes events, such as the Dust Bowl, Hurricane Katrina, and 9/11, that are re-framed and re-historicized as "natural†? disasters by contemporary media and pop culture. Therefore, America's Disaster Culture theorizes the very parameters of classifying any event as a "natural†? disaster, addresses the biases involved in a catastrophic event's public narrative, and analyzes American culture's consumption of a disastrous event. Looking toward the future, what are the hypothetical and actual threats to disaster culture? Or, are we oblivious that we are currently living in a post-apocalyptic landscape?
Max Disaster #3: Alien Eraser Reveals the Secrets of Evolution by Marissa Moss Pdf
Max grapples with the outrageousness of divorced parents beginning to date — and other mysteries of evolution — in his third quirky notebook. Welcome to Max’s book of inventions, experiments, comic strips, and random thoughts about school, the universe, evolution, and parents who definitely don’t act the way parents are supposed to act. Luckily for Max, he has a place to jot down his biggest questions and most amazing discoveries. This zany mix of comics, concoctions, and contraptions helps Max tells the story of his topsy-turvy life and how he comes to terms with a changing family.
The Golden Age of Disaster Cinema by Nik Havert Pdf
From the 1950s through the 1970s, disaster movies were a wildly popular genre. Audiences thrilled at the spectacle of these films, many of which were considered glamorous for their time. Derided by critics, they became box office hits and cult classics, inspiring filmmakers around the globe. Some of them launched the careers of producers, directors and actors who would go on to create some of Hollywood's biggest blockbusters. With more than 40 interviews with actors, actresses, producers, stuntmen, special effects artists and others, this book covers the Golden Age of sinking ships, burning buildings, massive earthquakes, viral pandemics and outbreaks of animal madness.
So Aliens have invaded your planet? Bummer. You could pretend you can't see them and hope they go away. Or wear camouflage, pretend they can't see you and hope they go away! Sam, Arty and Emmie have just barely survived a recent zombie infestation when their sleepy little town of Sitting Duck finds itself the victim of an alien invasion! But unlike what you often see on television, the aliens are very small and very cute. How dangerous can they be? SPOILER ALERT: they're very dangerous. And when they disintegrate the mayor with their ray guns, it’s a complete disaster. It’s up to Sam, Arty and Emmie to save the day! Again. Let the total domination of the planet begin! This series from author R. McGeddon is a must for young readers who plan on surviving the highly probable alien invasion that should be happening somewhat soon-ish. Disaster Diaries: Aliens! offers helpful tips to survive this encounter. (Hint: Pretend you can’t see the alien and hope it goes away). In fact, your very life may depend on experiencing the laugh-out-loud hijinks and catastrophic escapades that can only be found in the town of Sitting Duck. An Imprint Book
Cinematic Encounters with Disaster by Simon R. Troon Pdf
Cinematic Encounters with Disaster takes Hollywood's disaster movies and their codified versions of natural disaster, post-apocalyptic survival, and extra-terrestrial threat as the starting point for an analytical trajectory that works toward new understandings of how cinema shapes and informs our conceptions of disaster and catastrophe. It examines a range of films from distinct regional and industrial contexts: Hollywood, indie movies, different kinds of documentaries from the US and elsewhere, and auteurist-realist cinema from Europe and Asia. Moving across and beyond critical and industrial categories that often inform thinking about cinema, this book contends that different approaches to film style can push us to imagine disaster in distinct ways, with distinct ethical connotations. Framed by contemporary concerns around the global climate crisis and the advent of the Anthropocene, questions about how films can best offer responses to historical exigency guide the book's explorations of spectacular 2010s blockbusters like Gravity (2013) and San Andreas (2015), environmental documentaries including the paradigmatic An Inconvenient Truth (2006), post-disaster films by auteurs including Abbas Kiarostami and Lav Diaz, and more. Conceiving of disaster as intersubjective ethics between humans and nonhuman alterity – forces of nature, errant technology, monsters, ghosts, and other entities – it analyses how formal techniques and narrative strategies render encounters in which human protagonists are confronted with the threat of death and respond in ways that can be instructive for our planet's present juncture.
Examines the proliferation of non-native, exotic, introduced, or non-indigenous plants, animals, and microbes in the United States, and discusses the damage done to ecosystems, crops, and human health by invasive species.
Aliens: They have taken the form of immigrants, invaders, lovers, heroes, cute creatures that want our candy or monsters that want our flesh. For more than a century, movies and television shows have speculated about the form and motives of alien life forms. Movies first dipped their toe into the genre in the 1940s with Superman cartoons and the big screen's first story of alien invasion (1945's The Purple Monster Strikes). More aliens landed in the 1950s science fiction movie boom, followed by more television appearances (The Invaders, My Favorite Martian) in the 1960s. Extraterrestrials have been on-screen mainstays ever since. This book examines various types of the on-screen alien visitor story, featuring a liberal array of alien types, designs and motives. Each chapter spotlights a specific film or TV series, offering comparative analyses and detailing the tropes, themes and cliches and how they have evolved over time. Highlighted subjects include Eternals, War of the Worlds, The X-Files, John Carpenter's The Thing and Attack of the 50-Foot Woman.
Science Fiction, Alien Encounters, and the Ethics of Posthumanism by E. Gomel Pdf
Science Fiction, Alien Encounters, and the Ethics of Posthumanism offers a typology of alien encounters and addresses a range of texts including classic novels of alien encounter by H.G. Wells and Robert Heinlein; recent blockbusters by Greg Bear, Octavia Butler and Sheri Tepper; and experimental science fiction by Peter Watts and Housuke Nojiri.