An Analysis Of The Detective Novel F Is For Fugitive Written By Sue Grafton
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An Analysis of the Detective Novel -F- is for Fugitive Written by Sue Grafton by Hendrikje Schulze Pdf
Seminar paper from the year 2002 in the subject American Studies - Literature, grade: 1,3 (A), http: //www.uni-jena.de/, course: Seminar, 9 entries in the bibliography, language: English, abstract: This paper is concerned with the detective novel "'F' is for Fugitive" (1989) written by the American author Sue Grafton. The novel will be discussed with regard to typical features of the detective story. Therefore the first part of the paper deals with rather general elements such as the structure and the narrative features used in the novel. In the second part of the paper the emphasis is put on the characterization of the female detective Kinsey Millhone, who is the central character of the book. Her character will be looked at from different perspectives. Thus her engagement in her job, her relation to other people, her outer appearance and her way of living will be analysed. Furthermore, it will be commented on the question whether she embodies a female variation of the American "hard-boiled" type of detective of the 1920s and 1930s.
When Kinsey Millhone first arrives in Floral Beach, California, it's hard for her to picture the idyllic coastal town as the setting of a brutal murder. Seventeen years ago, the body of Jean Timberlake--a troubled teen who had a reputation with the boys--was found on the beach. Her boyfriend Bailey Fowler was convicted of her murder and imprisoned, but he escaped. After all this time, Bailey's finally been captured. Believing in his son's innocence, Bailey's father wants Kinsey to find Jean's real killer. But most of the residents in this tight-knit community are convinced Bailey strangled Jean. So why are they so reluctant to answer Kinsey's questions? If there's one thing Kinsey's got plenty of it's persistence. And that's exactly what it's going to take to crack the lid on this case. As Kinsey gets closer to solving Jean's murder, the more dirty little secrets she uncovers in a town where everyone has something to hide--and a killer will kill again to keep the past buried...
E Is for Evidence & F Is for Fugitive by Sue Grafton Pdf
A collection of two Kinsey Milhone mysteries includes "E is for evidence," in which, when incriminating evidence planted by an unknown party indicates that private eye Kinsey Millhone is on the take, she desperately tries to exonerate herself.
Readers of Sue Grafton's fiction know she never writes the same book twice, and "I" Is For Innocent is no exception. Her most intricately plotted novel to date, it is layered in enough complexity to baffle even the cleverest among us. Lonnie Kingman is in a bind. He's smack in the middle of assembling a civil suit, and the private investigator who was doing his pretrial legwork has just dropped dead of a heart attack. In a matter of weeks the court's statute of limitations will put paid to his case. Five years ago David Barney walked when a jury acquitted him of the murder of his rich wife, Isabelle. Now Kingman, acting as attorney for the dead woman's ex-husband and their child (and sure that the jury made a serious mistake), is trying to divest David Barney of the profits of that murder. But time is running out, and David Barney still swears he's innocent. Patterned along the lines of a legal case, "I" Is For Innocent is seamlessly divided into thirds: one-third of the novel is devoted to the prosecution, one-third to the defense, and a final third to cross-examination and rebuttal. The result is a trial novel without a trial and a crime novel that resists solution right to the end. When Kinsey Millhone agrees to take over Morley Shine's investigation, she thinks it is a simple matter of tying up the loose ends. Morley might have been careless about his health, but he was an old pro at the business. So it comes as a real shock when she finds his files in disarray, his key informant less than credible, and his witnesses denying ever having spoken with him. It comes as a bigger shock when she finds that every claim David Barney has made checks out. But if Barney didn't murder his wife, who did? It would seem the list of candidates is a long one. In life, Isabelle Barney had stepped on a lot of toes. In "I" Is For Innocent, Sue Grafton once again demonstrates her mastery of those telling details that reveal our most intimate and conflicted relationships. As Kinsey comments on the give-and-take by which we humans deal with each other, for better and sometimes for worse, the reader is struck yet again by how acute a social observer Ms. Grafton can be. Frequently funny and sometimes caustic, she is also surprisingly compassionate-- understanding how little in life is purely black and white. Except for murder. Somewhere out there, a killer waits to see just what Kinsey will find out. Somewhere out there, someone's been getting away with murder, and this time it just might turn out to be Kinsey's. "I" Is For Innocent is Sue Grafton in peak form. Fast-paced. Funny. And very, very devious. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
Readers of Sue Grafton's fiction know she never writes the same book twice, and "I" Is For Innocent is no exception. Her most intricately plotted novel to date, it is layered in enough complexity to baffle even the cleverest among us. Lonnie Kingman is in a bind. He's smack in the middle of assembling a civil suit, and the private investigator who was doing his pretrial legwork has just dropped dead of a heart attack. In a matter of weeks the court's statute of limitations will put paid to his case. Five years ago David Barney walked when a jury acquitted him of the murder of his rich wife, Isabelle. Now Kingman, acting as attorney for the dead woman's ex-husband and their child (and sure that the jury made a serious mistake), is trying to divest David Barney of the profits of that murder. But time is running out, and David Barney still swears he's innocent. Patterned along the lines of a legal case, "I" Is For Innocent is seamlessly divided into thirds: one-third of the novel is devoted to the prosecution, one-third to the defense, and a final third to cross-examination and rebuttal. The result is a trial novel without a trial and a crime novel that resists solution right to the end. When Kinsey Millhone agrees to take over Morley Shine's investigation, she thinks it is a simple matter of tying up the loose ends. Morley might have been careless about his health, but he was an old pro at the business. So it comes as a real shock when she finds his files in disarray, his key informant less than credible, and his witnesses denying ever having spoken with him. It comes as a bigger shock when she finds that every claim David Barney has made checks out. But if Barney didn't murder his wife, who did? It would seem the list of candidates is a long one. In life, Isabelle Barney had stepped on a lot of toes. In "I" Is For Innocent, Sue Grafton once again demonstrates her mastery of those telling details that reveal our most intimate and conflicted relationships. As Kinsey comments on the give-and-take by which we humans deal with each other, for better and sometimes for worse, the reader is struck yet again by how acute a social observer Ms. Grafton can be. Frequently funny and sometimes caustic, she is also surprisingly compassionate-- understanding how little in life is purely black and white. Except for murder. Somewhere out there, a killer waits to see just what Kinsey will find out. Somewhere out there, someone's been getting away with murder, and this time it just might turn out to be Kinsey's. "I" Is For Innocent is Sue Grafton in peak form. Fast-paced. Funny. And very, very devious. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
B is for Burglar, from Sue Grafton's #1 New York Times bestselling Kinsey Millhone Alphabet mystery series Beverly Danziger looked like an expensive, carefully wrapped package from a good but conservative shop. Only her compulsive chatter hinted at the nervousness beneath her cool surface. It was a nervousness out of all proportion to the problem she placed before Kinsey Millhone. There was an absent sister. A will to be settled--a matter of only a few thousand dollars. Mrs. Danziger did not look as if she needed a few thousand dollars. And she didn't seem like someone longing for a family reunion. Still, business was slow, and even a private investigator has bills to pay. Millhone took the job. It looked routine. Elaine Boldt's wrappings were a good deal flashier than her sister's, but they signaled the same thing: The lady had money. A rich widow in her early forties, she owned a condo in Boca Raton and another in Santa Teresa. According to the manager of the California building, she was last seen draped in her $12,000 lynx coat heading for Boca Raton. According to the manager of the Florida building, she never got there. But someone else had and she was camping out illegally in Mrs. Boldt's apartment. The job was beginning to seem a bit less routine. It turned tricky when Beverly Danziger ordered Millhone to drop the case and it took on an ominous quality when Aubrey Danziger surfaced, making all kinds of wild accusations about his wife. But it only became sinister when Millhone learned that just days before Elaine Boldt went missing, her next-door neighbor and bridge partner had been murdered and the killer was still at large. A house destroyed by arson. A brutally murdered a woman. A missing lynx coat. An apartment burgled of valueless papers, another ransacked in a melée of mindless destruction. And more murder. As Millhone digs deeper into the case, she finds herself in a nightmarish hall of mirrors in which reality is distorted by illusion and nothing--except danger--is quite what it seems. "A" Is for Alibi "B" Is for Burglar "C" Is for Corpse "D" Is for Deadbeat "E" Is for Evidence "F" Is for Fugitive "G" Is for Gumshoe "H" Is for Homicide "I" Is for Innocent "J" Is for Judgment "K" Is for Killer "L" is for Lawless "M" Is for Malice "N" Is for Noose "O" Is for Outlaw "P" Is for Peril "Q" Is for Quarry "R" Is for Ricochet "S" Is for Silence "T" Is for Trespass "U" Is for Undertow "V" Is for Vengeance "W" Is for Wasted "X"
A latest entry in the best-selling series that includes U is for Undertow finds Kinsey Millhone receiving for her 38th birthday a facial punch that leaves her with a broken nose and two black eyes before tackling a suspicious suicide involving a host of unscrupulous characters.
From the #1 New York Times bestselling author of the acclaimed Alphabet series comes a collection of stories that “combines glimpses of her series detective, Kinsey Millhone, with a revealing self-portrait” (Publishers Weekly). In 1982, Sue Grafton introduced Kinsey Millhone and created an iconic female detective. Here, in a story collection divided into two parts, Sue Grafton provides a glimpse of her own early life in the guise of the character Kit Blue, and enriches our understanding of Kinsey Millhone, one of the spunkiest, smartest, and most entertaining private investigators in all of mystery fiction. “Terrific...The Kinsey stories and the Kit stories together open a window into Grafton's soul.”—USA Today
Nikki Fife, the wife of a hated divorce lawyer, out on parole after eight years in prison for killing her husband, hires ex-cop-turned-private detective Kinsey Millhone to find the real killer and clear her name.
When Laurence Fife was murdered, few cared. Plenty of people in Santa Teresa had reason to want him dead, including his wife Nikki. Eight years later and out on parole Nikki Fife hires Kinsey Millhone to find out who really killed her husband.
J is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz. In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was my investigation into the dead man's past that triggered the inquiry into my own, and in the end the two stories became difficult to separate. Five years ago, when Jaffe's thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he'd gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot. Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn't belong, it was odd to realize how little attention I'd paid to my own past. I'd simply accepted what I was told, constructing my personal mythology on the flimsiest of facts. But Jaffe wasn't quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full.Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it's better to reserve jud
Touching Upon Boundaries. An Analysis of Interspecies Relationships in the Planet of the Apes Novel, its Cinematic Adaptations and Remake by Christina Haupt Pdf
Seminar paper from the year 2019 in the subject Communications - Movies and Television, grade: 1,30, University of Passau (Professur für Anglistik/Cultural and Media Studies), course: Remakes, language: English, abstract: “To linken human beings to beasts is to stress the animal within the man” (Jordan qtd. in Greene 50).This statement gets to the heart of the discussion about the relationship between apes and human beings in Pierre Boulle’s French novel La Planète des Singes/Planet of the Apes , its first U.S.-American cinematic adaptation by director Franklin J. Schaffner and the homonymous U.S.-remake of 2001. Despite the texts’ vast variety of discourses, of which most have been discussed extensively in the academic field, it is the aim of the present paper to focus solely on the question of how the relationship between the ape and human species is presented in PotA (1963), PotA (1968) and PotA (2001) with regard to the construction and challenging of limitations. The aim is to demonstrate that, despite the persistence of interspecies boundaries, the texts clearly progress in bringing the species closer together. In recent years, the rising awareness of human beings’ close kinship to other primates as well as the ongoing extinction of species2 have made it more relevant than ever before to study and, thus, preserve biodiversity of apes. The three texts mentioned above contribute to an understanding of the development of human-ape kinship over the past decades by illustrating “the human in the animal and the animal in the human” (Balaschak 20) in unique ways. The paper’s approach is to, firstly, embed the texts in their historical and cultural environment by considering the impact of primatology and contemporary socio-political conflicts on the representation of the ape-human relationship. Then, attention is given tomeans of separating the species through the construction of intra- and interspecies hierarchies and the use of language to justify speciesism in the novel, its adaptation and the remake. This exploration is followed by an analysis of how these boundaries are challenged by taking a closer look at the respective interspecies relationships between the male human protagonist and the female chimpanzee lead. Ultimately, the paper closes with a summary of the results and, additionally, gives a brief outlook into the possible future direction of the ape-human evolution and impulses for further research.
In 1960s Santa Teresa, California, a child is kidnapped and never returned... When the case is reopened after twenty years, a man - Michael Sutton - contacts private detective Kinsey Millhone for help. He claims to have recalled a strange and disturbing memory which just might provide the key to the mystery.
