An Artist Against The Third Reich

Author : Peter Paret
Publisher : Cambridge University Press
Page : 254 pages
File Size : 42,5 Mb
Release : 2003-03-24
Category : Art
ISBN : 052182138X

Get Book

An Artist Against the Third Reich by Peter Paret Pdf

The conflict between National Socialism and Ernst Barlach, one of the important sculptors of the twentieth century, is an unusual episode in the history of Hitler's efforts to rid Germany of 'international modernism'. Barlach did not passively accept the destruction of his sculptures. He protested the injustice, and continued his work. The author's discussion of Barlach's art and struggle over creative freedom, are joined to an analysis of Barlach's opponents. Peter Paret's fine study of an artist in a time of crisis seamlessly combines the history of modern Germany and the history of modern art.

Author : Jonathan Petropoulos
Publisher : UNC Press Books
Page : 468 pages
File Size : 51,8 Mb
Release : 1999-02-01
Category : History
ISBN : 0807848093

Get Book

Art as Politics in the Third Reich by Jonathan Petropoulos Pdf

The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy

Author : Jonathan Petropoulos
Publisher : Yale University Press
Page : 432 pages
File Size : 44,7 Mb
Release : 2014-11-28
Category : History
ISBN : 9780300210613

Get Book

Artists Under Hitler by Jonathan Petropoulos Pdf

“What are we to make of those cultural figures, many with significant international reputations, who tried to find accommodation with the Nazi regime?” Jonathan Petropoulos asks in this exploration of some of the most acute moral questions of the Third Reich. In his nuanced analysis of prominent German artists, architects, composers, film directors, painters, and writers who rejected exile, choosing instead to stay during Germany’s darkest period, Petropoulos shows how individuals variously dealt with the regime’s public opposition to modern art. His findings explode the myth that all modern artists were anti-Nazi and all Nazis anti-modernist. Artists Under Hitler closely examines cases of artists who failed in their attempts to find accommodation with the Nazi regime (Walter Gropius, Paul Hindemith, Gottfried Benn, Ernst Barlach, Emil Nolde) as well as others whose desire for official acceptance was realized (Richard Strauss, Gustaf Gründgens, Leni Riefenstahl, Arno Breker, Albert Speer). Collectively these ten figures illuminate the complex cultural history of Nazi Germany, while individually they provide haunting portraits of people facing excruciating choices and grave moral questions.

Author : Mary M. Lane
Publisher : PublicAffairs
Page : 336 pages
File Size : 41,7 Mb
Release : 2019-09-10
Category : History
ISBN : 9781610397377

Get Book

Hitler's Last Hostages by Mary M. Lane Pdf

Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.

Author : Berthold Hinz
Publisher : Pantheon
Page : 314 pages
File Size : 41,7 Mb
Release : 1979
Category : Art
ISBN : UOM:39015013185155

Get Book

Art in the Third Reich by Berthold Hinz Pdf

Author : Albert Speer
Publisher : Unknown
Page : 832 pages
File Size : 40,8 Mb
Release : 1970
Category : Germany
ISBN : 1857998561

Get Book

Inside the Third Reich by Albert Speer Pdf

'INSIDE THE THIRD REICH is not only the most significant personal German account to come out of the war but the most revealing document on the Hitler phenomenon yet written. It takes the reader inside Nazi Germany on four different levels: Hitler's inner circle, National Socialism as a whole, the area of wartime production and the inner struggle of Albert Speer. The author does not try to make excuses, even by implication, and is unrelenting toward himself and his associates... Speer's full-length portrait of Hitler has unnerving reality. The Fuhrer emerges as neither an incompetent nor a carpet-gnawing madman but as an evil genius of warped conceits endowed with an ineffable personal magic' NEW YORK TIMES

Author : Jonathan Huener,Francis R. Nicosia
Publisher : Berghahn Books
Page : 235 pages
File Size : 53,9 Mb
Release : 2007-09
Category : Art
ISBN : 9781845453596

Get Book

The Arts in Nazi Germany by Jonathan Huener,Francis R. Nicosia Pdf

"Culture and the arts played a central role in the ideology and propaganda of National Socialism from the early years of the movement until the last months of the Third Reich in 1945 ... This volume's essays explore these and other aspects of the arts and cultural life under National Socialism ..."--Cover.

Author : Peter Paret,Helga Thieme
Publisher : Berghahn Books
Page : 140 pages
File Size : 47,8 Mb
Release : 2012-04
Category : Art
ISBN : 9780857453464

Get Book

Myth and Modernity by Peter Paret,Helga Thieme Pdf

In interpreting its own age art often turns to the past. At the beginning of the twentieth century one of these encounters between present and past was prompted by the interest a major figure in German modernism, the sculptor Ernst Barlach, came to take in the medieval epic The Song of the Nibelungen. There exists no statement by Barlach to explain what prompted his interest and the resulting sequence of large drawings on the epic’s climactic final segment, reproduced here. In conception and execution these drawings stand out in Barlach’s graphic oeuvre, as they stand apart from the multitude of interpretations the Nibelungen inspired in art, literature, and music. This book discusses the epic and its course through German history, the artist’s biography and the course of his work, as well as the place the drawings occupy in the art, culture, and politics of Germany in the 1920s and 30s and beyond to the ideological and political crises of Central Europe before and after the First World War.

Author : William L. Shirer
Publisher : Unknown
Page : 1272 pages
File Size : 47,5 Mb
Release : 2011-10-11
Category : History
ISBN : UCAL:$B640627

Get Book

The Rise and Fall of the Third Reich by William L. Shirer Pdf

History of Nazi Germany.

Author : Joan L. Clinefelter
Publisher : Bloomsbury Publishing
Page : 192 pages
File Size : 45,7 Mb
Release : 2005-04-01
Category : History
ISBN : 9781845207090

Get Book

Artists for the Reich by Joan L. Clinefelter Pdf

While we often think about talented artists fleeing the clutches of the Nazi regime - forced out or sickened by the strictures placed upon them - we rarely consider those artists who willingly stayed behind. This is the first comprehensive treatment of the German Art Society, a group of artists, authors and right-wing activists who actively embraced Nazism. These artists have typically been dismissed as a lunatic fringe, but the author argues that they were in fact instrumental in battling modernist art in defense of what they regarded as the German cultural tradition. Drawing on previously neglected archival material, Clinefelter reveals cultural continuities that extend from the Wilhelmine Empire, through the Weimar Republic, into the Third Reich, and elucidates how theses artists promoted Nazi culture 'from below.' Rich in detail and highly readable, Artists for the Reich provides a more nuanced understanding of German culture under Nazism.

Author : Marion Deshmukh,Françoise Forster-Hahn,Barbara Gaehtgens
Publisher : Berghahn Books
Page : 266 pages
File Size : 52,7 Mb
Release : 2011-05
Category : Art
ISBN : 9781845456627

Get Book

Max Liebermann and International Modernism by Marion Deshmukh,Françoise Forster-Hahn,Barbara Gaehtgens Pdf

Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.

Author : Gregory Maertz
Publisher : BoD – Books on Demand
Page : 248 pages
File Size : 40,7 Mb
Release : 2019-04-30
Category : Language Arts & Disciplines
ISBN : 9783838212814

Get Book

Nostalgia for the Future: Modernism and Heterogeneity in the Visual Arts of Nazi Germany by Gregory Maertz Pdf

In the first chapter on the German military’s unlikely function as an incubator of modernist art and in the second chapter on Adolf Hitler’s advocacy for “eugenic” figurative representation embodying nostalgia for lost Aryan racial perfection and the aspiration for the future perfection of the German Volk, Maertz conclusively proves that the Nazi attack on modernism was inconsistent. In further chapters, on the appropriation of Christian iconography in constructing symbols of a Nazi racial utopia and on Baldur von Schirach’s heretical patronage of modernist art as the supreme Nazi Party authority in Vienna, Maertz reveals that sponsorship of modernist artists continued until the collapse of the regime. Also based on previously unexamined evidence, including 10,000 works of art and documents confiscated by the U.S. Army, Maertz’s final chapter reconstructs the anarchic denazification and rehabilitation of German artists during the Allied occupation, which had unforeseen consequences for the postwar art world.

Author : Arthur J. McLaughlin, Jr.
Publisher : McFarland
Page : 229 pages
File Size : 44,5 Mb
Release : 2021-12-30
Category : Art
ISBN : 9781476666419

Get Book

Art and the Nazis, 1933-1945 by Arthur J. McLaughlin, Jr. Pdf

This first comprehensive analysis of the Third Reich's efforts to confiscate, loot, censor and influence art begins with a brief history of the looting of artworks in Western history. The artistic backgrounds of Adolf Hitler and Hermann Goring are examined, along with the various Nazi art looting organizations, and Nazi endeavors to both censor and manipulate the arts for propaganda purposes. Long-held beliefs about the Nazi destruction of "degenerate art" are examined, drawing on recently developed university databases, new translations of original documents and recently discovered information. Theft and destruction of artworks by the Allies and looting by Soviet trophy brigades are also documented.

Author : Moritz Föllmer
Publisher : Oxford University Press, USA
Page : 331 pages
File Size : 41,9 Mb
Release : 2020-05-25
Category : History
ISBN : 9780198814603

Get Book

Culture in the Third Reich by Moritz Föllmer Pdf

'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.

Author : Alan E. Steinweis
Publisher : Univ of North Carolina Press
Page : 244 pages
File Size : 45,6 Mb
Release : 2017-11-01
Category : History
ISBN : 9780807864791

Get Book

Art, Ideology, and Economics in Nazi Germany by Alan E. Steinweis Pdf

From 1933 to 1945, the Reich Chamber of Culture exercised a profound influence over hundreds of thousands of German artists and entertainers. Alan Steinweis focuses on the fields of music, theater, and the visual arts in this first major study of Nazi cultural administration, examining a complex pattern of interaction among leading Nazi figures, German cultural functionaries, ordinary artists, and consumers of culture. Steinweis gives special attention to Nazi efforts to purge the arts of Jews and other so-called undesirables. Steinweis describes the political, professional, and economic environment in which German artists were compelled to function and explains the structure of decision making, thus showing in whose interest cultural policies were formulated. He discusses such issues as insurance, minimum wage statutes, and certification guidelines, all of which were matters of high priority to the art professions before 1933 as well as after the Nazi seizure of power. By elucidating the economic and professional context of cultural life, Steinweis helps to explain the widespread acquiescence of German artists to artistic censorship and racial 'purification.' His work also sheds new light on the purge of Jews from German cultural life.