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Author : Charles Burney
Publisher : Unknown
Page : 268 pages
File Size : 40,8 Mb
Release : 1959
Category : Electronic
ISBN : OCLC:901142883
Author : Percy A Scholes
Publisher : Legare Street Press
Page : 0 pages
File Size : 52,6 Mb
Release : 2023-07-18
Category : Electronic
ISBN : 1022232282
In this second volume of his musical tour, Scholes provides a detailed exploration of the musical culture and traditions of Central Europe and the Netherlands during the eighteenth century. The book includes extensive analysis of key composers and their works, and offers a fascinating glimpse into the rich and diverse history of European music. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author : Johann Adam Hiller
Publisher : Cambridge University Press
Page : 211 pages
File Size : 51,6 Mb
Release : 2001-04-12
Category : Music
ISBN : 9781139428989
Hiller's Treatise on Vocal Performance and Ornamentation was published in Germany in 1780 and is an important manual on vocal technique and performance in the eighteenth century. Hiller was a masterful educator and was active not only as a teacher but as a critic, composer, conductor and music director. Thus, his observations served not only to raise the standards of singing in Germany, based on the Italian model, but to present complicated material, particularly ornamentation, in a manner that his peers, the middle class, could emulate. This present edition, translated with an introduction and extensive commentary by musicologist Suzanne J. Beicken, makes Hiller's treatise available for the first time in English. With its emphasis on practical aspects of ornamentation, declamation and style it will be valuable to instrumentalists as well as singers and is a significant contribution to the understanding of performance practice in the eighteenth-century.
Author : Charles Burney
Publisher : Greenwood
Page : 294 pages
File Size : 40,5 Mb
Release : 1959
Category : Europe
ISBN : NWU:35556012985545
Author : Valerie Walden
Publisher : Cambridge University Press
Page : 338 pages
File Size : 43,7 Mb
Release : 2004-08-19
Category : Music
ISBN : 0521607612
The first book to address the full range of performance issues for the violoncello from the Baroque to the early Romantic period. Richly illustrated with over 300 music examples, plates and figures, this book provides playing instructions which can easily be applied by modern players to their own performance of period music.
Author : Janice B. Stockigt
Publisher : Oxford : Oxford University Press
Page : 390 pages
File Size : 53,9 Mb
Release : 2000
Category : Biography & Autobiography
ISBN : 0198166222
Jan Dismas Zelenka, the brilliant but elusive contemporary of Bach, musically served the Catholic chapel of the dazzling Dresden court during the first half of the eighteenth century. Research has uncovered biographical information, and reveals the remarkable music of a major figure of the Baroque era.
Author : Sara Freeman
Publisher : University Alabama Press
Page : 268 pages
File Size : 40,9 Mb
Release : 2020-02-11
Category : Performing Arts
ISBN : 9780817371135
Author : John Fauvel,Raymond Flood,Robin J. Wilson
Publisher : Oxford University Press, USA
Page : 208 pages
File Size : 47,5 Mb
Release : 2006
Category : Mathematics
ISBN : 0199298939
From ancient Greek times, music has been seen as a mathematical art, and the relationship between mathematics and music has fascinated generations. This work links these two subjects in a manner that is suitable for students of both subjects, as well as the general reader with an interest in music.
Author : Walter S. Reiter,Walter Reiter
Publisher : Oxford University Press, USA
Page : 361 pages
File Size : 54,9 Mb
Release : 2020-09-24
Category : Juvenile Nonfiction
ISBN : 9780197525111
"The Early Music revival has had far-reaching consequences on how music of the past is performed, both by specialists and non-specialists. This timely book is a practical step-by-step course of lessons for violinists and violists in both these categories, covering the interpretation, technique, culture and historical background of the Baroque violin repertoire. Written by a violinist and teacher specialising in Baroque music over many years, it guides readers from the basics (how to hold the violin) to Bach, via music from a wide variety of styles. Avoiding obscure musicological jargon, it is eminently readable and accessible. Packed with information, detailed observations on the music under discussion and relevant quotations from historical and contemporary sources, it covers everything the Baroque violin student should know and may be considered as equivalent to two to three years of individual lessons. The book contains over 100 Exercises devised for and tested on students over the years. The author's holistic approach is evident through the Exercises aimed at bringing out the individual voice of each student, and his insistence that what happens within, the identification and manipulation of Affects, is a vital part of successful performance. Imitating the voice, both spoken and sung, is a constant theme, beginning with the simple device of playing words. There are 50 Lessons, including five Ornamentation Modules and ones on specific topics: Temperament, Rhetoric, the Affects etc. All the music, transcribed for both violin and viola, is downloadable from the website, where there is also a series of videos"--
Author : Walter S. Reiter
Publisher : Oxford University Press
Page : 336 pages
File Size : 48,6 Mb
Release : 2020-10-07
Category : Juvenile Nonfiction
ISBN : 9780197525135
In the early seventeenth century, enthusiasm for the violin swept across Europe--this was an instrument capable of bewitching virtuosity, with the power to express emotions in a way only before achieved with the human voice. With this new guide to the Baroque violin, and its close cousin, the Baroque viola, distinguished performer and pedagogue Walter Reiter puts this power into the hands of today's players. Through fifty lessons based on the Reiter's own highly-renowned course at The Royal Conservatory of the Hague, The Baroque Violin & Viola, Volume II provides a comprehensive exploration of the period's rich and varied repertoire. The lessons in Volume II cover the early seventeenth-century Italian sonata, music of the French Baroque, the Galant style, and the sonatas of composers like Schmelzer, Biber, and Bach. Practical exercises are integrated into each lesson, and accompanied by rich video demonstrations on the book's companion website. Brought to life by Reiter's deep insight into key repertoire based on a lifetime of playing and teaching, The Baroque Violin & Viola, Volume II: A Fifty-Lesson Course will enhance performances of professional and amateur musicians alike.
Author : Howard Louthan
Publisher : Cambridge University Press
Page : 355 pages
File Size : 45,9 Mb
Release : 2009-02-12
Category : History
ISBN : 9780521889292
This book sheds light on the course of the Counter-Reformation and the nature of early modern Catholicism.
Author : Thomas Tolley
Publisher : Routledge
Page : 552 pages
File Size : 40,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351555241
From c.1750 to c.1810 the paths of music history and the history of painting converged with lasting consequences. The publication of Newton's Opticks at the start of the eighteenth century gave a 'scientific' basis to the analogy between sight and sound, allowing music and the visual arts to be defined more closely in relation to one another. This was also a period which witnessed the emergence of a larger and increasingly receptive audience for both music and the visual arts - an audience which potentially included all social strata. The development of this growing public and the commercial potential that it signified meant that for the first time it became possible for a contemporary artist to enjoy an international reputation. Nowhere is this better illustrated than in the career of Joseph Haydn. Although this phenomenon defies conventional modes of study, the book shows how musical pictorialism became a major creative force in popular culture. Haydn, the most popular living cultural personality of the period, proved to be the key figure in advancing the new relationship. The connections between the composer and his audiences and leading contemporary artists (including Tiepolo, Mengs, Kauffman, Goya, David, Messerschmidt, Loutherbourg, Canova, Copley, Fuseli, Reynolds, Gillray and West) are examined here for the first time. By the early nineteenth century, populism was beginning to be regarded with scepticism and disdain. Mozart was the modern Raphael, Beethoven the modern Michelangelo. Haydn, however, had no clear parallel in the accepted canon of Renaissance art. Yet his recognition that ordinary people had a desire to experience simultaneous aural and visual stimulation was not altogether lost, finding future exponents in Wagner and later still in the cinematic arts.
Author : Derek Beales
Publisher : Cambridge University Press
Page : 582 pages
File Size : 46,8 Mb
Release : 1987-04-30
Category : Biography & Autobiography
ISBN : 0521242401
This volume describes the claustrophobic atmosphere, in which Joseph was trained to rule, and his attempts after 1765 as co-regent with his formidable mother.
Author : Tim Blanning
Publisher : Random House
Page : 688 pages
File Size : 50,9 Mb
Release : 2016-03-29
Category : Biography & Autobiography
ISBN : 9780812988734
The definitive biography of the legendary autocrat whose enlightened rule transformed the map of Europe and changed the course of history Few figures loom as large in European history as Frederick the Great. When he inherited the Prussian crown in 1740, he ruled over a kingdom of scattered territories, a minor Germanic backwater. By the end of his reign, the much larger and consolidated Prussia ranked among the continent’s great powers. In this magisterial biography, award-winning historian Tim Blanning gives us an intimate, in-depth portrait of a king who dominated the political, military, and cultural life of Europe half a century before Napoleon. A brilliant, ambitious, sometimes ruthless monarch, Frederick was a man of immense contradictions. This consummate conqueror was also an ardent patron of the arts who attracted painters, architects, musicians, playwrights, and intellectuals to his court. Like his fellow autocrat Catherine the Great of Russia, Frederick was captivated by the ideals of the Enlightenment—for many years he kept up lively correspondence with Voltaire and other leading thinkers of the age. Yet, like Catherine, Frederick drew the line when it came to implementing Enlightenment principles that might curtail his royal authority. Frederick’s terrifying father instilled in him a stern military discipline that would make the future king one of the most fearsome battlefield commanders of his day, while deriding as effeminate his son’s passion for modern ideas and fine art. Frederick, driven to surpass his father’s legacy, challenged the dominant German-speaking powers, including Saxony, Bavaria, and the Habsburg Monarchy. It was an audacious foreign policy gambit, one at which Frederick, against the expectations of his rivals, succeeded. In examining Frederick’s private life, Blanning also carefully considers the long-debated question of Frederick’s sexuality, finding evidence that Frederick lavished gifts on his male friends and maintained homosexual relationships throughout his life, while limiting contact with his estranged, unloved queen to visits that were few and far between. The story of one man’s life and the complete political and cultural transformation of a nation, Tim Blanning’s sweeping biography takes readers inside the mind of the monarch, giving us a fresh understanding of Frederick the Great’s remarkable reign. Praise for Frederick the Great “Writing Frederick’s biography . . . requires a diverse set of skills: expertise in eighteenth-century diplomatic and military history, including the intricacies of the Holy Roman Empire; a familiarity with the music, architecture and intellectual traditions of Northern Europe; and, not least, a profound sense of human psychology, the better to grasp the makeup of this complex and tormented man. Fortunately, Tim Blanning . . . has all of these skills in abundance.”—The Wall Street Journal “At once scholarly and highly readable . . . [Blanning] has given us a superb portrait of an enlightened despot, equally at home on the battlefield and in the opera house, both utterly ruthless and culturally refined.”—Commentary “Blanning, in clear thinking and prose, investigates all aspects of Frederick’s personality and reign. . . . The last word on this significant king, for years to come.”—Booklist (starred review) “Masterly . . . Blanning brilliantly brings to life one of the most complex characters of modern European history.”—The Telegraph (five stars) “A supremely nuanced account . . . This biography finds [Blanning] at the height of his powers.”—Literary Review
Author : Martha Feldman
Publisher : University of Chicago Press
Page : 584 pages
File Size : 46,9 Mb
Release : 2010-10-05
Category : Music
ISBN : 9780226044545
Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.