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'As a child I would sit on the stone wall as if hypnotised, imagining that the world ended where the moutains and the sky met and wishing I could stand at the top and touch the heavens.' This enchanting story tells of a young girl's magical childhood on a farm in the west of Ireland during the 1930s and 1940s. It looks at the mountain-village community, one that was poor, though never short of the necessities of life.
This is the story of a magical childhood on a farm in Mayo during the 1930s and early 1940s. It tells of a young girl, Marrie, and the rural community in which she lives, close to nature and in a land with little worldly wealth.
The Ireland of Marrie Walsh's entrancing memoir is a place of magic indeed. Born Mary Kate Ferguson in the mountain community of County Mayo, young Marrie grew up in a world lost to us today - a world of spring wells, of peat fires, and of fairies riding on the backs of hares. Her family were farming people, and when they were not nurturing the soil they were telling stories: Spinning webs of legends and heroes around the hearthfires while fiddlers played behind them, they gave everything in her world a sense of wonder that never left her. Half a century later, Marrie Walsh returns to the scenes of her youth in An Irish Country Childhood, the most rich and wondrous book of its kind since Alice Taylor's To School Through the Fields. Return with her, and you'll find a land where every neighbor was family; where hermits and bogey men and ghosts were all equally real, and equally frightening; where time, for just a moment, seemed to have stopped for a leisurely rest.
This enchanting story tells of a young girl's magical childhood on a farm in the west of Ireland during the 1930s and 1940s. It looks at the mountain-village community, one that was poor, though never short of the necessities of life.
Raised on a farm by a quick-tempered father and a cheerfully indulgent mother, Taylor and her six siblings enjoyed a childhood of boundless freedom as the family worked together sowing their fields, nourished themselves with their own crops and livestock, walked miles across verdant hills to and from their two-room schoolhouse and rode their wagon to Mass in town on Sundays. Told with an earthy, childlike sensuality, Taylor's bestselling memoir powerfully evokes life in rural Ireland.
Children, Childhood and Irish Society, 1500 to the Present by Maria Luddy,James M. Smith Pdf
"This collection examines how attitudes to children have changed in Ireland over the centuries, and addresses how concepts of childhood in Ireland changed over time."--Goodreads.com.
Welcome to the colourful Ulster village of Ballybucklebo, where two doctors work hand in hand to mend the bodies and spirits of the town's diverse and engaging inhabitants. But who is looking after the wounded hearts of the doctors? After less than a year, young Barry Laverty, M.B., is settling in to the village, with only a few months to go before he becomes a full partner in the practice. He's looking forward to becoming a fixture in the community, until an unexpected romantic reversal gives him second thoughts. Will he truly be happy tending to routine coughs and colds for the rest of his career? After all, even when a more challenging case comes along, like a rare tropical disease, all he can do is pass it on to a qualified specialist or big-city hospital. As much as Barry enjoys the rough and tumble of life in County Down, is running a humble GP's shop all he wants out of life? Barry's mentor, Doctor Fingal Flahertie O'Reilly, is going through some personal upheavals as well. After mourning his deceased wife for decades, he's finally allowed a new woman into his life. But this budding courtship is not going over well with Kinky Kincaid, the doctors' redoubtable housekeeper, who fears having her position usurped by O'Reilly's new flame. Tact, diplomacy, and a fair amount of blarney may be required to restore peace to the household. Meanwhile, life goes on in Ballybucklebo, presenting both doctors with plenty of distractions from their own troubles. From a mysterious outbreak at the local school to a complicated swindle involving an unlucky racehorse, the two partners will need all of their combined wit and compassion to put things right again--just in time for their lives to change forever. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
An Irish Country Practice is the twelfth heartwarming installment in New York Times and Globe and Mail bestselling author Patrick Taylor's beloved Irish Country series. Once, not too long ago, there was just a single Irish country doctor tending to the lively little village of Ballybucklebo: Doctor Fingal Flahertie O’Reilly. Now his thriving practice is growing by leaps and bounds. Not only has O’Reilly taken a new trainee under his wing, Doctor Connor Nelson, he’s also added a spirited Labrador puppy to his ever-expanding household at Number One Main Street. Meanwhile, his trusted partner, young Doctor Barry Laverty, finds himself wondering if he’s truly ready to settle down and start a family with his lovely fiancée, Sue. As the doctors cope with domestic and professional challenges, they also look after their patients and their ailments, including a mysterious cough, a housewife whose frequent “accidents” may have a disturbing cause, and a respected colleague who might be succumbing to an old vice. All is not sickness and worry, however. There’s plenty of joy and merriment to be found as well, from a visiting circus to racing to sailing . . . and maybe even a happy ending or two. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Adapted for the stage from the best-selling memoir, The Speckled People tells a profoundly moving story of a young boy trapped in a language war. Set in 1950s Ireland, this is a gripping, poignant, and at times very funny family drama of homesickness, control and identity. As a young boy, Hugo Hamilton struggles with what it means to be speckled, "half and half... Irish on top and German below." An idealistic Irish father enforces his cultural crusade by forbidding his son to speak English while his German mother tries to rescue him with her warm-hearted humour and uplifting industry. The boy must free himself from his father and from bullies on the street who persecute him with taunts of Nazism. Above all he must free himself from history and from the terrible secrets of his mother and father before he can find a place where he belongs. Surrounded by fear, guilt, and frequently comic cultural entanglements, Hugo tries to understand the differences between Irish history and German history and to turn the strange logic of what he is told into truth. It is a journey that ends in liberation but not before the long-buried secrets at the back of the parents' wardrobe have been laid bare.
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies
These are tales about a happy childhood in Ireland during the 1940s and 1950s. The author writes of a way of life which is characterized by its absences - no electricity, running water, record players or washing machines. The rural recollections evoke a life in which a sense of community and a closeness to nature play an important part. The author has also written An Irish Country Diary and Close to Earth.
Free: A Child and a Country at the End of History by Lea Ypi Pdf
Shortlisted for the 2021 Baillie Gifford Prize for Non-Fiction Shortlisted for the 2021 Costa Biography Award The Sunday Times Best Book of the Year in Biography and Memoir A Financial Times Best Book of 2021 (Critics' Picks) The New Yorker, Best Books We Read in 2021 Times Literary Supplement Book of the Year 2021 A Guardian Best Book of the Year A reflection on "freedom" in a dramatic, beautifully written memoir of the end of Communism in the Balkans. For precocious 11-year-old Lea Ypi, Albania’s Soviet-style socialism held the promise of a preordained future, a guarantee of security among enthusiastic comrades. That is, until she found herself clinging to a stone statue of Joseph Stalin, newly beheaded by student protests. Communism had failed to deliver the promised utopia. One’s “biography”—class status and other associations long in the past—put strict boundaries around one’s individual future. When Lea’s parents spoke of relatives going to “university” or “graduating,” they were speaking of grave secrets Lea struggled to unveil. And when the early ’90s saw Albania and other Balkan countries exuberantly begin a transition to the “free market,” Western ideals of freedom delivered chaos: a dystopia of pyramid schemes, organized crime, and sex trafficking. With her elegant, intellectual, French-speaking grandmother; her radical-chic father; and her staunchly anti-socialist, Thatcherite mother to guide her through these disorienting times, Lea had a political education of the most colorful sort—here recounted with outstanding literary talent. Now one of the world’s most dynamic young political thinkers and a prominent leftist voice in the United Kingdom, Lea offers a fresh and invigorating perspective on the relation between the personal and the political, between values and identity, posing urgent questions about the cost of freedom.
1950s Ireland was the age of De Valera and John Charles McQuaid. It was the age before television, Vatican II, and home central heating. A time when motor cars and public telephones had wind-up handles, when boys wore short trousers and girls wore ribbons, when nuns wore white bonnets and priests wore black hats in church. To the young people of today, the 1950s seem like another age. But for those who played, learned and worked at this time, this era feels like just yesterday. This delightful collection of memories will appeal to all who grew up in 1950s Ireland and will jog memories about all aspects of life as it was.
