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Author : Ada Elizabeth Taylor
Publisher : Unknown
Page : 72 pages
File Size : 44,6 Mb
Release : 1911
Category : Violin
ISBN : MINN:319510023310219
Author : New York Public Library. Reference Dept
Publisher : Boston : G. K. Hall
Page : 782 pages
File Size : 53,6 Mb
Release : 1964
Category : Music
ISBN : UOM:39015024160015
Author : Nicholas Cook
Publisher : Routledge
Page : 378 pages
File Size : 43,7 Mb
Release : 2017-07-05
Category : History
ISBN : 9781351557054
This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Author : Anonim
Publisher : Unknown
Page : 220 pages
File Size : 40,8 Mb
Release : 1992
Category : Stringed instruments
ISBN : STANFORD:36105000334404
Author : Anonim
Publisher : Unknown
Page : 2616 pages
File Size : 52,7 Mb
Release : 1911
Category : American literature
ISBN : CHI:55218461
Author : David Beach,Ryan McClelland
Publisher : Routledge
Page : 385 pages
File Size : 54,5 Mb
Release : 2012-05-04
Category : Music
ISBN : 9781136329760
Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition is a textbook for upper-level undergraduate and graduate courses in music analysis. It outlines a process of analyzing works in the Classical tradition by uncovering the construction of a piece of music—the formal, harmonic, rhythmic, and voice-leading organizations—as well as its unique features. It develops an in-depth approach that is applied to works by composers including Haydn, Mozart, Beethoven, Schubert, Schumann, and Brahms. The book begins with foundational chapters in music theory, starting with basic diatonic harmony and progressing rapidly to more advanced topics, such as phrase design, phrase expansion, and chromatic harmony. The second part contains analyses of complete musical works and movements. The text features over 150 musical examples, including numerous complete annotated scores. Suggested assignments at the end of each chapter guide students in their own musical analysis.
Author : Anonim
Publisher : Unknown
Page : 810 pages
File Size : 45,7 Mb
Release : 1914
Category : Violin
ISBN : NYPL:33433082166491
Author : Anonim
Publisher : Unknown
Page : 642 pages
File Size : 54,8 Mb
Release : 1912
Category : American literature
ISBN : NYPL:33433069139123
A world list of books in the English language.
Author : Robert Marshall
Publisher : Routledge
Page : 431 pages
File Size : 51,7 Mb
Release : 2004-03-01
Category : Music
ISBN : 9781135887759
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
Author : Daphne Leong
Publisher : Oxford University Press
Page : 272 pages
File Size : 44,5 Mb
Release : 2019-11-19
Category : Music
ISBN : 9780190653569
How do musical analysis and performance relate? In a unique collaborative approach to this question, theorist-pianist Daphne Leong partners with internationally renowned performers to interpret twentieth-century repertoire. Imaginative explorations of music by Ravel, Schoenberg, Bartók, Schnittke, Milhaud, Messiaen, Babbitt, Carter, and Morris illuminate focal issues such as the role of embodiment, the affordances of a score, the cultural understanding of notation, the use of metaphor, and--to round out the viewpoints of theorist and performers with those of composer and listeners--the role of structure in audience reception. Each exploration engages deeply with musical structure, redefined to encompass the creative activity of composers, performers, analysts, and listeners. Performances, demonstrations, and interviews online complement the book's written text; practical application and pedagogical guidance round out theoretical and analytical content. The collaborations themselves demonstrate different dimensions of knowledge at the intersection of analysis and performance, and illustrate Leong's theory of the things and people that facilitate cross-disciplinary collaboration in music. They also exemplify the antagonisms and synergies that emerge when theorists and performers meet. Both flexibly and rigorously conceived, Performing Knowledge is a brave crossing of disciplinary divides between scholarship and practice, a work of analysis shaped by the voices of performers.
Author : Miguel A. Roig-Francolí
Publisher : Routledge
Page : 432 pages
File Size : 46,7 Mb
Release : 2021-02-25
Category : Music
ISBN : 9781000332636
Understanding Post-Tonal Music is a student-centered textbook that explores the compositional and musical processes of twentieth-century post-tonal music. Intended for undergraduate or general graduate courses on the theory and analysis of twentieth-century music, this book will increase the accessibility of post-tonal music by providing students with tools for understanding pitch organization, rhythm and meter, form, texture, and aesthetics. By presenting the music first and then deriving the theory, Understanding Post-Tonal Music leads students to greater understanding and appreciation of this challenging and important repertoire. The updated second edition includes new "Explorations" features that guide students to engage with pieces through listening and a process of exploration, discovery, and discussion; a new chapter covering electronic, computer, and spectral musics; and additional coverage of music from the twenty-first century and recent trends. The text has been revised throughout to enhance clarity, both by streamlining the prose and by providing a visual format more accessible to the student.
Author : Robin Stowell
Publisher : Cambridge University Press
Page : 436 pages
File Size : 40,8 Mb
Release : 1990-07-27
Category : Music
ISBN : 0521397448
This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
Author : Peter Le Huray
Publisher : CUP Archive
Page : 228 pages
File Size : 52,8 Mb
Release : 1990-11-22
Category : Music
ISBN : 0521399262
Authenticity in Performance focuses on nine representative works from the Baroque and Classical periods, defining some of the more important questions that the performer and listener should ask.
Author : Mark Hutchinson
Publisher : Routledge
Page : 214 pages
File Size : 43,7 Mb
Release : 2016-06-10
Category : Music
ISBN : 9781317164654
What does it mean to talk about musical coherence at the end of a century characterised by fragmentation and discontinuity? How can the diverse influences which stand behind the works of many late twentieth-century composers be reconciled with the singular immediacy of the experiences that they can create? How might an awareness of the distinctive ways in which these experiences are generated and controlled affect the way we listen to, reflect upon and write about this music? Mark Hutchinson outlines a novel concept of coherence within Western art music from the 1980s to the turn of the millennium as a means of understanding the work of a number of contemporary composers, including Thomas Adès, Kaija Saariaho, Tō ru Takemitsu and György Kurtág, whose music cannot be fitted easily into a particular compositional school or analytical framework. Coherence is understood as a multi-layered phenomenon experienced, above all, in the act of listening, but reliant upon a variety of other aspects of musical experience, including compositional statements, analysis, and connections of aesthetic, as well as listeners' own, imaginative conceptualisations. Accordingly, the approach taken here is similarly multi-faceted: close analytical readings of a number of specific works are combined with insights drawn from philosophy and aesthetics, music perception, and critical theory, with a particular openness to novel metaphorical presentations of basic musical ideas about form, language and time.
Author : Jenefer Robinson
Publisher : Cornell University Press
Page : 276 pages
File Size : 47,6 Mb
Release : 2018-09-05
Category : Music
ISBN : 9781501729737
In order to promote new ways of thinking about musical meaning, this volume brings together scholars in music theory, musicology, and the philosophy of music, disciplines generally treated as separate and distinct. This interdisciplinary collaboration, while respecting differences in perspective, identifies and elaborates shared concerns. This volume focuses on the many and various kinds of meaning in music. Do musical meanings exist exclusively in internal, formal musical relations or might they also be found in the relationship between music and other areas of experience, such as action, emotion, ideas, and values? Also discussed is the vexed question why people listen to and apparently enjoy music which expresses unpleasant emotions, such as melancholy or despair. Among the particular pieces the writers discuss are Mahler's Ninth Symphony, Shostakovich's Tenth Symphony, and Schubert's last sonata. More broadly, they consider the relation of musical meaning and interpretation to language, storytelling, drama, imagination, metaphor, and emotion.
