Andrea Del Sarto Splendor And Renewal In The Renaissance Altarpiece
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Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece by Steven J. Cody Pdf
Andrea del Sarto (1486–1530) created altarpieces of startling beauty. Steven J. Cody analyzes those remarkable paintings as a means of illuminating the artist’s career-long engagement with Christian theology.
Luxury Arts of the Renaissance by Marina Belozerskaya Pdf
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Rembrandt — Studies in his Varied Approaches to Italian Art by Amy Golahny Pdf
Rembrandt: Studies in his Varied Approaches to Italian Art explores his engagement with imagery by Italian masters. His references fall into three categories: pragmatic adaptations, critical commentary, and conceptual rivalry. These are not mutually exclusive but provide a strategy for discussion. This study also discusses Dutch artists’ attitudes toward traveling south, surveys contemporary literature praising and/or criticizing Rembrandt, and examines his art collection and how he used it. It includes an examination of the vocabulary used by Italians to describe Rembrandt’s art, with a focus on the patron Don Antonio Ruffo, and closes by considering the reception of his works by Italian artists.
Lomazzo’s Aesthetic Principles Reflected in the Art of his Time by Lucia Tantardini,Rebecca Norris Pdf
An exploration of the influence of the charismatic Milanese art theorist on his contemporaries in the field of drawing, painting, printmaking, decorative arts, and sculpture.
Augustinian Art and Meditation in Renaissance Florence by Antonia Fondaras Pdf
In Augustinian Art and Meditation in Renaissance Florence, Antonia Fondaras reunites the fifteenth-century altarpieces---including works by Botticelli, Piero di Cosimo, and Filippino Lippi---first commissioned for the choir of the Augustinian church of Santo Spirito in Florence. Departing from a conventional focus on artist and patron, the author illuminates the engagement of the Augustinian Hermit friars with the composition and iconography of the altarpieces and the role of those works in fashioning a choir space that serves the friars' institutional and spiritual ideals. Fondaras includes a close reading of the choir's most compelling and original altarpieces, which reveals the institution of a sophisticated meditational practice focused on those paintings and grounded in the thinking of Augustine.
"The papers composing this volume were written in Madrid in the spring of last year. [1870?] Since then, a series of important modifications have taken place in the politics of Spain, through the accession of King Amadeus, and the death of Marshal Prim."--Introduction
This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.
Quid est sacramentum? by Walter Melion,Elizabeth Carson Pastan,Lee Palmer Wandel Pdf
‘Quid est sacramentum?’ Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700 investigates how sacred mysteries (in Latin, sacramenta or mysteria) were visualized in a wide range of media, including illustrated religious literature such as catechisms, prayerbooks, meditative treatises, and emblem books, produced in Italy, France, and the Low Countries between ca. 1500 and 1700. The contributors ask why the mysteries of faith and, in particular, sacramental mysteries were construed as amenable to processes of representation and figuration, and why the resultant images were thought capable of engaging mortal eyes, minds, and hearts. Mysteries by their very nature appeal to the spirit, rather than to sense or reason, since they operate beyond the limitations of the human faculties; and yet, the visual and literary arts served as vehicles for the dissemination of these mysteries and for prompting reflection upon them. Contributors: David Areford, AnnMarie Micikas Bridges, Mette Birkedal Bruun, James Clifton, Anna Dlabačková, Wim François, Robert Kendrick, Aiden Kumler, Noria Litaker, Walter S. Melion, Lars Cyril Nørgaard, Elizabeth Pastan, Donna Sadler, Alexa Sand, Tanya Tiffany, Lee Palmer Wandel, Geert Warner, Bronwen Wilson, and Elliott Wise.
Metropolitan Museum of Art (New York, N.Y.),Art Institute of Chicago,Fine Arts Museums of San Francisco
Author : Metropolitan Museum of Art (New York, N.Y.),Art Institute of Chicago,Fine Arts Museums of San Francisco Publisher : Metropolitan Museum of Art Page : 262 pages File Size : 54,7 Mb Release : 1982 Category : Art ISBN : 9780870993213
The Vatican Collections by Metropolitan Museum of Art (New York, N.Y.),Art Institute of Chicago,Fine Arts Museums of San Francisco Pdf
Nearly three hundred illustrations and a text reveal the entire range of the Vatican's artistic holdings, replete with priceless masterworks from all periods.
Quid Est Secretum? by Ralph Dekoninck,Agnès Guiderdoni,Walter Melion Pdf
"Quid est secretum? Visual Representation of Secrets in Early Modern Europe, 1500-1700 is the companion volume to Intersections 65.1, Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400-1700. Whereas the latter volume focused on sacramental mysteries, the current one examines a wider range of secret subjects. The book examines how secret knowledge was represented visually in ways that both revealed and concealed the true nature of that knowledge, giving and yet impeding access to it. In the early modern period, the discursive and symbolical sites for the representation of secrets were closely related to epistemic changes that transformed conceptions of the transmissibility of knowledge"--éd.
Author : The J. Paul Getty Museum Publisher : Getty Publications Page : 207 pages File Size : 53,8 Mb Release : 1989-11-02 Category : Art ISBN : 9780892361434
The J. Paul Getty Museum Journal by The J. Paul Getty Museum Pdf
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
