Raphael And The Redefinition Of Art In Renaissance Italy
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Art in Renaissance Italy by John T. Paoletti,Gary M. Radke Pdf
'Art in Renaissance Italy' sets the art of that time in its context, exploring why it was created and in particular looking at who commissioned the palaces and cathedrals, the paintings and the sculptures.
Author : Arthur J. DiFuria,Ian Verstegen Publisher : Walter de Gruyter GmbH & Co KG Page : 435 pages File Size : 49,9 Mb Release : 2021-11-08 Category : Art ISBN : 9781501513459
Space, Image, and Reform in Early Modern Art by Arthur J. DiFuria,Ian Verstegen Pdf
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
The Agency of Female Typology in Italian Renaissance Paintings by Edward J. Olszewski Pdf
This study employs cognitive theory as a heuristic framework to interrogate the agency of female types in select Italian Renaissance paintings, with emphasis on Venus, Medusa, the Amazon, Boccaccio's Lady Fiammetta/Cleopatra, Susanna, the Magdalene, and the Madonna. The study disrupts assumptions about the identity of sitters and readings of paintings as it challenges paradigms of female representation. It interrogates why certain paintings were crafted, by whom and for whom. Works are placed in the context of meta-painting, with stress on the cognitive decisions negotiated between patron and artist. The ludic aspects of several paintings are examined with a fine grain semiotic approach to expand their iconographies. Psychoanalytic readings are unpacked, based on the flawed mythological metaphors and incomplete clinical studies of Sigmund Freud's theorizing. The rubric of female agency is deliberately selected to unify popular but enigmatic master paintings of disparate subjects.
An authoritative introduction to Raphael, one of the most influential painters in the history of art, written by the preeminent authority on the subject and informed by the latest research. For centuries, Raphael has been recognized as the supreme High Renaissance painter, with many considering him more versatile than Michelangelo and more prolific than his older contemporary Leonardo da Vinci. Though he died young at thirty-seven, Raphael’s example as a paragon of classicism dominated the academic tradition of European painting until the mid-nineteenth century. This comprehensive survey looks at the different social and regional contexts of Raphael’s work and all aspects of his artistic production. From early training in Urbino to travels across central Italy, particularly Florence, where he became a noted portraitist and painter of Madonnas, to engagement by the papal court, this volume covers all areas of the artist’s practice. Focus is also devoted to the second half of Raphael’s career, when he became the dominant artist in Rome—even ahead of Michelangelo—and as a sophisticate entrepreneur, was able to extend the range of his activities to that of architect, designer, pioneer archaeologist, and theoretician. A beautifully illustrated study with over 150 full-color reproductions of Raphael’s work, ranging from major masterpieces to lesser-known paintings and drawings from all periods; art historian Paul Joannides, one of the world’s leading experts on Raphael’s drawings, sheds new light on this seminal artist.
Author : Scott Samuelson Publisher : University of Chicago Press Page : 281 pages File Size : 46,5 Mb Release : 2023-04-24 Category : Art ISBN : 9780226780047
Rome as a Guide to the Good Life by Scott Samuelson Pdf
"The Eternal City, Rome offers endless insights through its millennia of history, its centrality to European art and religion, and the generations of travelers that have sought it out. This book from philosopher Scott Samuelson offers readers a thinker's tour of Rome. Samuelson shows how people have made sense of Rome as a scene of human nature and then envisioned the good life-philosophers such as Lucretius and Seneca, but also poets and artists such as Horace and Caravaggio, filmmakers like Fellini, and adventurers like Rosa Bathurst. He roots these explorations and visions in the city of Rome itself: Samuelson introduces us to some of the most famous sites in Rome (such as the Colosseum, the Forum, and the Campo de Fiori) by sharing illuminating moments in their histories; and he discusses great works of art to be found in Rome (such as Caravaggio's David with the Head of Goliath) by getting to the heart of the knotty ethical and emotional questions they pose. And, practicing philosophy in place, he tackles head-on the profound questions that most tours of Rome only bracket: What does it mean to see the Forum through the eyes of Cicero? Does all this art about God really signify anything? Should visitors really be impressed by these incredible sites built on the slaughter and domination of others? What does all this history tell us about who we are? And, most important, how can an afternoon Negroni help us find the good life? Samuelson's aim is to provide an eclectic guide to Rome and happiness-a portable approach, blending history and philosophy, for tourists and dreaming readers alike"--
Metropolitan Museum of Art (New York, N.Y.),Kimbell Art Museum
Author : Metropolitan Museum of Art (New York, N.Y.),Kimbell Art Museum Publisher : Metropolitan Museum of Art Page : 394 pages File Size : 47,5 Mb Release : 2008 Category : Art del Renaixement ISBN : 9781588393005
Art and Love in Renaissance Italy by Metropolitan Museum of Art (New York, N.Y.),Kimbell Art Museum Pdf
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
A Cultural History of Objects in the Renaissance by James Symonds Pdf
A Cultural History of Objects in the Renaissance covers the period 1400 to 1600. The Renaissance was a cultural movement, a time of re-awakening when classical knowledge was rediscovered, leading to an efflorescence in philosophy, art, and literature. The period fostered an emerging sense of individualism across European cultures. This sense was expressed through a fascination with materiality and the natural world, and a growing attachment to things. The 6 volume set of the Cultural History of Objects examines how objects have been created, used, interpreted and set loose in the world over the last 2500 years. Over this time, the West has developed particular attitudes to the material world, at the centre of which is the idea of the object. The themes covered in each volume are objecthood; technology; economic objects; everyday objects; art; architecture; bodily objects; object worlds. James Symonds is Professor at the University of Amsterdam, The Netherlands. Volume 3 in the Cultural History of Objects set. General Editors: Dan Hicks and William Whyte
Andrea del Sarto: Splendor and Renewal in the Renaissance Altarpiece by Steven J. Cody Pdf
Andrea del Sarto (1486–1530) created altarpieces of startling beauty. Steven J. Cody analyzes those remarkable paintings as a means of illuminating the artist’s career-long engagement with Christian theology.
Tracing the Visual Language of Raphael’s Circle to 1527 by Alexis R. Culotta Pdf
Alexis R. Culotta explores how the Renaissance master’s recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael’s death.
Author : David Young Kim Publisher : Princeton University Press Page : 264 pages File Size : 43,7 Mb Release : 2022-10-18 Category : Art ISBN : 9780691238470
An illuminating look at a fundamental yet understudied aspect of Italian Renaissance painting The Italian Renaissance picture is renowned for its depiction of the human figure, from the dramatic foreshortening of the body to create depth to the subtle blending of tones and colors to achieve greater naturalism. Yet these techniques rely on a powerful compositional element that often goes overlooked. Groundwork provides the first in-depth examination of the complex relationship between figure and ground in Renaissance painting. “Ground” can refer to the preparation of a work’s surface, the fictive floor or plane, or the background on which figuration occurs. In laying the material foundation, artists perform groundwork, opening the ground as a zone that can precede, penetrate, or fracture the figure. David Young Kim looks at the work of Gentile da Fabriano, Giovanni Bellini, Giovanni Battista Moroni, and Caravaggio, reconstructing each painter’s methods to demonstrate the intricacies involved in laying ground layers whose translucency and polychromy permeate the surface. He charts significant transitions from gold ground painting in the Trecento to the darkened grounds in Baroque tenebrism, and offers close readings of period texts to shed new light on the significance of ground forms such as rock face, wall, and cave. This beautifully illustrated book reconceives the Renaissance picture, revealing the passion and mystery of groundwork and discovering figuration beyond the human figure.
Land Air Sea: Architecture and Environment in the Early Modern Era positions the long Renaissance and eighteenth century as being vital for understanding how many of the concerns present in contemporary debates on climate change and sustainability originated in earlier centuries. Traversing three physical and intellectual domains, Land Air Sea consists of case studies examining how questions of environmentalism were formulated in early modern architecture and the built environment. Addressing emergent technologies, indigenous cultural beliefs, natural philosophy, and political statecraft, this book aims to recast our modernist conceptions of what buildings are by uncovering early modern epistemologies that redefined human impact on the habitable world.
Michelangelo's Art of Devotion in the Age of Reform by Emily A. Fenichel Pdf
In this volume, Emily A. Fenichel offers an in-depth investigation of the religious motivations behind Michelangelo's sculpture and graphic works in his late period. Taking the criticism of the Last Judgment as its point of departure, she argues that much of Michelangelo's late oeuvre was engaged in solving the religious and artistic problems presented by the Counter-Reformation. Buffeted by critiques of the Last Judgment, which claimed that he valued art over religion, Michelangelo searched for new religious iconographies and techniques both publicly and privately. Fenichel here suggests a new and different understanding of the artist in his late career. In contrast to the received view of Michelangelo as solitary, intractable, and temperamental, she brings a more nuanced characterization of the artist. The late Michelangelo, Fenichel demonstrates, was a man interested in collaboration, penance, meditation, and experimentation, which enabled his transformation into a new type of religious artist for a new era.
New Apelleses and New Apollos by Diletta Gamberini Pdf
This book breaks new ground by illuminating the key role of verse-writing as a cultural strategy on the part of Italian Renaissance artists. It does so by undertaking a wide-ranging study of poems by painters, sculptors, architects, and goldsmiths who were active in Florence under Cosimo I and Francesco I de’ Medici – a milieu in which many practitioners of the visual arts appropriated the literary medium to address issues related to their primary professions. New Apelleses, and New Apollos intervenes in the burgeoning scholarly discourse on the intellectual life of artists in early modern Italy, revealing how poetry often provides fresh insights into art-theoretical debates, patronage questions, workshop cultures, issues of professional identity, and networks of personal relations.
Raffaello Sanzio da Urbino in Art Collections and in the History of Collecting by Claudia La Malfa Pdf
Raphael’s artworks, paintings, altarpieces, drawings, tapestries, cartoons, prints, ceramics and all other artifacts derived from his works, including copies and forgeries, have been the object of an often-frantic search from his death in 1520 onwards. France, Spain, Germany, England, and Italy were the main destinations for such artworks between the 16th and the 18th centuries, while the market spread overseas from the 19th century onwards. This book is the first full exploration of this phenomenon and of the mechanisms of transmission of Raphael’s artifax through inheritance, sales, swaps and shady transactions. It includes essays in English, French and Italian by some of the most knowledgeable scholars on Raphael, museum curators and experts in the history of collecting, and is a landmark in scholarship on Raphael and art collecting.