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Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Anglo-Saxon Art to A.D. 900 by Thomas Downing Kendrick Pdf
Anglo-Saxon Art to A.D. 900 (1972) was the first account to be written of art in England in the period of Celtic, Romano-British and Anglo-Saxon styles. Famous illuminated manuscripts, the best of the sculptured stone crosses, and many splendid pieces early metalwork are examined in this extensively-illustrated survey.
Author : Catherine E. Karkov,George Hardin Brown Publisher : State University of New York Press Page : 329 pages File Size : 42,7 Mb Release : 2012-02-01 Category : Literary Criticism ISBN : 9780791486146
Anglo-Saxon Styles by Catherine E. Karkov,George Hardin Brown Pdf
Art historian Meyer Schapiro defined style as "the constant form—and sometimes the constant elements, qualities, and expression—in the art of an individual or group." Today, style is frequently overlooked as a critical tool, with our interest instead resting with the personal, the ephemeral, and the fragmentary. Anglo-Saxon Styles demonstrates just how vital style remains in a methodological and theoretical prism, regardless of the object, individual, fragment, or process studied. Contributors from a variety of disciplines—including literature, art history, manuscript studies, philology, and more— consider the definitions and implications of style in Anglo-Saxon culture and in contemporary scholarship. They demonstrate that the idea of style as a "constant form" has its limitations, and that style is in fact the ordering of form, both verbal and visual. Anglo-Saxon texts and images carry meanings and express agendas, presenting us with paradoxes and riddles that require us to keep questioning the meanings of style.
Paul E. Szarmach,M. Teresa Tavormina,Joel T. Rosenthal
Author : Paul E. Szarmach,M. Teresa Tavormina,Joel T. Rosenthal Publisher : Taylor & Francis Page : 949 pages File Size : 52,5 Mb Release : 2017-07-05 Category : History ISBN : 9781351666374
Routledge Revivals: Medieval England (1998) by Paul E. Szarmach,M. Teresa Tavormina,Joel T. Rosenthal Pdf
First published in 1998, this valuable reference work offers concise, expert answers to questions on all aspects of life and culture in Medieval England, including art, architecture, law, literature, kings, women, music, commerce, technology, warfare and religion. This wide-ranging text encompasses English social, cultural, and political life from the Anglo-Saxon invasions in the fifth century to the turn of the sixteenth century, as well as its ties to the Celtic world of Wales, Scotland and Ireland, the French and Anglo-Norman world of the Continent and the Viking and Scandinavian world of the North Sea. A range of topics are discussed from Sedulius to Skelton, from Wulfstan of York to Reginald Pecock, from Pictish art to Gothic sculpture and from the Vikings to the Black Death. A subject and name index makes it easy to locate information and bibliographies direct users to essential primary and secondary sources as well as key scholarship. With more than 700 entries by over 300 international scholars, this work provides a detailed portrait of the English Middle Ages and will be of great value to students and scholars studying Medieval history in England and Europe, as well as non-specialist readers.
The seven centuries of the Anglo-Saxon period in England, roughly AD 400-1100, were a time of extraordinary and profound transformation in almost every aspect of its culture, culminating in a dramatic shift from a barbarian society to a recognizably medieval civilization. This book traces the changing nature of that art, the different roles it played in Anglo-Saxon culture, and the various ways it both reflected and influenced the changing context in which it was created.
The Lost Art of the Anglo-Saxon World by Alexandra Lester-Makin Pdf
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
