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Animals Smoking and Swearing by K. T. Capstone Pdf
This book contains the latest unscientific research into the smoking and swearing habits of animals. The verses and pictures themselves are of uncertain origin. Some say they derive from ancient folk tales, others say they don't, and that someone just made them up for a laugh. The truth remains shrouded in mystery. In this volume pretend scholar K.T. Capstone has brought together all the existing versions of the tales; we are indebted to Capstone for the preservation of these extraordinary works, at once poignant and pointless, momentous yet totally meaningless. Contains Profanities - Not Suitable For Children
An Animal's Guide to Earthly Salvation by Jack R. Johnson Pdf
"Where do animal souls go when they die? Do animals even have souls? Kierkegaard suggests not," Jeffrey Rawlings notes. "Something to bear in mind while kissing your hound." An assistant at an urban veterinary clinic, Jeffrey Rawlings has decided to take a break from graduate studies and instead pulls nightshift at the animal hospital while studying the modern philosophers - "from Kierkegaard to Marx" - to no avail: wounded animals hound his existence. Jeffrey’s hypochondriac mother may be dying of ovarian cancer, his money-hungry sister needs bucks for her 40-year-old husband’s braces, and a heroin-hooked runaway is set on his seduction. Meanwhile, the neighborhood transvestite swears he is Billie Holiday raised from the dead. But the worst comes when his perpetually indiscrete Uncle Raymond winds up getting shot. Soon enough, Jeffrey learns, it’s not just the animals that need a cure.
Popular Print Media: 1820-1900 by Andrew King,John Plunkett Pdf
First published in 2004. Popular Print Media 1820-1900 makes available a selection of articles from nineteenth-century newspapers, periodicals and books which are otherwise unavailable except in their original publications. The collection also includes a significant amount of material that highlights the complex and changing importance of women in and for the nineteenth-century media at large. The collection is made up of three volumes, divided into six sections and will cover the following themes: technology, reading spaces, influence of print, graphic media, serial fiction, periodicals and the 'popular'. Each section includes a new introduction by the editors. The editors will also include a thematic table that enables readers to pursue a specific conceptual and/or historical issue, such as the impact of serial publication upon practices of reading and authorship.
Political Correctness “Geoffrey Hughes has brought together with great panache the very many manifestations of political correctness, both absurd and vicious, and shown how they express a single collective mind-set. His book establishes beyond doubt that there is such a phenomenon, that it has become dominant in our culture, and that it represents a growing tendency to censor public debate and to prevent people from questioning orthodoxies which we all know to be false.” Roger Scruton, American Enterprise Institute “What a joy this book is! Hughes’ study traces, with unflagging zest, the modern history of PC. Sumptuous in data, in judgment precise, this is the latest and fullest of Hughes’ series on the social history of language.” Walter Nash, Professor Emeritus, University of Nottingham Political Correctness is now an everyday phrase and part of the modern mindset. Everyone thinks they know what it means, but its own meaning constantly shifts. Its surprising origins have led to it becoming integrated into contemporary culture in ways that are both idealistic and ridiculous. Originally grounded in respect for difference and sensitivity to suffering, it has often become a distraction and even a silencer of genuine issues, provoking satire and parody. In this carefully researched, thought-provoking book, Geoffrey Hughes examines the trajectory of political correctness and its impact on public life. Exploring the origins, progress, content, and style of PC, Hughes’ journey leads us through authors as diverse as Chaucer, Shakespeare and Swift; Philip Larkin, David Mamet, and J.M. Coetzee; from nursery rhymes to Spike Lee films. Focusing on the historical, semantic, and cultural aspects of political correctness, this outstanding and unique work will intrigue anyone interested in this ongoing debate.
Author : Michael Taussig Publisher : University of Chicago Press Page : 187 pages File Size : 48,8 Mb Release : 2011-10-20 Category : History ISBN : 9780226789842
I Swear I Saw This records visionary anthropologist Michael Taussig’s reflections on the fieldwork notebooks he kept through forty years of travels in Colombia. Taking as a starting point a drawing he made in Medellin in 2006—as well as its caption, “I swear I saw this”—Taussig considers the fieldwork notebook as a type of modernist literature and the place where writers and other creators first work out the imaginative logic of discovery. Notebooks mix the raw material of observation with reverie, juxtaposed, in Taussig’s case, with drawings, watercolors, and newspaper cuttings, which blend the inner and outer worlds in a fashion reminiscent of Brion Gysin and William Burroughs’s surreal cut-up technique. Focusing on the small details and observations that are lost when writers convert their notes into finished pieces, Taussig calls for new ways of seeing and using the notebook as form. Memory emerges as a central motif in I Swear I Saw This as he explores his penchant to inscribe new recollections in the margins or directly over the original entries days or weeks after an event. This palimpsest of afterthoughts leads to ruminations on Freud’s analysis of dreams, Proust’s thoughts on the involuntary workings of memory, and Benjamin’s theories of history—fieldwork, Taussig writes, provokes childhood memories with startling ease. I Swear I Saw This exhibits Taussig’s characteristic verve and intellectual audacity, here combined with a revelatory sense of intimacy. He writes, “drawing is thus a depicting, a hauling, an unraveling, and being impelled toward something or somebody.” Readers will exult in joining Taussig once again as he follows the threads of a tangled skein of inspired associations.