Anti Communism And Popular Culture In Mid Century America

Author : Cyndy Hendershot
Publisher : McFarland
Page : 184 pages
File Size : 44,5 Mb
Release : 2015-10-03
Category : Social Science
ISBN : 9780786483693

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Anti-Communism and Popular Culture in Mid-Century America by Cyndy Hendershot Pdf

Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had a definite and significant impact on all levels of American popular culture, from government propaganda films like Red Nightmare in Time magazine to Adventures of Rocky and Bullwinkle. This work examines representations of anti-communist sentiment in American popular culture from the early fifties through the mid-sixties. The discussion covers television programs, films, novels, journalism, maps, memoirs, and other works that presented anti-communist ideology to millions of Americans and influenced their thinking about these controversial issues. It also points out the different strands of anti-communist rhetoric, such as liberal and countersubversive ones, that dominated popular culture in different media, and tells a much more complicated story about producers' and consumers' ideas about communism through close study of the cultural artifacts of the Cold War. Instructors considering this book for use in a course may request an examination copy here.

Author : Ronald Edsforth,Larry Bennett
Publisher : State University of New York Press
Page : 236 pages
File Size : 54,6 Mb
Release : 1991-10-25
Category : Political Science
ISBN : 9781438401850

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Popular Culture and Political Change in Modern America by Ronald Edsforth,Larry Bennett Pdf

This book is a collection of essays dealing with the ways in which specific popular entertainment media, mass consumer products, and popular movements affect politics and political culture in the United States. It seeks to present a range of possibilities that reflect the dimensions of the current debate and practice in the field. Some of the contributions to this volume place popular culture media such as films, music, and books in a broad social context, and several articles deal with the historical roots of twentieth-century American popular culture. Popular culture is treated as categorically neither good nor bad, in either political or aesthetic terms. Instead, the essays reflect the editors' convictions that popular culture is simply too important to be ignored by those academics who treat politics and its history seriously. The collection also shows that studying popular or mass culture in a historical way illuminates a variety of possible relationships between popular culture and politics.

Author : Roland Vegso
Publisher : Fordham Univ Press
Page : 257 pages
File Size : 48,5 Mb
Release : 2013
Category : History
ISBN : 9780823245567

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The Naked Communist:Cold War Modernism and the Politics of Popular Culture by Roland Vegso Pdf

The Naked Communist argues that the political ideologies of modernity were fundamentally determined by four basic figures: the world, the enemy, the secret, and the catastrophe. While the "world" names the totality that functioned as the ultimate horizon of modern political imagination, the three other figures define the necessary limits of this totality by reflecting on the limits of representation. The book highlights the enduring presence of these figures in the modern imagination through detailed analysis of a concrete historical example: American anti-Communist politics of the 1950s. Its primary objective is to describe the internal mechanisms of what we could call an anti-Communist "aesthetic ideology." The book thus traces the way anti-Communist popular culture emerged in the discourse of Cold War liberalism as a political symptom of modernism. Based on a discursive analysis of American anti-Communist politics, the book presents parallel readings of modernism and popular fiction from the 1950s (nuclear holocaust novels, spy novels, and popular political novels) in order to show that, despite the radical separation of the two cultural fields, they both participated in a common ideological program.

Author : Rosemary Radford Ruether
Publisher : Routledge
Page : 288 pages
File Size : 52,8 Mb
Release : 2014-12-05
Category : Religion
ISBN : 9781317491248

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America, Amerikkka by Rosemary Radford Ruether Pdf

America views itself as a nation inhabiting a "promised land" and enjoying a favoured relation with God. This view of unique election has been coupled with racial exclusivism and the marginalization of non-white citizens. America, Amerikkka traces the historical and ideological patterns behind America’s sense of itself. In its examination of America’s "chosenness", the book ranges across the doctrine of the "rights of man" in the 18th and 19th centuries, the role of America in the twentieth century as "global policeman", and the enforcement of neo-colonial relations over the "third world". The volume argues for a vision of global relations between peoples based on justice and mutuality, rather than hegemonic dominance.

Author : Mitchell Newton-matza
Publisher : Unknown
Page : 128 pages
File Size : 53,8 Mb
Release : 2024-05-13
Category : Electronic
ISBN : 1440859620

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Red Scare by Mitchell Newton-matza Pdf

Author : Professor Robert Justin Goldstein
Publisher : Ashgate Publishing, Ltd.
Page : 381 pages
File Size : 52,7 Mb
Release : 2014-06-28
Category : History
ISBN : 9781472413789

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Little 'Red Scares' by Professor Robert Justin Goldstein Pdf

Anti-communism has long been a potent force in American politics, capable of gripping both government and popular attention. Nowhere is this more evident that the two great 'red scares' of 1919-20 and 1946-54; the latter generally - if somewhat inaccurately - termed McCarthyism. The interlude between these two major scares has tended to garner less attention, but as this volume makes clear, the lingering effects of 1919-20 and the gathering storm-clouds of 'McCarthyism' were clearly visible throughout the 20s and 30s, even if in a more low-key way. Indeed, the period between the two great red scares was marked by frequent instances of political repression, often justified on anti-communist grounds, at local, state and federal levels. Yet these events have been curiously neglected in the history of American political repression and anti-communism, perhaps because much of the material deals with events scattered in time and space which never reached the intensity of the two great scares. By focusing on this twenty-five year 'interim' period, the essays in this collection bridge the gap between the two high-profile 'red scares' thus offering a much more contextualised and fluid narrative for American anti-communism. In so doing the rationale and motivations for the 'red scares' can be seen as part of an evolving political landscape, rather than as isolated bouts of hysteria exploding onto - and then vanishing from - the political scene. Instead, a much more nuanced appreciation of the conflicting interests and fears of government, politicians, organised labour, free-speech advocates, employers, and the press is offered, which will be of interest to anyone wishing to better understand the political history of modern America.

Author : Brian Cogan,Thom Gencarelli Ph.D.
Publisher : Bloomsbury Publishing USA
Page : 442 pages
File Size : 46,8 Mb
Release : 2014-11-25
Category : Social Science
ISBN : 9780313398872

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Baby Boomers and Popular Culture by Brian Cogan,Thom Gencarelli Ph.D. Pdf

The Boomers are the generation that changed everything, from economics to politics to popular culture. This book examines the myriad ways and long-reaching consequences of the now fully "grown up" Baby Boomer generation on America. Once upon a time, the members of the Baby Boomer generation were young, idealistic, and hungry to change the world. And they did create sweeping, irreversible changes throughout American society—but probably not in the ways their younger selves imagined they would. Now that the Boomers are in their late-adult or retirement years, their tremendous legacy can clearly be perceived. In retrospect, the paths the members of this generation took to come to power—and how they came to terms with that power—are also apparent. This single-volume work supplies a broad yet detailed critical guide to the Boomer Generation, containing essays on key people, moments, and phenomena not only during the Boomers' 1960s heyday but also their extensive influences on American culture decades afterward. The contributors address key topics such as the rise of feminism; Civil Rights; the Vietnam War and the anti-war movement; the Beatles, the Grateful Dead, and rock 'n roll; gay rights; idealism, narcissism, and materialism; the influence of television on America, and vice versa; and the transition of Boomers from being "Yippies" to "Yuppies." This work is an ideal text for students in undergraduate or graduate courses in television studies, media studies, cultural studies, and American studies; and is highly appropriate as a supplemental text in literature, history, and philosophy surveys.

Author : Geoff Martin,Erin Steuter
Publisher : Lexington Books
Page : 260 pages
File Size : 44,5 Mb
Release : 2010-07-24
Category : History
ISBN : 9780739146828

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Pop Culture Goes to War by Geoff Martin,Erin Steuter Pdf

Pop Culture Goes to War, by Geoff Martin and Erin Steuter, explores the persistence of and opposition to militarism in American life. It provides a comprehensive overview of the role of toys, video games, music, television and movies in supporting contemporary militarism. Resistance to militarism is highlighted through the traditional mediums of music and movies, and increasingly through the arts, 'culture jamming,' and the satire of The Daily Show, The Onion, The Simpsons, The Colbert Report, and South Park.

Author : Nathan Vernon Madison
Publisher : McFarland
Page : 241 pages
File Size : 53,5 Mb
Release : 2013-02-18
Category : Literary Criticism
ISBN : 9781476601366

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Anti-Foreign Imagery in American Pulps and Comic Books, 1920-1960 by Nathan Vernon Madison Pdf

In this thorough history, the author demonstrates, via the popular literature (primarily pulp magazines and comic books) of the 1920s to about 1960, that the stories therein drew their definitions of heroism and villainy from an overarching, nativist fear of outsiders that had existed before World War I but intensified afterwards. These depictions were transferred to America's "new" enemies, both following U.S. entry into the Second World War and during the early stages of the Cold War. Anti-foreign narratives showed a growing emphasis on ideological, as opposed to racial or ethnic, differences--and early signs of the coming "multiculturalism"--indicating that pure racism was not the sole reason for nativist rhetoric in popular literature. The process of change in America's nativist sentiments, so virulent after the First World War, are revealed by the popular, inexpensive escapism of the time, pulp magazines and comic books.

Author : Larry Ceplair
Publisher : Bloomsbury Publishing USA
Page : 385 pages
File Size : 40,9 Mb
Release : 2011-10-05
Category : History
ISBN : 9781440800481

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Anti-Communism in Twentieth-Century America by Larry Ceplair Pdf

This compelling, critical analysis of anti-communism illustrates the variety of anti-Communist styles and agendas, thereby making a persuasive case that the "threat" of domestic communism in Cold War America was vastly overblown. In the United States today, communism is an ideology or political movement that barely registers in the consciousness of our nation. Yet merely half a century ago, "communist" was a buzzword that every citizen in our nation was aware of—a term that connoted "traitor" and almost certainly a characterization that most Americans were afraid of. Anti-Communism in Twentieth-Century America: A Critical History provides a panoramic perspective of the types of anti-communists in the United States between 1919 and the collapse of the Soviet Union. It explains the causes and exceptional nature of anti-communism in the United States, and divides it into eight discrete categories. This title then thoroughly examines the words and deeds of the various anti-Communists in each of these categories during the three "Red Scares" in the past century. The work concludes with an unapologetic assessment of domestic anti-communism. This book allows readers to more fully comprehend what the anti-communists meant with their rhetoric, and grasp their impact on the United States during the 20th century and beyond—for example, how anti-communism has reappeared as anti-terrorism.

Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
Page : 264 pages
File Size : 51,7 Mb
Release : 2020-12-15
Category : Performing Arts
ISBN : 9781496831132

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Cold War II by Tatiana Prorokova-Konrad Pdf

Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.

Author : Jonathan Michaels
Publisher : Taylor & Francis
Page : 308 pages
File Size : 41,7 Mb
Release : 2017-04-21
Category : History
ISBN : 9781135021221

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McCarthyism by Jonathan Michaels Pdf

In this succinct text, Jonathan Michaels examines the rise of anti-communist sentiment in the postwar United States, exploring the factors that facilitated McCarthyism and assessing the long-term effects on US politics and culture. McCarthyism:The Realities, Delusions and Politics Behind the 1950s Red Scare offers an analysis of the ways in which fear of communism manifested in daily American life, giving readers a rich understanding of this era of postwar American history. Including primary documents and a companion website, Michaels’ text presents a fully integrated picture of McCarthyism and the cultural climate of the United States in the aftermath of the Second World War.

Author : Michael Barson,Steven Heller
Publisher : Chronicle Books
Page : 172 pages
File Size : 40,8 Mb
Release : 2001-04
Category : History
ISBN : 0811828875

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Red Scared! by Michael Barson,Steven Heller Pdf

"Red Scared! offers valuable lessons from the vault on how to identify Communists, media reports on the jolly side of Stalin, guidelines for bomb shelter chic, and much more. As they did in their other lively pop-culture histories, Teenage Confidential and Wedding Bell Blues, Michael Barson and Steven Heller once again bring the nearly forgotten details of American culture into full relief with Red Scared!"--BOOK JACKET.

Author : Chris York,Rafiel York
Publisher : McFarland
Page : 232 pages
File Size : 44,5 Mb
Release : 2012-02-15
Category : Literary Criticism
ISBN : 9780786489473

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Comic Books and the Cold War, 1946Ð1962 by Chris York,Rafiel York Pdf

Conventional wisdom holds that comic books of the post–World War II era are poorly drawn and poorly written publications, notable only for the furor they raised. Contributors to this thoughtful collection, however, demonstrate that these comics constitute complex cultural documents that create a dialogue between mainstream values and alternative beliefs that question or complicate the grand narratives of the era. Close analysis of individual titles, including EC comics, Superman, romance comics, and other, more obscure works, reveals the ways Cold War culture—from atomic anxieties and the nuclear family to communist hysteria and social inequalities—manifests itself in the comic books of the era. By illuminating the complexities of mid-century graphic novels, this study demonstrates that postwar popular culture was far from monolithic in its representation of American values and beliefs.

Author : Dina Fainberg
Publisher : JHU Press
Page : 373 pages
File Size : 42,5 Mb
Release : 2021-01-19
Category : History
ISBN : 9781421438450

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Cold War Correspondents by Dina Fainberg Pdf

Foreign correspondents played a crucial role in promoting the ideas and values of the Cold War. As they brought the foreign world to their Soviet and American readers, these journalists projected their own ideologies onto their reporting. In an age of mutual acrimony and closed borders, journalists were among the few individuals who crossed the Iron Curtain. Their reporting strongly influenced the ways that policy makers, pundits, and ordinary people came to understand the American or the Soviet "other." In Cold War Correspondents, Dina Fainberg examines how Soviet and American journalists covered the rival superpower and how two distinctive sets of truth systems, professional practices, and political cultures shaped international reporting. Fainberg explores private and public interactions among multiple groups that shaped coverage of the Cold War adversary, including journalists and their sources, editors, news media executives, government officials, diplomats, American pundits, Soviet censors, and audiences on both sides. Foreign correspondents, Fainberg argues, were keen analytical observers who aspired to understand their host country and probe its depths. At the same time, they were fundamentally shaped by their cultural and institutional backgrounds—to the point that their views of the rival superpower were refracted through values of their own culture. International reporting grounded and personalized the differences between the two nations, describing the other side in readily recognizable, self-referential terms. Fundamentally, Fainberg demonstrates, Americans and Soviets during the Cold War came to understand themselves through the creation of images of each other. Drawing on interviews with veteran journalists and Soviet dissidents, Cold War Correspondents also uses previously unexamined Soviet and US government records, newspaper and news agency archives, rare Soviet cartoons, and individual correspondents' personal papers, letters, diaries, books, and articles. Striking black-and-white photos depict foreign correspondents in action. Taken together, these sources illuminate a rich history of private and professional lives at the heart of the superpower conflict.