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Architecture of the Periphery in Chinese by Victor Junnan Pan Pdf
Architecture of the Periphery in Chinese offers a comprehensive survey on the fine structure of the sentence peripheral domain in Mandarin Chinese from a cartographic perspective. Different functional projections hosting sentence-final particles, implicit operators and other informational components are hierarchically ordered according to the "Subjectivity Scale Constraint" functioning at syntax-discourse interface. Three questions will be essentially addressed: What is the order? How to determine such an order? Why such an order? This research not only gives a thorough examination of the peripheral elements in Chinese but also improves the general understanding of the ordering issue in the left-periphery crosslinguistically. This book is aimed at scholars interested in Chinese syntax or generative syntax.
Architecture, Ritual and Cosmology in China by Xuemei Li Pdf
Drawing on the author’s extensive fieldwork in the Dong areas in southwest China, this book presents a detailed picture of the Dong’s buildings and techniques, with new insights into the Dong’s cosmology and rituals of everyday life meshed with the architecture, and the symbolic meanings. It examines how the buildings and techniques of the Dong are ordered and influenced by the local culture and context. The timber bridges and drum towers are the Dong’s most prominent architectural monuments. Usually built elaborately with multiple roofs, these bridges and drum towers were designed and maintained by the local carpenters who also built the village suspended houses, in an oral tradition carried down from father to son or to apprentice. They were funded entirely by the local people, and the bridges tend to be built in places without great pressure of traffic or another bridge already existing close by. Why does such great expense go into the Dong’s buildings with elaboration? How were they built? And what do they mean to their users and builders? This book is an anthropological study on the Dong’s architecture and technique, and it aims to contribute a discourse on the interdisciplinary research area. It is suitable for graduate and postgraduate readers.
Discourse Particles by Xabier Artiagoitia,Arantzazu Elordieta,Sergio Monforte Pdf
Discourse particles have often been treated as a phenomenon restricted to Germanic languages (Abraham 2020) and they still raise questions about their nature as an independent category. This book reveals that this phenomenon exists in other languages as well, and provides evidence for their nature as a separate category. The volume brings together a collection of nine papers that focus on three research topics: a) the diachronic development of discourse particles; b) their syntactic analysis; and c) the study of their semantic-pragmatics. Furthermore, it also discusses other issues less often dealt with in the literature but of great interest for linguistic theory, such as the acquisition of discourse particles by children or the analysis of elements not usually considered discourse particles but whose historical path or microvariation indicates otherwise. Additionally, the book offers a cross-linguistic perspective as it discusses various languages including Basque, Catalan, German, Italian, Laz, Mandarin Chinese, Old English, Portuguese, and Spanish.
Author : Tommy Tsz-Ming Lee Publisher : John Benjamins Publishing Company Page : 238 pages File Size : 43,7 Mb Release : 2024-04-15 Category : Language Arts & Disciplines ISBN : 9789027247087
Displacement (of linguistic expressions) is a ubiquitous phenomenon in natural language. In the generative tradition, displacement is modelled in terms of transformation, or more precisely, movement, which establishes dependencies among syntactic constituents in a phrase structure. This book probes the question regarding to what extent movement theories can be unified. Specifically, I address issues surrounding the debate of the distinction between head movement and phrasal movement over the past few decades. The distinction presupposes that structural complexity of the moving element is correlated with its movement properties. The goal of this book is to show that this is an unwarranted assumption. Based on a number of case studies on verb displacement phenomena in Cantonese, I attempt a unified theory of movement by abandoning the head/phrase distinction in movement theories. These case studies converge on the conclusion that the phrase structure status of syntactic constituents bears a minimal role in theorizing displacement phenomena in natural language. This volume represents a minimalist pursuit of a unified theory of movement.
China's Omnidirectional Peripheral Diplomacy by Jianwei Wang,Tiang Boon Hoo Pdf
In view of its size, and vast land and sea boundaries that it shares with its neighbours, China has always regarded its peripheral policy as a crucial aspect of its national security. Such a mentality conforms to Chinese leaders' core belief that a stable external environment — in particular, its immediate region — remains the sine qua non for the continued and sustained rejuvenation of their nation.This book examines China's evolving strategies towards its surrounding peripheries. It is the first book to examine in detail President Xi Jinping's steering of China's peripheral diplomacy. It argues that China pursues an ambitious, omnidirectional regional diplomacy that emphasizes the entire periphery region, and not just specific peripheries. According to this book, Chinese regional policy cannot be properly and adequately understood without taking into account its full breadth, substance and scope. Featuring chapters that explore China's evolving policy in Northeast Asia, Southeast Asia, South Asia and Central Asia, and addressing new developments under Xi, this book fleshes out the intricacies of how China has been managing its peripheral relationships in Asia under new circumstances and new leadership.
Architecture and the Landscape of Modernity in China before 1949 by Edward Denison Pdf
This book explores China’s encounter with architecture and modernity in the tumultuous epoch before Communism – an encounter that was mediated not by a singular notion of modernism emanating from the west, but that was uniquely multifarious, deriving from a variety of sources both from the west and, importantly, from the east. The heterogeneous origins of modernity in China are what make its experience distinctive and its architectural encounters exceptional. These experiences are investigated through a re-evaluation of established knowledge of the subject within the wider landscape of modern art practices in China. The study draws on original archival and photographic material from different artistic genres and, architecturally, concentrates on China’s engagement with the west through the treaty ports and leased territories, the emergence of architecture as a profession in China, and Japan’s omnipresence, not least in Manchuria, which reached its apogee in the puppet state of Manchukuo. The study’s geographically, temporally, and architecturally inclusive approach framed by the concept of multiple modernities questions the application of conventional theories of modernity or post-colonialism to the Chinese situation. By challenging conventional modernist historiography that has marginalised the experiences of the west’s other for much of the last century, this book proposes different ways of grappling with and comprehending the distinction and complexity of China’s experiences and its encounter with architectural modernity.
Integrated Architecture is both a historical and contemporary work. The book was fi rst published in 1989 by Wu Liangyong, one of contemporary China’s most infl uential architects and theoreticians with the title A General Theory on Architecture. His eminence is also recognised by the international architectural community, above all, the group of architectural and urban planning theoreticians battling for a more decisive reform to the concepts, methodologies and practices presiding over the construction and requalifi cation of the contemporary metropolis. I fi rst met professor Wu Liangyong in 2005 at the Faculty of Architecture at the Tsinghua University of Beijing; his Faculty. Wu Liangyong founded the school in 1949 – at the age of 24 – together with Liang Sicheng, the father of modern Chinese architectural studies. From this moment – more than sixty-seven years ago – professor Liangyong has remained a central fi gure in Beijing’s academic community. He remains a constant source of inspiration, not only national, to education reforms and, above all, theoretical, methodological and operative research into architecture, the city and the territory. He is a rare fi gure, present throughout a lengthy historical period witness the world over to tumultuous upheavals in society and its cities. A period whose most dramatic and exalting manifestations were perhaps to be found in China; a period of war, of hope, of revolutions, of great leaps forward, of presumptions, horrors, errors, new leaps forward and incomprehensible economic growth; of irreversible social and cultural metamorphoses and – what interests us most as architects – of staggering urban growth and territorial transformations. The intellect of this minute and genteel fi gure held fast against the storms of history. The observation of events and the humanist and scientifi c principles of his personal culture continuously nourished an increasingly more effective refl ection on the meaning of architecture in today’s world. He also clearly saw its inextricable ties to the substance of the city and the impossibility to substitute the fi gure of the architect – scientist, humanist and artist. A few years after our meeting, having absorbed direct lessons from Wu’s work as an architect and theoretician, I proposed an Italian translation of an anthology of his writings. The material was to be drawn from his many books and essays on architecture and the city published continuously over the course of his incomparable career. Professor Wu Liangyong responded with a challenge: in lieu of this anthology of texts he proposed a full translation, in Italian and English, of a book published twenty years ago: 1989’s A General Theory on Architecture. Given the pace of cultural debate it would not have been out of place to imagine a book fi rmly sedimented in history. I understood, instead, that it was a milestone in the expression of Wu Liangyong’s ideas; a benchmark that, in all likelihood, served as the starting point for his later theories, even the most recent. Published in other fundamental essays, they range across the vast fi eld of human settlements, touching on all components of the man-made environment (Lucio Valerio Barbera).
Chinese Architecture and the Beaux-Arts by Jeffrey W. Cody,Nancy Shatzman Steinhardt,Tony Atkin Pdf
In the early twentieth century, Chinese traditional architecture and the French-derived methods of the École des Beaux-Arts converged in the United States when Chinese students were given scholarships to train as architects at American universities whose design curricula were dominated by Beaux-Arts methods. Upon their return home in the 1920s and 1930s, these graduates began to practice architecture and create China’s first architectural schools, often transferring a version of what they had learned in the U.S. to Chinese situations. The resulting complex series of design-related transplantations had major implications for China between 1911 and 1949, as it simultaneously underwent cataclysmic social, economic, and political changes. After 1949 and the founding of the People’s Republic, China experienced a radically different wave of influence from the Beaux-Arts through advisors from the Soviet Union who, first under Stalin and later Khrushchev, brought Beaux-Arts ideals in the guise of socialist progress. In the early twenty-first century, China is still feeling the effects of these events. Chinese Architecture and the Beaux-Arts examines the coalescing of the two major architectural systems, placing significant shifts in architectural theory and practice in China within relevant, contemporary, cultural, and educational contexts. Fifteen major scholars from around the world analyze and synthesize these crucial events to shed light on the dramatic architectural and urban changes occurring in China today—many of which have global ramifications. This stimulating and generously illustrated work is divided into three sections, framed by an introduction and a postscript. The first focuses on the convergence of Chinese architecture and the École des Beaux-Arts, outlining the salient aspects of each and suggesting how and why the two "met" in the U.S. The second section centers on the question of how Chinese architects were influenced by the Beaux-Arts and how Chinese architecture was changed as a result. The third takes an even closer look at the Beaux-Arts influence, addressing how innovative practices, new schools of architecture, and buildings whose designs were linked to Beaux-Arts assumptions led to distinctive new paradigms that were rooted in a changing China. By virtue of its scope, scale, and scholarship, this volume promises to become a classic in the fields of Chinese and Western architectural history. Contributors: Tony Atkin, Peter J. Carroll, Yung Ho Chang,Jeffrey W. Cody, Kerry Sizheng Fan, Fu Chao-Ching, Gu Daqing, Seng Kuan,Delin Lai, Xing Ruan, Joseph Rykwert, Nancy S. Steinhardt, David VanZanten, Rudolf Wagner, Zhang Jie, Zhao Chen.
Exporting Chinese Architecture by Charlie Qiuli Xue,Guanghui Ding Pdf
This book studies the unexplored history of China-aided architecture erected in the developing world since the 1950s. By 2019, over 1,000 buildings had been delivered to more than 160 countries, including parliament houses, convention centers, stadiums, gymnasiums, theaters, schools, hospitals, libraries, railways, and stations. These projects, which have played a significant role in promoting economic transformation, cultural engagement and social and environmental well-being, have largely been overlooked or misunderstood by the international community. Why did China donate so many foreign-aid buildings? How were these buildings built in the remote land of developing countries with intricate influences and limited resources? Have they helped modernize the recipient countries? The authors of this book use a wide range of representative projects built in different historic periods and geographical locations as case studies to address the above questions from various perspectives. This book fills an enormous gap in modern architecture in China and the world. It offers architectural students and scholars in various disciplines the necessary knowledge on "diplomatic architecture"; informs architects the appropriate methods of cross-border design and low-tech building; teaches government officials the best practice of donating and receiving foreign-aid buildings; and enhances public awareness of cultural diversity in Asia, Africa, Oceania, and Latin America. With abundant first-hand materials, historical pictures, and drawings, the book is a must-read for those who are interested in modern architecture and developmental aid in the world. China’s architecture abroad, notably in Africa and Asia, has been perceived with both fascination and anxiety. Based on a wealth of sources often difficult to access for scholars from outside China, this book links the history and present of China’s architectural mobilities in ways that will stimulate new debates in architectural history and urban studies. - Łukasz Stanek, Professor of Architectural History, The University of Manchester, UK
From the years 2004 to 2008, Beijing and Shanghai witnessed the construction of an extraordinary number of new buildings, many of which were designed by architectural firms overseas. Combining ethnographic fieldwork, historical research, and network analysis, Building Globalization closely scrutinizes the growing phenomenon of transnational architecture and its profound effect on the development of urban space. Roaming from construction sites in Shanghai to architects’ offices in Paris, Xuefei Ren interviews hundreds of architects, developers, politicians, residents, and activists to explore this issue. She finds that in the rapidly transforming cities of modern China, iconic designs from prestigious international architects help private developers to distinguish their projects, government officials to advance their careers, and the Chinese state to announce the arrival of modern China on the world stage. China leads the way in the globalization of architecture, a process whose ramifications can be felt from Beijing to Dubai to Basel. Connecting the dots between real estate speculation, megaproject construction, residential displacement, historical preservation, housing rights, and urban activism, Building Globalization reveals the contradictions and consequences of this new, global urban frontier.
Constructing a Place of Critical Architecture in China by Guanghui Ding Pdf
For the past 30 years, The Chinese journal Time + Architecture (Shidai Jianzhu) has focused on publishing innovative and exploratory work by emerging architects based in private design firms who were committed to new material, theoretical and pedagogical practices. In doing so, this book argues that the journal has engaged in the presentation and production of a particular form of critical architecture - described as an ’intermediate criticality’ - as a response to the particular constraints of the Chinese cultural and political context. The journal’s publications displayed a ’dual critique’ - a resistant attitude to the dominant modes of commercial building practice, characterised by rapid and large-scale urban expansion, and an alternative publishing practice focusing on emerging, independent architectural practitioners through the active integration of theoretical debates, architectural projects, and criticisms. This dual critique is illustrated through a careful review and analysis of the history and programme of the journal. By showing how the work of emerging architects, including Yung Ho Chang, Wang Shu, Liu Jiakun and Urbanus, are situated within the context of the journal’s special thematic editions on experimental architecture, exhibition, group design, new urban space and professional system, the book assesses the contribution the journal has made to the emergence of a critical architecture in China, in the context of how it was articulated, debated, presented and perhaps even ’produced’ within the pages of the publication itself. The protagonists of critical architecture have endeavoured to construct an alternative mode of form and space with strong aesthetic and socio-political implications to the predominant production of architecture under the current Chinese socialist market economy. To rebel against certain forms of domination and suppression by capital and power is by no means to completely reject them; rather, it is to use thos
Vernacular and Earthen Architecture: Conservation and Sustainability by Camilla Mileto,Fernando Vegas López-Manzanares,Lidia García-Soriano,Valentina Cristini Pdf
Vernacular architecture in general and earthen architecture in particular, with their rich variety of forms worldwide, are custodians of the material culture and identity of the peoples who built them. In addition, they are widely recognized as ancestral examples of sustainability in all their variants and interpretations, and the architecture of the present ought to learn from these when designing the sustainable architecture of the future. The conservation of these architectures – seemingly simple yet full of wisdom – is to be undertaken now given their intrinsic value and their status as genuine examples of sustainability to be learnt from and interpreted in contemporary architecture. Vernacular and earthen architecture: Conservation and Sustainability will be a valuable source of information for academics and professionals in the fields of Environmental Science, Civil Engineering, Construction and Building Engineering and Architecture.
Routledge Handbook of Chinese Architecture by Jianfei Zhu,Chen Wei,Li Hua Pdf
This handbook, representing the collaboration of 40 scholars, provides a multi-faceted exploration of roughly 6,000 years of Chinese architecture, from ancient times to the present. This volume combines a broad-spectrum approach with a thematic framework for investigating Chinese architecture, integrating previously fragmented topics and combining the scholarship of all major periods of Chinese history. By organizing its approach into five parts, this handbook: Traces the practices and traditions of ancient China from imperial authority to folk culture Unveils a rich picture of early modern and republican China, revealing that modernization was already beginning to emerge Describes the social, intellectual, ideological, and formal enterprises of socialist architecture Frames a window on a complex and changing contemporary China by focusing on autonomy, state practices, and geopolitics of design, ultimately identifying its still evolving position on the world stage Examines the existing cultural and political theories to highlight potential avenues for future transformations in Chinese architecture that also retain Chinese identity Providing a pioneering combination of ancient and modern Chinese architecture in one coherent study, this book is a must-read for scholars, students, and educators of Chinese architecture, architectural history and theory, and the architecture of Asia.
International Relations and Asia’s Northern Tier by Gilbert Rozman,Sergey Radchenko Pdf
In this new book, noted scholars of Northeast Asia contribute new views on the future of the region. Collecting essays from experts of all 4 countries and their interconnected histories and political orders, the book helps to contextualize the future development of the region in the context of a US "Pivot to Asia." The four countries on the northern fringe of Asia went their separate ways after the end of the Cold War, but strengthening Sino-Russian relations and what may be the looming endgame in North Korea’s strategy of threats and isolation are signs that we now need to think about this area also through its connections. Looking back to what existed in an earlier incarnation of the Northern Tier and focusing on Chinese and Russian views of North Korea, we are able to explore the implications of increasingly close Sino-Russian relations. The book will be of great value to scholars, policymakers, and all passionate about exploring what's next for Russia and China's relationship.
Francis D. K. Ching,Mark M. Jarzombek,Vikramaditya Prakash
Author : Francis D. K. Ching,Mark M. Jarzombek,Vikramaditya Prakash Publisher : John Wiley & Sons Page : 834 pages File Size : 53,8 Mb Release : 2010-09-09 Category : Architecture ISBN : 9781118007396
A Global History of Architecture by Francis D. K. Ching,Mark M. Jarzombek,Vikramaditya Prakash Pdf
From ancient Chinese civilization to the postmodern world Organized along a global timeline, A Global History of Architecture presents an innovative approach to the study of architectural history. Spanning from 3,500 B.C.E. to the present, this unique guide is written by an all-star team of architectural experts in their fields who emphasize the connections, contrasts, and influences of architectural movements throughout history. The architectural history of the world comes to life through a unified framework for interpreting and understanding architecture, supplemented by rich drawings from the renowned Frank Ching as well as brilliant photographs. Architecture and art history enthusiasts will find A Global History of Architecture perpetually at their fingertips.