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Reissue of Aristophanes' most famous plays in the Methuen Classical Greek Dramatists series Aristophanes is the oldest comedic writer in Western literature. Although only eleven of the some forty plays he wrote survive, his unique blend of slapstick, fantasy, bawy and political satire provide us with a vivid picture of the ancient Athenians - their social mores, their beliefs and their exuberant sense of occasion. Wasps is a lawcourt satire, Clouds a lighthearted look at education, Birds a search for the perfect society, Festival Time a feminist trial of Euripides and Frogs a celebration of and debate around the theatre.Aristophanes was a unique writer for the comic stage as well as one of the most revealing about the society for which he wrote.
Lysistrata is a comedy by Aristophanes. Originally performed in classical Athens in 411 BC, it is a comic account of one woman's extraordinary mission to end the Peloponnesian War. Lysistrata persuades the women of Greece to withhold sexual privileges from their husbands and lovers as a means of forcing the men to negotiate peace—a strategy, however, that inflames the battle between the sexes. The play is notable for being an early exposé of sexual relations in a male-dominated society.[citation needed] Additionally, its dramatic structure represents a shift from the conventions of Old Comedy, a trend typical of the author's career. It was produced in the same year as the Thesmophoriazusae, another play with a focus on gender-based issues, just two years after Athens' catastrophic defeat in the Sicilian Expedition.
Aristophanes, 3 by David R. Slavitt,Palmer Bovie Pdf
The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander.
The Oxford History of Literary Translation in English: by Peter France,Kenneth Haynes Pdf
In the one hundred and ten years covered by volume four of The Oxford History of Literary Translation in English, what characterized translation was above all the move to encompass what Goethe called 'world literature'. This occurred, paradoxically, at a time when English literature is often seen as increasingly self-sufficient. In Europe, the culture of Germany was a new source of inspiration, as were the medieval literatures and the popular ballads of many lands, from Spain to Serbia. From the mid-century, the other literatures of the North, both ancient and modern, were extensively translated, and the last third of the century saw the beginning of the Russian vogue. Meanwhile, as the British presence in the East was consolidated, translation helped readers to take possession of 'exotic' non-European cultures, from Persian and Arabic to Sanskrit and Chinese. The thirty-five contributors bring an enormous range of expertise to the exploration of these new developments and of the fascinating debates which reopened old questions about the translator's task, as the new literalism, whether scholarly or experimental, vied with established modes of translation. The complex story unfolds in Britain and its empire, but also in the United States, involving not just translators, publishers, and readers, but also institutions such as the universities and the periodical press. Nineteenth-century English literature emerges as more open to the foreign than has been recognized before, with far-reaching effects on its orientation.
A Concordance to the Poems and Plays of Robert Browning by Richard J. Shroyer,Thomas J. Collins Pdf
This Concordance to the poems and plays of Robert Browning is available in seven sturdy buckram volumes, printed on acid-free paper designed to last for decades. This handsome scholarly tool is keyed to the widely-used and editorially-reliable texts and variants found in Robert Browning: The Poems, edited by T.J. Collins and John Pettigrew, 2 vols (1981: Penguin and Yale), Robert Browning: The Ring and the Book, edited by Richard Altick, (1971: Penguin; 1981: Yale), and The Plays of Robert Browning, edited by T.J. Collins and R.J. Shroyer (Garland, 1988).
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
A Register of the Presidents, Fellows, Demies, Instructors in Grammar and in Music, Chaplains, Clerks, Choristers, and Other Members of Saint Mary Magdalen College in the University of Oxford, from the Foundation of the College to the Present Time: The demies. v. 1-4; 1482-1857 by Magdalen College (University of Oxford) Pdf