Art And Its Discontents

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Art and Its Discontents

Author : Richard Read
Publisher : Penn State Press
Page : 344 pages
File Size : 53,6 Mb
Release : 2003
Category : Biography & Autobiography
ISBN : 0271022965

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Art and Its Discontents by Richard Read Pdf

Although interest in the painter, poet, and art writer Adrian Stokes (1902&–1972) has been growing in recent years, Art and Its Discontents is the first biographical study of this pivotal figure in British modernism. Focused on Stokes's formative years, the book offers important new insights into his intellectual development, his growing commitment to the arts, and his eventual turn to the art criticism that would win him international renown. Even as Richard Read follows Stokes from his London childhood to his travels in Italy and his psychoanalysis with Melanie Klein, he weaves Stokes's experiences and writings into the great social and cultural issues of his era. Stokes's friendship with Ezra Pound is given its due, but Read balances his exploration of Stokes's modernist ideas with detailed discussion of his profound debt to the teachings of John Ruskin and Walter Pater. Seen in this broad perspective, Stokes emerges as a thinker who bridged Victorian and modernist cultures and renewed the British tradition of aesthetic criticism.

Deaccessioning and Its Discontents

Author : Martin Gammon
Publisher : MIT Press
Page : 445 pages
File Size : 48,9 Mb
Release : 2018-07-24
Category : Art
ISBN : 9780262037587

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Deaccessioning and Its Discontents by Martin Gammon Pdf

The first history of the deaccession of objects from museum collections that defends deaccession as an essential component of museum practice. Museums often stir controversy when they deaccession works—formally remove objects from permanent collections—with some critics accusing them of betraying civic virtue and the public trust. In fact, Martin Gammon argues in Deaccessioning and Its Discontents, deaccession has been an essential component of the museum experiment for centuries. Gammon offers the first critical history of deaccessioning by museums from the seventeenth to the twenty-first century, and exposes the hyperbolic extremes of “deaccession denial”—the assumption that deaccession is always wrong—and “deaccession apology”—when museums justify deaccession by finding some fault in the object—as symptoms of the same misunderstanding of the role of deaccessions in proper museum practice. He chronicles a series of deaccession events in Britain and the United States that range from the disastrous to the beneficial, and proposes a typology of principles to guide future deaccessions. Gammon describes the liquidation of the British Royal Collections after Charles I's execution—when masterworks were used as barter to pay the king's unpaid bills—as establishing a precedent for future deaccessions. He recounts, among other episodes, U.S. Civil War veterans who tried to reclaim their severed limbs from museum displays; the 1972 “Hoving affair,” when the Metropolitan Museum of Art sold a number of works to pay for a Velázquez portrait; and Brandeis University's decision (later reversed) to close its Rose Art Museum and sell its entire collection of contemporary art. An appendix provides the first extensive listing of notable deaccessions since the seventeenth century. Gammon ultimately argues that vibrant museums must evolve, embracing change, loss, and reinvention.

Aesthetics and Its Discontents

Author : Jacques Rancière
Publisher : Polity
Page : 152 pages
File Size : 46,7 Mb
Release : 2009-08-24
Category : Philosophy
ISBN : 9780745646305

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Aesthetics and Its Discontents by Jacques Rancière Pdf

Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution. Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today's calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.

Aesthetics and Its Discontents

Author : Jacques Rancière
Publisher : Polity
Page : 152 pages
File Size : 51,7 Mb
Release : 2009-08-17
Category : Philosophy
ISBN : 9780745646312

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Aesthetics and Its Discontents by Jacques Rancière Pdf

Translated by Steven Corcoran Only yesterday aesthetics stood accused of concealing cultural games of social distinction. Now it is considered a parasitic discourse from which artistic practices must be freed. But aesthetics is not a discourse. It is an historical regime of the identification of art. This regime is paradoxical, because it founds the autonomy of art only at the price of suppressing the boundaries separating its practices and its objects from those of everyday life and of making free aesthetic play into the promise of a new revolution. Aesthetics is not a politics by accident but in essence. But this politics operates in the unresolved tension between two opposed forms of politics: the first consists in transforming art into forms of collective life, the second in preserving from all forms of militant or commercial compromise the autonomy that makes it a promise of emancipation. This constitutive tension sheds light on the paradoxes and transformations of critical art. It also makes it possible to understand why today?s calls to free art from aesthetics are misguided and lead to a smothering of both aesthetics and politics in ethics.

Master Narratives and their Discontents

Author : James Elkins
Publisher : Routledge
Page : 177 pages
File Size : 51,5 Mb
Release : 2013-10-18
Category : Art
ISBN : 9781135872564

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Master Narratives and their Discontents by James Elkins Pdf

In this bracing engagement with the many versions of art history, James Elkins argues that the story of modernism and postmodernism is almost always told in terms of four narratives. Works of art are either seen as modern or postmodern, or praised for their technical skill or because of the politics they appear to embody. These are master narratives of contemporary criticism, and each leads to a different understanding of what art is and does. Both a cogent overview of the state of thinking about art and a challenge to think outside the art historical box, Master Narratives and their Discontents is the first volume in a series of short books on the theories of modernism by leading art historians on twentieth-century art and art criticism.

Barbarism and Its Discontents

Author : Maria Boletsi
Publisher : Stanford University Press
Page : 326 pages
File Size : 46,6 Mb
Release : 2013-01-30
Category : Literary Criticism
ISBN : 9780804785372

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Barbarism and Its Discontents by Maria Boletsi Pdf

Barbarism and civilization form one of the oldest and most rigid oppositions in Western history. According to this dichotomy, barbarism functions as the negative standard through which "civilization" fosters its self-definition and superiority by labeling others "barbarians." Since the 1990s, and especially since 9/11, these terms have become increasingly popular in Western political and cultural rhetoric—a rhetoric that divides the world into forces of good and evil. This study intervenes in this recent trend and interrogates contemporary and historical uses of barbarism, arguing that barbarism also has a disruptive, insurgent potential. Boletsi recasts barbarism as a productive concept, finding that it is a common thread in works of literature, art, and theory. By dislodging barbarism from its conventional contexts, this book reclaims barbarism's edge and proposes it as a useful theoretical tool.

Civilization and Its Discontents

Author : Sigmund Freud
Publisher : Courier Dover Publications
Page : 81 pages
File Size : 40,7 Mb
Release : 1994-01-01
Category : Psychology
ISBN : 9780486282534

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Civilization and Its Discontents by Sigmund Freud Pdf

(Dover thrift editions).

Late Style and Its Discontents

Author : Gordon McMullan,Sam Smiles
Publisher : Oxford University Press
Page : 285 pages
File Size : 43,5 Mb
Release : 2016
Category : Art
ISBN : 9780198704621

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Late Style and Its Discontents by Gordon McMullan,Sam Smiles Pdf

"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.

Romanticism and Its Discontents

Author : Anita Brookner
Publisher : Unknown
Page : 198 pages
File Size : 50,5 Mb
Release : 2001
Category : Painting, French
ISBN : 0140294899

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Romanticism and Its Discontents by Anita Brookner Pdf

In this work, the author has written her first book on art history for many years. She examines the works and lives of eight 10th century painters and writers.

Romanticism and Its Discontents

Author : Anita Brookner
Publisher : Viking Canada
Page : 236 pages
File Size : 45,6 Mb
Release : 2000
Category : Painting, French
ISBN : STANFORD:36105025031472

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Romanticism and Its Discontents by Anita Brookner Pdf

In this work, the author has written her first book on art history for many years. She examines the works and lives of eight 10th century painters and writers.

Husbands, Wives, and Lovers

Author : Patricia Mainardi
Publisher : Yale University Press
Page : 342 pages
File Size : 52,8 Mb
Release : 2003-01-01
Category : History
ISBN : 030010104X

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Husbands, Wives, and Lovers by Patricia Mainardi Pdf

In this interdisciplinary exploration of the cultural and social history of early 19th-century France, Patricia Mainardi focuses on what was considered a major social problem of the time - adultery. In a period when expectations about marriage were changing, the problems of husbands, wives and lovers became a major theme in theatre, literature and the visual arts. The author demonstrates that this intense interest was historically grounded in the post-revolutionary collision between the new concept of the individual's right to happiness and the traditional prerogatives of family and state. duty or happiness more important? Are arranged marriages doomed to be empty of love and poisoned by adultery? Should adulterous wives and their lovers be punished while husbands may commit adultery with impunity? Out of such legal, social and cultural debates ultimately emerged modern bourgeois family values, Mainardi argues. And she illuminates how art, in all its varieties, both influences and is influenced by social change.

Modernity and Its Discontents

Author : Steven B. Smith
Publisher : Yale University Press
Page : 417 pages
File Size : 48,8 Mb
Release : 2016-01-01
Category : Civilization, Modern
ISBN : 9780300198393

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Modernity and Its Discontents by Steven B. Smith Pdf

11 Flaubert and the Aesthetics of the Antibourgeois -- 12 The Apocalyptic Imagination: Nietzsche, Sorel, Schmitt -- 13 The Tragic Liberalism of Isaiah Berlin -- 14 Leo Strauss on Philosophy as a Way of Life -- 15 The Political Teaching of Lampedusa's The Leopard -- 16 Mr. Sammler's Redemption -- Part Four: Conclusion -- 17 Modernity and Its Doubles -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z

Creativity and Its Discontents

Author : Laikwan Pang
Publisher : Duke University Press
Page : 312 pages
File Size : 47,8 Mb
Release : 2012
Category : Business & Economics
ISBN : 9780822350828

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Creativity and Its Discontents by Laikwan Pang Pdf

Laikwan Pang offers a complex critical analysis of creativity, creative industries, and the impact of Western copyright laws on creativity in China.

Landscape Urbanism and its Discontents

Author : Andrés Duany,Emily Talen
Publisher : New Society Publishers
Page : 353 pages
File Size : 50,5 Mb
Release : 2013-03-01
Category : Architecture
ISBN : 9781550925364

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Landscape Urbanism and its Discontents by Andrés Duany,Emily Talen Pdf

Landscape Urbanism and New Urbanism - negotiating the relationship between cities and the natural world In contemporary Western society, urban development is regarded as an unfortunate blight from which nature provides a much-needed respite. This apparent dichotomy ignores the interdependence between human settlement and the natural world. In fact, one of the most pressing problems facing urban theorists today is determining how to resolve the tension between the built and natural environments, in the process creating truly sustainable cities. Landscape Urbanism and its Discontents is a collection of essays exploring the debate over urban reform, now polarized around the two competing paradigms of Landscape Urbanism and the New Urbanism. Landscape Urbanism is conceived as a more ecologically based approach, while New Urbanism is more concerned with the built form. Well-known and influential urban theorists such as Andrés Duany and James Howard Kunstler delve into the impact of the tension between the two perspectives on: Smart growth Neighborhood design Sustainable development Creating cities that are in balance with nature While there is significant overlap between Landscape Urbanism and the New Urbanism, the former has assumed prominence amongst most critical theorists, whereas the latter's proponents are more practically oriented. Given that these two sets of ideas are at the forefront of sustainable urban design, the analysis– and potential reconciliation—offered by Landscape Urbanism and its Discontents is long overdue. Andrés Duany is a leading proponent of the New Urbanism and is a founding principal at Duany Plater-Zyberk & Company. Emily Talen is a professor at Arizona State University and the author of four previous books on urban design.

Representation and Its Discontents

Author : Azade Seyhan
Publisher : Univ of California Press
Page : 199 pages
File Size : 50,6 Mb
Release : 1992-02-24
Category : Literary Criticism
ISBN : 9780520076761

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Representation and Its Discontents by Azade Seyhan Pdf

"An admirable accomplishment of rare intellectual rigor."—Hinrich C. Seeba, University of California, Berkeley