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Author : Laikwan Pang
Publisher : Duke University Press
Page : 312 pages
File Size : 41,5 Mb
Release : 2012
Category : Business & Economics
ISBN : 9780822350828
Laikwan Pang offers a complex critical analysis of creativity, creative industries, and the impact of Western copyright laws on creativity in China.
Author : Alan Wyk,Michel Weber
Publisher : Walter de Gruyter
Page : 253 pages
File Size : 55,9 Mb
Release : 2013-05-02
Category : Philosophy
ISBN : 9783110327854
"I do not expect a good reception from professional philosophers" wrote Whitehead in 1929, immediately after the publication of Process and Reality. Indeed, it took nearly thirty years before scholars seriously started to try to decipher the book taken as a whole. And there remains today "professional" Whiteheadians who claim that this work can - or even should - be bracketed by anyone wishing to get a clear picture of Whitehead's true speculative agenda. Creativity and Its Discontents aims to provide evidence of the conditions for this state of affairs by gathering and contextualizing all the major reviews (translated where need be) of Process and Reality: its original 1929 edition, its various translations (some of them still ongoing) and its 1978 corrected edition. It is designed as the ideal tool to accompany the recently published Handbook of Whiteheadian Process Thought.
Author : Adam B. Jaffe,Josh Lerner
Publisher : Princeton University Press
Page : 256 pages
File Size : 55,5 Mb
Release : 2011-05-27
Category : Business & Economics
ISBN : 1400837340
The United States patent system has become sand rather than lubricant in the wheels of American progress. Such is the premise behind this provocative and timely book by two of the nation's leading experts on patents and economic innovation. Innovation and Its Discontents tells the story of how recent changes in patenting--an institutional process that was created to nurture innovation--have wreaked havoc on innovators, businesses, and economic productivity. Jaffe and Lerner, who have spent the past two decades studying the patent system, show how legal changes initiated in the 1980s converted the system from a stimulator of innovation to a creator of litigation and uncertainty that threatens the innovation process itself. In one telling vignette, Jaffe and Lerner cite a patent litigation campaign brought by a a semi-conductor chip designer that claims control of an entire category of computer memory chips. The firm's claims are based on a modest 15-year old invention, whose scope and influenced were broadened by secretly manipulating an industry-wide cooperative standard-setting body. Such cases are largely the result of two changes in the patent climate, Jaffe and Lerner contend. First, new laws have made it easier for businesses and inventors to secure patents on products of all kinds, and second, the laws have tilted the table to favor patent holders, no matter how tenuous their claims. After analyzing the economic incentives created by the current policies, Jaffe and Lerner suggest a three-pronged solution for restoring the patent system: create incentives to motivate parties who have information about the novelty of a patent; provide multiple levels of patent review; and replace juries with judges and special masters to preside over certain aspects of infringement cases. Well-argued and engagingly written, Innovation and Its Discontents offers a fresh approach for enhancing both the nation's creativity and its economic growth.
Author : Melvin P. Shaw,Mark A. Runco
Publisher : Praeger
Page : 304 pages
File Size : 54,8 Mb
Release : 1994
Category : Education
ISBN : UOM:39015032536966
The authors of this volume attempt to cohere the field of creativity and affect in a scholarly fashion by categorizing and characterizing some of its major features, including environmental influences; underlying processes; specific affective states; the role of atypical or pathological personalities; unconscious processes; physiological components; proactive and reactive stimuli; intrinsic motivation; eminence versus everyday creativity; and testing of assessing the affective component of creativity. The authors also examine and discuss the role that emotions, feelings and moods play in the creative process. This volume also provides a vehicle for students and psychotherapists, with which they can fully appreciate the feelings generated by the creative process and the various stages of it. How does a creator feel during its more mundane phases? Can he or she tolerate the frustration of failing and being unsuccessful most of the time? What is the real joy of achievement, success, and ultimate acceptance by one's peers in a given field? Do we have to exhibit major psychopathological features in order to achieve eminence in specific fields? What is the role of mind altering substances, mood disorders, and the like? This volume answers these questions and more.
Author : Mark A. Runco,Steven R. Pritzker
Publisher : Academic Press
Page : 1698 pages
File Size : 53,8 Mb
Release : 1999-08-02
Category : Medical
ISBN : 9780122270758
This encyclopaedia provides specific information and guidance for everyone who is searching for greater understanding and inspiration. Subjects include theories of creativity, techniques for enhancing creativity, individuals who have made contributions to creativity.
Author : John Kraniauskas
Publisher : University of Wales Press
Page : 315 pages
File Size : 44,9 Mb
Release : 2017-01-05
Category : Literary Criticism
ISBN : 9781783169559
Capitalism and its Discontents presents a series of interpretative essays on a number of key modern and contemporary Latin American novels and films. The overarching theme in the essays is the relation between such textual materials and their regional contexts.
Author : Grant Snider
Publisher : Abrams
Page : 152 pages
File Size : 55,8 Mb
Release : 2017-05-09
Category : Self-Help
ISBN : 9781683350316
“[Snider has] created something unique: a synthesis of comics, philosophy, and poetry: a thoughtful new way of packaging eternal ideas in cartoon boxes.” —The Los Angeles Review of Books What does an idea look like? And where do they come from? Grant Snider’s illustrations will motivate you to explore these questions, inspire you to come up with your own answers and, like all Gordian knots, prompt even more questions. Whether you are a professional artist or designer, a student pursuing a creative career, a person of faith, someone who likes walks on the beach, or a dreamer who sits on the front porch contemplating life, this collection of one- and two-page comics will provide insight into the joys and frustrations of creativity, inspiration, and process—no matter your age or creative background. “A creative kaleidoscope of humor, insight, and truth. An inventive window into the creative experience filled with hope and encouragement for daydreamers and doodlers, sketchers and scribblers, inventors, explorers, and spinners of yarns.” —Clare Vanderpool, New York Times-bestselling, Newbery Medal-winning author “Grant Snider’s work delivers introspection, humor, and inspiration in visually stunning drawings. They are a colorful look into the creative process—from the moments of quiet contemplation to the days of frenzied desperation.” —Susan Cain, #1 New York Times-bestselling author of Quiet: The Power of Introverts in a World That Can’t Stop Talking “A friendly, encouraging depiction of the creative process, with its highs and lows, from a comics creator.” —The Milwaukee Journal-Sentinel
Author : Sigmund Freud
Publisher : Courier Dover Publications
Page : 81 pages
File Size : 50,6 Mb
Release : 1994-01-01
Category : Psychology
ISBN : 9780486282534
(Dover thrift editions).
Author : Sigmund Freud
Publisher : Harper Collins
Page : 340 pages
File Size : 50,6 Mb
Release : 2009-03-03
Category : Psychology
ISBN : 9780061718694
On Creativity and the Unconscious brings together Freud's important essays on the many expressions of creativity—including art, literature, love, dreams, and spirituality. This diverse collection includes "The 'Uncanny,'" "The Moses of Michelangelo," "The Psychology of Love," "The Relation of the Poet to Day-Dreaming," "On War and Death," and "Dreams and Telepathy."
Author : Sherry Turkle
Publisher : MIT Press
Page : 233 pages
File Size : 48,8 Mb
Release : 2022-11-01
Category : Computers
ISBN : 9780262546799
How the simulation and visualization technologies so pervasive in science, engineering, and design have changed our way of seeing the world. Over the past twenty years, the technologies of simulation and visualization have changed our ways of looking at the world. In Simulation and Its Discontents, Sherry Turkle examines the now dominant medium of our working lives and finds that simulation has become its own sensibility. We hear it in Turkle's description of architecture students who no longer design with a pencil, of science and engineering students who admit that computer models seem more “real” than experiments in physical laboratories. Echoing architect Louis Kahn's famous question, “What does a brick want?”, Turkle asks, “What does simulation want?” Simulations want, even demand, immersion, and the benefits are clear. Architects create buildings unimaginable before virtual design; scientists determine the structure of molecules by manipulating them in virtual space; physicians practice anatomy on digitized humans. But immersed in simulation, we are vulnerable. There are losses as well as gains. Older scientists describe a younger generation as “drunk with code.” Young scientists, engineers, and designers, full citizens of the virtual, scramble to capture their mentors' tacit knowledge of buildings and bodies. From both sides of a generational divide, there is anxiety that in simulation, something important is slipping away. Turkle's examination of simulation over the past twenty years is followed by four in-depth investigations of contemporary simulation culture: space exploration, oceanography, architecture, and biology.
Author : Candace Jones,Mark Lorenzen,Jonathan Sapsed
Publisher : OUP Oxford
Page : 560 pages
File Size : 43,5 Mb
Release : 2015-07-23
Category : Business & Economics
ISBN : 9780191062278
The Oxford Handbook of Creative Industries is a reference work, bringing together many of the world's leading scholars in the application of creativity in economics, business and management, law, policy studies, organization studies, and psychology. Creative industries research has become a regular theme in academic journals and conferences across these subjects and is also an important agenda for governments throughout the world, while business people from established companies and entrepreneurs revaluate and innovate their models in creative industries. The Handbook is organized into four parts: Following the editors' introduction, Part One on Creativity includes individual creativity and how this scales up to teams, social networks, cities, and labour markets. Part Two addresses Generating and Appropriating Value from Creativity, as achieved by agents and organizations, such as entrepreneurs, stars and markets for symbolic goods, and considers how performance is measured in the creative industries. Part Three covers the mechanics of Managing and Organizing Creative Industries, with chapters on the role of brokerage and mediation in creative industry networks, disintermediation and glocalisation due to digital technology, the management of project-based organzations in creative industries, organizing events in creative fields, project ecologies, Global Production Networks, genres and classification and sunk costs and dynamics of creative industries. Part Four on Creative Industries, Culture and the Economy offers chapters on cultural change and entrepreneurship, on development, on copyright, economic spillovers and government policy. This authoritative collection is the most comprehensive source of the state of knowledge in the increasingly important field of creative industries research. Covering emerging economies and new technologies, it will be of interest to scholars and students of the arts, business, innovation, and policy.
Author : Fikret Adaman,Bengi Akbulut,Murat Arsel
Publisher : Bloomsbury Publishing
Page : 288 pages
File Size : 45,7 Mb
Release : 2017-05-30
Category : Business & Economics
ISBN : 9781786732095
The 'neoliberal' economic policy of President Recep Tayyip Erdogan's AKP Party, which has delivered extraordinary growth in Turkish GDP over the last decade, has been one of the foundations of the party's popular appeal. Here, a group of experts on Turkish political economy show how these policies have also had a detrimental impact on the environment, sustainability and the long-term health of the Turkish economy. Taking the two main sectors of growth during the past decade-energy and construction-as its primary focus, the book engages broadly with the political economy of inequality and sustainability in contemporary Turkey. Ultimately, the authors argue that 'environmental conflicts' in Turkey are not merely about the environment but intersect with contemporary politics of religion, ethnicity, gender, and class within the context of top-down, modernising economic development. Neoliberal Turkey and its Discontents marks an important contribution to debates around the economic growth of Turkey and the future of the AKP's long-term economic plan.
Author : Kyna Leski
Publisher : MIT Press
Page : 211 pages
File Size : 48,7 Mb
Release : 2015-11-13
Category : Design
ISBN : 9780262330602
The stages of the creative process—from “unlearning” to beginning again—seen through examples from the practice of artists, architects, poets, and others. Although each instance of creativity is singular and specific, Kyna Leski tells us, the creative process is universal. Artists, architects, poets, inventors, scientists, and others all navigate the same stages of the process in order to discover something that does not yet exist. All of us must work our way through the empty page, the blank screen, writer's block, confusion, chaos, and doubt. In this book, Leski draws from her observations and experiences as a teacher, student, maker, writer, and architect to describe the workings of the creative process. Leski sees the creative process as being like a storm; it slowly begins to gather and take form until it overtakes us—if we are willing to let it. It is dynamic, continually in motion; it starts, stops, rages and abates, ebbs and flows. In illustrations that accompany each chapter, she maps the arc of the creative process by tracing the path of water droplets traveling the stages of a storm. Leski describes unlearning, ridding ourselves of preconceptions; only when we realize what we don't know can we pose the problem that we need to solve. We gather evidence—with notebook jottings, research, the collection of objects—propelling the process. We perceive and conceive; we look ahead without knowing where we are going; we make connections. We pause, retreat, and stop, only to start again. To illustrate these stages of the process, Leski draws on examples of creative practice that range from Paul Klee to Steve Jobs, from the discovery of continental drift to the design of Antoni Gaudí's Sagrada Familia. Creativity, Leski tells us, is a path with no beginning or end; it is ongoing. This revelatory view of the creative process will be an essential guide for anyone engaged in creative discovery. The Creative Process Unlearning Problem Making Gathering and Tracking Propelling Perceiving and Conceiving Seeing Ahead Connecting Pausing Continuing
Author : Gabriel A. Almond,Garry R. Marvin,Roy Harvey Pearce
Publisher : Univ of California Press
Page : 580 pages
File Size : 51,9 Mb
Release : 2023-11-10
Category : Social Science
ISBN : 9780520313545
Events of the past two decades have challenged many of the fundamental beliefs, institutions, and values of modern western culture--the culture of "progress." Are science and technology really progressive and beneficial? Have they led to the enhancement of welfare, greater hapiness, and moral immprovement? I s the continued growth of material productivity possible? Desirable? Are the institutions of progress viable? Progress and Its Discontents assembles the views on progress of some of America's leading humanists, scientists, and social scientists. Citing disappointed expectations of progress in spheres from science to morals and politics, and the many problems created or left untouched by progress, the editors conclude that the term no longer refers to "an inevitable sequence of improvements" but rather to "an aspiration and compelling obligation." Contributors: Nannerl O. Keohane Georg G. Iggers Alfred G. Meyer Crawford Young Francisco J. Ayala John T. Edsall Gerald Fenberg Bernard D. Davis Gerald Holton Marc J. Roberts H. Stuart Hughes Moses Abramovitz Harvey Brooks Nathan Rosenberg Hollis B. Chenery Gianfranco Poggi Aaron Wildavsky G. Bingham Powell, Jr. Samuel H. Barnes Steven Marcus Murray Krieger Robert C. Elliott Martin E. Marty Daniel Bell Frederick A. Olafson This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1982.
Author : Gordon McMullan,Sam Smiles
Publisher : Oxford University Press
Page : 285 pages
File Size : 45,5 Mb
Release : 2016
Category : Art
ISBN : 9780198704621
"Late style" is a critical term routinely deployed to characterise the work of selected authors, composers, and creative artists as they enter their last phase of production--often, but not only, in old age. Taken at face value, this terminology merely points to a chronological division in the artist's oeuvre, "late" being the antonym of "early" or the third term in the triad "early-middle-late." However, almost from its inception, the idea of late style or late work has been freighted with aesthetic associations and expectations that promote it as a special episode in the artist's creative life. Late style is often characterized as the imaginative response made by exceptional talents to the imminence of their death. In their confrontation with death creative artists, critics claim, produce work that is by turns a determination to continue while strength remains, a summation of their life's work and a radical vision of the essence of their craft. And because this creative phenomenon is understood as primarily an existential response to a common fate, so late style is understood as something that transcends the particularities of place, time and medium. Critics seeking to understand late work regularly invoke the examples of Titian, Goethe, and Beethoven as exemplars of what constitutes late work, proposing that something unites the late style of authors, composers, and creative artists who otherwise would not be bracketed together and that lateness per se is a special order of creative work. The essays in this collection resist this position. Ranging across literature, the visual arts, music, and scientific work, the material assembled here looks closely at the material, biographical and other contexts in which the work was produced and seeks both to question the assumptions surrounding late style and to prompt a more critical understanding of the last works of writers, artists and composers.