Art History For Filmmakers

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Art History for Filmmakers

Gillian McIver
Art History for Filmmakers Book PDF

Author : Gillian McIver
Publisher : Bloomsbury Publishing
Page : 256 pages
File Size : 42,5 Mb
Release : 2017-03-23
Category : Art
ISBN : 9781474246200

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Art History for Filmmakers by Gillian McIver Pdf

Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema. Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams. Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Art in Cinema

Scott MacDonald,Frank Stauffacher
Art in Cinema Book PDF

Author : Scott MacDonald,Frank Stauffacher
Publisher : Temple University Press
Page : 332 pages
File Size : 55,7 Mb
Release : 2006
Category : Performing Arts
ISBN : 1592134270

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Art in Cinema by Scott MacDonald,Frank Stauffacher Pdf

Fascinating documentation of one of the most important film societies in American history.

Film and Modern American Art

Katherine Manthorne
Film and Modern American Art Book PDF

Author : Katherine Manthorne
Publisher : Routledge
Page : 154 pages
File Size : 44,7 Mb
Release : 2019-01-30
Category : Art
ISBN : 9781351187299

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Film and Modern American Art by Katherine Manthorne Pdf

Between the 1890s and the 1930s, movie going became an established feature of everyday life across America. Movies constituted an enormous visual data bank and changed the way artist and public alike interpreted images. This book explores modern painting as a response to, and an appropriation of, the aesthetic possibilities pried open by cinema from its invention until the outbreak of World War II, when both the art world and the film industry changed substantially. Artists were watching movies, filmmakers studied fine arts; the membrane between media was porous, allowing for fluid exchange. Each chapter focuses on a suite of films and paintings, broken down into facets and then reassembled to elucidate the distinctive art–film nexus at successive historic moments.

Film as Art

Rudolf Arnheim
Film as Art Book PDF

Author : Rudolf Arnheim
Publisher : Univ of California Press
Page : 244 pages
File Size : 43,9 Mb
Release : 1957
Category : Art
ISBN : 0520248376

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Film as Art by Rudolf Arnheim Pdf

“More than half a century since its initial publication, this deceptively compact book remains among the most incisive analyses of the formal and perceptual dynamics of cinema. No one who cares about film can afford to remain ignorant of its insights and wisdom. As digital technology fundamentally alters motion pictures, the lessons of Film as Art commend themselves as excellent insurance against reinventing the wheel in the new media landscape and hailing it as progress.”—Edward Dimendberg author of Film Noir and the Spaces of Modernity “After more than eight decades, Rudolph Arnheim's small book of film theory remains one of the essential works in defining film art, understanding film less as reproducing the world than as opening up new possibilities for formal play and unexpected imagery. Anyone serious about film, whether scholar, filmmaker or simply a lover of cinema, must take Arnheim seriously.”—Tom Gunning, author of The Films of Fritz Lang and D.W. Griffith and the Origins of American Narrative Film “An aesthetic theory based on the formal ‘limitations’ of the medium, Arnheim’s Film as Art always provokes students in an age of few limits and less formality, and they argue and engage this classic text with unparalleled passion. Written in the wake of sound’s transformation of the cinema, Arnheim’s essays are not only central to understanding a major historical moment in theoretical debates about what constitutes the ‘essence’ of film, but also are a must read for anyone seeking a lucid, detailed, and rigorous argument about how works of art emerge from expressive constraint as much as expressive freedom.”—Vivian Sobchack, author of Carnal Thoughts

History of Film

David Parkinson
History of Film Book PDF

Author : David Parkinson
Publisher : Thames & Hudson
Page : 264 pages
File Size : 47,9 Mb
Release : 1996-01
Category : Performing Arts
ISBN : 050020277X

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History of Film by David Parkinson Pdf

This is an analysis of what has been called the seventh art. It traces the development of film from its scientific origins through to cinema today, covering the key elements and players that have contributed to its artistic and technical development.

Cinema by Design

Lucy Fischer
Cinema by Design Book PDF

Author : Lucy Fischer
Publisher : Columbia University Press
Page : 335 pages
File Size : 45,9 Mb
Release : 2017-03-14
Category : Performing Arts
ISBN : 9780231544221

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Cinema by Design by Lucy Fischer Pdf

Art Nouveau thrived from the late 1890s through the First World War. The international design movement reveled in curvilinear forms and both playful and macabre visions and had a deep impact on cinematic art direction, costuming, gender representation, genre, and theme. Though historians have long dismissed Art Nouveau as a decadent cultural mode, its tremendous afterlife in cinema proves otherwise. In Cinema by Design, Lucy Fischer traces Art Nouveau's long history in films from various decades and global locales, appreciating the movement's enduring avant-garde aesthetics and dynamic ideology. Fischer begins with the portrayal of women and nature in the magical "trick films" of the Spanish director Segundo de Chomón; the elite dress and décor design choices in Cecil B. DeMille's The Affairs of Anatol (1921); and the mise-en-scène of fantasy in Raoul Walsh's The Thief of Bagdad (1924). Reading Salome (1923), Fischer shows how the cinema offered an engaging frame for adapting the risqué works of Oscar Wilde and Aubrey Beardsley. Moving to the modern era, Fischer focuses on a series of dramatic films, including Michelangelo Antonioni's The Passenger (1975), that make creative use of the architecture of Antoni Gaudí; and several European works of horror—The Abominable Dr. Phibes (1971), Deep Red (1975), and The Strange Color of Your Body's Tears (2013)—in which Art Nouveau architecture and narrative supply unique resonances in scenes of terror. In later chapters, she examines films like Klimt (2006) that portray the style in relation to the art world and ends by discussing the Art Nouveau revival in 1960s cinema. Fischer's analysis brings into focus the partnership between Art Nouveau's fascination with the illogical and the unconventional and filmmakers' desire to upend viewers' perception of the world. Her work explains why an art movement embedded in modernist sensibilities can flourish in contemporary film through its visions of nature, gender, sexuality, and the exotic.

The Visual Turn

Angela Dalle Vacche
The Visual Turn Book PDF

Author : Angela Dalle Vacche
Publisher : Rutgers University Press
Page : 300 pages
File Size : 40,6 Mb
Release : 2003
Category : Art
ISBN : 081353173X

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The Visual Turn by Angela Dalle Vacche Pdf

This collection of essays demonstrates the usefulness of looking at cinema with the analytical methods provided by art theory. "The Visual Turn" is a dialogue between art historians and film theorists from the silent period to the aftermath of World War II.

Cinema and Painting

Angela Dalle Vacche
Cinema and Painting Book PDF

Author : Angela Dalle Vacche
Publisher : University of Texas Press
Page : 324 pages
File Size : 55,8 Mb
Release : 1996
Category : Performing Arts
ISBN : 0292715838

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Cinema and Painting by Angela Dalle Vacche Pdf

The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Cinemagritte

Lucy Fischer
Cinemagritte Book PDF

Author : Lucy Fischer
Publisher : Wayne State University Press
Page : 305 pages
File Size : 44,5 Mb
Release : 2019-11-25
Category : Art
ISBN : 9780814346389

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Cinemagritte by Lucy Fischer Pdf

Examines the fascinating ties between Surrealist artist René Magritte and the cinema.

Artists' Film (World of Art)

David Curtis
Artists Film World of Art Book PDF

Author : David Curtis
Publisher : Thames & Hudson
Page : 467 pages
File Size : 50,9 Mb
Release : 2021-10-05
Category : Art
ISBN : 9780500776780

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Artists' Film (World of Art) by David Curtis Pdf

Artists’ Film offers a lucid, accessible account of artists’ unique contribution to the art of the moving image in the twentieth and early twenty-first centuries. International in scope and accessibly written by a renowned authority on the subject, Artists’ Film is an introductory guide to the exciting and expanding field of artists’ film and an alternative history of the moving image, chronicling artists’ ever-evolving fascination with filmmaking from the early twentieth century to now. From early pioneers to key artists of today, writer and curator David Curtis offers a vivid account of the many creators who have been inspired by the cinematic medium and who have felt compelled to interpret and respond to it in their own way. In doing so, Curtis discusses these artists’ widely differing achievements, aspirations, theories, and approaches. Featuring over four hundred international moving-image makers and drawing on examples from across the arts, including experimental film, video, installation, and multimedia, this generously illustrated account offers an incomparable introduction to this continually evolving art form. A perfect read for anyone with an interest in the intersection of contemporary art and film.

The Story of Film

Mark Cousins
The Story of Film Book PDF

Author : Mark Cousins
Publisher : Da Capo Press
Page : 512 pages
File Size : 40,8 Mb
Release : 2006-10-05
Category : Performing Arts
ISBN : 1560259337

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The Story of Film by Mark Cousins Pdf

The Story of Film presents the history of the movies in a way never told before. Weaving personalities, technology, and production with engaging descriptions of groundbreaking scenes, Mark Cousins uses his experience as film historian, producer, and director to capture the shifting trends of movie history without recourse to jargon. We learn how filmmakers influenced each other; how contemporary events influenced them; how they challenged established techniques and developed new technologies to enhance their medium. Striking images reinforce the reader's understanding of cinematic innovation both stylistic and technical. Presenting three epochs — Silent (1885–1928); Sound (1928–1990) and Digital (1990–Present) — The Story of Film spans the birth of the moving image; the establishment of Hollywood; the European avant-garde movements; personal filmmaking; world cinema and recent phenomena such as Computer Generated Imagery and the ever-more "real" realizations of the wildest of imaginations. Here are mainstream entertainment films and maverick talents, breathtaking moments and technical revolutions, blockbuster movies and art-house gems, icons of the screen and the hard workers behind the scenes. It is a powerful story of the world's most popular artistic medium.

After Uniqueness

Erika Balsom
After Uniqueness Book PDF

Author : Erika Balsom
Publisher : Columbia University Press
Page : 391 pages
File Size : 43,8 Mb
Release : 2017-03-21
Category : Performing Arts
ISBN : 9780231543125

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After Uniqueness by Erika Balsom Pdf

Images have never been as freely circulated as they are today. They have also never been so tightly controlled. As with the birth of photography, digital reproduction has created new possibilities for the duplication and consumption of images, offering greater dissemination and access. But digital reproduction has also stoked new anxieties concerning authenticity and ownership. From this contemporary vantage point, After Uniqueness traces the ambivalence of reproducibility through the intersecting histories of experimental cinema and the moving image in art, examining how artists, filmmakers, and theorists have found in the copy a utopian promise or a dangerous inauthenticity—or both at once. From the sale of film in limited editions on the art market to the downloading of bootlegs, from the singularity of live cinema to video art broadcast on television, Erika Balsom investigates how the reproducibility of the moving image has been embraced, rejected, and negotiated by major figures including Stan Brakhage, Leo Castelli, and Gregory Markopoulos. Through a comparative analysis of selected distribution models and key case studies, she demonstrates how the question of image circulation is central to the history of film and video art. After Uniqueness shows that distribution channels are more than neutral pathways; they determine how we encounter, interpret, and write the history of the moving image as an art form.

Film, Art, New Media: Museum Without Walls?

Angela Dalle Vacche
Film Art New Media Museum Without Walls Book PDF

Author : Angela Dalle Vacche
Publisher : Springer
Page : 326 pages
File Size : 47,7 Mb
Release : 2012-06-12
Category : Art
ISBN : 9781137026132

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Film, Art, New Media: Museum Without Walls? by Angela Dalle Vacche Pdf

In the footsteps of Andre Bazin, this anthology of 15 original essays argues that the photographic origin of twentieth-century cinema is anti-anthropocentric. Well aware that the twentieth century stands out as the only period in history with its own photographic film record for posterity, Angela Dalle Vacche has convened international scholars at The Sterling and Francine Clark Art Institute, and asked them to rethink the history and theory of the cinema as a new model for the museum of the future. By exploring the art historical tropes of face and landscape, and key areas of film studies such as early cinema, Soviet film theory, documentary, the avant-garde and the newly-born genre of the museum film, this collection includes detailed discussions of installation art, and close analyses of media relations which range from dance to painting to performance art. Thanks to the title of Andre Malraux's famous project, Film, Art, New Media: Museum Without Walls? invites readers to reflect on the museum of the future, where twentieth-century cinema will play a pivotal role by interrogating the relation between art and science, technology and nature, from the side of photography in dialogue with digitalization.

Documenting the Visual Arts

Roger Hallas
Documenting the Visual Arts Book PDF

Author : Roger Hallas
Publisher : Routledge
Page : 334 pages
File Size : 48,7 Mb
Release : 2019-12-06
Category : Social Science
ISBN : 9781351344425

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Documenting the Visual Arts by Roger Hallas Pdf

Bringing together an international range of scholars, as well as filmmakers and curators, this book explores the rich variety in form and content of the contemporary art documentary. Since their emergence in the late 1940s as a distinct genre, documentaries about the visual arts have made significant contributions to art education, public television, and documentary filmmaking, yet they have received little scholarly attention from either art history or film studies. Documenting the Visual Arts brings that attention to the fore. Whether considering documentaries about painting, sculpture, photography, performance art, site-specific installation, or fashion, the chapters of this book engage with the key question of intermediality: how film can reframe other visual arts through its specific audio-visual qualities, in order to generate new ways of understanding those arts. The essays illuminate furthermore how art documentaries raise some of the most critical issues of the contemporary global art world, specifically the discourse of the artist, the dynamics of documentation, and the visuality of the museum. Contributors discuss documentaries by filmmakers such as Frederick Wiseman, Lynn Hershman Leeson, Jia Zhangke, and Trisha Ziff, and about artists such as Michael Heizer, Ai Weiwei, Do Ho Suh, and Marina Abramović. This collection of new international and interdisciplinary scholarship on visual art documentaries is ideal for students and scholars of visual arts and filmmaking, as well as art history, arts education, and media studies.

Film and Video Art

Stuart Comer
Film and Video Art Book PDF

Author : Stuart Comer
Publisher : Tate
Page : 0 pages
File Size : 50,5 Mb
Release : 2009-03-01
Category : Performing Arts
ISBN : 1854376071

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Film and Video Art by Stuart Comer Pdf

An exploration of film as an art form that discusses artists' involvement in the medium, movements that significantly affected film, and prominent artists and filmmakers, including Salvador Dali, Anthony McCall, Andy Warhol, and others.