Download Full eBooks in PDF
Cinemagritte Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Cinemagritte book. This book definitely worth reading, it is an incredibly well-written.
Author : Lucy Fischer
Publisher : Wayne State University Press
Page : 305 pages
File Size : 41,9 Mb
Release : 2019-11-25
Category : Art
ISBN : 9780814346389
Examines the fascinating ties between Surrealist artist René Magritte and the cinema.
Author : Timothy Corrigan
Publisher : Oxford University Press
Page : 201 pages
File Size : 45,8 Mb
Release : 2023-01-11
Category : Philosophy
ISBN : 9780197624180
"The range of topics in this volume covers a multitude of historical periods and topics, which in turn figure in the new media environments of contemporary life. These include discussions of the Aristotelian and classical models of a "good life" that inform animated fairy tales today, 1930s French and Hollywood films which respond to the dire need for productive human relationships in a turbulent decade, the polemical positions of black film criticism through the lens of James Baldwin's work, a discussion of contemporary filmic quests for happiness, the challenges for women filmmakers today in mapping the values of their own world, landscapes of austerity and poverty in the cinematic homelands today, the scientific, psychological, and philosophical base for human value, and the shifting media frames of modern society and selves"--
Author : Lucy Fischer
Publisher : Wayne State University Press
Page : 301 pages
File Size : 45,9 Mb
Release : 2023-04-04
Category : Social Science
ISBN : 9780814348574
The impact of unique material collections that have helped shaped research, practice, and education in film and media studies.
Author : Thomas M. Puhr
Publisher : Columbia University Press
Page : 85 pages
File Size : 46,7 Mb
Release : 2022-10-18
Category : Performing Arts
ISBN : 9780231555272
The course of events is predetermined and cannot be changed. Forces beyond our control—or even our comprehension—shape our fates. Such is the deterministic worldview embedded in a wide swath of contemporary cinema, from arthouse experiments to popular genre films, through both thematic concerns and narrative structures. These films, especially the recent spate of “elevated” science fiction and horror, tap into this deep-seated anxiety by focusing on characters who ultimately fail to transcend the patterns and structures that define them. Thomas M. Puhr identifies and analyzes the ways that cinema has dealt with the tension between fate and free will, from Stanley Kubrick’s The Shining to Christopher Nolan’s Tenet. He examines films that express deterministic ideas, including circular narratives of stasis or confinement and fatalistic portraits of external forces dictating characters’ lives. Puhr considers determinism at the levels of the individual, the family, and society, reading films in which characters are trapped by past or alternate selves, the burdens of family histories, or oppressive social structures. He explores how films such as Joel and Ethan Coen’s Inside Llewyn Davis, Ari Aster’s Hereditary, Jordan Peele’s Us, and Lucrecia Martel’s Zama confront the limits of human agency. Puhr relates deterministic themes to the nature of moviegoing: In denying characters any ability to choose alternative paths, these films mirror how viewers themselves can only sit and watch. Recasting the works of some of today’s most compelling directors, Fate in Film is an innovative critical account of an unrecognized yet crucial aspect of contemporary cinema.
Author : Maynard Solomon
Publisher : Wayne State University Press
Page : 724 pages
File Size : 42,5 Mb
Release : 1979
Category : Art
ISBN : 0814316212
Marxism and Art is a collection of basic readings in Marxist criticism and aesthetics.
Author : Timothy Corrigan
Publisher : Rutgers University Press
Page : 276 pages
File Size : 50,9 Mb
Release : 1991
Category : Performing Arts
ISBN : 0813516684
Corrigan argues that in the past 25 years the increased conglomerization of film production/distribution companies and the rise of VCR, satellite, and cable television technologies have altered the way films are made and how we view them. The result is a growing internationalization of national cinema cultures and an increasing fragmentation of the audience. Video has reduced the movie to private and domestic performance. At the same time, audiences are bombarded with a surfeit of images that leaves them with a battered sense of their place in history and culture. Corrigan notes that, combined with what many critics have recognized as the growing incoherence in film texts, these facts make it more meaningful to discuss films not as texts but as multiple cultural and commercial processes constructed by increasingly specialized audiences. ISBN 0-8135-1667-6: $36.00.
Author : Timothy Corrigan
Publisher : Oxford University Press
Page : 256 pages
File Size : 43,9 Mb
Release : 2011-08-01
Category : Performing Arts
ISBN : 9780199910564
Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agn?s Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.
Author : Douglas Morrey
Publisher : Bloomsbury Publishing USA
Page : 273 pages
File Size : 51,6 Mb
Release : 2019-09-05
Category : Performing Arts
ISBN : 9781501311918
In this study of the impact and influence of the New Wave in French cinema, Douglas Morrey looks at both the subsequent careers of New Wave filmmakers and the work of later film directors and film movements in France. This book is organized around a series of key moments from the past 50 years of French cinema in order to show how the meaning and legacy of the New Wave have shifted over time and how the priorities, approaches and discourses of filmmakers and film critics have changed over the years. Morrey tackles key concepts such as the auteur, the relationship of form and content, gender and sexuality, intertextuality and rhythm. Filmmakers discussed include Godard, Truffaut, Varda, Chabrol and Rohmer plus Philippe Garrel, Luc Besson, Leos Carax, Bruno Dumont, the Dardenne brothers, Christophe Honoré, François Ozon and Jacques Audiard.
Author : Alex Danchev
Publisher : Pantheon
Page : 513 pages
File Size : 43,9 Mb
Release : 2021-11-30
Category : Biography & Autobiography
ISBN : 9780307908193
The first major biography of the pathbreaking, perpetually influential surrealist artist and iconoclast whose inspiration can be seen in everyone from Jasper Johns to Beyoncé—by the celebrated biographer of Cézanne and Braque In this thought-provoking life of René Magritte (1898-1967), Alex Danchev makes a compelling case for Magritte as the single most significant purveyor of images to the modern world. Magritte’s surreal sensibility, deadpan melodrama, and fine-tuned outrageousness have become an inescapable part of our visual landscape, through such legendary works as The Treachery of Images (Ceci n’est pas une pipe) and his celebrated iterations of Man in a Bowler Hat. Danchev explores the path of this highly unconventional artist from his middle-class Belgian beginnings to the years during which he led a small, brilliant band of surrealists (and famously clashed with André Breton) to his first major retrospective, which traveled to the United States in 1965 and gave rise to his international reputation. Using 50 color images and more than 160 black-and-white illustrations, Danchev delves deeply into Magritte’s artistic development and the profound questions he raised in his work about the very nature of authenticity. This is a vital biography for our time that plumbs the mystery of an iconoclast whose influence can be seen in everyone from Jasper Johns to Beyoncé.
Author : Lucy Fischer
Publisher : Bloomsbury Publishing
Page : 89 pages
File Size : 55,6 Mb
Release : 2020-10-01
Category : Performing Arts
ISBN : 9781839022005
Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. The first American film of the celebrated German director F.W. Murnau, Sunrise tells the story of a love triangle between characters named only as The Man, The Wife, and The Woman from the City. Lucy Fischer's compelling study of the film shows how it mediates between German expressionism and American melodrama, the avantgarde and popular film, silent cinema and 'talkies'. A lavish and sumptuous production famous for its vast, specially-constructed sets, and one of the first feature films with a synchronized musical score and sound effects soundtrack, Sunrise was one of early Hollywood's most ambitious undertakings. In her foreword to this new edition, Lucy Fischer considers the film as an abiding classic of world cinema.
Author : April Greiman,Aris Janigian
Publisher : Rotovision
Page : 172 pages
File Size : 44,7 Mb
Release : 2001
Category : Art
ISBN : UOM:39015055199494
Something from nothing: the design process.
Author : Ian Christie
Publisher : University of Chicago Press
Page : 355 pages
File Size : 48,8 Mb
Release : 2019-12-09
Category : History
ISBN : 9780226610115
The early years of film were dominated by competition between inventors in America and France, especially Thomas Edison and the Lumière brothers . But while these have generally been considered the foremost pioneers of film, they were not the only crucial figures in its inception. Telling the story of the white-hot years of filmmaking in the 1890s, Robert Paul and the Origins of British Cinema seeks to restore Robert Paul, Britain’s most important early innovator in film, to his rightful place. From improving upon Edison’s Kinetoscope to cocreating the first movie camera in Britain to building England’s first film studio and launching the country’s motion-picture industry, Paul played a key part in the history of cinema worldwide. It’s not only Paul’s story, however, that historian Ian Christie tells here. Robert Paul and the Origins of British Cinema also details the race among inventors to develop lucrative technologies and the jumbled culture of patent-snatching, showmanship, and music halls that prevailed in the last decade of the nineteenth century. Both an in-depth biography and a magnificent look at early cinema and fin-de-siècle Britain, Robert Paul and the Origins of British Cinema is a first-rate cultural history of a fascinating era of global invention, and the revelation of one of its undervalued contributors.
Author : Stephen B. Armstrong
Publisher : McFarland
Page : 216 pages
File Size : 40,7 Mb
Release : 2017-04-21
Category : Performing Arts
ISBN : 9781476627670
Director Paul Bartel enjoyed poking holes in the expectations of audiences and critics with amusing films about murder, greed and transgressive sex—among them Death Race 2000 (1975), Eating Raoul (1982) and Scenes from the Class Struggle in Beverly Hills (1989). He believed that strange stories that aroused laughter had the potential to disorient viewers and challenge their beliefs about American culture and values. This first book-length study of Bartel’s life and work traces his emergence as an independent auteur whose work was praised by Hollywood luminaries like Steven Spielberg, Jim Jarmusch and Brian De Palma. Bartel’s experiences as a gay man are explored. Interviews with people who knew him—including Roger Corman, Joe Dante and John Waters—are provided, along with critical analysis of each film.
Author : André Breton
Publisher : Unknown
Page : 0 pages
File Size : 49,5 Mb
Release : 1978
Category : Art
ISBN : 0873488229
Writings of the best-known leader of the Surrealist movement in literature and the arts. Includes a facsimile reproduction of the 1942 Surrealist Album by André Breton.
Author : Foster Hirsch
Publisher : Da Capo Press
Page : 272 pages
File Size : 42,5 Mb
Release : 2008-11-25
Category : Performing Arts
ISBN : 9780786726776
Foster Hirsch's Dark Side of the Screen is by far the most thorough and entertaining study of the themes, visual motifs, character types, actors, directors, and films in this genre ever published. From Billy Wilder, Douglas Sirk, Robert Aldrich, and Howard Hawkes to Martin Scorsese, Roman Polanski, and Paul Schrader, the noir themes of dread, paranoia, steamy sex, double-crossing women, and menacing cityscapes have held a fascination. The features that make Burt Lancaster, Joan Crawford, Robert Mitchum, and Humphrey Bogart into noir heroes and heroines are carefully detailed here, as well as those camera angles, lighting effects, and story lines that characterize Fritz Lang, Samuel Fuller, and Orson Welles as noir directors.For the current rediscovery of film noir, this comprehensive history with its list of credits to 112 outstanding films and its many illustrations will be a valuable reference and a source of inspiration for further research.
