Art Religion And Politics In Medieval China

Author : Qiang Ning
Publisher : University of Hawaii Press
Page : 220 pages
File Size : 40,9 Mb
Release : 2004-01-01
Category : Art
ISBN : 0824827031

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Art, Religion, and Politics in Medieval China by Qiang Ning Pdf

The cave-temple complex popularly known as the Dunhuang caves is the world's largest extant repository of Tang Buddhist art. Among the best preserved of the Dunhuang caves is the Zhai Family Cave, built in 642. It is this remarkable cave-temple that forms the focus of Ning Qiang's cross-disciplinary exploration of the interrelationship of art, religion, and politics during the Tang. In his careful examination of the paintings and sculptures found there, the author combines the historical study of pictures with the pictorial study of history. By employing this two-fold approach, he is able to refer to textual evidence in interpreting the formal features of the cave-temple paintings and to employ visual details to fill in the historical gaps inevitably left by text-oriented scholars. The result is a comprehensive analysis of the visual culture of the period and a vivid description of social life in medieval China. and remained hidden until the early 1940s. Once exposed, the early artwork appeared fresh and colorful in comparison with other Tang paintings at Dunhuang. The relatively fine condition of the Zhai Family Cave is crucial to our understanding of the original pictorial program found there and offers a unique opportunity to investigate the visual details of the original paintings and sculptures in the cave. At the same time, the remaining traces of reconstruction and redecoration provide a new perspective on how, for over three centuries, a wealthy Chinese clan used its familial cave as a political showcase. Art, Religion, and Politics in Medieval China: The Dunhuang Cave of the Zhai Family is an in-depth study on the meaning and function of an exemplary Tang memorial cave and an important contribution to studies of Chinese religion, politics, sociology, literature, and folklore as well as to Chinese art history.

Author : Frederick Hok-Ming Cheung,ming chiu Lai
Publisher : BRILL
Page : 184 pages
File Size : 45,7 Mb
Release : 1999
Category : History
ISBN : 9622018505

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Politics and Religion in Ancient and Medieval Europe and China by Frederick Hok-Ming Cheung,ming chiu Lai Pdf

Seven, diverse papers, written by ancient and medieval historians, are collected in this volume. These papers were presented at the academic conference "Politics and Religion in Ancient and Medieval Europe and Asia," organized by the Department of History and New Asia College of The Chinese University of Hong Kong in March 1996. Although the papers vary widely in the region and time-span, they are joined by their concern about the relationship between politics and different religions Christianity, Buddhism, Taoism and others in ancient and medieval Europe and Asia.

Author : Patricia Eichenbaum Karetzky
Publisher : Lexington Books
Page : 395 pages
File Size : 45,6 Mb
Release : 2013-12-19
Category : Art
ISBN : 9780739180600

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Chinese Religious Art by Patricia Eichenbaum Karetzky Pdf

Chinese Religious Art is a broad survey of the origins and development of the various forms of artistic expression of Chinese religions. The study begins with an overview of ancient archaeology in order to identify nascent religious ideologies in various Neolithic Cultures and early Chinese historical eras including the Shang dynasty (1300-1050 BCE) and Zhou Dynasty(1000-221 BCE) up until the era of the First Emperor (221-210 BCE) Part Two treats Confucianism as a religious tradition examining its scriptures, images, temples and rituals. Adopted as the state ideology in the Han dynasty, Confucian ideas permeated society for over two thousand years. Filial piety, ethical behavior and other principles shaped the pictorial arts. Part Three considers the various schools of Daoist belief and their expression in art. The ideas of a utopian society and the pursuit of immortality characterize this religion from its earliest phase. Daoism has an elaborate pantheon and ritualistic art, as well as a secular tradition best expressed in monochrome ink painting. Part Four covers the development of Buddhist art beginning with its entry into China in the second century. Its monuments—comprised largely of cave temples carved high in the mountains along the frontiers of China and large metropolitan temples —provide evidence of its evolution including the adoption of savior cults of the Buddha of the Western Paradise, the Buddha of the Future, the rise of Ch’an (Zen) and esoteric Buddhism. In their development, these various religious traditions interacted, sharing art, architecture, iconography and rituals. By the twelfth century a stage of syncretism merged all three traditions into a popular religion. All the religions are reviving after their extirpation during the Cultural Revolution. Using historical records and artistic evidence, much of which has not been published, this study examines their individual and shared manner of worshipping the divine forces.

Author : Kwang-chih Chang
Publisher : Harvard University Press
Page : 164 pages
File Size : 49,6 Mb
Release : 1983
Category : Family & Relationships
ISBN : 0674048083

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Art, Myth, and Ritual by Kwang-chih Chang Pdf

"It provides a fundamental perspective for viewing the nature and structure of ancient Chinese civilization as having a strong political orientation."--Introduction.

Author : Ying Zhang
Publisher : BRILL
Page : 108 pages
File Size : 43,7 Mb
Release : 2020-04-28
Category : Religion
ISBN : 9789004432291

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Religion and Prison Art in Ming China (1368-1644) by Ying Zhang Pdf

Approaching the prison as a creative environment and imprisoned officials as creative subjects in Ming China (1368-1644), Ying Zhang introduces important themes at the intersection of premodern Chinese religion, poetry, and visual and material culture.

Author : Martin Joseph Powers
Publisher : Unknown
Page : 438 pages
File Size : 40,9 Mb
Release : 1991-01-01
Category : Art
ISBN : 0300047673

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Art & Political Expression in Early China by Martin Joseph Powers Pdf

In This path breaking book Martin J. Powers examines the art and politics of Han dynasty (206 B. C. - A.D. 220) and show that both were shaped by the rise of an educated, non aristocratic public-the Confucian literati - that questioned the authority of the rich and royal at all levels. By considering the design and construction of local tombs and shrines, their mural schemes, subject matter, and style, the author distinguishes three major traditions of taste and places each tradition within a narrative of political rivalries in northeast China.

Author : Wendy Swartz,Robert Ford Campany,Yang Lu,Jessey Choo
Publisher : Columbia University Press
Page : 745 pages
File Size : 55,6 Mb
Release : 2014-03-11
Category : History
ISBN : 9780231531009

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Early Medieval China by Wendy Swartz,Robert Ford Campany,Yang Lu,Jessey Choo Pdf

This innovative sourcebook builds a dynamic understanding of China's early medieval period (220–589) through an original selection and arrangement of literary, historical, religious, and critical texts. A tumultuous and formative era, these centuries saw the longest stretch of political fragmentation in China's imperial history, resulting in new ethnic configurations, the rise of powerful clans, and a pervasive divide between north and south. Deploying thematic categories, the editors sketch the period in a novel way for students and, by featuring many texts translated into English for the first time, recast the era for specialists. Thematic topics include regional definitions and tensions, governing mechanisms and social reality, ideas of self and other, relations with the unseen world, everyday life, and cultural concepts. Within each section, the editors and translators introduce the selected texts and provide critical commentary on their historical significance, along with suggestions for further reading and research.

Author : Alan K. L. Chan,Yuet-Keung Lo
Publisher : State University of New York Press
Page : 384 pages
File Size : 51,7 Mb
Release : 2010-08-04
Category : History
ISBN : 9781438431895

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Philosophy and Religion in Early Medieval China by Alan K. L. Chan,Yuet-Keung Lo Pdf

Exploring a time of profound change, this book details the intellectual ferment after the fall of the Han dynasty. Questions about "heaven" and the affairs of the world that had seemed resolved by Han Confucianism resurfaced and demanded reconsideration. New currents in philosophy, religion, and intellectual life emerged to leave an indelible mark on the subsequent development of Chinese thought and culture. This period saw the rise of xuanxue ("dark learning" or "learning of the mysterious Dao"), the establishment of religious Daoism, and the rise of Buddhism. In examining the key ideas of xuanxue and focusing on its main proponents, the contributors to this volume call into question the often-presumed monolithic identity of this broad philosophical front. The volume also highlights the richness and complexity of religion in China during this period, examining the relationship between the Way of the Celestial Master and local, popular religious beliefs and practices, and discussing the relationship between religious Daoism and Buddhism.

Author : Kwang-chih Chang
Publisher : Unknown
Page : 142 pages
File Size : 46,9 Mb
Release : 1983
Category : China
ISBN : 0674657802

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Art, Myth, and Ritual by Kwang-chih Chang Pdf

Author : April D. Hughes
Publisher : University of Hawaii Press
Page : 199 pages
File Size : 55,8 Mb
Release : 2021-05-31
Category : History
ISBN : 9780824886264

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Worldly Saviors and Imperial Authority in Medieval Chinese Buddhism by April D. Hughes Pdf

Although scholars have long assumed that early Chinese political authority was rooted in Confucianism, rulership in the medieval period was not bound by a single dominant tradition. To acquire power, emperors deployed objects and figures derived from a range of traditions imbued with religious and political significance. Author April D. Hughes demonstrates how dynastic founders like Wu Zhao (Wu Zetian, r. 690–705), the only woman to rule China under her own name, and Yang Jian (Emperor Wen, r. 581–604), the first ruler of the Sui dynasty, closely identified with Buddhist worldly saviors and Wheel-Turning Kings to legitimate their rule. During periods of upheaval caused by the decline of the Dharma, worldly saviors arrived on earth to quell chaos and to rule and liberate their subjects simultaneously. By incorporating these figures into the imperial system, sovereigns were able to depict themselves both as monarchs and as buddhas or bodhisattvas in uncertain times. In this inventive and original work, Hughes traces worldly saviors—in particular Maitreya Buddha and Prince Moonlight—as they appeared in apocalyptic scriptures from Dunhuang, claims to the throne made by various rebel leaders, and textual interpretations and assertions by Yang Jian and Wu Zhao. Yang Jian associated himself with Prince Moonlight and took on the persona of a Wheel-Turning King whose offerings to the Buddha were not flowers and incense but weapons of war to reunite a long-fragmented empire and revitalize the Dharma. Wu Zhao was associated with several different worldly savior figures. In addition, she saw herself as the incarnation of a Wheel-Turning King for whom it was said the Seven Treasures manifested as material representations of his right to rule. Wu Zhao duly had the Seven Treasures created and put on display whenever she held audiences at court. The worldly savior figure allowed rulers to inhabit the highest role in the religious realm along with the supreme role in the political sphere. This incorporation transformed notions of Chinese imperial sovereignty, and associating rulers with a buddha or bodhisattva continued long after the close of the medieval period.

Author : C. Pierce Salguero,Andrew Macomber
Publisher : University of Hawaii Press
Page : 273 pages
File Size : 40,5 Mb
Release : 2020-08-31
Category : Religion
ISBN : 9780824881214

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Buddhist Healing in Medieval China and Japan by C. Pierce Salguero,Andrew Macomber Pdf

From its inception in northeastern India in the first millennium BCE, the Buddhist tradition has advocated a range of ideas and practices that were said to ensure health and well-being. As the religion developed and spread to other parts of Asia, healing deities were added to its pantheon, monastic institutions became centers of medical learning, and healer-monks gained renown for their mastery of ritual and medicinal therapeutics. In China, imported Buddhist knowledge contended with a sophisticated, state-supported system of medicine that was able to retain its influence among the elite. Further afield in Japan, where Chinese Buddhism and Chinese medicine were introduced simultaneously as part of the country’s adoption of civilization from the “Middle Kingdom,” the two were reconciled by individuals who deemed them compatible. In East Asia, Buddhist healing would remain a site of intercultural tension and negotiation. While participating in transregional networks of circulation and exchange, Buddhist clerics practiced locally specific blends of Indian and indigenous therapies and occupied locally defined social positions as religious and medical specialists. In this diverse and compelling collection, an international group of scholars analyzes the historical connections between Buddhism and healing in medieval China and Japan. Contributors focus on the transnationally conveyed aspects of Buddhist healing traditions as they moved across geographic, cultural, and linguistic boundaries. Simultaneously, the chapters also investigate the local instantiations of these ideas and practices as they were reinvented, altered, and re-embedded in specific social and institutional contexts. Investigating the interplay between the macro and micro, the global and the local, this book demonstrates the richness of Buddhist healing as a way to explore the history of cross-cultural exchange.

Author : C. Pierce Salguero
Publisher : University of Pennsylvania Press
Page : 256 pages
File Size : 50,8 Mb
Release : 2014-06-10
Category : History
ISBN : 9780812209693

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Translating Buddhist Medicine in Medieval China by C. Pierce Salguero Pdf

The transmission of Buddhism from India to China was one of the most significant cross-cultural exchanges in the premodern world. This cultural encounter involved more than the spread of religious and philosophical knowledge. It influenced many spheres of Chinese life, including the often overlooked field of medicine. Analyzing a wide variety of Chinese Buddhist texts, C. Pierce Salguero examines the reception of Indian medical ideas in medieval China. These texts include translations from Indian languages as well as Chinese compositions completed in the first millennium C.E. Translating Buddhist Medicine in Medieval China illuminates and analyzes the ways Chinese Buddhist writers understood and adapted Indian medical knowledge and healing practices and explained them to local audiences. The book moves beyond considerations of accuracy in translation by exploring the resonances and social logics of intercultural communication in their historical context. Presenting the Chinese reception of Indian medicine as a process of negotiation and adaptation, this innovative and interdisciplinary work provides a dynamic exploration of the medical world of medieval Chinese society. At the center of Salguero's work is an appreciation of the creativity of individual writers as they made sense of disease, health, and the body in the context of regional and transnational traditions. By integrating religious studies, translation studies, and literature with the history of medicine, Translating Buddhist Medicine in Medieval China reconstructs the crucial role of translated Buddhist knowledge in the vibrant medical world of medieval China.

Author : Yuhang Li
Publisher : Columbia University Press
Page : 365 pages
File Size : 53,7 Mb
Release : 2020-02-18
Category : Religion
ISBN : 9780231548731

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Becoming Guanyin by Yuhang Li Pdf

Winner, 2024 Geiss-Hsu Book Prize for Best First Book, Society for Ming Studies The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcendence. In particular, she examines how secular Buddhist women expressed mimetic devotion and pursued religious salvation through creative depictions of Guanyin in different media such as painting and embroidery and through bodily portrayals of the deity using jewelry and dance. These material displays expressed a worldview that differed from yet fit within the Confucian patriarchal system. Attending to the fabrication and use of “women’s things” by secular women, Li offers new insight into the relationships between worshipped and worshipper in Buddhist practice. Combining empirical research with theoretical insights from both art history and Buddhist studies, Becoming Guanyin is a field-changing analysis that reveals the interplay between material culture, religion, and their gendered transformations.

Author : Robert Yelle,Courtney Handman,Christopher Lehrich
Publisher : Walter de Gruyter GmbH & Co KG
Page : 636 pages
File Size : 41,9 Mb
Release : 2019-02-19
Category : Language Arts & Disciplines
ISBN : 9781501500749

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Language and Religion by Robert Yelle,Courtney Handman,Christopher Lehrich Pdf

The volumes in this series include current research on the debates at the intersection of linguistics and a range of sciences, social sciences and humanities fields, including health, business, law, and music. Each volume includes research from both sides of the fields covered, ensuring clear discussions about terminological divides, shared and differing approaches, as well as varying and similar bodies of literature.

Author : Wu Hung
Publisher : Princeton University Press
Page : 352 pages
File Size : 40,7 Mb
Release : 2022-05-03
Category : Art
ISBN : 9780691231013

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Chinese Art and Dynastic Time by Wu Hung Pdf

A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history Throughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new pathways for the consideration of not only Chinese art, but also the whole of art history. Wu Hung brings together ten case studies, ranging from the third millennium BCE to the early twentieth century CE, and spanning ritual and religious art, painting, sculpture, the built environment, and popular art in order to examine the deep-rooted patterns in the historical conceptualization of Chinese art. Elucidating the changing notions of dynastic time in various contexts, he also challenges the preoccupation with this concept as the default mode in art historical writing. This critical investigation of dynastic time thus constitutes an essential foundation to pursue new narrative and interpretative frameworks in thinking about art history. Remarkable for the sweep and scope of its arguments and lucid style, Chinese Art and Dynastic Time probes the roots of the collective imagination in Chinese art and frees us from long-held perspectives on how this art should be understood. Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DC