Art Visual Culture 1100 1600 Medieval To Renaissance

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Art & Visual Culture 1100-1600: Medieval to Renaissance

Kim W. Woods
Art Visual Culture 1100 1600 Medieval to Renaissance Book PDF

Author : Kim W. Woods
Publisher : Tate Enterprises Ltd
Page : 746 pages
File Size : 50,9 Mb
Release : 2013-09-05
Category : Art
ISBN : 9781849761086

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Art & Visual Culture 1100-1600: Medieval to Renaissance by Kim W. Woods Pdf

An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1000-1600: Medieval to Renaissance" includes essays on key themes of Medieval and Renaissance art, including the theory and function of religious art and a generic analysis of art at court. Explorations cover key canonical artists such as Simone Martini and Botticelli and key monuments including St Denis and Westminster Abbey, as well as less familiar examples.The first of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: Visual cultures of medieval Christendom 1: Sacred art as the Bible of the Poor' 2: Sacred architecture, Gothic architecture 3: Sacred in secular, secular in sacred: the art of Simone Martini 4: To the Holy Land and back again: the art of the Crusades Part 2: The shifting contexts of Renaissance art 5: Art at court 6: Botticelli 7: Did women patrons have a Renaissance? Italy 1420-1520 8: From Candia to Toledo: El Greco and his art

Art and Identity

Emily Jane Anderson,Sandra Cardarelli,John Richards
Art and Identity Book PDF

Author : Emily Jane Anderson,Sandra Cardarelli,John Richards
Publisher : Cambridge Scholars Publishing
Page : 310 pages
File Size : 55,9 Mb
Release : 2012-01-17
Category : Art
ISBN : 9781443836708

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Art and Identity by Emily Jane Anderson,Sandra Cardarelli,John Richards Pdf

This book provides a fully contextualised overview on aspects of visual culture, and how this was the product of patronage, politics, and religion in some European countries between the 13th and 17th centuries. The research that is showcased here offers new perspectives on the conception, production and reception of artworks as a means of projecting core values, ideals, and traditions of individuals, groups, and communities. This volume features contributions from established scholars and new researchers in the field, and examines how art contributed to the construction of identities by means of new archival research and a thorough interdisciplinary approach. The authors suggest that the use of conventions in style and iconography allowed the local and wider community to take part in rituals and devotional practices where these works were widely recognized symbols. However, alongside established traditions, new, ad-hoc developments in style and iconography were devised to suit individual requirements, and these are fully discussed in relevant case-studies. This book also contributes to a new understanding of the interaction between artists, patrons, and viewers in Medieval and Renaissance times.

Art & Visual Culture 1600-1850: Academy to Avant-Garde

Emma Barker
Art Visual Culture 1600 1850 Academy to Avant Garde Book PDF

Author : Emma Barker
Publisher : Tate Enterprises Ltd
Page : 684 pages
File Size : 49,8 Mb
Release : 2013-09-05
Category : Art
ISBN : 9781849761093

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Art & Visual Culture 1600-1850: Academy to Avant-Garde by Emma Barker Pdf

An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1600-1850 Academy to Avant-Garde" interrogates labels used in standard histories of the art of this period (Baroque, Rococo, Neo-Classicism and Romanticism) and examines both established and recent art-historical methodologies, including formalism, iconology, spectatorship and reception, identity and difference. Key topics include Baroque Rome, Dutch Painting of the Golden Age, Georgian London, the Paris Salon, and the impact of the discovery of the South Pacific.The second of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction Part 1: City and country 1600-1760 1: Bernini and Baroque Rome 2: Meaning and interpretation: Dutch painting of the golden age 3: The metropolitan urban renaissance: London 1660-1760 4: The English landscape garden 1680-1760 Part 2: New worlds of art 1760-1850 5: Painting for the public 6: Canova, Neo-classicism and the sculpted body 7: The other side of the world 8: Inventing the Romantic artist

Art & Visual Culture 1850-2010: Modernity to Globalisation

Steve Edwards,Paul Woods
Art Visual Culture 1850 2010 Modernity to Globalisation Book PDF

Author : Steve Edwards,Paul Woods
Publisher : Tate Enterprises Ltd
Page : 699 pages
File Size : 55,9 Mb
Release : 2013-09-05
Category : Art
ISBN : 9781849761109

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Art & Visual Culture 1850-2010: Modernity to Globalisation by Steve Edwards,Paul Woods Pdf

An innovatory exploration of art and visual culture. Through carefully chosen themes and topics rather than through a general survey, the volumes approach the process of looking at works of art in terms of their audiences, functions and cross-cultural contexts. While focused on painting, sculpture and architecture, it also explores a wide range of visual culture in a variety of media and methods. "1850-2010: Modernity to Globalisation" includes essays which engage directly with topical issues around art and gender, globalisation, cultural difference and curating, as well as explorations of key canonical artists and movements and of some less well-documented work of contemporary artists. The third of three text books, published by Tate in association with the Open University, which insight for students of Art History, Art Theory and Humanities. Introduction: stories of modern art Part 1: Art and modernity 1:Avant-garde and modern world: some aspects of art in Paris and beyond c.1850-1914 2: Victorian Britain: from images of modernity to the modernity of images 3: Cubism and Abstract Art revisited 4: Modernism in architecture and design: function and aesthetic Part 2: From modernism to globalisation 5: Modernism and figuration 6: From Abstract Expressionism to Conceptual Art: a survey of New York art c.1940-1970 7: Border crossings: installations, locations and travelling artists 8: Global dissensus: art and contemporary capitalism

Thresholds of Medieval Visual Culture

Elina Gertsman,Jill Stevenson
Thresholds of Medieval Visual Culture Book PDF

Author : Elina Gertsman,Jill Stevenson
Publisher : Boydell Press
Page : 410 pages
File Size : 53,5 Mb
Release : 2012
Category : Architecture
ISBN : 9781843836971

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Thresholds of Medieval Visual Culture by Elina Gertsman,Jill Stevenson Pdf

Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.

Art in Theory

Paul Wood,Leon Wainwright,Charles Harrison
Art in Theory Book PDF

Author : Paul Wood,Leon Wainwright,Charles Harrison
Publisher : John Wiley & Sons
Page : 1168 pages
File Size : 43,8 Mb
Release : 2020-12-11
Category : Art
ISBN : 9781119591412

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Art in Theory by Paul Wood,Leon Wainwright,Charles Harrison Pdf

A ground-breaking new anthology in the Art in Theory series, offering an examination of the changing relationships between the West and the wider world in the field of art and material culture Art in Theory: The West in the World is a ground-breaking anthology that comprehensively examines the relationship of Western art to the art and material culture of the wider world. Editors Paul Wood and Leon Wainwright have included over 350 texts, some of which appear in English for the first time. The anthologized texts are presented in eight chronological parts, which are then subdivided into key themes appropriate to each historical era. The majority of the texts are representations of changing ideas about the cultures of the world by European artists and intellectuals, but increasingly, as the modern period develops, and especially as colonialism is challenged, a variety of dissenting voices begin to claim their space, and a counter narrative to western hegemony develops. Over half the book is devoted to 20th and 21st century materials, though the book’s unique selling point is the way it relates the modern globalization of art to much longer cultural histories. As well as the anthologized material, Art in Theory: The West in the World contains: A general introduction discussing the scope of the collection Introductory essays to each of the eight parts, outlining the main themes in their historical contexts Individual introductions to each text, explaining how they relate to the wider theoretical and political currents of their time Intended for a wide audience, the book is essential reading for students on courses in art and art history. It will also be useful to specialists in the field of art history and readers with a general interest in the culture and politics of the modern world.

Early Modern Visual Culture

Peter Erickson,Clark Hulse
Early Modern Visual Culture Book PDF

Author : Peter Erickson,Clark Hulse
Publisher : University of Pennsylvania Press
Page : 418 pages
File Size : 46,8 Mb
Release : 2000-09-12
Category : Art
ISBN : 0812217349

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Early Modern Visual Culture by Peter Erickson,Clark Hulse Pdf

An interdisciplinary group of scholars applies the reinterpretive concept of "visual culture" to the English Renaissance. Bringing attention to the visual issues that have appeared persistently, though often marginally, in the newer criticisms of the last decade, the authors write in a diversity of voices on a range of subjects. Common among them, however, is a concern with the visual technologies that underlie the representation of the body, of race, of nation, and of empire. Several essays focus on the construction and representation of the human body—including an examination of anatomy as procedure and visual concept, and a look at early cartographic practice to reveal the correspondences between maps and the female body. In one essay, early Tudor portraits are studied to develop theoretical analogies and historical links between verbal and visual portrayal. In another, connections in Tudor-Stuart drama are drawn between the female body and the textiles made by women. A second group of essays considers issues of colonization, empire, and race. They approach a variety of visual materials, including sixteenth-century representations of the New World that helped formulate a consciousness of subjugation; the Drake Jewel and the myth of the Black Emperor as indices of Elizabethan colonial ideology; and depictions of the Queen of Sheba among other black women "present" in early modern painting. One chapter considers the politics of collecting. The aesthetic and imperial agendas of a Van Dyck portrait are uncovered in another essay, while elsewhere, that same portrait is linked to issues of whiteness and blackness as they are concentrated within the ceremonies and trappings of the Order of the Garter. All of the essays in Early Modern Visual Culture explore the social context in which paintings, statues, textiles, maps, and other artifacts are produced and consumed. They also explore how those artifacts—and the acts of creating, collecting, and admiring them—are themselves mechanisms for fashioning the body and identity, situating the self within a social order, defining the otherness of race, ethnicity, and gender, and establishing relationships of power over others based on exploration, surveillance, and insight.

Rethinking the High Renaissance

Jill Burke
Rethinking the High Renaissance Book PDF

Author : Jill Burke
Publisher : Routledge
Page : 403 pages
File Size : 44,9 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351551113

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Rethinking the High Renaissance by Jill Burke Pdf

The perception that the early sixteenth century saw a culmination of the Renaissance classical revival - only to degrade into mannerism shortly after Raphael's death in 1520 - has been extremely tenacious; but many scholars agree that this tidy narrative is deeply problematic. Exploring how we can reconceptualize the High Renaissance in a way that reflects how we research and teach today, this volume complicates and deepens our understanding of artistic change. Focusing on Rome, the paradigmatic centre of the High Renaissance narrative, each essay presents a case study of a particular aspect of the culture of the city in the early sixteenth century, including new analyses of Raphael's stanze, Michelangelo's Sistine Ceiling and the architectural designs of Bramante. The contributors question notions of periodization, reconsider the Renaissance relationship with classical antiquity, and ultimately reconfigure our understanding of 'high Renaissance style'.

Byzantine Art and Renaissance Europe

Angeliki Lymberopoulou,Rembrandt Duits
Byzantine Art and Renaissance Europe Book PDF

Author : Angeliki Lymberopoulou,Rembrandt Duits
Publisher : Routledge
Page : 307 pages
File Size : 48,5 Mb
Release : 2016-12-05
Category : History
ISBN : 9781351953863

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Byzantine Art and Renaissance Europe by Angeliki Lymberopoulou,Rembrandt Duits Pdf

Byzantine Art and Renaissance Europe discusses the cultural and artistic interaction between the Byzantine east and western Europe, from the sack of Constantinople by the Fourth Crusade in 1204 to the flourishing of post-Byzantine artistic workshops on Venetian Crete during the fifteenth and sixteenth centuries and the formation of icon collections in Renaissance Italy. The contributors examine the routes by which artistic interaction may have taken place, and explore the reception of Byzantine art in western Europe, analysing why artists and patrons were interested in ideas from the other side of the cultural and religious divide. In the first chapter, Lyn Rodley outlines the development of Byzantine art in the Palaiologan era and its relations with western culture. Hans Bloemsma then re-assesses the influence of Byzantine art on early Italian painting from the point of view of changing demands regarding religious images in Italy. In the first of two chapters on Venetian Crete, Angeliki Lymberopoulou evaluates the impact of the Venetian presence on the production of fresco decorations in regional Byzantine churches on the island. The next chapter, by Diana Newall, continues the exploration of Cretan art manufactured under the Venetians, shifting the focus to the bi-cultural society of the Cretan capital Candia and the rise of the post-Byzantine icon. Kim Woods then addresses the reception of Byzantine icons in western Europe in the late Middle Ages and their role as devotional objects in the Roman Catholic Church. Finally, Rembrandt Duits examines the status of Byzantine icons as collectors’ items in early Renaissance Italy. The inventories of the Medici family and other collectors reveal an appreciation for icons among Italian patrons, which suggests that received notions of Renaissance tastes may be in need of revision. The book thus offers new perspectives and insights and re-positions late and post-Byzantine art in a broader European cultural context.

The Crusades and Visual Culture

LauraJ Whatley
The Crusades and Visual Culture Book PDF

Author : LauraJ Whatley
Publisher : Routledge
Page : 286 pages
File Size : 46,6 Mb
Release : 2017-07-05
Category : Art
ISBN : 9781351545266

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The Crusades and Visual Culture by LauraJ Whatley Pdf

The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.

Visual Culture and the German Middle Ages

K. Starkey
Visual Culture and the German Middle Ages Book PDF

Author : K. Starkey
Publisher : Palgrave Macmillan
Page : 290 pages
File Size : 43,7 Mb
Release : 2014-01-14
Category : History
ISBN : 1349732443

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Visual Culture and the German Middle Ages by K. Starkey Pdf

This multi-disciplinary collection of essays draws on various theoretical approaches to explore the highly visual nature of the Middle Ages and expose new facets of old texts and artefacts. The term 'visual culture' has been used in recent years to refer to modern media theory, film, modern art and other contemporary representational forms and functions. But this emphasis on visuality is not only a modern phenomenon. Discourses on visual processes pervade the works of medieval secular poets, theologians, and scholastics alike. The Middle Ages was a highly visual society in which images, objects, and performance played a dominant communicative and representational role in both secular and religious areas of society. The essays in this volume, which present various perspectives on medieval visual culture, provide a critical historical basis for the study of visuality and visual processes.

Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries)

Argyri Dermitzaki
Shrines in a Fluid Space The Shaping of New Holy Sites in the Ionian Islands the Peloponnese and Crete under Venetian Rule 14th 16th Centuries Book PDF

Author : Argyri Dermitzaki
Publisher : BRILL
Page : 284 pages
File Size : 41,8 Mb
Release : 2021-12-28
Category : Art
ISBN : 9789004499546

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Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries) by Argyri Dermitzaki Pdf

The open access publication of this book has been published with the support of the Swiss National Science Foundation. In Shrines in a Fluid Space: The Shaping of New Holy Sites in the Ionian Islands, the Peloponnese and Crete under Venetian Rule (14th-16th Centuries), Argyri Dermitzaki reconstructs the devotional experiences within the Greek realm of the Venetian Stato da Mar of Western European pilgrims sailing to Jerusalem. The author traces the evolution of the various forms of cultic sites and the perception of them as nodes of a wider network of the pilgrims’ ‘holy topography’. She scrutinises travelogues in conjunction with archaeological, visual and historical evidence and offers a study of the cultic phenomena and sites invested with exceptional meaning at the main ports of call of the pilgrims’ galleys in the Ionian Sea, the Peloponnese and Crete.

Byzantium in Eastern European Visual Culture in the Late Middle Ages

Anonim
Byzantium in Eastern European Visual Culture in the Late Middle Ages Book PDF

Author : Anonim
Publisher : BRILL
Page : 320 pages
File Size : 48,7 Mb
Release : 2020-08-03
Category : History
ISBN : 9789004421370

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Byzantium in Eastern European Visual Culture in the Late Middle Ages by Anonim Pdf

Byzantium in Eastern European Visual Culture in the Late Middle Ages focuses on how the heritage of Byzantium was continued and transformed alongside local developments in the artistic and cultural traditions of Eastern Europe between the fourteenth and sixteenth centuries.

Architectural Actions on the Religious Heritage after Vatican II

Esteban Fernández-Cobián
Architectural Actions on the Religious Heritage after Vatican II Book PDF

Author : Esteban Fernández-Cobián
Publisher : Cambridge Scholars Publishing
Page : 362 pages
File Size : 55,8 Mb
Release : 2020-11-09
Category : Architecture
ISBN : 9781527561748

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Architectural Actions on the Religious Heritage after Vatican II by Esteban Fernández-Cobián Pdf

This book serves to shed some light on several controversial questions about contemporary interventions on religious heritage buildings. In the mid-1960s, a process of renewal of Catholic churches began, which sought to respond to the liturgical modifications implemented during the Vatican II (1962-65). Fifty years later, this process continues to be problematic in buildings with a high heritage or historical value. From an operational point of view, it is stimulating to revisit the most relevant architectures at the international level, those high-impact works that were generated thanks to an open and serene dialogue between principals, architects, users, artists and patrimonial leaders. Thus, it is essential to know the criteria that have supported interventions, whether legal (both ecclesiastical and civil), architectural, artistic, liturgical or pastoral. In this sense, what references could be used at a time like ours? How can we reform what has already been reformed?

Medieval Art at the Intersection of Visuality and Material Culture

Raphaèle Preisinger
Medieval Art at the Intersection of Visuality and Material Culture Book PDF

Author : Raphaèle Preisinger
Publisher : Unknown
Page : 275 pages
File Size : 45,5 Mb
Release : 2021-06-28
Category : Electronic
ISBN : 2503581536

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Medieval Art at the Intersection of Visuality and Material Culture by Raphaèle Preisinger Pdf

Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.