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A Lifetime of Fiction by William Patrick Martin Pdf
A Lifetime of Fiction: The 500 Most Recommended Reads for Ages 2 to 102 is the most authoritative set of fiction book recommendations in the United States because it is a composite of the most noteworthy book award lists, best book publications, and recommended reading lists from leading libraries, schools, and parenting organizations from across the country. Who are these formidable experts? A Lifetime of Fiction amalgamates over 100 reading lists, including Time Magazine’s Top 100 Novels, Modern Library’s 100 Best Novels, Horn Book Children’s Classics, The New York Times Parent’s Guide to the Best Books for Children, Harvard Bookstore Favorite Books, College Board’s Great Books Recommended for College-Bound Readers, National Education Association’s Top Books for Children and 1001 Books You Must Read Before You Die. The definitive lists incorporate the Newbery Medals, Caldecott Medals, Coretta Scott King Awards, Pura Belpré Awards, Bram Stoker Awards, the Man Booker Awards, PEN/Faulkner Awards, Pulitzer Prizes, National Book Awards, New York Times Notable Books, and Los Angeles Times Book Prizes, and many more. A Lifetime of Fiction integrates the most widely recognized and respected literary award winners and runners up since the inception of the awards. The book is organized into five age group lists of 100 books – preschoolers (ages 2-5), early readers (ages 4-8), middle readers (ages 9-12), young adults (ages 13-17), and adults (ages 18+) – the books are in effect the selections made by the most formidable panel literary experts ever assembled. Each entry includes an annotation. To the perennial question, “What books are worth reading?” A Lifetime of Fiction: The 500 Most Recommended Reads for Ages 2 to 102 answers with best-of-the best booklists distilled from the most preeminent and trustworthy literary authorities.
A biography of the actress from her early dance training, to being typecast as Hollywood's "exotic," to her success in her most famous role, Nora Charles.
A charming and funny memoir about experiences Gina Gershon has had with cats throughout her life that are analogous to her relationships with men and her ongoing search for true love. Film and television icon Gina Gershon may be best known for her movie roles in Bound and Showgirls and television appearances on Curb Your Enthusiasm and How to Make It in America, but deep down she is a self-described cat lady. In Search of Cleo follows Gina’s desperation and despair when her assistant loses her beloved cat, Cleo. Gina spends two months roaming the back streets of Los Angeles at all hours of the night, searching for Cleo and meeting several quirky and outrageous characters who help or hinder her in different ways, including Ellen DeGeneres, who searches with Gina and recommends her pet psychic, Sonia; Arthur, the newspaper delivery man who gives her advice; and the mysterious fortune-teller, who appears from the shadows to give her a statue of Saint Gertrude, the protector of cats everywhere. Gina soon finds herself enmeshed in L.A.’s strangest subcultures, doing everything she can to bring Cleo home, including chanting with a bunch of crystal-wielding hippies and being slapped with a chicken by a Santeria priest. Along the way, she reflects on the various cats that have been a part of her life and shares her travails as a single girl in search of both her cat and some sanity. In Search of Cleo will delight pet lovers and singletons alike as it introduces Cleo to the celebrated pantheon of literary cats that includes Dewey, Homer, and Oscar.
The Little Lost Duckling by Sue Barraclough,Simon Mendez Pdf
When Mother Duck leads her babies to the pond, one little duckling is so ecdited she wanders off by herself and gets lost. How is she going to find her way home?
Although many opera dictionaries and encyclopedias are available, very few are devoted exclusively to operas in a single language. In this revised and expanded edition of Operas in English: A Dictionary, Margaret Ross Griffel brings up to date her original work on operas written specifically to an English text (including works both originally prepared in English, as well as English translations). Since its original publication in 1999, Griffel has added nearly 800 entries to the 4,300 from the original volume, covering the world of opera in the English language from 1634 through 2011. Listed alphabetically by letter, each opera entry includes alternative titles, if any; a full, descriptive title; the number of acts; the composer’s name; the librettist’s name, the original language of the libretto, and the original source of the text, with the source title; the date, place, and cast of the first performance; the date of composition, if it occurred substantially earlier than the premiere date; similar information for the first U.S. (including colonial) and British (i.e., in England, Scotland, or Wales) performances, where applicable; a brief plot summary; the main characters (names and vocal ranges, where known); some of the especially noteworthy numbers cited by name; comments on special musical problems, techniques, or other significant aspects; and other settings of the text, including non-English ones, and/or other operas involving the same story or characters (cross references are indicated by asterisks). Entries also include such information as first and critical editions of the score and libretto; a bibliography, ranging from scholarly studies to more informal journal articles and reviews; a discography; and information on video recordings. Griffel also includes four appendixes, a selective bibliography, and two indexes. The first appendix lists composers, their places and years of birth and death, and their operas included in the text as entries; the second does the same for librettists; the third records authors whose works inspired or were adapted for the librettos; and the fourth comprises a chronological listing of the A–Z entries, including as well as the date of first performance, the city of the premiere, the short title of the opera, and the composer. Griffel also include a main character index and an index of singers, conductors, producers, and other key figures.
Arthur's whole class has started losing their teeth-but not Arthur. His loose tooth wiggles but won't come out. Everyone seems to think they have the best solution. But none of their ideas work! Will he be stuck with his tooth forever?