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Arguing that homo-erotic poetry is part of the mainstream of poetic writing - not a distinct and differentiated category within it - Gregory Woods provides a fastidious study of gay poetry in the twentieth century that emphasizes homo-erotic theme in the work of D.H. Lawrence, Hart Crane, W.H. Auden, Allen Ginsberg and Thom Gunn. Wood's controlled and elegant study demonstrates that a critic who ignores the sexual orientation of a poet, particularly a love poet, risks overlooking the significance of the poetry itself.
On the Holy Trinity by Wyatt North,St. Augustine Pdf
This classic work, On The Trinity, was translated into several languages and played an important role in the spreading of the ideals of Eastern and Western Christianity. Augustine of Hippo, also known as Augustine, Saint Augustine, St. Austin, St. Augoustinos, Blessed Augustine, or St. Augustine the Blessed, was Bishop of Hippo Regius (present-day Annaba, Algeria). He was a Latin-speaking philosopher and theologian who lived in the Roman Africa Province. His writings were very influential in the development of Western Christianity. According to his contemporary, Jerome, Augustine “established anew the ancient Faith.” In his early years he was heavily influenced by Manichaeism and afterward by the Neo-Platonism of Plotinus. In the Catholic Church and the Anglican Communion, he is a saint and pre-eminent Doctor of the Church, and the patron of the Augustinian religious order; his memorial is celebrated 28 August, the day of his death. He is the patron saint of brewers, printers, theologians, the alleviation of sore eyes, and a number of cities and dioceses. Many Protestants, especially Calvinists, consider him to be one of the theological fathers of Reformation due to his teaching on salvation and divine grace. In the Eastern Orthodox Church he is blessed, and his feast day is celebrated on June 15th. Among the Orthodox, he is called “Blessed Augustine”, or “St. Augustine the Blessed.”
The Works of Aurelius Augustine by Marcus Dods Pdf
Reprint of the original, first published in 1873. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author : Stephen Burt Publisher : Columbia University Press Page : 276 pages File Size : 49,5 Mb Release : 2007 Category : Adolescence in literature ISBN : 9780231141420
"Early in the twentieth century, Americans and other English-speaking nations began to regard adolescence as a separate phase of life. Associated with uncertainty, inwardness, instability, and sexual energy, adolescence acquired its own tastes, habits, subcultures, slang, economic interests, and art forms." "The first comprehensive study of adolescence in twentieth-century poetry, The Forms of Youth recasts the history of how English-speaking cultures began to view this phase of life as a valuable state of consciousness, if not the very essence of a Western identity."--BOOK JACKET.
Dermot McCarthy has made extensive use of manuscripts, correspondence, and other archival material to uncover the complexity and genius of Gustafson's creativity. He traces Gustafson's development from an early, adolescent romanticism to his later modernist and post-modernist approaches, and situates this progression in the context of the general shifts in poetic approach and theory which took place during the same period. A Poetics of Place surveys not only the life of a poet but the evolution of literary sensibilities from the thirties to the eighties. Rather than force Gustafson's work into a theoretical matrix, McCarthy has avoided critical jargon and fads of literary theory and has focused on Gustafson as a writer, providing a perceptive and detailed analysis of all the major poems and volumes. McCarthy shows Gustafson's appreciation of the local -- his "poetics of place" -- to be a distinguishing feature of his genius. McCarthy allows the reader to return to the poetry itself.
Merleau-Ponty and the Face of the World by Glen A. Mazis Pdf
Assesses Merleau-Pontys contribution to ethics as calling for a poetic interplay between perception and imagination, and between silence and solidarity, that reveals our place in the world, and our obligations to ourselves and others. Before his death in 1961, Merleau-Ponty worried about what he saw as humanitys increasingly self-enclosed and manipulative way of experiencing self, others, and the worldthe consequences of which remain apparent in our destructive inability to connect with others within and across cultures. In Merleau-Ponty and the Face of the World, Glen A. Mazis provides an overall consideration of Merleau-Pontys philosophy that brings out what he sees as a corrective prescription for ethical reorientation that is fundamental to Merleau-Pontys thought. Mazis begins by analyzing the key role that silence plays for Merleau-Ponty as a positive, powerful presence rather than a lack or emptiness, and then builds on this to explore the ethical significance of the face-to-face encounter in his thought as one of solidarity rather than obligation. In the last part of the book, Mazis traces the development of what he calls physiognomic imagination in Merleau-Pontys work. This understanding of imagination is not fancy or make-believe, but rather brings out the depths of perceptual meaning and leads to an appreciation of poetic language as the key to revitalizing both ethics and ontology. Drawing on Merleau-Pontys published works, lecture notes, unpublished writings, and the work of many phenomenologists and Merleau-Ponty scholars, Mazis also offers incisive readings of Merleau-Pontys work as it relates to that of Antoine de Saint-Exupéry, Gaston Bachelard, and Emmanuel Levinas.
Part of a series which looks at contemporary criticism on neglected literary and cultural areas, this book examines the conventional academic view of lesbian/gay writing and has essays on lesbian writers as well as a section on gay men's writing. All the critical essays are by lesbians or gay men.
A landmark account of gay and lesbian creative networks and the seismic changes they brought to twentieth-century culture In a hugely ambitious study which crosses continents, languages, and almost a century, Gregory Woods identifies the ways in which homosexuality has helped shape Western culture. Extending from the trials of Oscar Wilde to the gay liberation era, this book examines a period in which increased visibility made acceptance of homosexuality one of the measures of modernity. Woods shines a revealing light on the diverse, informal networks of gay people in the arts and other creative fields. Uneasily called "the Homintern" (an echo of Lenin's "Comintern") by those suspicious of an international homosexual conspiracy, such networks connected gay writers, actors, artists, musicians, dancers, filmmakers, politicians, and spies. While providing some defense against dominant heterosexual exclusion, the grouping brought solidarity, celebrated talent, and, in doing so, invigorated the majority culture. Woods introduces an enormous cast of gifted and extraordinary characters, most of them operating with surprising openness; but also explores such issues as artistic influence, the coping strategies of minorities, the hypocrisies of conservatism, and the effects of positive and negative discrimination. Traveling from Harlem in the 1910s to 1920s Paris, 1930s Berlin, 1950s New York and beyond, this sharply observed, warm-spirited book presents a surpassing portrait of twentieth-century gay culture and the men and women who both redefined themselves and changed history.
Britain at the Turn of the Twenty-first Century by Ulrich Broich,Susan Bassnett Pdf
At the turn of the twenty-first century Britain is in a state of change. It is being transformed by the ongoing process of devolution as well as by its increasing multi-ethnicity. At the same time the relationship with the European Union remains controversial. This book charts these transformations in the context of the changes Britain experienced a century ago, at the turn of the twentieth century. Focusing on British politics, culture and literature the articles examine a range of topics, including models of utopian and apocalyptic thought, the contemporary celebrity cult, the state of literary theory in Britain and the recent "boom" in lyrical poetry and the "drama of blood sperm". The book is of interest to university lecturers, teachers, students of English and the general reader interested in the present condition of the United Kingdom. Book jacket.
Hailed in the mid-19th century as the most important American poet of the period, Fitz-Greene Halleck was dubbed the American Byron and had a large general readership despite his work's infusion of homosexual themes. This biography portrays him as a prophet of the literary and sexual revolution.
New Literary Hybrids in the Age of Multimedia Expression by Marcel Cornis-Pope Pdf
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
This book is not a "survey" or a guide to all or even most of Auden's poetry, though it does follow the general outlines of Auden's development as a poet and thinker."--BOOK JACKET.
Examining how Crane's corporeal aesthetic informs poems written across the span of his career, The Machine That Sings focuses on four texts in which Crane's preoccupation with the body reaches its apoge. Tapper treats Voyages, The Wine Merchant, and Possessions as a triptych of erotic poems in which Crane plays out alternative resolutions to the dialectic between purity and defilement, a conceptual dynamic which Tapper argues is central to both Crane's poetics of difficulty and his representations of homosexual desire. Tapper concentrates on the three sections of The Bridge, most concerned with recuperating animality: 'National Winter Garden,' 'The Dance,' and 'Cape Hatteras.'