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Author : Philip J. C. Dark,Roger G. Rose Publisher : University of Hawaii Press Page : 286 pages File Size : 55,8 Mb Release : 1993-09-01 Category : Art ISBN : 0824815734
Artistic Heritage in a Changing Pacific by Philip J. C. Dark,Roger G. Rose Pdf
“The great value of [this work] is the uniformly high quality of papers and their revelation of contemporary trends in Oceanic art research.” —Ethnoarts
Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.
Pacific Island Heritage by Jolie Liston,Geoffrey Richard Clark,Dwight Alexander Pdf
"This volume emerges from a ground-breaking conference held in the Republic of Palau on cultural heritage in the Pacific. It includes bold investigations of the role of cultural heritage in identity-making, and the ways in which community engagement informs heritage management practices. This is the first broad and detailed investigation of the unique and irreplaceable cultural heritage of the Pacific from a heritage management perspective. It identifies new trends in research and assesses relationships between archaeologists, heritage managers and local communities. The methods which emerge from these relationships will be critical to the effective management of heritage sites in the 21st century. A wonderful book which emerges from an extraordinary conference. Essential reading for cultural heritage managers, archaeologists and others with an interest in caring for the unique cultural heritage of the Pacific Islands".
The Festival of Pacific Arts by Karen Stevenson,Katerina Teaiwa Pdf
The Festival of Pacific Arts, initially known as the South Pacific Arts Festival, has grown from the 1st edition with 1000 participants from 20 countries to the Festival of Pacific Arts with close to 3000 delegates from 27 countries. The concept for a regional festival originated from the Fiji Arts Council in 1965. They envisioned a festival put on by and for Pacific peoples; a festival built upon the tradition of both sharing and passing cultural knowledge from one generation to the next. Working to facilitate this vision, the Fiji Arts Council and the South Pacific Commission (now Pacific Community) combined their resources to host the 1st South Pacific Festival of Arts, in 1972. Since that time, twelve Festivals have taken place.
In recent decades, contemporary art in Asia and the Pacific has acted as a dramatic reflection of the social and political events taking place in the region. The unique perspectives and expertise of the authors contributing to this collection bring unparalleled insights to bear on this relationship between creativity and social transformation. Extensively illustrated with work by some of the most dynamic artists practising today, Art and Social Change is a compelling map of the developments within contemporary art and society in Asia and the Pacific. As the most up-to-date and engaging survey available, Art and Social Change is an indispensable resource for those interested in the engagement of art with society. Book jacket.
The art of the Pacific Islands is exciting, varied, vibrant and ever-changing. Across the great breadth of the Pacific, artists have always employed a wide variety of materials and techniques to create objects for specific purposes. These have been central to the management of land and ocean, of political and spiritual power, and of connections to gods and ancestors. This book focuses on objects from the domestic to the sacred, from the elegantly simple to the sumptuously ornate, and from the historic to the contemporary. The author draws on striking and colourful examples from the Pacific's major cultural regions: Polynesia, Melanesia and Micronesia, beginning with an introduction asking 'What is Pacific art?' Each of the beautiful artworks is then explored further through close-ups, allowing intriguing comparisons between seemingly unrelated objects and media. Ideal as a spur to creative inspiration, this beautiful book offers a striking and unusual view of the wide array of Pacific art, evoking the skills of the most accomplished Pacific artists and craftworkers, past and present.
Unsettling Native Art Histories on the Northwest Coast by Kathryn Bunn-Marcuse,Aldona Jonaitis Pdf
Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to this volume foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history. By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.
Author : Barry Craig,Bernie Kernot,Christopher Anderson Publisher : University of Hawaii Press Page : 340 pages File Size : 53,8 Mb Release : 1999-12-01 Category : Performing Arts ISBN : 0824822838
Art and Performance in Oceania by Barry Craig,Bernie Kernot,Christopher Anderson Pdf
The Fifth International Symposium of the Pacific Arts Association, titled "Art, Performance, and Society," called for papers in sessions dealing with "Production and Performance," "Social and Cultural Context," "The Record and the Remainder," and "The Mission of Museums." In all, some sixty papers were presented, twenty-four of which have been included in this book. The first two topics elicited several papers that explored the creative process, including the description and analysis of performance, and the taxonomy of objects used, the transmission of cultural knowledge, and the identity and work of individual artists. The second two topics provided the opportunity for papers on some significant early museum collectors and collections, various methods of documenting cultural material (such as photography), how cultural material has been and can be exhibited, and the role of museums and cultural centers in Pacific Island countries.
"Samoan Art and Artists is a wide-ranging survey of both the traditional and contemporary arts of Samoa. The author has drawn on an extensive research base to present a contemporary and accessible picture of a vibrant culture. The book has a broad sweep, covering all facets of the Samoan arts, including canoe and house building, siapo (tapa) weaving, tattooing, oratory, adornment, all forms of performance art, the visual arts, and literature. An important feature of the book is the inclusion of profiles of living practitioners, both from Samoa and the large Samoan communities in other Pacific countries."--Publisher description.
Collection of essays focusing on the modern art of the Asia-Pacific region, written to celebrate the first Asia-Pacific Triennial, a project of the Queensland Art Gallery. Essays examine the many influences on contemporary art, and demonstrate the varied forms of art which have emerged in the region. Illustrated with works ranging from the traditional to the avante-garde. Includes a bibliography and an index. Contributors are experts in the art of particular countries. The editor is deputy director and manager of international programs at the Queensland Art Gallery.
Collection of essays documenting the state of research about Pacific art written by authors and specialists in the field interesting to students, artists, collectors, curators etc.
Minority Rights in the Pacific Region by Joshua Castellino,David Keane Pdf
Countries in the Pacific face unique challenges of survival and progress in establishing themselves and participating fully in international society. Their geographic isolation from the rest of global society is compounded by complex layers of often competing national and indigenous identities among their populations built through wave upon wave of migration. This has created rich diversity, competing regimes and real challenges in terms of state-building, ethnic identity, social policy cohesion and development in post-colonial settings. The issues studied here would be of interest to scholars from a range of different disciplines such as Law, Politics, Sociology and Anthropology. By examining the theory and practice of minority rights law in states such as Fiji and Papua New Guinea, alongside their more familiar neighbours Australia and New Zealand, this book makes a unique contribution in a region often ignored in the literature.