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We catch glimpses of him living beside the Mediterranean in Greece and in Spain where his career as a novelist later revived and where Fraser first visited him in the 1970s.
As For Me and My House is an essential Canadian work--a precise and compelling portrait of our culture, our psyche, and the nature of contemporary art itself, now available as a Penguin Modern Classic. In the windswept town of Horizon, an unamed diarist paints a vivid and enthralling picture of prairie life in the Depression era. Atmospheric, intimate, and richly observed, As For Me and My House is a moving meditation on the bittersweet nature of human relationships, on the bonds that tie people together and the undercurrents of feeling that can tear them apart. It is one of Canada's great novels and a landmark in modern fiction.
The Race and Other Stories by Sinclair Ross by Sinclair Ross Pdf
Heralded as a prairie writer and best known for As For Me and My House and for his stories of the bleak dust bowl Prairies of the Great Depression, Sinclair Ross has also written of urban life and, briefly, of army life, as the stories in this collection demonstrate. The Race and Other Stories includes previously uncollected short stories and a chapter from Whir of Gold, here title "The Race," which stands on its own as a short story. Furthermore, "Spike," published in French in Liberté in 1969, appears here for the first time in English. Ross's taut, economical, rhythmic prose reflects the bleak, spare landscape of the prairie. The concerns of his novels are equally evident in his stories: loneliness and alienation, the sense of entrapment, the imaginative and artistic struggle. This collection of stories will be of interest to those who wish to better understand one of Canada's most respected writers and the diversity that can be found in his writings.
The Lamp at Noon and Other Stories by Sinclair Ross Pdf
Sinclair Ross’ 1941 novel As For Me and My House is a masterpiece of Canadian literature, a stunning evocation of the Prairies and their inhabitants during the Depression of the Thirties. With The Lamp at Noon and Other Stories, an original New Canadian Library collection, Ross reveals further dimensions of his fictional universe. A woman’s impulsive infidelity leads to tragedy. A sudden hailstorm destroys hope. A boy learns to conquer a beautiful wild horse. A little girl dreams about a circus. Against the isolated, haunting landscapes of summer droughts and winter blizzards, the men and women of Ross’ stories grapple with fate against almost impossible odds. Marked by a legacy of pride that will not suffer defeat, Ross’ unyielding characters are cut off from their loved ones by obstinacy and defiance. Their tragedy is not that they suffer, but that they suffer alone. The sensitivity, compassion, and subtlety with which Ross portrays human aspirations and failings remain to this day unequalled in Canadian fiction.
Sinclair Ross (1908-1996), best known for his canonical novel As for Me and My House (1941), and for such familiar short stories as "The Lamp at Noon" and "The Painted Door," is an elusive figure in Canadian literature. A master at portraying the hardships and harsh beauty of the Prairies during the Great Depression, Ross nevertheless received only modest attention from the public during his lifetime. His reluctance to give readings or interviews further contributed to this faint public perception of the man. In As for Sinclair Ross, David Stouck tells the story of a lonely childhood in rural Saskatchewan, of a long and unrewarding career in a bank, and of many failed attempts to be published and to find an audience. The book also tells the story of a man who fell in love with both men and women and who wrote from a position outside any single definition of gender and sexuality. Stouck's biography draws on archival records and on insights gathered during an acquaintance late in Ross's life to illuminate this difficult author, describing in detail the struggles of a gifted artist living in an inhospitable time and place. Stouck argues that when Ross was writing about prairie farmers and small towns, he wanted his readers to see the kind of society they were creating, to feel uncomfortable with religion as coercive rhetoric, prejudices based on race and ethnicity, and rigid notions of gender. As for Sinclair Ross is the story of a remarkable writer whose works continue to challenge us and are rightly considered classics of Canadian literature.
As For Me and My House is an essential Canadian work--a precise and compelling portrait of our culture, our psyche, and the nature of contemporary art itself, now available as a Penguin Modern Classic. In the windswept town of Horizon, an unamed diarist paints a vivid and enthralling picture of prairie life in the Depression era. Atmospheric, intimate, and richly observed, As For Me and My House is a moving meditation on the bittersweet nature of human relationships, on the bonds that tie people together and the undercurrents of feeling that can tear them apart. It is one of Canada's great novels and a landmark in modern fiction.
Sinclair Ross (1908-1996), best known for his canonical novel As for Me and My House (1941), and for such familiar short stories as "The Lamp at Noon" and "The Painted Door," is an elusive figure in Canadian literature. A master at portraying the hardships and harsh beauty of the Prairies during the Great Depression, Ross nevertheless received only modest attention from the public during his lifetime. His reluctance to give readings or interviews further contributed to this faint public perception of the man. In As for Sinclair Ross, David Stouck tells the story of a lonely childhood in rural Saskatchewan, of a long and unrewarding career in a bank, and of many failed attempts to be published and to find an audience. The book also tells the story of a man who fell in love with both men and women and who wrote from a position outside any single definition of gender and sexuality. Stouck's biography draws on archival records and on insights gathered during an acquaintance late in Ross's life to illuminate this difficult author, describing in detail the struggles of a gifted artist living in an inhospitable time and place. Stouck argues that when Ross was writing about prairie farmers and small towns, he wanted his readers to see the kind of society they were creating, to feel uncomfortable with religion as coercive rhetoric, prejudices based on race and ethnicity, and rigid notions of gender. As for Sinclair Ross is the story of a remarkable writer whose works continue to challenge us and are rightly considered classics of Canadian literature.
The classic novel that inspired the Academy award-winning film, There Will Be Blood. Penguin Books is proud to now be the sole publisher of Oil!, the classic 1927 novel by Upton Sinclair. After writing The Jungle, his scathing indictment of the meatpacking industry, Sinclair turned his sights on the early days of the California oil industry in a highly entertaining story featuring a cavalcade of characters including senators, oil magnets, Hollywood film starlets, and a crusading evangelist. This lively and panoramic book, which was recently cited by David Denby in the New Yorker as being Sinclair’s “most readable” novel, is now the inspiration for the Paramount Vantage major motion picture, There Will Be Blood. It is the long-awaited film from Paul Thomas Anderson, one of the most admired filmmakers working today whose previous movies, Boogie Nights and Magnolia were both multiple Academy Award nominees. The movie stars Oscar-winner Daniel Day-Lewis (Gangs of New York, My Left Foot) and Paul Dano (Little Miss Sunshine). Paramount Vantage will be releasing the film in New York and Los Angeles on December 26, 2007 and go nationwide in January. This is the same company responsible for Babel and A Mighty Heart and the current releases, Into the Wild, Margot at the Wedding, and The Kite Runner. As wars rage on in the oil region and as anxiety over natural resources rise, the subject of this book, which celebrates its 80th anniversary in 2007, is more timely than ever.
Backwoods of Canada by Catharine Parr Traill,Michael A. Peterman Pdf
Catharine Parr Strickland Traill (1802-1899) emigrated from Great Britain to Upper Canada in 1832 with her husband Thomas Traill, a retired army officer. The Backwoods of Canada (1836), Catharine1s epistolary narrative based on her experiences in the country north of Peterborough in the years immediately following her arrival in North America, is an important record of nineteenth-century pioneering and a rich personal memoir of a woman. It has become a foundation work of Canadian Iiterature.
Lee Gowan's new novel is an audacious sequel to Sinclair Ross' prairie classic, As for Me and My House. The Beautiful Place is about a man who is in trouble in love and work--a darkly funny cautionary tale for our times. "A preposterous, pan-Canadian tale, straight-faced, that evolves into a quest for a dead man's frozen head. Subtly hilarious, beautifully crafted and with lots of moving parts, this novel is fresh, original, and compelling." --Ken McGoogan, award-winning author "Where is home? Where is here? In The Beautiful Place we discover that the true geography of art begins in the heart. Profound, witty, and charming: read this novel!" -- Kim Echlin, author of Speak, Silence The man we know only as Bentley is facing a triple threat--in other words, his life is a hot mess every way he looks. Like anyone who feels that he's on the brink of annihilation, Bentley thinks back to his misspent youth, which was also the year he met his famous grandfather, the painter Philip Bentley, for the first time. To make matters worse, he has inherited his grandfather's tendency to self-doubt, as well as that cranky artist's old service pistol. Our hero is confused about so much. How did he end up as a cryonics salesman--a huckster for a dubious afterlife--when he wanted to be a writer? And who is the mysterious Mary Abraham, and why is she the thread unravelling his unhappy present? What will be left when all the strands come undone? Lee Gowan's The Beautiful Place is the best kind of journey: both psychological and real, with a lot of quick-on-the-draw conversations and stunning scenery along the way --and only one gun, which may or may not be loaded.
The Manifesto for Teaching Online by Sian Bayne,Peter Evans,Rory Ewins,Jeremy Knox,James Lamb Pdf
An update to a provocative manifesto intended to serve as a platform for debate and as a resource and inspiration for those teaching in online environments. In 2011, a group of scholars associated with the Centre for Research in Digital Education at the University of Edinburgh released “The Manifesto for Teaching Online,” a series of provocative statements intended to articulate their pedagogical philosophy. In the original manifesto and a 2016 update, the authors counter both the “impoverished” vision of education being advanced by corporate and governmental edtech and higher education’s traditional view of online students and teachers as second-class citizens. The two versions of the manifesto were much discussed, shared, and debated. In this book, Siân Bayne, Peter Evans, Rory Ewins, Jeremy Knox, James Lamb, Hamish Macleod, Clara O'Shea, Jen Ross, Philippa Sheail and Christine Sinclair have expanded the text of the 2016 manifesto, revealing the sources and larger arguments behind the abbreviated provocations. The book groups the twenty-one statements (“Openness is neither neutral nor natural: it creates and depends on closures”; “Don’t succumb to campus envy: we are the campus”) into five thematic sections examining place and identity, politics and instrumentality, the primacy of text and the ethics of remixing, the way algorithms and analytics “recode” educational intent, and how surveillance culture can be resisted. Much like the original manifestos, this book is intended as a platform for debate, as a resource and inspiration for those teaching in online environments, and as a challenge to the techno-instrumentalism of current edtech approaches. In a teaching environment shaped by COVID-19, individuals and institutions will need to do some bold thinking in relation to resilience, access, teaching quality, and inclusion.