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This volume gathers together authors and critics to reappraise the legacy of Sinclair Ross. Beyond Ross’ major novel As For Me and My House, the contributors reestablish the value of his other writings in their literary and historical contexts.
Canadian literature in English presents a wealth of imaginative experience that belies the colonial status sometimes accorded the world?s second-largest country. This revised and expanded edition of Major Canadian Authors provides an entrance into that realm. Stouck?s carefully integrated essays introduce the life and writings of eighteen foremost Canadian authors, including Robertson Davies, Margaret Laurence, Sinclair Ross, and Alice Munro. The second edition adds a new chapter on Margaret Atwood, updates the text, and expands the reference guide to include more than sixty Canadian authors.
Sinclair Ross (1908-1996), best known for his canonical novel As for Me and My House (1941), and for such familiar short stories as "The Lamp at Noon" and "The Painted Door," is an elusive figure in Canadian literature. A master at portraying the hardships and harsh beauty of the Prairies during the Great Depression, Ross nevertheless received only modest attention from the public during his lifetime. His reluctance to give readings or interviews further contributed to this faint public perception of the man. In As for Sinclair Ross, David Stouck tells the story of a lonely childhood in rural Saskatchewan, of a long and unrewarding career in a bank, and of many failed attempts to be published and to find an audience. The book also tells the story of a man who fell in love with both men and women and who wrote from a position outside any single definition of gender and sexuality. Stouck's biography draws on archival records and on insights gathered during an acquaintance late in Ross's life to illuminate this difficult author, describing in detail the struggles of a gifted artist living in an inhospitable time and place. Stouck argues that when Ross was writing about prairie farmers and small towns, he wanted his readers to see the kind of society they were creating, to feel uncomfortable with religion as coercive rhetoric, prejudices based on race and ethnicity, and rigid notions of gender. As for Sinclair Ross is the story of a remarkable writer whose works continue to challenge us and are rightly considered classics of Canadian literature.
"Collecting Stamps Would Have Been More Fun" by Jordan Stouck,David Stouck Pdf
This unique exchange of letters between literary icon Sinclair Ross and several prominent writers, publishers, agents, and editors asks why many Canadian artists, especially those in western provinces, spent a lifetime struggling for recognition and remuneration. Featuring exchanges with Earle Birney, Margaret Laurence, and Margaret Atwood, among others, this collection exposes the conditions of cultural work in Canada for much of the twentieth century. This vivid, often moving, selection of professional and personal letters, plus the only formal interview Ross ever gave, provides a valuable resource for those engaged with the history of publishing in Canada, as well as for those with an interest in Canadian literature.
University of Regina. Canadian Plains Research Center
Author : University of Regina. Canadian Plains Research Center Publisher : University of Regina Press Page : 268 pages File Size : 44,9 Mb Release : 2004 Category : Biography & Autobiography ISBN : 0889771634
Saskatchewan Writers by University of Regina. Canadian Plains Research Center Pdf
The more than 175 biographies in this volume together tell the story of writing in Saskatchewan. As David Carpenter notes in his introduction to the volume: "The writers whose lives are told in these pages are part of an extraordinary cultural community that has touched and been touched by the people and landscape of this province."
Author : Mark Hawkins-Dady Publisher : Taylor & Francis Page : 1024 pages File Size : 49,9 Mb Release : 1996 Category : American literature ISBN : 1884964206
I. S. Koropeckyj,Canadian Institute of Ukrainian Studies,Harvard Ukrainian Research Institute
Author : I. S. Koropeckyj,Canadian Institute of Ukrainian Studies,Harvard Ukrainian Research Institute Publisher : CIUS Press Page : 292 pages File Size : 44,9 Mb Release : 1991 Category : Kievan Rus ISBN : 0920862721
Racial Attitudes in English-Canadian Fiction, 1905-1980 by Terrence Craig Pdf
Racial Attitudes in English-Canadian Fiction is a critical overview of the appearances and consequences of racism in English-Canadian fiction published between 1905 and 1980. Based on an analysis of traditional expressions in literature of group solidarity and resentment, the study screens English-Canadian novels for fictional representations of such feelings. Beginning with the English-Canadian reaction to the mass influx of immigrants into Western Canada after World War One, it examines the fiction of novelists such as Ralph Connor and Nellie McClung. The author then suggests that the cumulative effect of a number of individual voices, such as Grove and Salverson, constituted a counter-reaction which has been made more positive by Laurence, Lysenko, Richler and Clarke. The “debate” between these two sides, carried on in fictional and non-fictional writing, is seen to be in part resolved in synthesis after World War Two, as attitudes are forced by wartime alliances and intellectual pressures into a qualified liberalism. The author shows how single novels by Graham, Bodsworth, and Callaghan demonstrated a new concern for the exposure and eradication of racial discrimination, an attitude taken further by the works of Wiebe and Klein. The book concentrates on single texts that best portray deliberately or not, racist ideology or anti-racist arguments, and attempts to explain the arousal in Canada of such ideas.
We catch glimpses of him living beside the Mediterranean in Greece and in Spain where his career as a novelist later revived and where Fraser first visited him in the 1970s.
New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts. Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how - from early records of oral tales to the writing strategies of the early twenty-first century - writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers representations of the "real," whether in documentary, fantasy, or satire; historical romance and the social construction of Nature and State; and ironic subversions of power, the politics of cultural form, and the relevance of the media to a representation of community standard and individual voice. New suggests some ways in which writers of the later twentieth century codified such issues as history, gender, ethnicity, and literary technique itself. In this second edition, he adds a lengthy chapter that considers how writers at the turn of the twenty-first century have reimagined their society and their roles within it, and an expanded chronology and bibliography. Some of these writers have spoken from and about various social margins (dealing with issues of race, status, ethnicity, and sexuality), some have sought emotional understanding through strategies of history and memory, some have addressed environmental concerns, and some have reconstructed the world by writing across genres and across different media. All genres are represented, with examples chosen primarily, but not exclusively, from anglophone and francophone texts. A chronology, plates, and a series of tables supplement the commentary.