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Speaking With One Voice by Chantal Benoit-Barné,Thomas Martine Pdf
This book explores the dynamics and challenges that underlie the ability of organizations to speak with one voice. Contributions by experienced and emerging scholars shed light on the nature and regulation of the communication processes whereby the many and diverse voices of a collective can unite, act, and speak as a distinct entity, thus contributing to its organizing. By focusing on communicational events, whether in the context of for-profit and non-profit organizations, political protests or social movements, chapters guide the reader through the diverse manifestations and concrete ways of dealing with the imperative for organizations of all kinds to speak with one voice. In doing so, the book creates bridges between different perspectives with regard to the notion of voice and its significance for the study of organizing; between fields of study; and between theory and empirical research aimed at investigating organizing beyond the boundaries of the formal organization. Offering a thorough and comprehensive investigation of the dynamics between multivocality and univocality in the organizing of various collectives, this book will be an important resource for scholars and students of organizational communication, management studies, media studies and rhetorical studies.
As With One Voice explores what God reveals to us in the Bible about the purpose of singing together in church, and then proposes how change may happen in order to fulfil what God is asking of us as He achieves His eternal purposes for His creation.
Speak. Laugh. Cry. Shout. Scream. Sing. Whether you're an actor or a singer, your voice is called upon to do many things. But how do you keep your voice healthy while satisfying these demands? Theatre voice specialist Joan Melton is uniquely qualified to show how. She maintains that the training of singers and actors should be similar. Her groundbreaking book outlines a course of study that integrates basic elements of singing technique into the whole range of theatre voice training. The physicality of Melton's approach addresses all the issues of concern for professional voice users in any field. Melton's detailed work on phrasing demonstrates the technical similarities between text that is sung and text that is spoken. She supports her suggestions for relating and integrating voice and movement, too-for those in musical theatre who must sing, speak, and dance-with exercises that fully engage the performer physically and vocally. Kenneth Tom contributes a chapter on vocal anatomy, offering clear and accessible material on how the voice works along with practical advice on its care.
The human voice does not deceive. The one who is speaking is inevitably revealed by the singular sound of her voice, no matter "what" she says. Starting from the given uniqueness of every voice, Cavarero rereads the history of philosophy through its peculiar evasion of this embodied uniqueness.
Alex and Marni Chediak show that it is more important to become a certain type of person than it is to find a certain type of person. They offer wise guidance in how we should go about choosing a partner. --from publisher description.
"With One Heart and One Voice" by Fred Kimball Graham Pdf
The publication by John Wesley of the "Foundery" Collection (1742) marked the establishment of standards for tunes suited to Methodist hymn singing. Early Methodist hymn books in the United States contained words only, but they were cross-referenced with a leader's tune book, beginning with David's Companion (1808). "With One Heart and One Voice" reviews the trends surrounding the styles of tunes selected and analyzes the changes in shape and text for the most frequently used tunes in the Methodist Episcopal Church. Seventy six "core repertory" tunes are analyzed based upon their repeated appearances in most of the tune books published between 1808 and 1878, at which point Methodists finally obtained a hymnal with both words and music, after a half century of experimentation with tune selection. The conclusions reached in this work will allow scholars, hymnologists, and hymn singers to explore the social and musicological influences on hymn tune writing, how long it took for texts to acquire a "fixed tune," how tastes in hymn tunes change ever so slowly, and how many delightful tunes found in the core repertory of the 19th century have been dropped from today's repertoire.
You have a voice. And you have God's permission to use it. In some communities, certain voices are amplified and elevated while others are erased and suppressed. It can be hard to speak up, especially in the ugliness of social media. Power dynamics keep us silent and marginalized, especially when race, ethnicity, and gender are factors. What can we do about it? Activist Kathy Khang roots our voice and identity in the image of God. Because God created us in our ethnicity and gender, our voice is uniquely expressed through the totality of who we are. We are created to speak, and we can both speak up for ourselves and speak out on behalf of others. Khang offers insights from faithful heroes who raised their voices for the sake of God's justice, and she shows how we can do the same today, in person, in social media, in organizations, and in the public square. Be silent no more. If you have wondered when and how to speak, hear God's invitation to you to find and steward your authentic voice, whether in word or deed, to communicate the good news in a messed-up world. As you discern God's voice calling you to speak, you will discover how your voice sounds as you express God's heart to others. And the world will hear you loud and clear.
Here is a reissue of two books by Vera Brittain, which make a strong plea for Christian Pacifism. This edition includes a preface by her daughter Shirley Williams.
Giving his characters life in a whirlwind of words, Daniel MacIvor showcases his talents as a writer and performer in two of his most celebrated solo shows. Published here for the first time in their newly revised scripts, House and Here Lies Henry seethe with anger and soothe with comedy.In House, Victor drags his audience through his life, his fantasies, his desires, and his recent push to the edge. Here Lies Henry is a story about a man alone on a room with a mission to tell you something you don't already know.
Mastering One Voice by Toby Murdock,Zoë Randolph Pdf
A practical field guide for your journey to impactful content operations. Capitalize on the biggest opportunity facing modern marketing teams: To unite revenue teams to speak in one voice across every customer journey and accelerate revenue through content.
Dr John Osgood draws on years of painstaking research to bring together a multitude of facts from archaeology and history, as well as records from the Bible and ancient kingdoms, to piece together a true picture of our past. John demonstrates how the so-called Egyptian or 'Conventional' Chronology has mired investigation into ancient history with unrealistic dating. By taking the Biblical records at face value, together with the scholarly work of other notable researchers, John shows how many of the riddles surrounding ancient civilizations disappear. This work makes both entertaining and challenging reading for those interested in discovering the truth about ancient history - where we came from and how we got here. The title reflects the narrative that all the different facets of evidence from archaeology to historical records all speak with the 'same voice' - that the Bible records are a fundamentally accurate resource from which to investigate the past.