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Aspectos Da Arte Contemporanea by Sonia Campaner Miguel Ferrari Pdf
Os textos que compõem esta coletânea tratam, cada um a seu modo, de momentos distintos da produção artística nacional e/ou internacional; discutem a posição da arte no cenário das bienais, galerias e museus; e posicionam-se diante das possibilidades críticas da arte nos dias de hoje. Ao final, um deles contempla a proposta schilleriana da educação estética.
Aspectos Da Arte Contemporanea by Boris Groĭs,Petra Kipphoff Pdf
Artwork by Morris Louis, Robert Motherwell, Dan Graham, Hans Hofmann, Barnett Newman, Claes Oldenburg, Robert Rauschenberg, Jason Rhoades, Robert Smithson, Cy Twombly, Lawrence Weiner, Dan Flavin, Hans Haacke, Edward Kienholz. Text by Boris Groys, Petra Kipphoff.
"Some of the most representative tendencies of the second half of the 20th century are represented in the private collection of German Reinhard Onnasch, which features work by Hans Hofmann, Robert Motherwell, Morris Louis, Barnett Newman, Cy Twombly, Robert Rauschenberg, Claes Oldenburg, Andy Warhol, Edward Kienholz, Dan Flavin, Hans Haacke, Robert Smithson, Mike Kelley, Dan Graham, Lawrence Weiner, Jason Rhoades, and others."--Amazon.
Arrival Cities by Burcu Dogramaci,Mareike Hetschold,Laura Karp Lugo,Rachel Lee,Helene Roth Pdf
Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point – Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai –the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
Author : Cristina Freire Publisher : Mac Universidade de S~ao Paulo Page : 204 pages File Size : 44,9 Mb Release : 1999 Category : Art ISBN : UTEXAS:059173006241605
Se analizan algunos aspectos de las obras y proyectos conceptuales presentados en la década de los setenta en las exposiciones del Museu de Arte Contemporânea de la Universidad de São Paulo, observando su efecto determinante en el pensamiento de muchos artistas contemporáneos y examinando ciertas cuestiones planteadas por tales poéticas artísticas sobre las categorías y prácticas de los museos de arte moderno y contemporáneo: cómo producciones artísticas transitorias pueden permanecer en un museo, o de qué manera el arte llamado "desmaterializado" puede integrar una colección permanente.
Kynaston McShine,Richard Serra,Lynne Cooke,Museum of Modern Art (New York, N.Y.)
Author : Kynaston McShine,Richard Serra,Lynne Cooke,Museum of Modern Art (New York, N.Y.) Publisher : The Museum of Modern Art Page : 428 pages File Size : 42,9 Mb Release : 2007 Category : Art ISBN : 0870707124
Richard Serra Sculpture by Kynaston McShine,Richard Serra,Lynne Cooke,Museum of Modern Art (New York, N.Y.) Pdf
"This book offers a detailed presentation of Richard Serra's entire career, from his early experiments with materials like rubber, neon, and lead to the environmentally scaled steel works of recent years, including three monumental new sculptures created for the exhibition that this book accompanies."--BOOK JACKET.
"The first exhibition to offer a critical assessment of the artistic experimentation that took place in Mexico during the last three decades of the twentieth century. The exhibition carefully analyzes the origins and emergence of techniques, strategies, andmodes of operation at a particularly significant moment of Mexican history, beginning with the 1968 Student Movement, until the Zapatista upraising in the State of Chiapas. Theshow includes work by a wide range of artists, including Francis Alys, Vicente Rojo, Jimmie Durham, Helen Escobedo, Julio Galán, Felipe Ehrenberg, José Bedia,Guillermo Gómez-Peña, Francisco Toledo, Carlos Amorales, Melanie Smith, and Alejandro Jodorowsky, among many others. The edition is illustrated with 612 full-colorplates of the art produced during these last three decades of the twentieth century reflect the social, political and technical developments in Mexico and ranged from painting andphotography to poster design, installation, performance, experimental theatre, super-8 cinema, video, music, poetry and popular culture like the films and ephemeral actionsof 'Panic' by Alejandro Jodorowsky, Pedro Friedeberg's pop art, the conceptual art, infrarrealists and urban independent photography, artists books, the development ofcontemporary political photography, the participation of Mexican artists in Fluxus in the seventies and the contribution of Ulises Carrión to the international artist book movement and popular rock music, the pictorial battles of the eighties and the emergence of a variant of neo-conceptual art in 1990. The exhibition is curated by Olivier Debroise, Pilar García de Germenos, Cuauhtémoc Medina, Álvaro Vázquez Mantecón"--Provided by vendor.
Arte Contemporanea - Uma Introducao by Anne Cauquelin Pdf
Em 'Arte contemporânea - uma introdução', Anne Cauquelin mapeia a transformação dos mecanismos da arte gerada por Marcel Duchamp, Andy Warhol e Leo Castelli. Dos ready-mades às séries, dos salões às galerias, da sociedade de consumo à sociedade de comunicação, da obra ao espaço da arte, a autora apresenta uma análise crítica da arte contemporânea e seus desdobramentos no pós-modenismo.
"New scholarship and interpretation of Flavin's work also appears in the form of three critical essays by experts and an extensive chronology, comprehensive bibliography, and exhibition history. In addition, this book includes Flavin's text, "'...in daylight or cool white.' an autobiographical sketch," originally published in Artforum in 1965, and two interviews with the artist - one from 1972 and the other from 1982."--BOOK JACKET.
Art produced outside hegemonic centers is often seen as a form of derivation or relegated to a provisional status. Forming Abstraction turns this narrative on its head. In the first book-length study of postwar Brazilian art and culture, Adele Nelson highlights the importance of exhibitionary and pedagogical institutions in the development of abstract art in Brazil. By focusing on the formation of the São Paulo Biennial in 1951; the early activities of artists Geraldo de Barros, Lygia Clark, Waldemar Cordeiro, Hélio Oiticica, Lygia Pape, and Ivan Serpa; and the ideas of critics like Mário Pedrosa, Nelson illuminates the complex, strategic processes of citation and adaption of both local and international forms. The book ultimately demonstrates that Brazilian art institutions and abstract artistic groups—and their exhibitions of abstract art in particular—served as crucial loci for the articulation of societal identities in a newly democratic nation at the onset of the Cold War.
Author : Museu de Arte Moderna de São Paulo Publisher : Unknown Page : 200 pages File Size : 42,8 Mb Release : 1967 Category : Art ISBN : UOM:39015007559456
Introdução à arte contemporânea by Maria Lúcia Wochler Pelaes Pdf
Para entender melhor a relação entre obra e espaço expositivo, no capítulo III são estudados o museu, a memória expressa em objetos culturais contextualizados no tempo e espaço criando cenários na imaginação dos visitantes. Colocados num cubo branco, objetos isolados do mundo lá fora para melhor apreciação começam aqui a ser questionados, mostrando aos poucos a verdadeira paixão da pesquisadora, o Museu Inhotim, em Brumadinho, Minas Gerais. Obras importantes são analisadas, valorizando as relações com o lugar, o que permite o entendimento do conceito de site-specific. No capítulo IV a autora aprofunda a interpretação da obra de arte, que permeia todo o livro conforme apresenta as obras selecionadas à pesquisa. Relaciona as dimensões estéticas que constituem a sensibilidade do fruidor aos aspectos históricos e sociais que as influenciam. Como numa visita ao museu, somos conduzidos pelos variados conceitos que envolvem a fruição da obra de arte, gerados pela crítica das artes visuais ou estudos filosóficos, históricos e sociais. Nossa visão do espaço museológico é revista e ampliada, resultando ao leitor um primoroso leque de ideias que instiga aprofundamentos na arte contemporânea.