Aspects Of Orality And Formularity In Gregorian Chant

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Aspects of Orality and Formularity in Gregorian Chant

Theodore Karp
Aspects of Orality and Formularity in Gregorian Chant Book PDF

Author : Theodore Karp
Publisher : Northwestern University Press
Page : 512 pages
File Size : 49,9 Mb
Release : 1998
Category : Music
ISBN : 0810112388

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Aspects of Orality and Formularity in Gregorian Chant by Theodore Karp Pdf

A study of medieval monophonic music. The text focuses on its movement away from the concept of chants as products and towards the idea of chants as processes. The essays are loosely connected through their bearing on one or more of three themes: the role of orality in the transmission of chants circa 700-1400; varying degrees of stability or instability in the transmission of chant; and the role of the formula in the construction of chant.

Oral and Written Transmission in Chant

Thomas Forrest Kelly
Oral and Written Transmission in Chant Book PDF

Author : Thomas Forrest Kelly
Publisher : Taylor & Francis
Page : 474 pages
File Size : 50,9 Mb
Release : 2023-01-30
Category : History
ISBN : 9781351555647

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Oral and Written Transmission in Chant by Thomas Forrest Kelly Pdf

The writing down of music is one of the triumphant technologies of the West. Without writing, the performance of music involves some combination of memory and improvisation. Isidore of Seville famously wrote that unless sounds are remembered by man, they perish, for they cannot be written down. This volume deals with the materials of chant from the point of view of transmission. The early history of chant is a history of orality, of transmission by mouth to ear, and yet we can study it only through the use of written documents. Scholars of medieval music have taken up the ideas and techniques of scholars of folklore, of oral transmission, of ethnomusicology; for the chant is, in fact, an ancient music transmitted for a time in oral culture; and we study a culture not our own, whose informants are not people but manuscripts. All depends, ironically, on deducing oral issues from written documents.

A Proper Definition for the Earliest Adiastematic Notations of Gregorian Chant

Anthea Grasselli
A Proper Definition for the Earliest Adiastematic Notations of Gregorian Chant Book PDF

Author : Anthea Grasselli
Publisher : Austin Macauley Publishers
Page : 97 pages
File Size : 48,6 Mb
Release : 2019-01-31
Category : Music
ISBN : 9781645360070

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A Proper Definition for the Earliest Adiastematic Notations of Gregorian Chant by Anthea Grasselli Pdf

The framework time of music is almost defined in each century of our history. Conversely, this situation is not the same between the first medieval period and late antiquity. The vision of music's history has not provided an evident understanding of these differences, which includes several centuries from the start: a condition melted in a sort of accepted reality, even if there are impediments about the layout of this subject. Augustine's writings about time and liturgy was an influential model on how to represent history: a referral point for our comprehension. However, the peculiar approach in which Augustine's model grows out of liturgical practice mixes the dimensions of time. Two clashing approaches on how medieval people and moderns perceived history are represented. The complexity was contemplated but never finalized inside Gregorian chant. This publication focuses on the characteristics of the passages specific for the earliest medieval period, with the topic of that time: the word. Words established a powerful generative aid, and the chant was the exegesis of the text.

Early Music History: Volume 19

Iain Fenlon
Early Music History Volume 19 Book PDF

Author : Iain Fenlon
Publisher : Cambridge University Press
Page : 312 pages
File Size : 40,9 Mb
Release : 2001-04-19
Category : Music
ISBN : 0521790735

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Early Music History: Volume 19 by Iain Fenlon Pdf

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 19 include: Ritual and Ceremony in the Spanish Royal Chapel, c. 1559-c. 1561; Urban Minstrels in Late Medieval Southern France; Mapping the Soundscapes: Church Music in English Towns 1450-1550; A New Look at Old-Roman Chant.

Music in Medieval Europe

Alma Santosuosso
Music in Medieval Europe Book PDF

Author : Alma Santosuosso
Publisher : Routledge
Page : 598 pages
File Size : 49,9 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351557375

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Music in Medieval Europe by Alma Santosuosso Pdf

This book presents the most recent findings of twenty of the foremost European and North American researchers into the music of the Middle Ages. The chronological scope of their topics is wide, from the ninth to the fifteenth century. Wide too is the range of the subject matter: included are essays on ecclesiastical chant, early and late (and on the earliest and latest of its supernumerary tropes, monophonic and polyphonic); on the innovative and seminal polyphony of Notre-Dame de Paris, and the Latin poetry associated with the great cathedral; on the liturgy of Paris, Rome and Milan; on musical theory; on the emotional reception of music near the end of the medieval period and the emergence of modern sensibilities; even on methods of encoding the melodies that survive from the Middle Ages, encoding that makes it practical to apply computer-assisted analysis to their vast number. The findings presented in this book will be of interest to those engaged by music and the liturgy, active researchers and students. All the papers are carefully and extensively documented by references to medieval sources.

Inside the Offertory

Rebecca Maloy
Inside the Offertory Book PDF

Author : Rebecca Maloy
Publisher : OUP USA
Page : 460 pages
File Size : 46,8 Mb
Release : 2010-03-12
Category : Music
ISBN : 9780195315172

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Inside the Offertory by Rebecca Maloy Pdf

The offertory has played a key role in the recent debates about the origins of Gregorian chant. This book offers a comprehensive study of the offertory, considering the music, lyrics, and liturgical history to shed new light on its origins and chronology.

Music from the Earliest Notations to the Sixteenth Century

Richard Taruskin
Music from the Earliest Notations to the Sixteenth Century Book PDF

Author : Richard Taruskin
Publisher : Oxford University Press
Page : 930 pages
File Size : 54,9 Mb
Release : 2006-08-14
Category : Music
ISBN : 9780199796045

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Music from the Earliest Notations to the Sixteenth Century by Richard Taruskin Pdf

The universally acclaimed and award-winning Oxford History of Western Music is the eminent musicologist Richard Taruskin's provocative, erudite telling of the story of Western music from its earliest days to the present. Each book in this superlative five-volume set illuminates-through a representative sampling of masterworks- the themes, styles, and currents that give shape and direction to a significant period in the history of Western music. This first volume in Richard Taruskin's majestic history, Music from the Earliest Notations to the Sixteenth Century , sweeps across centuries of musical innovation to shed light on the early forces that shaped the development of the Western classical tradition. Beginning with the invention of musical notation more than a thousand years ago, Taruskin addresses topics such as the legend of Saint Gregory and Gregorian chant, Augustine's and Boethius's thoughts on music, the liturgical dramas of Hildegard of Bingen, the growth of the music printing business, the literary revolution and the English madrigal, the influence of the Reformation and the Counter-Reformation, and the operas of Monteverdi. Laced with brilliant observations, memorable musical analysis, and a panoramic sense of the interactions between history, culture, politics, art, literature, religion, and music, this book will be essential reading for anyone who wishes to understand this rich and diverse period.

Western Plainchant in the First Millennium

Sean Gallagher
Western Plainchant in the First Millennium Book PDF

Author : Sean Gallagher
Publisher : Routledge
Page : 544 pages
File Size : 42,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351537131

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Western Plainchant in the First Millennium by Sean Gallagher Pdf

Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.

Historical Dictionary of Sacred Music

Joseph P. Swain
Historical Dictionary of Sacred Music Book PDF

Author : Joseph P. Swain
Publisher : Rowman & Littlefield
Page : 403 pages
File Size : 49,7 Mb
Release : 2016-10-11
Category : Music
ISBN : 9781442264632

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Historical Dictionary of Sacred Music by Joseph P. Swain Pdf

Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.

The A to Z of Sacred Music

Joseph P. Swain
The A to Z of Sacred Music Book PDF

Author : Joseph P. Swain
Publisher : Scarecrow Press
Page : 336 pages
File Size : 49,6 Mb
Release : 2010-04-09
Category : Music
ISBN : 9781461672128

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The A to Z of Sacred Music by Joseph P. Swain Pdf

Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.

Oxford History of Western Music

Richard Taruskin
Oxford History of Western Music Book PDF

Author : Richard Taruskin
Publisher : Oxford University Press
Page : 3856 pages
File Size : 44,9 Mb
Release : 2009-07-27
Category : Music
ISBN : 9780199813698

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Oxford History of Western Music by Richard Taruskin Pdf

The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c

Tonal Consciousness and the Medieval West

Fiona McAlpine
Tonal Consciousness and the Medieval West Book PDF

Author : Fiona McAlpine
Publisher : Peter Lang
Page : 482 pages
File Size : 43,5 Mb
Release : 2008
Category : History
ISBN : 3039115065

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Tonal Consciousness and the Medieval West by Fiona McAlpine Pdf

Tonal consciousness, in the sense of a clear intuition about which note or chord a piece of music will finish on, is as much a part of our everyday experience of music as it is of contemporary music theory. This book asks to what extent such tonal consciousness might have operated in the minds of musicians of the Middle Ages, given the different tone world found in the modes of Gregorian chant, in troubadour and trouvère music, in Minnesang and in the early polyphony based upon chant. The author's approach is analytical, focusing on modality and balancing up-to-date concepts and methods of music analysis with those insights into their own compositional needs and processes that the people of the Middle Ages provided themselves through their writings about music. The book examines a range of both music sources and theoretical sources from the ninth to the thirteenth centuries. This is a ground-breaking contribution both to the study of medieval music and to music analysis.

Silence, Music, Silent Music

Nicky Losseff
Silence Music Silent Music Book PDF

Author : Nicky Losseff
Publisher : Routledge
Page : 268 pages
File Size : 46,7 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351548656

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Silence, Music, Silent Music by Nicky Losseff Pdf

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.

The Critical Nexus

Charles M. Atkinson,University Distinguished Professor of Musicology Charles M Atkinson
The Critical Nexus Book PDF

Author : Charles M. Atkinson,University Distinguished Professor of Musicology Charles M Atkinson
Publisher : Oxford University Press
Page : 321 pages
File Size : 48,6 Mb
Release : 2009
Category : Language Arts & Disciplines
ISBN : 9780195148886

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The Critical Nexus by Charles M. Atkinson,University Distinguished Professor of Musicology Charles M Atkinson Pdf

The Critical Nexus is the first book to trace the development of the notational matrix of Western music from Antiquity to the fourteenth century. It shows how principles of ancient Greek theory were grafted onto medieval practice, leading to a theory of both tone-system and mode, and a concomitant system of musical notation, that is uniquely Western.

Revisiting the Music of Medieval France

Manuel Pedro Ferreira
Revisiting the Music of Medieval France Book PDF

Author : Manuel Pedro Ferreira
Publisher : Taylor & Francis
Page : 228 pages
File Size : 48,9 Mb
Release : 2023-05-31
Category : Music
ISBN : 9781000949148

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Revisiting the Music of Medieval France by Manuel Pedro Ferreira Pdf

This book presents together a number of path-breaking essays on different aspects of medieval music in France written by Manuel Pedro Ferreira, who is well known for his work on the medieval cantigas and Iberian liturgical sources. The first essay is a tour-de-force of detective work: an odd E-flat in two 16th-century antiphoners leads to the identification of a Gregorian responsory as a Gallican version of a seventh-century Hispanic melody. The second rediscovers a long-forgotten hypothesis concerning the microtonal character of some French 11th-century neumes. In the paper "Is it polyphony?" an even riskier hypothesis is arrived at: Do the origins of Aquitanian free organum lie on the instrumental accompaniment of newly composed devotional versus? The Cistercian attitude towards polyphonic singing, mirrored in musical sources kept in peripheral nunneries, is the subject of the following essay. The intellectual and sociological nature of the Parisian motet is the central concern of the following two essays, which, after a survey of concepts of temporality in the trouvère and polyphonic repertories, establish it as the conceptual foundation of subsequent European schools of composition. It is possible then to assess the real originality of Philippe de Vitry and his Ars nova, which is dealt with in the following chapter. A century later, the role of Guillaume Dufay in establishing a chord-based alternative to contrapuntal writing is laboriously put into evidence. Finally, an informative synthesis is offered concerning the mathematical underpinnings of musical composition in the Middle Ages.