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Attack of the Leading Ladies by John Belton,Rhona J. Berenstein Pdf
Looking at such films as "Frankenstein, Svengali, King Kong" and "The Mark of the Vampire," Berenstein argues that classical horror cinema is marked by malleable gender roles, not by entrenched conventional personas.
Comedy / 5m, 3f / Unit set. In this hilarious comedy by the author of Lend Me A Tenor and Moon Over Buffalo, two English Shakespearean actors, Jack and Leo, find themselves so down on their luck that they are performing "Scenes from Shakespeare" on the Moose Lodge circuit in the Amish country of Pennsylvania. When they hear that an old lady in York, PA is about to die and leave her fortune to her two long lost English nephews, they resolve to pass themselves off as her beloved relatives and
Edgar G. Ulmer: Detour on Poverty Row illuminates the work of this under-appreciated film auteur through 21 new essays penned by a range of scholars from around the globe. Ulmer, an immigrant to Hollywood who fell from grace in Tinseltown after only one studio film, became one of the reigning directors of Poverty Row B-movies. Structured in four sections, Part I examines various contexts important to Ulmer's career, such as his work at the Producers Releasing Corporation (PRC), and his work in exploitation films and ethnic cinema. Part II analyzes Ulmer's film noirs, featuring an emphasis on Detour (1945) and Murder Is My Beat (1955). Part III covers a variety of Ulmer's individual films, ranging from Bluebeard (1944) and Carnegie Hall (1947) to The Man from Planet X (1951) and Daughter of Dr. Jekyll (1957). Part IV concludes the volume with a case study of The Black Cat (1934), offering three different analyses of Ulmer's landmark horror film.
In the second installment of Elizabeth Cody Kimmel's funny new middle grade series, the magazine is up and running and while the girls may have won the competition to get school funding, now they face new and unexpected challenges. Tally is out for the lead in the school play. Miko has left the magazine to focus on her schoolwork and spend time with her real friends. Ivy is hiding a secret that is distancing her from her new friends. And Paulina is left to juggle the magazine on her own. Will she crack under the pressure?
United States senator Kay Bailey Hutchison examines the lives of sixty-three pioneers in military service, journalism, public health, social reform, science, and politics—all American women. Following in the footsteps of her national bestseller, American Heroines, Senator Kay Bailey Hutchison celebrates female accomplishment in all walks of life. From the Nobel Prize to the halls of Congress, the trailblazers profiled in these skillfully drawn biographical portraits have battled tremendous odds to achieve success—if not always recognition—in their respective fields. Whether committed to a chosen cause or thrust into a public role by personal circumstance, these courageous women have all woven the thin threads of opportunity into sweeping tapestries of achievement. Mixing historical portraits with modern success stories, Senator Hutchison shows how American women from all periods of history have contributed to the strength and progress of our nation—and no history of the nation can be written without them.
A thorough analysis of zombies in popular culture from the 1930s to contemporary society. The zombie apocalypse hasn’t happened—yet—but zombies are all over popular culture. From movies and TV shows to video games and zombie walks, the undead stalk through our collective fantasies. What is it about zombies that exerts such a powerful fascination? In Not Your Average Zombie, Chera Kee offers an innovative answer by looking at zombies that don’t conform to the stereotypes of mindless slaves or flesh-eating cannibals. Zombies who think, who speak, and who feel love can be sympathetic and even politically powerful, she asserts. Kee analyzes zombies in popular culture from 1930s depictions of zombies in voodoo rituals to contemporary film and television, comic books, video games, and fan practices such as zombie walks. She discusses how the zombie has embodied our fears of losing the self through slavery and cannibalism and shows how “extra-ordinary” zombies defy that loss of free will by refusing to be dehumanized. By challenging their masters, falling in love, and leading rebellions, “extra-ordinary” zombies become figures of liberation and resistance. Kee also thoroughly investigates how representations of racial and gendered identities in zombie texts offer opportunities for living people to gain agency over their lives. Not Your Average Zombie thus deepens and broadens our understanding of how media producers and consumers take up and use these undead figures to make political interventions in the world of the living. “Kee provides a compelling synthesis of theory and criticism . . . useful for horror scholars interested in how portrayals of zombie intersect with race and gender.” —Popular Culture Studies Journal “Kee’s Not Your Average Zombie is an important book . . . Put simply: if it's the one book you read about or cite on zombie, you've made an excellent choice.” —American Quarterly “[Not Your Average Zombie] offers a fresh theoretical framework to a fast-growing field . . . A fascinating contribution to the critical conversation about the zombie as a fantastic figure.” —Journal of the Fantastic in the Arts “I’m impressed by Kee’s scholarship across several fields—film history and gender and critical race studies, especially—and her cultural and historical contextualizing of the current zombie renaissance.” —James H. Cox, University of Texas at Austin, author of The Red Land to the South: American Indian Writers and Indigenous Mexico
Leading Ladies is a powerful book of shared testimonies and faith to inspire and motivate women from all walks of life to succeed; for together we are wives, mothers, grandmothers, aunts, sisters, and friends. Treva Gordon, founder of Leading Ladies since 2011, is reaching out to all women everywhere giving them a platform to connect. Leading Ladies seeks to promote women in a positive and professional way through its host of conferences, workshops, and books.
"Fascinating . . . probes an even darker side of Hitchcock." –Newsday It is remarkable how infrequently, over a period of more than fifty years, Alfred Hitchcock spoke about the legendary actresses he directed–including Ingrid Bergman, Kim Novak, and Grace Kelly. But his leading ladies greatly enriched his films, and many of them achieved international stardom precisely because of their work for Hitchcock. Rich with new material, anecdotes, and never-before-told personal observations, this explosive portrait details Hitchcock’s outbursts of cruelty, the shocking humor, and the odd amalgam of adoration and contempt that characterized Hitchcock’s obsessive relationships with women–and that also, paradoxically, fed his genius. Spellbound by Beauty offers important insights into the life of a brilliant and tortured artist, and pays tribute to the memorable actresses who gave so much to his films. "[Spoto] informs Spellbound by Beauty with his profound knowledge of his subject, years of sound reporting, highly polished prose, and sensible analysis." —Richmond Times-Dispatch "Expert insights into Hitchcock’s films." —Oregonian (Portland) "You will never look at a Hitchcock movie the same." —Tampa Tribune
Defying industry logic and gender expectations, women started flocking to see horror films in the early 1940s. The departure of the young male audience and the surprise success of the film Cat People convinced studios that there was an untapped female audience for horror movies, and they adjusted their production and marketing strategies accordingly. Phantom Ladies reveals the untold story of how the Hollywood horror film changed dramatically in the early 1940s, including both female heroines and female monsters while incorporating elements of “women’s genres” like the gothic mystery. Drawing from a wealth of newly unearthed archival material, from production records to audience surveys, Tim Snelson challenges long-held assumptions about gender and horror film viewership. Examining a wide range of classic horror movies, Snelson offers us a new appreciation of how dynamic this genre could be, as it underwent seismic shifts in a matter of months. Phantom Ladies, therefore, not only includes horror films made in the early 1940s, but also those produced immediately after the war ended, films in which the female monster was replaced by neurotic, psychotic, or hysterical women who could be cured and domesticated. Phantom Ladies is a spine-tingling, eye-opening read about gender and horror, and the complex relationship between industry and audiences in the classical Hollywood era.
The Anatomy of a First Lady speaks to the challenges and triumphs of leading ladies in corporate America, marriage, as well as in ministry. As you journey with me through a few of my personal experiences, I will utilize several parts of the human anatomy, such as the cardiovascular system, as a metaphor to transparently discuss relevant PowerPoints, such as matters of the heart. As the circulatory system’s function is to transport the blood throughout the body, women, we deal with various issues of life that cause us to silently scream simply because we are bleeding while leading. This novel offers strategies to combat blood “dis-Eases,” such as persecution, rejection, brokenness, and betrayal that try to block our flow. As the lymphatic system fights infection, leading ladies, you must understand that anything worth having won’t come easy, but you will have to fight for it. The largest organ in the human body is the skin. Leading ladies, if you are going to break glass ceilings, you have to develop a thick skin. As the bones give the body posture, I admonish women and men alike in leadership roles that challenges will come, but if you remain postured in your faith, you can conquer anything!
Reader's Guide to Women's Studies by Eleanor Amico Pdf
The Reader's Guide to Women's Studies is a searching and analytical description of the most prominent and influential works written in the now universal field of women's studies. Some 200 scholars have contributed to the project which adopts a multi-layered approach allowing for comprehensive treatment of its subject matter. Entries range from very broad themes such as "Health: General Works" to entries on specific individuals or more focused topics such as "Doctors."
Collects the essays that examine the effects of music and its ability to provoke or intensify fear in the genre of horror film, address the presence of music in horror films and their potency within them, and delve into the films like "The Exorcist", "The Shining", "The Sixth Sense", "Carnival of Souls" and "The Last House on the Left."
