Download Full eBooks in PDF
August Halm Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of August Halm book. This book definitely worth reading, it is an incredibly well-written.
Author : Lee Allen Rothfarb,Lee Lee Rothfarb
Publisher : University Rochester Press
Page : 320 pages
File Size : 44,6 Mb
Release : 2009
Category : Music
ISBN : 9781580463294
The first detailed study of a prolific and influential early twentieth-century composer, critic, educator-a true sage of music.
Author : Beethoven Forum
Publisher : U of Nebraska Press
Page : 192 pages
File Size : 45,5 Mb
Release : 1996-01-01
Category : Music
ISBN : 0803229216
An annual of international Beethoven studies, Beethoven Forum promotes and sustains the high level of scholarship inspired by Beethoven’s extraordinary works. Volume 5 presents studies on Beethoven’s Fidelio, his piano sonatas, and his uses of form and dynamics, along with reviews of Theodor Adorno’s Beethoven’s Philosophie der Musik and of recent writings on the Ninth Symphony. The contributors are Michael C. Tusa, Lee Rothfarb, Miriam Sheer, Michael Spitzer, William Kinderman, Stephen Hinton, and Scott Burnham.
Author : Anonim
Publisher : Pendragon Press
Page : 572 pages
File Size : 52,6 Mb
Release : 1978
Category : Music
ISBN : 0918728991
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author : Suzannah Clark,Alexander Rehding
Publisher : Cambridge University Press
Page : 262 pages
File Size : 54,6 Mb
Release : 2001
Category : Music
ISBN : 0521771919
Music theory of almost all ages has relied on nature in its attempts to explain music. The understanding of what 'nature' is, however, is subject to cultural and historical differences. In exploring ways in which music theory has represented and employed natural order since the scientific revolution, this volume asks some fundamental questions not only about nature in music theory, but also the nature of music theory. In an array of different approaches, ranging from physical acoustics to theology and Lacanian psychoanalysis, these essays examine how the multifarious conceptions of nature, located variously between scientific reason and divine power, are brought to bear on music theory. They probe the changing representations and functions of nature in the service of music theory and highlight the ever-changing configurations of nature and music, as mediated by the music-theoretical discourse.
Author : Edward A. Lippman
Publisher : Pendragon Press
Page : 536 pages
File Size : 55,8 Mb
Release : 1986
Category : Juvenile Nonfiction
ISBN : 091872841X
The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the realm of 19th-century expressiveness. The rational foundation of aesthetics gave way to an emphasis on an art form's strength of feeling and expressive power, a purity of the creation and the creator. No longer confined to a restricted sense of beauty, music admitted the violent, the enormous and the ugly into its sphere of emotion, now the era of romanticism and Sturm und Drang. These developments are here detailed in the writings of Wackenroder, Herder, Thibaut, Schelling, Hegel, Schopenhauer, Kirkegaard, Wagner, Hanslick, Ambros, Nietzsche, Spencer, Gurney, and Haussegger. Through them we see the classical province of proportion, educated taste and contained expressiveness recede, and the emotional realism of music come to the fore.
Author : Daniel M. Grimley
Publisher : Boydell Press
Page : 338 pages
File Size : 51,9 Mb
Release : 2010
Category : Biography & Autobiography
ISBN : 9781843835813
Beryl Foster's authoritative study can claim to be the most thorough investigation of this repertoire yet to have appeared in English, and is likely to remain the standard work on the subject for many years to come. TLS --
Author : Crawford Howie
Publisher : Routledge
Page : 594 pages
File Size : 48,5 Mb
Release : 2017-07-05
Category : Music
ISBN : 9781351554435
A century after his death Anton Bruckner still remains one of the most complex and enigmatic creative personalities of the nineteenth century. A leading avant-garde figure of his generation, he was an accomplished performer and teacher in addition to being a great composer; few people in the history of western music can boast his level of achievement in all these areas combined. This book, a collection of essays written by an international group of scholars, offers diverse theoretical and musicological perspectives on Bruckner the composer-teacher-performer. Facets of his formidable theoretical training and his application of it as part of the compositional process are explored. A variety of analytical methodologies is used to examine the Second through to the Ninth Symphonies, the heart of the composer?s mature repertoire. Finally, aspects of Bruckner?s career as a teacher and performer, his complex personality, his influence and dissemination of his music are considered.
Author : Joseph L. Gavett
Publisher : Watchmaker Publishing, Ltd
Page : 442 pages
File Size : 41,7 Mb
Release : 2008
Category : Cities and towns
ISBN : 1603863427
Author : Max Paddison
Publisher : Cambridge University Press
Page : 396 pages
File Size : 46,8 Mb
Release : 1997-10-30
Category : Music
ISBN : 0521626080
This introduction to the aesthetics and sociology of music of the German philosopher and music theorist T. W. Adorno is the only book to deal comprehensively with this topic and it has quickly established itself as a classic text.
Author : Michael Gallope
Publisher : University of Chicago Press
Page : 348 pages
File Size : 54,6 Mb
Release : 2017-11-16
Category : Music
ISBN : 9780226483726
We often say that music is ineffable, that it does not refer to anything outside of itself. But if music, in all its sensuous flux, does not mean anything in particular, might it still have a special kind of philosophical significance? In Deep Refrains, Michael Gallope draws together the writings of Arthur Schopenhauer, Friedrich Nietzsche, Ernst Bloch, Theodor Adorno, Vladimir Jankélévitch, Gilles Deleuze, and Félix Guattari in order to revisit the age-old question of music’s ineffability from a modern perspective. For these nineteenth- and twentieth-century European philosophers, music’s ineffability is a complex phenomenon that engenders an intellectually productive sense of perplexity. Through careful examination of their historical contexts and philosophical orientations, close attention to their use of language, and new interpretations of musical compositions that proved influential for their work, Deep Refrains forges the first panoptic view of their writings on music. Gallope concludes that music’s ineffability is neither a conservative phenomenon nor a pious call to silence. Instead, these philosophers ask us to think through the ways in which music’s stunning force might address, in an ethical fashion, intricate philosophical questions specific to the modern world.
Author : Erinn Elizabeth Knyt
Publisher : Stanford University
Page : 641 pages
File Size : 41,7 Mb
Release : 2010
Category : Electronic
ISBN : STANFORD:ck155rf0207
Ferruccio Busoni's conception of the musical work derives from his multiple roles as performer, aesthetician, editor, composer, arranger, and intellectual. Drawing on unpublished scores, manuscripts, sketches and documents from the Staatsbibliothek in Berlin, concert programs from a private collection in Berkeley, acoustic recordings, information about Busoni's intellectual interests gleaned from an auction catalogue featuring the contents of his extensive library, and the published aesthetic writings, letters, and compositions, the present study offers the first comprehensive account of Busoni's work concept. By establishing connections between his ideas and his musical practice, it explores and clarifies the reasoning behind his idiosyncratic compositional style, a style characterized by a blurring of boundaries between original and borrowed material. Polystylistic mixtures of the old and new and a distinctive performance style, in which Busoni creatively altered and embellished existing texts, exemplify his practice in an age in thrall to Werktreue, when originality of idea was prized above all else.
Author : Karen Painter
Publisher : Harvard University Press
Page : 374 pages
File Size : 44,8 Mb
Release : 2008-01-15
Category : Music
ISBN : 0674033590
Can music be political? Germans have long claimed the symphony as a pillar of their modern national culture. By 1900, the critical discourse on music, particularly symphonies, rose to such prominence as to command front-page news. With the embrace of the Great War, the humiliation of defeat, and the ensuing economic turmoil, music evolved from the most abstract to the most political of the arts. Even Goebbels saw the symphony as a tool of propaganda. More than composers or musicians, critics were responsible for this politicization of music, aspiring to change how music was heard and understood. Once hailed as a source of individual heroism, the symphony came to serve a communal vision. Karen Painter examines the politicization of musical listening in Germany and Austria, showing how nationalism, anti-Semitism, liberalism, and socialism profoundly affected the experience of serious music. Her analysis draws on a vast collection of writings on the symphony, particularly those of Mahler and Bruckner, to offer compelling evidence that music can and did serve ideological ends. She traces changes in critical discourse that reflected but also contributed to the historical conditions of the fin de siecle, World War I, and the Nazi regime.
Author : Ruth Gillen
Publisher : Indiana University Press
Page : 307 pages
File Size : 45,8 Mb
Release : 2006-09-13
Category : Music
ISBN : 9780253028396
"[Wolff] is a remarkable pianist, an excellent theoretician, a learned teacher, a brilliant thinker and writer." —Artur Schnabel "This collection of [Wolff's] writings and letters should bear ample testimony to a musician who happily combined the artist, the teacher, the musicologist, and the charm and integrity of a human being." —Alfred Brendel "Konrad Wolff writes about music with the verve and enthusiasm of a great teacher who has never lost his sense of music as an adventure. To read him is to enter into a lively dialogue with a superior musical mind and a buoyant spirit." —Richard Goode This collection provides elegant and thorough portraits of an important 20th-century performer and lover of music, as well as of his greatest influences.
Author : Walter Benjamin
Publisher : Verso Books
Page : 433 pages
File Size : 48,9 Mb
Release : 2021-12-07
Category : Philosophy
ISBN : 9781839764165
Walter Benjamin was fascinated by the impact of new technology on culture, an interest that extended beyond his renowned critical essays. From 1927 to ’33, he wrote and presented something in the region of eighty broadcasts using the new medium of radio. Radio Benjamin gathers the surviving transcripts, which appear here for the first time in English. This eclectic collection demonstrates the range of Benjamin’s thinking and his enthusiasm for popular sensibilities. His celebrated “Enlightenment for Children” youth programs, his plays, readings, book reviews, and fiction reveal Benjamin in a creative, rather than critical, mode. They flesh out ideas elucidated in his essays, some of which are also represented here, where they cover topics as varied as getting a raise and the history of natural disasters, subjects chosen for broad appeal and examined with passion and acuity. Delightful and incisive, this is Walter Benjamin channeling his sophisticated thinking to a wide audience, allowing us to benefit from a new voice for one of the twentieth century’s most respected thinkers.
Author : Philip Stoltzfus
Publisher : Bloomsbury Publishing USA
Page : 297 pages
File Size : 47,7 Mb
Release : 2006-06-05
Category : Religion
ISBN : 9780567174734
Theology as Performance breaks new ground in the growing conversation between modern theology and philosophical aesthetics. Stoltzfus proposes that significant moments in the Western development of the concept of God, in particular as represented in the figures of Friedrich Schleiermacher, Karl Barth, and Ludwig Wittgenstein, have been deeply influenced by concepts and approaches borrowed from the discipline of musical aesthetics. Each thinker develops fundamentally different ways of writing about God that have in significant respects been derived from each one's reading and writing about music. The aesthetic implications of Schleiermacher's so-called subjectivist turn, Barth's objectivist reaction, and Wittgenstein's language-game pragmatism can thus be fully understood only by attending to the musical culture and distinctly musicological discourses that gave rise to them. Stoltzfus constructs two trajectories of thought with which to trace theological reflection upon music throughout the pre-modern period: the traditions of Orpheus and Pythagoras. Schleiermacher's aesthetic approach, then, becomes a modern representative of the Orpheus trajectory, and Barth's approach a representative of the Pythagoras trajectory. Stoltzfus interprets Wittgenstein as putting forward a radical critique of these trajectories and pointing toward a third, "performative" theological-aesthetic method. Theology as Performance offers a provocative rethinking of the aesthetic roots of modern theology.