Authorship

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Scientific Authorship

Author : Mario Biagioli,Peter Galison
Publisher : Routledge
Page : 396 pages
File Size : 47,8 Mb
Release : 2014-01-27
Category : Law
ISBN : 9781135380991

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Scientific Authorship by Mario Biagioli,Peter Galison Pdf

Since the seventeenth century our ideas of scientific authorship have expanded and changed dramatically. In this ambitious volume of new work, Mario Biagioli and Peter Galison have brought together historians of science, literary historians, and historians of the book. Together they track the changing nature and identity of the author in science, both historically and conceptually, from the emergence of scientific academies in the age of Galileo to concerns with large-scale multiauthorship and intellectual property rights in the age of cloning labs and pharmaceutical giants. How, for example, do we decide whether a chemical compound is discovered or invented? What does it mean to patent genetic material? Documenting the emergence of authorship in the late medieval period, authorship's limits and its fragmentation, Scientific Authorship offers a collective history of a complex relationship.

Authorship

Author : Ellie Abrons,Lucia Allais,Marshall Brown,Peter Eisenman,Antoine Picon,Curt Gambetta,Hal Foster,Sylvia Lavin,Thom Mayne,Florencia Pita,Jackilin Bloom,Eda Yetim,Jesse Reiser
Publisher : Princeton University Press
Page : 149 pages
File Size : 49,8 Mb
Release : 2020-02-04
Category : Architecture
ISBN : 9780964264106

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Authorship by Ellie Abrons,Lucia Allais,Marshall Brown,Peter Eisenman,Antoine Picon,Curt Gambetta,Hal Foster,Sylvia Lavin,Thom Mayne,Florencia Pita,Jackilin Bloom,Eda Yetim,Jesse Reiser Pdf

Authorship critically examines emergent themes in contemporary architecture by revisiting the seemingly defunct notion of design authorship. As we revel in the death of the master architect, how do we come to terms with the shifting role of creativity in architecture’s cultural production? In Authorship, a cross-disciplinary group of designers and scholars explores this topic through a myriad of lenses. Subjects include the impact of digital tools and computational scripts on the conception of buildings in the age of robotics, the current climate of appropriation and sampling as a counter-form of authorship, and the rise of reauthored materials in a postdigital age. These questions are cast against alternative ideas of authorship that, in turn, reposition the history of architecture. Featured essays investigate the separation between the personal and the authored while other contributions expose meaning, symbolism, and iconography as the subjects of authority—not authorship. Ultimately, this book dismantles, realigns, and reassembles disparate architectural conditions to form new ways of thinking. Discourse is a biannual publication series that presents timely themes on and around architecture. A selective compilation of essays, interviews, roundtable discussions, featured exhibitions, photo-essays, and collateral materials—such as architectural models, sketches, and built works—highlight architectural culture, practice, and theory.

Music, Authorship, and the Book in the First Century of Print

Author : Kate van Orden
Publisher : Univ of California Press
Page : 256 pages
File Size : 49,7 Mb
Release : 2013-10-19
Category : Music
ISBN : 9780520276505

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Music, Authorship, and the Book in the First Century of Print by Kate van Orden Pdf

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western musicÕs adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Mass Authorship and the Rise of Self-Publishing

Author : Timothy Laquintano
Publisher : University of Iowa Press
Page : 257 pages
File Size : 46,6 Mb
Release : 2016-10-15
Category : Language Arts & Disciplines
ISBN : 9781609384456

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Mass Authorship and the Rise of Self-Publishing by Timothy Laquintano Pdf

In the last two decades, digital technologies have made it possible for anyone with a computer and an Internet connection to rapidly and inexpensively self-publish a book. Once a stigmatized niche activity, self-publishing has grown explosively. Hobbyists and professionals alike have produced millions of books, circulating them through e-readers and the web. What does this new flood of books mean for publishing, authors, and readers? Some lament the rise of self-publishing because it tramples the gates and gatekeepers who once reserved publication for those who met professional standards. Others tout authors’ new freedom from the narrow-minded exclusivity of traditional publishing. Critics mourn the death of the author; fans celebrate the democratization of authorship. Drawing on eight years of research and interviews with more than eighty self-published writers, Mass Authorship avoids the polemics, instead showing how writers are actually thinking about and dealing with this brave new world. Timothy Laquintano compares the experiences of self-publishing authors in three distinct genres—poker strategy guides, memoirs, and romance novels—as well as those of writers whose self-published works hit major bestseller lists. He finds that the significance of self-publishing and the challenge it presents to traditional publishing depend on the aims of authors, the desires of their readers, the affordances of their platforms, and the business plans of the companies that provide those platforms. In drawing a nuanced portrait of self-publishing authors today, Laquintano answers some of the most pressing questions about what it means to publish in the twenty-first century: How do writers establish credibility in an environment with no editors to judge quality? How do authors police their copyrights online without recourse to the law? How do they experience Amazon as a publishing platform? And how do they find an audience when, it sometimes seems, there are more writers than readers?

Expanding Authorship

Author : Peter Middleton
Publisher : University of New Mexico Press
Page : 376 pages
File Size : 53,5 Mb
Release : 2021
Category : Authorship
ISBN : 9780826362636

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Expanding Authorship by Peter Middleton Pdf

Expanding Authorship collects important essays by Peter Middleton that show the many ways in which, in a world of proliferating communications media, poetry-making is increasingly the work of agencies extending beyond that of a single, identifiable author. In four sections--Sound, Communities, Collaboration, and Complexity--Middleton demonstrates that this changing situation of poetry requires new understandings of the variations of authorship. He explores the internal divisions of lyric subjectivity, the vicissitudes of coauthorship and poetry networks, the creative role of editors and anthologists, and the ways in which the long poem can reveal the outer limits of authorship. Readers and scholars of Wallace Stevens, William Carlos Williams, George Oppen, Frank O'Hara, Robert Duncan, Robert Creeley, Jerome Rothenberg, Susan Howe, Lyn Hejinian, Nathaniel Mackey, and Rae Armantrout will find much to learn and enjoy in this groundbreaking volume.

Constructions of Media Authorship

Author : Christiane Heibach,Angela Krewani,Irene Schütze
Publisher : Walter de Gruyter GmbH & Co KG
Page : 257 pages
File Size : 51,6 Mb
Release : 2020-11-23
Category : Literary Criticism
ISBN : 9783110679694

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Constructions of Media Authorship by Christiane Heibach,Angela Krewani,Irene Schütze Pdf

The author is dead, long live the author! This paradox has shaped discussions on authorship since at least the 1960s, when the dominant notion of the individual author-genius was first critically questioned. The ongoing discussion has mainly focused on literature and the arts, but has ignored nearly any artistic practice beyond these two fields. “Constructions of Media Authorship” aims to fill this gap: the volume’s interdisciplinary contributions reflect historical and current artistic practices within various media and attempt to grasp them from different perspectives. The first part sheds a new light on different artistic and design practices and questions the still dominant view on the individual identifiable author. The second part discusses creative practices in literature, emphasizing the interrelation of aesthetic discourses and media practices. The third part investigates authoring in audiovisual media, especially film and TV, while the final part turns to electronic and digital media and their collective creativity and hybrid mediality. The volume is also an attempt to develop new methodological approaches, focusing on the interplay between various human and non-human actors in different media constellations.

Performing Authorship

Author : Cecilia Sayad
Publisher : Bloomsbury Publishing
Page : 208 pages
File Size : 45,9 Mb
Release : 2013-09-17
Category : Art
ISBN : 9780857722874

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Performing Authorship by Cecilia Sayad Pdf

The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence. It is an illuminating analysis of films by Jean-Luc Godard, Woody Allen, Agnes Varda, Orson Welles, Jean Rouch, Eduardo Coutinho and Sarah Turner that shows directors shifting between opposite movements towards exposure and masking, oscillating between the assertion and divestiture of their authorial control. In the process, Cecilia Sayad argues, the film author is not necessarily at the work's origin, nor does it constitute the end product. What this new concept of performing authorship describes is the making and unmaking of a subject.

Authorship Analysis in Chinese Social Media Texts

Author : Shaomin Zhang
Publisher : Unknown
Page : 114 pages
File Size : 52,7 Mb
Release : 2024-03-29
Category : Language Arts & Disciplines
ISBN : 9781009324281

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Authorship Analysis in Chinese Social Media Texts by Shaomin Zhang Pdf

This Element explores the sentiment and keyword features in both authorship profiling and authorship attribution in social media texts in the Chinese cultural context. The key findings can be summarised as follows: firstly, sentiment scores and keyword features are distinctive in delineating authors' gender and age. Specifically, female and younger authors tend to be less optimistic and use more personal pronouns and graduations than male and older authors, respectively. Secondly, these distinctive profiling features are also distinctive and significant in authorship attribution. Thirdly, our mindset, shaped by our inherent hormonal influences and external social experiences, plays a critical role in authorship. Theoretically, the findings expand authorship features into underexplored domains and substantiate the theory of mindset. Practically, the findings offer some broad quantitative benchmarks for authorship profiling cases in the Chinese cultural context, and perhaps other contexts where authorship profiling analyses have been used. This title is also available as Open Access on Cambridge Core.

Authorship and Film

Author : David A. Gerstner,Janet Staiger
Publisher : Routledge
Page : 320 pages
File Size : 41,7 Mb
Release : 2013-09-13
Category : Performing Arts
ISBN : 9781135225490

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Authorship and Film by David A. Gerstner,Janet Staiger Pdf

Authorship in film has been a persistent theme in the field of cinema studies. This volume of new work revitalizes the question of authorship by connecting it to larger issues of identity--in film, in the marketplace, in society, in culture. Essays range from the auteur theory and Casablanca to Oscar Micheaux, from the American avant-garde to community video, all illuminating how "authorship" is a complex idea with far-reaching implications. This ambitious and wide-ranging book will be essential reading for anyone concerned with film studies and the concept of the author.

Dealing with Authorship

Author : Sarah Burnautzki,Frederik Kiparski,Raphaël Thierry
Publisher : Cambridge Scholars Publishing
Page : 275 pages
File Size : 44,7 Mb
Release : 2018-10-30
Category : Performing Arts
ISBN : 9781527520738

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Dealing with Authorship by Sarah Burnautzki,Frederik Kiparski,Raphaël Thierry Pdf

Literature and film generate symbolic as well as economic capital. As such, aesthetic productions exist in various contexts following contrasting rules. Which role(s) do authors and filmmakers play in positioning themselves in this conflictive relation? Bringing together fourteen essays by scholars from Germany, the USA, the UK and France, this volume examines the multiple ways in which the progressive (self-) fashioning of authors and filmmakers interacts with the public sphere, generating authorial postures, and thus arouses attention. It questions the autonomous nature of the artistic creation and highlights the parallels and differences between the more or less clear-cut national contexts, in order to elucidate the complexity of authorship from a multifaceted perspective, combining contributions from literary and cultural studies, as well as film, media, and communication studies. Dealing with Authorship, as a transversal venture, brings together reflections on leading critics, exploring works and postures of canonical and non-canonical authors and filmmakers. An uncommon and challenging picture of authorship is explored here, across national and international artistic fields that affect Africa, Europe and America. The volume raises the questions of cultural linkages between South and North, imbalances between the mainstream and the margins in an economic, literary or “racial” dimension, and, more broadly, the relation of power and agency between artists, editors, critics, publics, media and markets.

A Theory of Linguistic Individuality for Authorship Analysis

Author : Andrea Nini
Publisher : Elements in Forensic Linguisti
Page : 105 pages
File Size : 47,5 Mb
Release : 2023-06-15
Category : Language Arts & Disciplines
ISBN : 9781108971386

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A Theory of Linguistic Individuality for Authorship Analysis by Andrea Nini Pdf

Introduces a formal theory of linguistic individuality, a perspective-changing framework moving the field towards more cognitively realistic methods of authorship analysis.

Media Authorship

Author : Cynthia Chris,David A. Gerstner
Publisher : Routledge
Page : 330 pages
File Size : 42,9 Mb
Release : 2013-02-15
Category : Language Arts & Disciplines
ISBN : 9781136485718

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Media Authorship by Cynthia Chris,David A. Gerstner Pdf

Contemporary media authorship is frequently collaborative, participatory, non-site specific, or quite simply goes unrecognized. In this volume, media and film scholars explore the theoretical debates around authorship, intention, and identity within the rapidly transforming and globalized culture industry of new media. Defining media broadly, across a range of creative artifacts and production cultures—from visual arts to videogames, from textiles to television—contributors consider authoring practices of artists, designers, do-it-yourselfers, media professionals, scholars, and others. Specifically, they ask: What constitutes "media" and "authorship" in a technologically converged, globally conglomerated, multiplatform environment for the production and distribution of content? What can we learn from cinematic and literary models of authorship—and critiques of those models—with regard to authorship not only in television and recorded music, but also interactive media such as videogames and the Internet? How do we conceive of authorship through practices in which users generate content collaboratively or via appropriation? What institutional prerogatives and legal debates around intellectual property rights, fair use, and copyright bear on concepts of authorship in "new media"? By addressing these issues, Media Authorship demonstrates that the concept of authorship as formulated in literary and film studies is reinvigorated, contested, remade—even, reauthored—by new practices in the digital media environment.

Fashion and Authorship

Author : Gerald Egan
Publisher : Springer Nature
Page : 352 pages
File Size : 52,7 Mb
Release : 2020-02-13
Category : Literary Criticism
ISBN : 9783030268985

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Fashion and Authorship by Gerald Egan Pdf

Studies of fashion and literature in recent decades have focused primarily on representations of clothing and dress within literary texts. But what about the author? How did he dress? What where her shopping practices and predilections? What were his alliances with modishness, stylishness, fashion? The essays in this book explore these and other questions as they look at authors from the eighteenth century through the postmodern and digital eras, cultural producers who were also men and women of fashion: Alexander Pope, Hester Thrale, Mary Robinson, Lord Byron, William Thackeray, Charlotte Bronte, Wilkie Collins, Margaret Oliphant, Virginia Woolf, Rebecca West, Trudi Kanter, Angela Carter, and Martin Margiela. The essays collected here ultimately converge upon a fundamental question: what happens to our notions of timeless literature when authorship itself is implicated in the transient and the temporary, the cycles and materials of fashion? “Gerald Egan’s provocative introduction to this exciting new book poses a bold question: How are authorship and literature – so often linked to ideas of transcendence – implicated in the transient trends and stuff of fashion? The thirteen chapters that follow track authorship’s complex implication in the discourses and materiality of fashion and fashionable goods from the eighteenth to the twentieth centuries. Wide-ranging in discipline and chronology, yet forensically focused and carefully argued, this book makes a striking and wonderfully original contribution to studies of authorship, celebrity and material culture.” — Dr Jennie Batchelor, Professor of Eighteenth-Century Studies,University of Kent, UK

Music, Authorship, Narration, and Art Cinema in Europe

Author : Michael Baumgartner,Ewelina Boczkowska
Publisher : Taylor & Francis
Page : 241 pages
File Size : 40,6 Mb
Release : 2022-12-30
Category : Music
ISBN : 9781315298313

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Music, Authorship, Narration, and Art Cinema in Europe by Michael Baumgartner,Ewelina Boczkowska Pdf

Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s investigates the function of music in European cinema after the Second World War up to the fall of the Berlin wall, a period when composers and directors embraced experimentation. Through analyses of music and sound in a wide range of iconic films from across Europe, the essays in this book provide a nuanced reconsideration of three core themes: auteur theory, art house film, and national cinema. Chapters written by an international array of contributors focus on case studies of music in the cinema of Carlos Saura, Jean-Pierre Melville, the Polish School, and Romanian directors, as well as collaborations between directors and composers, including Michelangelo Antonioni and Giovanni Fusco, Federico Fellini and Nino Rota, Leo Arnshtam and Dmitry Shostakovich, and Peter Greenaway and Michael Nyman. The contributors shift the emphasis from a director-centered view to the working relationship between director and composer, and from the visual component to the sonic aspects of these films, without ignoring the close correlation between soundtrack and visual elements. Enriching our understanding of the complex, intertwined nature of authorship in film, the role of film music, and sound, nation-state and art cinema, and European cinematic history, this volume offers a valuable addition to research across music and film studies.

Constructing Authorship in the Work of Günter Grass

Author : Rebecca Braun
Publisher : Oxford University Press
Page : 208 pages
File Size : 51,6 Mb
Release : 2008-06-26
Category : History
ISBN : 9780199542703

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Constructing Authorship in the Work of Günter Grass by Rebecca Braun Pdf

A challenging new reading of Grass's literary work and political writings that examines how the author has reacted to sustained public interest in his person from the mid-1960s onwards. Braun draws together an eclectic body of literary writing and suggests that questions of authorship lie at the heart of Grass's work.