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Residents of the South Bronx during its promising postwar decades tell their stories in their own words. In the 1930s, word spread in Harlem that there were spacious apartments for rent in the Morrisania section of the Bronx. Landlords, desperate to avoid foreclosure, began putting signs in windows and placing ads in New York’s black newspapers that said “We rent to select colored families”—by which they meant those with a securely employed wage earner and light complexions. Black families moved in by the score, beginning a period in which the Bronx served as a borough of hope and upward mobility. Chronicling a time when African Americans were suspended between the best and worst possibilities of New York City, Before the Fires tells the personal stories of men and women who lived in the South Bronx before the social and economic decline of the late 1960s. Located on a hill overlooking a large industrial district, Morrisania offered migrants from Harlem, the South, and the Caribbean an opportunity to raise children in a neighborhood with better schools, strong churches, more shopping, less crime, and clean air. It also boasted vibrant music venues, giving rise to such titans as Herbie Hancock, Eddie Palmieri, Valerie Simpson, the Chantels, and Jimmy Owens. Rich in detail, these interviews describe growing up and living in communities rarely mentioned in other histories. Before the Fires captures the optimism of the period—as well as the heartache of what was lost in the urban crisis and the burning of the Bronx. “Excellent . . . profound, moving.” —Robert W. Snyder, Rutgers University, Newark
Motown means different things to different people. The mere mention of perhaps the most iconic record label in history is often enough to invoke memories and mental images of Marvin Gaye, Diana Ross, Stevie Wonder, The Temptations, The Jackson 5, The Supremes and numerous others. With each group recalled, there is an accompanying piece of music of the mind, from Baby Love, My Girl, Signed Sealed Delivered, I Heard It Through The Grapevine, ABC and Tears Of A Clown and countless more. Quite often, you can ask people what kind of music they like and they will simply answer ‘Motown’, and both they, and you, know exactly what is meant. Or rather, what is implied. The Motown they are invariably thinking of is the label that dominated the charts in the mid 1960s with a succession of radio friendly, dance orientated hits, most of which were written and produced by the trio of Brian Holland, Lamont Dozier and Eddie Holland. This period is referred to, naturally enough, as the Golden Era, when Motown was not only the dominant force in its home city of Detroit but carried The Sound of Young America all around the world. The kind of music that had them Dancing In the Street from Los Angeles to London, Miami to Munich and San Francisco to Sydney. It was the kind of music that attracted scores of imitators; some good, some not so good. The kind of music that appealed to the public and presidents alike, and still does. It was that Motown that this book was intended to be about. However, when you start digging deeper into the Motown story, you realise that throughout its life (which, for the purposes of this book, is its formation in 1959 through to its sale in 1988) it was constantly trying other musical genres, looking to grab hits out of jazz, country, pop, rock, middle of the road and whatever else might be happening at the time. Of course it wasn’t particularly successful at some of the other genres, although those who claim Motown never did much in the rock market conveniently overlook the healthy sales figures achieved by Rare Earth, the group, and focus instead on the total sales achieved on Rare Earth, the label. This book, therefore, contains biographies of all 684 artists who had releases on Motown and their various imprints, as well as biographies of 16 musicians, 23 producers, 19 writers and 13 executives. There are also details of the 50 or so labels that Motown owned, licensed to or licensed from. All nine films and the 17 soundtracks are also featured. Every Motown single and album and EP that made the Top Ten of the pop charts in either the US or UK also have their own entries, with 222 singles, 84 albums and five EPs being featured. Finally, there are 36 other entries, covering such topics as the Hollywood Walk of Fame, the Motortown Revues, Grammy Awards and the most played Motown songs on radio. The 1,178 entries cover every aspect of Motown and more – of the link between Granny in The Beverly Hillbillies and Wonder Woman, of the artists from Abbey Tavern Singers to Zulema, and the hits from ABC to You Really Got A Hold On Me. The Motown Encyclopedia is the story of Motown Records; Yesterday, Today, Forever.
In 1959, twenty-nine-year-old Berry Gordy, who had already given up on his dream to be a champion boxer, borrowed eight hundred dollars from his family and started a record company. A run-down bungalow sandwiched between a funeral home and a beauty shop in a poor Detroit neighborhood served as his headquarters. The building’s entrance was adorned with a large sign that improbably boasted “Hitsville U.S.A.” The kitchen served as the control room, the garage became the two-track studio, the living room was reserved for bookkeeping, and sales were handled in the dining room. Soon word spread that any youngster with a streak of talent should visit the only record label that Detroit had seen in years. The company’s name was Motown. Motown cuts through decades of unsubstantiated rumors and speculation to tell the true behind-the-scenes narrative of America’s most exciting musical dynasty. It follows the company and its amazing roster of stars from the tumultuous growth years in Detroit, to the drama and intrigue of Hollywood in the 1970s, to resurgence in 2002. Set against the civil rights movement, the decay of America’s northern industrial cities, and the social upheaval of the 1960s, Motown is a tale of the incredible entrepreneurship of Berry Gordy. But it also features the moving stories of kids from Detroit’s inner-city projects who achieved remarkable success and then, in many cases, found themselves fighting the demons that so often come with stardom—drugs, jealousy, sexual indulgence, greed, and uncontrollable ambition. Motown features an extraordinary cast of characters, including Diana Ross, Michael Jackson, Marvin Gaye, Smokey Robinson, and Stevie Wonder. They are presented as they lived and worked: a clan of friends, lovers, competitors, and sometimes vicious foes. Motown reveals how the hopes and dreams of each affected the lives of the others and illustrates why this singular story is a made-in-America Greek tragedy, the rise and fall of a supremely talented yet completely dysfunctional extended family. Based on numerous original interviews and extensive documentation, Motown benefits particularly from the thousands of pages of files crammed into the basement of downtown Detroit’s Wayne County Courthouse. Those court records provide the unofficial—and hitherto largely untold—history of Motown and its stars, since almost every relationship between departing singers, songwriters, producers, and the label ended up in litigation. From its peaks in the late 1960s and early 1970s, when Motown controlled the pop charts and its stars were sought after even by the Beatles, through the inexorable slide caused by their failure to handle their stardom, Motown is a riveting and troubling look inside a music label that provided the unofficial soundtrack to an entire generation.
In the 1960s, Motown Record Corporation, located in Detroit, Michigan, was in its heyday, churning out number one hit records in rapid succession. Maria Arlington was just nineteen years of age when she began working for Motown as an assistant to a talent manager. She was surrounded by a sea of famous singers, songwriters, producers, and musicians. A handsome young trumpeter captivated her heart and became unforgettable in her life. When Berry Gordy Jr. moved Motown from Detroit to Los Angeles in 1972, Maria was anxious to discover “the other side of Motown” after the company had relocated. She also wished to renew her friendship with her musician friend. After many years have passed, Maria and her musician friend meet again, and Maria is willing to travel to Los Angeles to renew their friendship, even though she’s now a married woman and someone is secretively plotting to destroy her marriage.
This is the book for lovers of Motown! Author and Motown historian Bill Dahl has expertly compiled this comprehensive guide to the musical combination of pop and gospel, known as Motown. This new compilation features an A-to-Z listing and biography of nearly every Motown group since its beginning in 1959. Also included are never-before-published photos from former Motown promotions guru Weldon A. McDougal III. Enthusiasts will now have a chance to own a complete encyclopedia of groups and artists, along with information about their music, including a discography and price guide. • 32-page color section containing many never-before-published photos • Complete encyclopedia of groups, artists, plus discography and price guide for all Motown acts
Guitars, Bars, and Motown Superstars by Dennis Coffey Pdf
Under Berry Gordy, Motown was a place where studio musicians usually stood in the shadows, unlike the solo stars whose names appeared on the albums. Gordy held a tight rein on his musicians, forbidding them from playing for other record companies and denying them credit on his records. In Guitars, Bars, and Motown Superstars, author and guitarist Dennis Coffey tells how he slipped Gordy's draconian rules and went on to success as both a Motown musician and a million-selling solo artist. He offers a fascinating backstage look at the Detroit, L.A., and New York music scenes in the '60s and '70s, with side trips to the smoky clubs and funky studios where the Motown Sound was born. Coffey is credited with creating a lot of that sound, including the famous guitar intro to the Temptations' classic "Cloud Nine." He played on hundreds of Motown albums, and introduced such innovations as the wah-wah pedal into the Motown recording studio. Guitars, Bars, and Motown Superstars is an entertaining and amusing memoir of one of the most dynamic and influential periods in contemporary pop culture, and a unique insight into the ups and downs of the studio guitar-for-hire. It's also a look at the dizzying rags-to-riches-and-back-again career of a rock musician who went from million-seller with a house in the Hollywood Hills, and ultimately back to his roots in the Detroit area. A must for fans of Motown, rock, and you-are-there popculture history. Book jacket.
Author : Portia K. Maultsby,Mellonee V. Burnim Publisher : Taylor & Francis Page : 418 pages File Size : 40,8 Mb Release : 2016-10-26 Category : Music ISBN : 9781315472089
Issues in African American Music by Portia K. Maultsby,Mellonee V. Burnim Pdf
Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.
This major biography includes the behind-the-scenes story to many of the landmarks in Jackson's life: his legal and commercial battles, his marriages to Lisa Marie Presley and Debbie Rowe, his passions and addictions, his children; objective and revealing, it carries the hallmarks of all of Taraborrelli's best-sellers: impeccable research, brilliant storytelling and definitive documentation. So much has how been said and written about the life and career of Michael Jackson that it has become almost impossible to disentangle the man from the myth. This book is the fruit of over 30 years of research and hundreds of exclusive interviews with a remarkable level of access to the very closest circles of the Jackson family - including Michael himself. Cutting through tabloid rumours, J. Randy Taraborrelli traces the real story behind Michael Jackson, from his drilling as a child star through the blooming of his talent to his ever-changing personal appearance and bizarre publicity stunts.
Joy Ride! The Stars and Stories of Philly's Famous Uptown Theater by Kimberly C. Roberts Pdf
"Joy Ride! The Stars and Stories of Philly’s Famous Uptown Theater" is the exclusive, behind-the-scenes, inside story of iconic disc jockey Georgie Woods" spectacular R&B shows at Philadelphia’s Uptown Theater, and how the controlled creative chaos at the majestic movie house inspired "The Philly Sound." Told by the people who actually lived it, "Joy Ride!" is the fi rst comprehensive history on the Uptown, which was once a mandatory stop on the legendary "chitlin' circuit." It features the intimate, amusing, outrageous and sometimes scandalous stories of dozens of decorated entertainers, including 11 Rock and Roll Hall of Famers. All agree that like Georgie Woods' soulful theme song that opened his R&B extravaganzas, every show at the Uptown Theater was a "Joy Ride!"
Since his professional debut in 1962, Stevie Wonder has recorded sixty-four singles that have made the Billboard top 100, including ten that reached number one. Wonder was one of the first Motown artists to have complete control over the writing, arranging, and recording of his songs, and achieved that stature before he was 20 years old. He has won 17 Grammy awards, was elected to the Rock and Roll Hall of Fame in 1989, and earned the Grammy's Lifetime Achievement Award in 1996. Equally important, his work as a producer, arranger, and instrumentalist on other artists' recordings has put him in the highest rank of musical collaborators. This is the first work of criticism on this important documentarian of American life, as well as the introductory volume in The Praeger Singer-Songwriter Collection. Through a combination of biography and critical analysis, James Perone's groundbreaking new book reveals the many ways in which Stevie Wonder's body of work emerged, developed, reflected its time, and influenced myriad other artists. After revealing the social, cultural, and political context of Wonder's work, the book provides detailed analysis of his compositions and recordings, with a focus on both his well-known songs and those known only to his hardcore fans. The volume also contains discussions of cover versions of Wonder's compositions, a discography of his recordings, a song title index, an annotated bibliography, and a general index.
The greatest albums of all time . . . and how they happened. Organised chronologically and spanning seven decades, The MOJO Collection presents an authoritative and engaging guide to the history of the pop album via hundreds of long-playing masterpieces, from the much-loved to the little known. From The Beatles to The Verve, from Duke Ellington to King Tubby and from Peggy Lee to Sly Stone, hundreds of albums are covered in detail with chart histories, full track and personnel listings and further listening suggestions. There's also exhaustive coverage of the soundtrack and hit collections that every home should have. Like all collections, there are records you listen to constantly, albums you've forgotten, albums you hardly play, albums you love guiltily and albums you thought you were alone in treasuring, proving The MOJO Collection to be an essential purchase for those who love and live music.
Rock & Roll in Kennedy's America by Richard Aquila Pdf
A rousing, poignant look at the cultural history of rock & roll during the early 1960s. In the early 1960s, the nation was on track to fulfill its destiny in what was being called "the American Century." Baby boomers and rock & roll shared the country's optimism and energy. For "one brief, shining moment" in the early 1960s, both President John F. Kennedy and young people across the country were riding high. The dream of a New Frontier would soon give way, however, to a new reality involving assassinations, the Vietnam War, Cold War crises, the civil rights movement, a new feminist movement, and various culture wars. From the former host of NPR's Rock & Roll America, Richard Aquila's Rock & Roll in Kennedy's America offers an in-depth look at early 1960s rock & roll, as well as an unconventional history of Kennedy's America through the lens of popular music. Based on extensive research and exclusive interviews with Dion, Bo Diddley, Brenda Lee, Martha Reeves, Pete Seeger, Bob Gaudio, Dick Clark, and other legendary figures, the book rejects the myth that Buddy Holly's death in 1959 was "the day the music died." It proves that rock & roll during the early 1960s was vibrant and in tune with the history and events of this colorful era. These interviews and Aquila's research reveal unique insights and new details about politics, gender, race, ethnicity, youth culture, and everyday life. Rock & Roll in Kennedy's America recalls an important chapter in rock & roll and American history.