Issues In African American Music

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Issues in African American Music

Author : Portia K. Maultsby,Mellonee V. Burnim
Publisher : Taylor & Francis
Page : 418 pages
File Size : 40,8 Mb
Release : 2016-10-26
Category : Music
ISBN : 9781315472089

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Issues in African American Music by Portia K. Maultsby,Mellonee V. Burnim Pdf

Issues in African American Music: Power, Gender, Race, Representation is a collection of twenty-one essays by leading scholars, surveying vital themes in the history of African American music. Bringing together the viewpoints of ethnomusicologists, historians, and performers, these essays cover topics including the music industry, women and gender, and music as resistance, and explore the stories of music creators and their communities. Revised and expanded to reflect the latest scholarship, with six all-new essays, this book both complements the previously published volume African American Music: An Introduction and stands on its own. Each chapter features a discography of recommended listening for further study. From the antebellum period to the present, and from classical music to hip hop, this wide-ranging volume provides a nuanced introduction for students and anyone seeking to understand the history, social context, and cultural impact of African American music.

African American Music

Author : Mellonee V. Burnim,Portia K. Maultsby
Publisher : Routledge
Page : 689 pages
File Size : 43,9 Mb
Release : 2014-11-13
Category : Music
ISBN : 9781317934424

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African American Music by Mellonee V. Burnim,Portia K. Maultsby Pdf

American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.

Out of Sight

Author : Lynn Abbott,Doug Seroff
Publisher : Univ. Press of Mississippi
Page : 530 pages
File Size : 43,8 Mb
Release : 2009-09-18
Category : History
ISBN : 9781604730395

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Out of Sight by Lynn Abbott,Doug Seroff Pdf

A product of old-fashioned, back-wearying, foundational scholarship, yet very readable, this book is certain to feature importantly in future studies of early jazz and its prehistory. Highly recommended. ? Library Journal. This volume makes possible the study of the rise of black music in the days that paved the way for the Harlem Renaissance?the brass bands, the banjo and mandolin clubs, the male quartets, and theatrical companies. Summing up: Essential. ? Choice Outstanding Academic Title. A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period's prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great black prima donnas, and the evolution of ?authentic? African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.

African American Music

Author : Mellonee V. Burnim,Portia K. Maultsby
Publisher : Routledge
Page : 483 pages
File Size : 50,5 Mb
Release : 2014-11-13
Category : Music
ISBN : 9781317934431

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African American Music by Mellonee V. Burnim,Portia K. Maultsby Pdf

American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.

Race Music

Author : Guthrie P. Ramsey
Publisher : Univ of California Press
Page : 296 pages
File Size : 41,5 Mb
Release : 2004-11-22
Category : Art
ISBN : 9780520243330

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Race Music by Guthrie P. Ramsey Pdf

Covering the vast and various terrain of African American music, this text begins with an account of the author's own musical experiences with family and friends on the South Side of Chicago. It goes on to explore the global influence and social relevance of African American music.

The Story of African American Music

Author : Andrew Pina
Publisher : Greenhaven Publishing LLC
Page : 106 pages
File Size : 41,9 Mb
Release : 2017-07-15
Category : Juvenile Nonfiction
ISBN : 9781534560734

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The Story of African American Music by Andrew Pina Pdf

The influence of African Americans on music in the United States cannot be overstated. A large variety of musical genres owe their beginnings to black musicians. Jazz, rap, funk, R&B, and even techno have roots in African American culture. This volume chronicles the history of African American music, with spotlights on influential black musicians of the past and present. Historical and contemporary photographs, including primary sources, contribute to an in-depth look at this essential part of American musical history.

Encyclopedia of African American Music [3 volumes]

Author : Tammy L. Kernodle,Horace Maxile,Emmett G. Price III
Publisher : Bloomsbury Publishing USA
Page : 1267 pages
File Size : 46,5 Mb
Release : 2010-12-17
Category : Music
ISBN : 9780313342004

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Encyclopedia of African American Music [3 volumes] by Tammy L. Kernodle,Horace Maxile,Emmett G. Price III Pdf

African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.

The Power of Black Music

Author : Samuel A. Floyd Jr.
Publisher : Oxford University Press
Page : 336 pages
File Size : 52,7 Mb
Release : 1996-10-31
Category : Social Science
ISBN : 9780199839292

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The Power of Black Music by Samuel A. Floyd Jr. Pdf

When Jimi Hendrix transfixed the crowds of Woodstock with his gripping version of "The Star Spangled Banner," he was building on a foundation reaching back, in part, to the revolutionary guitar playing of Howlin' Wolf and the other great Chicago bluesmen, and to the Delta blues tradition before him. But in its unforgettable introduction, followed by his unaccompanied "talking" guitar passage and inserted calls and responses at key points in the musical narrative, Hendrix's performance of the national anthem also hearkened back to a tradition even older than the blues, a tradition rooted in the rings of dance, drum, and song shared by peoples across Africa. Bold and original, The Power of Black Music offers a new way of listening to the music of black America, and appreciating its profound contribution to all American music. Striving to break down the barriers that remain between high art and low art, it brilliantly illuminates the centuries-old linkage between the music, myths and rituals of Africa and the continuing evolution and enduring vitality of African-American music. Inspired by the pioneering work of Sterling Stuckey and Henry Louis Gates, Jr., author Samuel A. Floyd, Jr, advocates a new critical approach grounded in the forms and traditions of the music itself. He accompanies readers on a fascinating journey from the African ring, through the ring shout's powerful merging of music and dance in the slave culture, to the funeral parade practices of the early new Orleans jazzmen, the bluesmen in the twenties, the beboppers in the forties, and the free jazz, rock, Motown, and concert hall composers of the sixties and beyond. Floyd dismisses the assumption that Africans brought to the United States as slaves took the music of whites in the New World and transformed it through their own performance practices. Instead, he recognizes European influences, while demonstrating how much black music has continued to share with its African counterparts. Floyd maintains that while African Americans may not have direct knowledge of African traditions and myths, they can intuitively recognize links to an authentic African cultural memory. For example, in speaking of his grandfather Omar, who died a slave as a young man, the jazz clarinetist Sidney Bechet said, "Inside him he'd got the memory of all the wrong that's been done to my people. That's what the memory is....When a blues is good, that kind of memory just grows up inside it." Grounding his scholarship and meticulous research in his childhood memories of black folk culture and his own experiences as a musician and listener, Floyd maintains that the memory of Omar and all those who came before and after him remains a driving force in the black music of America, a force with the power to enrich cultures the world over.

Jazz and Justice

Author : Gerald Horne
Publisher : Monthly Review Press
Page : 456 pages
File Size : 49,5 Mb
Release : 2019-06-18
Category : Music
ISBN : 9781583677865

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Jazz and Justice by Gerald Horne Pdf

A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.

Who Hears Here?

Author : Guthrie P. Ramsey
Publisher : Univ of California Press
Page : 309 pages
File Size : 43,9 Mb
Release : 2022-10-11
Category : Music
ISBN : 9780520392182

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Who Hears Here? by Guthrie P. Ramsey Pdf

Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist whose prescient theoretical and critical interventions have bridged Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey’s search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip-hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to readers to continue to ask the hard questions and write the hard truths.

Black Lives Matter and Music

Author : Fernando Orejuela,Stephanie Shonekan
Publisher : Indiana University Press
Page : 145 pages
File Size : 48,8 Mb
Release : 2018-08-10
Category : Music
ISBN : 9780253038432

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Black Lives Matter and Music by Fernando Orejuela,Stephanie Shonekan Pdf

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.

Black Music in Our Culture

Author : Dominique-René De Lerma
Publisher : Kent, Ohio] : Kent State University Press
Page : 280 pages
File Size : 49,5 Mb
Release : 1970
Category : African Americans
ISBN : UCAL:B3966398

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Black Music in Our Culture by Dominique-René De Lerma Pdf

Lift Every Voice

Author : Burton William Peretti,Jacqueline M Moore,Nina Mjagkij
Publisher : Rowman & Littlefield
Page : 241 pages
File Size : 53,9 Mb
Release : 2009
Category : History
ISBN : 0742558118

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Lift Every Voice by Burton William Peretti,Jacqueline M Moore,Nina Mjagkij Pdf

Looks at the history of African American music from its roots in Africa and slavery to the present day and examines its place within African American communities and the nation as a whole.

Black Music, Black Poetry

Author : Professor Gordon E Thompson
Publisher : Ashgate Publishing, Ltd.
Page : 222 pages
File Size : 49,7 Mb
Release : 2014-05-28
Category : Literary Criticism
ISBN : 9781472430601

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Black Music, Black Poetry by Professor Gordon E Thompson Pdf

Black Music, Black Poetry offers readers a fuller appreciation of the diversity of approaches to reading black American poetry. It does so by linking a diverse body of poetry to musical genres that range from the spirituals to contemporary jazz. The poetry of familiar figures such as Paul Laurence Dunbar and Langston Hughes and less well-known poets like Harryette Mullen or the lyricist to Pharaoh Sanders, Amos Leon Thomas, is scrutinized in relation to a musical tradition contemporaneous with the lifetime of each poet. Black music is considered the strongest representation of black American communal consciousness; and black poetry, by drawing upon such a musical legacy, lays claim to a powerful and enduring black aesthetic. The contributors to this volume take on issues of black cultural authenticity, of musical imitation, and of poetic performance as displayed in the work of Paul Laurence Dunbar, Langston Hughes, Sterling Brown, Amiri Baraka, Michael Harper, Nathaniel Mackey, Jayne Cortez, Harryette Mullen, and Amos Leon Thomas. Taken together, these essays offer a rich examination of the breath of black poetry and the ties it has to the rhythms and forms of black music and the influence of black music on black poetic practice.

California Soul

Author : Jacqueline Cogdell DjeDje,Eddie S. Meadows
Publisher : Univ of California Press
Page : 524 pages
File Size : 44,5 Mb
Release : 1998-05-12
Category : History
ISBN : 0520206282

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California Soul by Jacqueline Cogdell DjeDje,Eddie S. Meadows Pdf

"Documented with great care and affection, this book is filled with revelations about the intermingling of peoples, styles of music, business interests, night-life pleasures, and the strange ways lived experience shaped black music as America's music in California." —Charles Keil, co-author of Music Grooves