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“A beautiful but urgent clarion call for freedom, justice, and resistance in every pocket of the world, from occupied Palestine to gentrified Brooklyn” (Marc Lamont Hill, academic and activist). we are the boat / returning to dock / we are the footprints / on the northern trail / we are the iron / coloring the soil / we cannot / be erased —from “Refugee” Remi Kanazi’s poetry presents an unflinching look at the lives of Palestinians under occupation and as refugees scattered across the globe. He captures the Palestinian people’s stubborn refusal to be erased, gives voice to the ongoing struggle for liberation, and explores the meaning of international solidarity. In this latest collection, Kanazi expands his focus outside the sphere of Palestine and presents pieces examining racism in America, police brutality, US militarism at home and wars abroad, conflict voyeurism, Islamophobia, and a range of other issues. “His rhymes and rhythms, filled with sharp wit, irony and deep empathy, are a great joy to read even as they tackle some of the most urgent political struggles of our day.” —Ali Abunimah, author of The Battle for Justice in Palestine
Hiroshima is the story of six people—a clerk, a widowed seamstress, a physician, a Methodist minister, a young surgeon, and a German Catholic priest—who lived through the greatest single manmade disaster in history. In vivid and indelible prose, Pulitzer Prize–winner John Hersey traces the stories of these half-dozen individuals from 8:15 a.m. on August 6, 1945, when Hiroshima was destroyed by the first atomic bomb ever dropped on a city, through the hours and days that followed. Almost four decades after the original publication of this celebrated book, Hersey went back to Hiroshima in search of the people whose stories he had told, and his account of what he discovered is now the eloquent and moving final chapter of Hiroshima.
A riveting graphic novel adaptation of the award-winning nonfiction book, Bomb—the fascinating and frightening true story of the creation behind the most destructive force that birthed the arms race and the Cold War. In December of 1938, a chemist in a German laboratory made a shocking discovery: When placed next to radioactive material, a Uranium atom split in two. That simple discovery launched a scientific race that spanned three continents. In Great Britain and the United States, Soviet spies worked their way into the scientific community; in Norway, a commando force slipped behind enemy lines to attack German heavy-water manufacturing; and deep in the desert, one brilliant group of scientists was hidden away at a remote site at Los Alamos. This is the story of the plotting, the risk-taking, the deceit, and genius that created the world's most formidable weapon. This is the story of the atomic bomb. New York Times bestselling author Steve Sheinkin's award-winning nonfiction book is now available reimagined in the graphic novel format. Full color illustrations from Nick Bertozzi are detailed and enriched with the nonfiction expertise Nick brings to the story as a beloved artist, comic book writer, and commercial illustrator who has written a couple of his own historical graphic novels, including Shackleton and Lewis & Clark. Accessible, gripping, and educational, this new edition of Bomb is perfect for young readers and adults alike. Praise for Bomb (2012): “This superb and exciting work of nonfiction would be a fine tonic for any jaded adolescent who thinks history is 'boring.' It's also an excellent primer for adult readers who may have forgotten, or never learned, the remarkable story of how nuclear weaponry was first imagined, invented and deployed—and of how an international arms race began well before there was such a thing as an atomic bomb.” —The Wall Street Journal “This is edge-of-the seat material that will resonate with YAs who clamor for true spy stories, and it will undoubtedly engross a cross-market audience of adults who dozed through the World War II unit in high school.” —The Bulletin (starred review) Also by Steve Sheinkin: Fallout: Spies, Superbombs, and the Ultimate Cold War Showdown The Port Chicago 50: Disaster, Mutiny, and the Fight for Civil Rights Undefeated: Jim Thorpe and the Carlisle Indian School Football Team Most Dangerous: Daniel Ellsberg and the Secret History of the Vietnam War Born to Fly: The First Women's Air Race Across America The Notorious Benedict Arnold: A True Story of Adventure, Heroism & Treachery Which Way to the Wild West?: Everything Your Schoolbooks Didn't Tell You About Westward Expansion King George: What Was His Problem?: Everything Your Schoolbooks Didn't Tell You About the American Revolution Two Miserable Presidents: Everything Your Schoolbooks Didn't Tell You About the Civil War
"I have been to Palestine where I've witnessed the racially segregated housing and the humiliation of Palestinians at military roadblocks. I can't help but remember the conditions we experienced in South Africa under apartheid. We could not have achieved our freedom without the help of people around the world using the nonviolent means of boycotts and divestment to compel governments and institutions to withdraw their support for the apartheid regime. Omar Barghouti's lucid and morally compelling book is perfectly timed to make a major contribution to this urgently needed global campaign for justice, freedom and peace." --Archbishop Desmond Tutu THIRTY YEARS ago, an international movement utilizing boycott, divestment, and sanction (BDS) tactics rose in solidarity with those suffering under the brutal apartheid regime of South Africa. The historic acts of BDS activists from around the world isolated South Africa as a pariah state and heralded the end of apartheid. Now, as awareness of the apartheid nature of the State of Israel continues to grow, Omar Barghouti, founding member of the Palestinian Civil Society Boycott, Divestment and Sanctions (BDS) campaign against Israel, presents a renewed call to action. Aimed at forcing the State of Israel to uphold international law and universal human rights for the Palestinian people, here is a manifesto for change. "No one has done more to build the intellectual, legal and moral case for BDS than Omar Barghouti. The global Palestinian solidarity movement has been transformed and is on the cusp of major new breakthroughs." --Naomi Klein, author of The Shock Doctrine and No Logo "There is no more comprehensive and persuasive case than his for boycott, divestment, and sanctions to end the Israeli occupation and establish the ethical claim of Palestinian rights." --Judith Butler, University of California at Berkeley
Rifqa is Mohammed El-Kurd’s debut collection of poetry, written in the tradition of Ghassan Kanafani’s Palestinian Resistance Literature. The book narrates the author’s own experience of dispossession in Sheikh Jarrah--an infamous neighborhood in Jerusalem, Palestine, whose population of refugees continues to live on the brink of homelessness at the hands of the Israeli government and US-based settler organizations. The book, named after the author’s late grandmother who was forced to flee from Haifa upon the genocidal establishment of Israel, makes the observation that home takeovers and demolitions across historical Palestine are not reminiscent of 1948 Nakba, but are in fact a continuation of it: a legalized, ideologically-driven practice of ethnic cleansing.
DEAR GOD. DEAR BONES. DEAR YELLOW. by Noor Hindi Pdf
What is political poetry? How does history become lived experience? What does it mean to bear witness through writing? Noor Hindi’s poems explore colonialism, religion, patriarchy and everything in between with sharp wit and innovative precision. Layered to reflect the intersections of her identity, while constantly interrogating this identity itself, her writing combines lyrical beauty with political urgency. This collection is ultimately a provocation―on trauma, on art, on what it takes to change the world.
   This story offers a rare, funny, bitter, feminist look at war from women actively engaged in it. Published in London in 1930, Not So Quiet ...(on the Western Front) is a novel in autobiographical guise that describes a group of British women ambulance drivers on the French front lines during World War 1. As Voluntary Aid Detachment workers, the women pay for the privilege of driving the wounded through shell fire in the freezing cold, on no sleep and an inedible diet, under the watchful eye of their punishing commandant, nicknamed Mrs. Bitch.
A Land With a People by Esther Farmer,Rosalind Pollack Petchesky,Sarah Sills Pdf
"A Land With A People began as a storytelling project of Jewish Voice for Peace-New York City and subsequently transformed into a theater project performed throughout the New York City area. A Land With A People elevates rarely heard Palestinian and Jewish voices and visions. It brings us the narratives of secular, Muslim, Christian, and LGBTQ Palestinians who endure the particular brand of settler colonialism known as Zionism. It relays the transformational journeys of Ashkenazi, Mizrahi, Palestinian and LGBTQ Jews who have come to reject the received Zionist narrative. Unflinching in their confrontation of the power dynamics that underlie their transformation process, these writers find the courage to face what has happened to historic Palestine, and to their own families as a result. Stories touch hearts, open minds, and transform our understanding of the "other"-as well as comprehension of our own roles and responsibilities. A Land With a People emerges from this reckoning. Contextualized by a detailed historical introduction and timeline charting 150 years of Palestinian and Jewish resistance to Zionism, this collection will stir emotions, provoke fresh thinking, and point to a more hopeful, loving future-one in which Palestine/Israel is seen for what it is in its entirety, as well as for what it can be"--
This Is Not a Border by J.M. Coetzee,William Sutcliffe,Michael Ondaatje,Teju Cole,Alice Walker,Michael Palin,Deborah Moggach,China Miéville,Jeremy Harding,Henning Mankell,Molly Crabapple,Linda Spalding,Adam Foulds,Gillian Slovo,Geoff Dyer,Chinua Achebe,Mahmoud Darwish,Yasmin El-Rifae,Suheir Hammad,Mercedes Kemp,Najwan Darwish,Susan Abulhawa,Suad Amiry,Sabrina Mahfouz,John Horner,Bridget Keenan,Pankaj Mishra,Kamila Shamsie,Atef Abu Saif,Selma Dabbagh,Jehan Bseiso,Omar El-Khairy,Remi Kanazi,Maath Musleh,Ghada Karmi,Ed Pavlic,Muiz,,Ru Freeman,Nancy Kricorian,Nathalie Handal,Mohammed Hanif,Victoria Brittain,Rachel Holmes,Raja Shehadeh,Claire Messud,Jamal Mahjoub Pdf
Writers from Alice Walker to Michael Ondaatje to Claire Messud share their thoughts on one of the most vital gatherings of writers and readers in the world. The Palestine Festival of Literature was established in 2008 by authors Ahdaf Soueif, Brigid Keenan, Victoria Brittain and Omar Robert Hamilton. Bringing writers to Palestine from all corners of the globe, it aimed to break the cultural siege imposed by the Israeli military occupation, to strengthen artistic links with the rest of the world, and to reaffirm, in the words of Edward Said, "the power of culture over the culture of power." Celebrating the tenth anniversary of PalFest, This Is Not a Border is a collection of essays, poems, and sketches from some of the world's most distinguished artists, responding to their experiences at this unique festival. Both heartbreaking and hopeful, their gathered work is a testament to the power of literature to promote solidarity and hope in the most desperate of situations. Contributing authors include J. M. Coetzee, China Miéville, Alice Walker, Geoff Dyer, Claire Messud, Henning Mankell, Michael Ondaatje, Kamila Shamsie, Michael Palin, Deborah Moggach, Mohammed Hanif, Gillian Slovo, Adam Foulds, Susan Abulhawa, Ahdaf Soueif, Jeremy Harding, Brigid Keenan, Rachel Holmes, Suad Amiry, Gary Younge, Jamal Mahjoub, Molly Crabapple, Najwan Darwish, Nathalie Handal, Omar Robert Hamilton, Pankaj Mishra, Raja Shehadeh, Selma Dabbagh, William Sutcliffe, Atef Abu Saif, Yasmin El-Rifae, Sabrina Mahfouz, Alaa Abd El Fattah, Mercedes Kemp, Ru Freeman.
I am 27 and have never killed a man but I know the face of death as if heirloom my country memorizes murder as lullaby —from “For Fahd” Textured with the sights and sounds of growing up in East New York in the nineties, to school on the South Side of Chicago, all the way to the olive groves of Palestine, My Mother Is a Freedom Fighter is Aja Monet’s ode to mothers, daughters, and sisters—the tiny gods who fight to change the world. Complemented by striking cover art from Carrie Mae Weems, these stunning poems tackle racism, sexism, genocide, displacement, heartbreak, and grief, but also love, motherhood, spirituality, and Black joy. Praise for Aja Monet: ““[Monet] is the true definition of an artist.” —Harry Belafonte ““In Paris, she walked out onto the stage, opened her mouth and spoke. At the first utterance I heard that rare something that said this is special and knew immediately that Aja Monet was one of the Ones who will mark the sound of the ages. She brings depth of voice to the voiceless, and through her we sing a powerful song.” —Carrie Mae Weems Of Cuban-Jamaican descent, Aja Monet is an internationally established poet, performer, singer, songwriter, educator, and human rights advocate. Monet is also the youngest person to win the legendary Nuyorican Poet’s Café Grand Slam title.
Ecopoetics and the Global Landscape by Isabel Sobral Campos Pdf
Ecopoetics and the Global Landscape: Critical Essays surveys ecopoetry from a global perspective across different historical epochs. Its comparative approach foregrounds the importance of ecopoetics within the context of distinct national literatures and cultures to reveal the ubiquitous intersection of poetry with ecocriticism. The collection analyzes environmental problems resulting from the legacies of colonialism and focuses on issues of environmental justice and indigenous issues as well as on the intersection of genocide studies and environmentalism. It also examines ecologically-informed modes of relating to the world. In particular, it engages with interactions between the human and nonhuman as well as mind and matter. Finally, it broadens the scope of place to include both the absent land of exiled peoples, and the urban, built environment.
Stillton Academy, a small art college on the New England coast north of Boston, is in financial trouble, and its days are numbered unless someone provides extraordinary help. The final straw may be the sudden disappearance of an instructor with a female student, daughter of the Academy’s only significant donor. Fred Taylor, called in to trouble-shoot, goes undercover as a member of the faculty and shortly finds himself enmeshed in the conflicting motives and designs of faculty and students, as well as those of a board of trustees whose interest in the long-term survival of the operation seems lazy, misguided or – perhaps – a good deal more sinister. Meanwhile, as the town of Stillton, Massachusetts, is visited by murder, the motives of Fred’s employer, the collector Clayton Reed, remain obscure. What is there in the town, or at the college, that whets his acute acquisitive instincts? He will not say, beyond his hermetic instructions, “Trust no one. Look at everything.” And everyone. Fred’s assignment takes him to the Life Room, where his students sometimes moonlight as life models. Are his temporary colleagues on the faculty eccentrics or just artists? Clayton Reed collects art. That’s what he lives for. In sleepy Stillton, a town ripe for development, though suspiciously backward and unexploited, what hidden treasure is Clayton hoping for? And can Fred find it before the college goes up in flames?
How does coding change the way we think about architecture? This question opens up an important research perspective. In this book, Miro Roman and his AI Alice_ch3n81 develop a playful scenario in which they propose coding as the new literacy of information. They convey knowledge in the form of a project model that links the fields of architecture and information through two interwoven narrative strands in an “infinite flow” of real books. Focusing on the intersection of information technology and architectural formulation, the authors create an evolving intellectual reflection on digital architecture and computer science.
A Bowl Full of Peace by Caren Barzelay Stelson Pdf
"Six-year-old Sachiko and her family suffered greatly after the atomic bombing of Nagasaki, and in the years that followed, the miraculous survival of a ceramic bowl became a key part of Sachiko's journey toward peace"--