Author : Anonim
Publisher : Unknown
Page : 124 pages
File Size : 50,9 Mb
Release : 1989
Category : Motion pictures
ISBN : STANFORD:36105008345253
The Velvet Light Trap
Anonim
Behind A Velvet Light Trap
Behind A Velvet Light Trap Book in PDF, ePub and Kindle version is available to download in english. Read online anytime anywhere directly from your device. Click on the download button below to get a free pdf file of Behind A Velvet Light Trap book. This book definitely worth reading, it is an incredibly well-written.
Behind a Velvet Light Trap
Anthony Buckley
Author : Anthony Buckley
Publisher : Hardie Grant Publishing
Page : 0 pages
File Size : 48,9 Mb
Release : 2009
Category : Art
ISBN : 1740667905
Behind a Velvet Light Trap by Anthony Buckley Pdf
As the editor of the classic films Wake in Fright, Age of Consent and Nureyev's Don Quixote, as well as television series that include Poor Man's Orange, Celluloid Heroes and Man on the Run, Tony Buckley is well placed to take us behind the scenes to observe through his eyes the fascinating growth of Australian film making.
The Velvet Light Trap
Anonim
Author : Anonim
Publisher : Unknown
Page : 372 pages
File Size : 54,9 Mb
Release : 1982
Category : Motion pictures
ISBN : STANFORD:36105110828741
The Velvet Light Trap by Anonim Pdf
The Casablanca Man
Dr James C Robertson,James Robertson
Author : Dr James C Robertson,James Robertson
Publisher : Routledge
Page : 209 pages
File Size : 45,5 Mb
Release : 2013-09-13
Category : Social Science
ISBN : 9781136158445
The Casablanca Man by Dr James C Robertson,James Robertson Pdf
Michael Curtiz (1888-1962) was without doubt one of the most important directors in film history, yet he has never been granted his deserved recognition and no full-scale work on him has previously been published. The Casablanca Man surveys Curtiz' unequalled mastery over a variety of genres which included biography, comedy, horror, melodrama, musicals, swashbucklers and westerns, and looks at his relationship with the Hollywood studio moguls on the basis of unprecedented archive research at Warner Brothers. Concentrating on Curtiz' best-known films - Casablanca, Angels With Dirty Faces, Mildred Pearce and Captain Blood among them - Robertson explores Curtiz' practical creative struggles and his friendships and rivalries with other film celebrities including Errol Flynn, Bette Davis and James Cagney, and his discovery of future stars. Casablanca Man is the first comprehensive critical exploration of Curtiz' entire career and, linking his European work and his subsequent American work into a coherent whole, Robertson firmly re-establishes Curtiz' true standing in the history of cinema.
Behind a Velvet Trap
Anthony Buckley
Author : Anthony Buckley
Publisher : Hardie Grant Publishing
Page : 417 pages
File Size : 48,5 Mb
Release : 2009
Category : Art
ISBN : 9781742734583
Behind a Velvet Trap by Anthony Buckley Pdf
In this sumptuous collection of recipes, photographs and travelogue, Justin visits a blood orange orchard in the Riverina, a squab pigeon farm in Victoria, a fishing village on the east coast of Tasmania and many places in between.
Selective Memory
Sue Milliken
Author : Sue Milliken
Publisher : Hybrid Publishers
Page : 266 pages
File Size : 42,8 Mb
Release : 2018-11-01
Category : Biography & Autobiography
ISBN : 9781742982427
Selective Memory by Sue Milliken Pdf
This is a memoir about the Australian film industry, with inside stories about how films are funded and made, and the problems facing a producer. Sue met and worked with some unforgettable characters, including Sidney Nolan, George Johnston and Charmian Clift, Frank Thring, John Meillon, Graham Kennedy, John Hargreaves, Bryan Brown, Graeme Blundell and Barry Humphries. The book includes a number of black-and-white photos, and a foreword by well known director Bruce Beresford, who has worked closely with Sue.
Censorship and Sexuality in Bombay Cinema
Monika Mehta
Author : Monika Mehta
Publisher : University of Texas Press
Page : 319 pages
File Size : 44,6 Mb
Release : 2012-08-24
Category : Performing Arts
ISBN : 9780292742512
Censorship and Sexuality in Bombay Cinema by Monika Mehta Pdf
India produces an impressive number of films each year in a variety of languages. Here, Monika Mehta breaks new ground by analyzing Hindi films and exploring the censorship of gender and heterosexuality in Bombay cinema. She studies how film censorship on various levels makes the female body and female sexuality pivotal in constructing national identity, not just through the films themselves but also through the heated debates that occur in newspapers and other periodicals. The standard claim is that the state dictates censorship and various prohibitions, but Mehta explores how relationships among the state, the film industry, and the public illuminate censorship's role in identity formation, while also examining how desire, profits, and corruption are generated through the act of censoring. Committed to extending a feminist critique of mass culture in the global south, Mehta situates the story of censorship in a broad social context and traces the intriguing ways in which the heated debates on sexuality in Bombay cinema actually produce the very forms of sexuality they claim to regulate. She imagines afresh the theoretical field of censorship by combining textual analysis, archival research, and qualitative fieldwork. Her analysis reveals how central concepts of film studies, such as stardom, spectacle, genre, and sound, are employed and (re)configured within the ambit of state censorship, thereby expanding the scope of their application and impact.
Hollywood Lighting from the Silent Era to Film Noi
Patrick Keating
Author : Patrick Keating
Publisher : Columbia University Press
Page : 315 pages
File Size : 50,6 Mb
Release : 2009-11-22
Category : History
ISBN : 9780231149037
Hollywood Lighting from the Silent Era to Film Noi by Patrick Keating Pdf
Lighting performs essential functions in Hollywood films, enhancing the glamour, clarifying the action, and intensifying the mood. Examining every facet of this understated art form, from the glowing backlights of the silent period to the shaded alleys of film noir, Patrick Keating affirms the role of Hollywood lighting as a distinct, compositional force. Closely analyzing Girl Shy (1924), Anna Karenina (1935), Only Angels Have Wings (1939), and T-Men (1947), along with other brilliant classics, Keating describes the unique problems posed by these films and the innovative ways cinematographers handled the challenge. Once dismissed as crank-turning laborers, these early cinematographers became skillful professional artists by carefully balancing the competing demands of story, studio, and star. Enhanced by more than one hundred illustrations, this volume counters the notion that style took a backseat to storytelling in Hollywood film, proving that the lighting practices of the studio era were anything but neutral, uniform, and invisible. Cinematographers were masters of multifunctionality and negotiation, honing their craft to achieve not only realistic fantasy but also pictorial artistry.
The Classical Hollywood Cinema
David Bordwell,Janet Staiger,Kristin Thompson
Author : David Bordwell,Janet Staiger,Kristin Thompson
Publisher : Routledge
Page : 791 pages
File Size : 51,6 Mb
Release : 2003-09-02
Category : Performing Arts
ISBN : 9781134988099
The Classical Hollywood Cinema by David Bordwell,Janet Staiger,Kristin Thompson Pdf
'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
Cinema in the Digital Age
Nicholas Rombes
Author : Nicholas Rombes
Publisher : Columbia University Press
Page : 250 pages
File Size : 44,5 Mb
Release : 2017-12-19
Category : Performing Arts
ISBN : 9780231851183
Cinema in the Digital Age by Nicholas Rombes Pdf
Have digital technologies transformed cinema into a new art, or do they simply replicate and mimic analogue, film-based cinema? Newly revised and expanded to take the latest developments into account, Cinema in the Digital Age examines the fate of cinema in the wake of the digital revolution. Nicholas Rombes considers Festen (1998), The Blair Witch Project (1999), Timecode (2000), Russian Ark (2002), and The Ring (2002), among others. Haunted by their analogue pasts, these films are interested not in digital purity but rather in imperfection and mistakes—blurry or pixilated images, shaky camera work, and other elements that remind viewers of the human behind the camera. With a new introduction and new material, this updated edition takes a fresh look at the historical and contemporary state of digital cinema. It pays special attention to the ways in which nostalgia for the look and feel of analogue disrupts the aesthetics of the digital image, as well as how recent films such as The Social Network (2010) and The Girl with the Dragon Tattoo (2011)—both shot digitally—have disguised and erased their digital foundations. The book also explores new possibilities for writing about and theorizing film, such as randomization.
The Digitization of Cinematic Visual Effects
Rama Venkatasawmy
Author : Rama Venkatasawmy
Publisher : Lexington Books
Page : 346 pages
File Size : 42,5 Mb
Release : 2012-11-30
Category : Performing Arts
ISBN : 9780739176221
The Digitization of Cinematic Visual Effects by Rama Venkatasawmy Pdf
The Digitization of Cinematic Visual Effects: Hollywood’s Coming of Age, by Rama Venkatasawmy, analyzes how the Hollywood cinema industry’s visual effects applications have not only motivated the expansion of filmmaking praxis, they have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitization of their associated technologies, VFX have been responsible for multiplying the strategies of representation and storytelling, as well as extending the range of stories that can potentially be told onscreen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication. On the basis of displaying groundbreaking VFX—immaculately realized through the application of cutting-edge technologies and craftsmanship—and of projecting such a significant degree of visual innovation and originality, certain Hollywood movies have established techno-visual trends and industrial standards for subsequent filmmaking practice. Hollywood cinema’s entry into the digital realm is intertwined with the intensification of conglomeratic practices within the movie business, the domain of techno-scientific R&D in filmmaking, and the unification of corporate media, information technology, and entertainment. Hence, the standardization of, and convergence toward, the digital medium is emblematic of Hollywood cinema’s techno-industrial evolution in the late twentieth century. Accordingly, this volume identifies various synergies and partnerships—between VFX providers, movie studios, graphic designers, and more—that have emerged from a progressive growth of awareness in Hollywood of the digital medium’s potential.
The American Humanities Index
Stephen H. Goode
Author : Stephen H. Goode
Publisher : Unknown
Page : 1104 pages
File Size : 51,6 Mb
Release : 2000
Category : American periodicals
ISBN : UVA:X004414041
The American Humanities Index by Stephen H. Goode Pdf
Saturday Night Live, Hollywood Comedy, and American Culture
J. Whalley
Author : J. Whalley
Publisher : Springer
Page : 234 pages
File Size : 45,6 Mb
Release : 2010-06-21
Category : Performing Arts
ISBN : 9780230107946
Saturday Night Live, Hollywood Comedy, and American Culture by J. Whalley Pdf
Saturday Night Live, Hollywood Comedy, and American Culture sheds new light on the ways in which Saturday Night Live s confrontational, boundary-pushing approach spilled over into film production, contributing to some of the biggest hits in Hollywood history, such as National Lampoon s Animal House, Ghostbusters, and Beverly Hills Cop. Jim Whalley also considers how SNL has adapted to meet the needs of subsequent generations, launching the film careers of Mike Myers, Adam Sandler, Will Ferrell and others in the process. Supported by extensive archival research, some of Hollywood s most popular comedians are placed into the contexts of film and television comic traditions and social and cultural trends in American life.
The Hollywood Jim Crow
Maryann Erigha
Author : Maryann Erigha
Publisher : NYU Press
Page : 240 pages
File Size : 54,9 Mb
Release : 2019-02-05
Category : Social Science
ISBN : 9781479802319
The Hollywood Jim Crow by Maryann Erigha Pdf
The story of racial hierarchy in the American film industry The #OscarsSoWhite campaign, and the content of the leaked Sony emails which revealed, among many other things, that a powerful Hollywood insider didn’t believe that Denzel Washington could “open” a western genre film, provide glaring evidence that the opportunities for people of color in Hollywood are limited. In The Hollywood Jim Crow, Maryann Erigha tells the story of inequality, looking at the practices and biases that limit the production and circulation of movies directed by racial minorities. She examines over 1,300 contemporary films, specifically focusing on directors, to show the key elements at work in maintaining “the Hollywood Jim Crow.” Unlike the Jim Crow era where ideas about innate racial inferiority and superiority were the grounds for segregation, Hollywood’s version tries to use economic and cultural explanations to justify the underrepresentation and stigmatization of Black filmmakers. Erigha exposes the key elements at work in maintaining Hollywood’s racial hierarchy, namely the relationship between genre and race, the ghettoization of Black directors to black films, and how Blackness is perceived by the Hollywood producers and studios who decide what gets made and who gets to make it. Erigha questions the notion that increased representation of African Americans behind the camera is the sole answer to the racial inequality gap. Instead, she suggests focusing on the obstacles to integration for African American film directors. Hollywood movies have an expansive reach and exert tremendous power in the national and global production, distribution, and exhibition of popular culture. The Hollywood Jim Crow fully dissects the racial inequality embedded in this industry, looking at alternative ways for African Americans to find success in Hollywood and suggesting how they can band together to forge their own career paths.
Otto Preminger
Gary Bettinson
Author : Gary Bettinson
Publisher : Univ. Press of Mississippi
Page : 220 pages
File Size : 47,5 Mb
Release : 2021-11-15
Category : Performing Arts
ISBN : 9781496835215
Otto Preminger by Gary Bettinson Pdf
Otto Preminger (1905–1986), whose Hollywood career spanned the 1930s through the 1970s, is popularly remembered for the acclaimed films he directed, among which are the classic film noir Laura, the social-realist melodrama The Man with the Golden Arm, the CinemaScope musical Carmen Jones, and the riveting courtroom drama Anatomy of a Murder. As a screen actor, he forged an indelible impression as a sadistic Nazi in Billy Wilder’s Stalag 17 and as the diabolical Mr. Freeze in television’s Batman. He is remembered, too, for drastically transforming Hollywood’s industrial practices. With Exodus, Preminger broke the Hollywood blacklist, controversially granting screen credit to Dalton Trumbo, one of the exiled “Hollywood Ten.” Preminger, a committed liberal, consistently shattered Hollywood’s conventions. He routinely tackled socially progressive yet risqué subject matter, pressing the Production Code’s limits of permissibility. He mounted Black-cast musicals at a period of intense racial unrest. And he embraced a string of other taboo topics—heroin addiction, rape, incest, homosexuality—that established his reputation as a trailblazer of adult-centered storytelling, an enemy of Hollywood puritanism, and a crusader against censorship. Otto Preminger: Interviews compiles nineteen interviews from across Preminger’s career, providing fascinating insights into the methods and mindset of a wildly polarizing filmmaker. With remarkable candor, Preminger discusses his filmmaking practices, his distinctive film style, his battles against censorship and the Hollywood blacklist, his clashes with film critics, and his turbulent relationships with a host of well-known stars, from Marilyn Monroe and Frank Sinatra to Jane Fonda and John Wayne.
