Being There And The Evolution Of A Screenplay

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Being There and the Evolution of a Screenplay

Author : Aaron Hunter
Publisher : Bloomsbury Publishing USA
Page : 488 pages
File Size : 47,8 Mb
Release : 2021-01-28
Category : Performing Arts
ISBN : 9781501348372

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Being There and the Evolution of a Screenplay by Aaron Hunter Pdf

Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.

Being There and the Evolution of a Screenplay

Author : Aaron Hunter
Publisher : Bloomsbury Publishing USA
Page : 489 pages
File Size : 42,7 Mb
Release : 2021-01-28
Category : Performing Arts
ISBN : 9781501348365

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Being There and the Evolution of a Screenplay by Aaron Hunter Pdf

Being There and the Evolution of a Screenplay provides an insightful look at the drafting of one of Hollywood history's greatest scripts. Being There (1979) is generally considered the final film in Hal Ashby's triumphant 1970s career, which included the likes of Harold and Maude (1971) and Shampoo (1975). The film also showcases Peter Sellers's last great performance. In 2005, the Writers Guild of America included Being There on its list of 101 Best Scripts. Being There and the Evolution of a Screenplay features three versions of the script: an early draft by Jerzy Kosinski, based on his 1970 novel; a second by long-time Ashby collaborator and Oscar-winner Robert C. Jones, which makes substantial changes to Kosinki's; and a final draft written by Jones with Ashby's assistance, which makes further structural and narrative changes. Additionally, the book features facsimile pages from one of Kosinski's copy of the scripts that include handwritten notes, providing readers with valuable insight into the redrafting process. For each version, Ashby scholar Aaron Hunter adds perceptive analysis of the script's development, the relationships of the writers who worked on it, and key studio and production details. This is both a presentation of the script of Being There, and a record of the process of crafting that script – a text that will be of interest to film fans and scholars as well as writers and teachers of screenwriting. Evolution of a Screenplay is the first book of its kind to so amply demonstrate the creative development of a Hollywood script.

The Complete Idiot's Guide to Screenwriting

Author : Skip Press
Publisher : Penguin
Page : 365 pages
File Size : 44,9 Mb
Release : 2000
Category : Performing Arts
ISBN : 0028639448

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The Complete Idiot's Guide to Screenwriting by Skip Press Pdf

Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.

Screenplay

Author : Syd Field
Publisher : M J F Books
Page : 0 pages
File Size : 48,8 Mb
Release : 1994
Category : Motion picture authorship
ISBN : 156731239X

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Screenplay by Syd Field Pdf

Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.

American Audiences on Movies and Moviegoing

Author : Tom Stempel
Publisher : University Press of Kentucky
Page : 320 pages
File Size : 53,6 Mb
Release : 2014-07-11
Category : Performing Arts
ISBN : 9780813149400

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American Audiences on Movies and Moviegoing by Tom Stempel Pdf

A unique perspective on half a century of American cinema -- from the audience's point of view. Tom Stempel goes beyond the comments of professional reviewers, concentrating on the opinions of ordinary people. He traces shifting trends in genre and taste, examining and questioning the power films have in American society. Stempel blends audience response with his own observations and analyzes box office results that identify the movies people actually went to see, not just those praised by the critics. Avoiding statistical summary, he presents the results of a survey on movies and moviegoing in the respondents' own words -- words that surprise, amuse, and irritate. The moviegoers respond: "Big bad plane, big bad motorcycle, and big bad Kelly McGillis." -- On Top Gun "All I can recall were the slave girls and the Golden Calf sequence and how it got me excited. My parents must have been very pleased with my enthusiasm for the Bible." -- On why a seven-year-old boy stayed up to watch The Ten Commandments "I learned the fine art of seduction by watching Faye Dunaway smolder." -- A woman's reaction to seeing Bonnie and Clyde "At age fifteen Jesus said he would be back, he just didn't say what he would look like." -- On E.T. "Quasimodo is every seventh grader." -- On why The Hunchback of Notre Dame should play well with middle-schoolers "A moronic, very 'Hollywoody' script, and a bunch of dancing teddy bears." -- On Return of the Jedi "I couldn't help but think how Mad magazine would lampoon this." -- On The Exorcist

The Savvy Screenwriter

Author : Susan Kouguell
Publisher : Springer Science & Business Media
Page : 289 pages
File Size : 53,5 Mb
Release : 2007-04
Category : Performing Arts
ISBN : 9781429906241

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The Savvy Screenwriter by Susan Kouguell Pdf

The Savvy Screenwriter demystifies the film industry and reveals what aspiring screenwriters really want and need to know. From finding and working with agents, to insights about story analysts and movie executives, to understanding option agreements, to providing samples for queries, synopses, treatments, loglines, and outlines, to pitching, Susan Kouguell knows what works and what doesn't, and gives practical advice on getting your screenplay sold.

Buckaroo Banzai Against the World Crime League, Et Al: A Compendium of Evils

Author : E.M. Rauch
Publisher : Dark Horse Comics
Page : 624 pages
File Size : 43,6 Mb
Release : 2024-05-21
Category : Fiction
ISBN : 9781506740645

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Buckaroo Banzai Against the World Crime League, Et Al: A Compendium of Evils by E.M. Rauch Pdf

Available for the first time in paperback! A world-class hero confronts ancient “supernatural” evils in an adventure that spans entire planets and defies everyday notions of reality! Still mourning the losses of his beloved Penny Priddy and his surrogate father Professor Hikita, Buckaroo Banzai must also contend with the constant threat of attack from his immortal nemesis Hanoi Xan, ruthless leader of the World Crime League. To make matters worse, Planet 10 warrior queen John Emdall has sent her Lectroid legions against Earth with a brutal ultimatum. Or is her true target Buckaroo Banzai? As the apocalyptic threats continue to mount, only Buckaroo and his Hong Kong Cavaliers stand in the way of global destruction. As told by the Reno Kid to Buckaroo Banzai chronicler E.M. Rauch, this tale follows everyone’s favorite scientist-surgeon-entertainer-daredevil as he sets off on a brand-new hair-raising adventure!

A Philosophy of the Screenplay

Author : Ted Nannicelli
Publisher : Routledge
Page : 278 pages
File Size : 41,6 Mb
Release : 2013
Category : Art
ISBN : 9780415521444

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A Philosophy of the Screenplay by Ted Nannicelli Pdf

Recently, scholars in a variety of disciplines--including philosophy, film and media studies, and literary studies--have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art--more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.

Screenwriting Tips, You Hack

Author : Xander Bennett
Publisher : Taylor & Francis
Page : 224 pages
File Size : 40,8 Mb
Release : 2013-05-02
Category : Performing Arts
ISBN : 9781136038662

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Screenwriting Tips, You Hack by Xander Bennett Pdf

Screenwriting Tip #99 Voice-over usually feels like scaffolding. You know-something you left in there when you were constructing the first draft, but really should have torn out after it served its purpose. Screenwriting Tip #120 Always remember that funny trumps everything. Your script could be written in crayon with your name spelled wrong on the cover, but if it's genuinely funny, none of that matters. Screenwriting Tip #156 The easiest way to write kick-ass protagonists is to make them incredibly good at what they do. Confused at the outline stage? Stuck in the swamp of Act Two? Don't know who your protagonist is or where she's going? You might feel like a hack. But don't worry-you're not alone. Even the most experienced writers feel like this at times. Sometimes we just need a few short pointers and reminders to set us on the path again. Xander Bennett worked as a script reader in the trenches of Hollywood, reading and covering hundreds of mediocre screenplays. After months of reading about heroic Sea World trainers, transgendered circus detectives and crime-fighting chupacabras, he couldn't take it any more. Xander started a blog called 'Screenwriting Tips, You Hack', a place designed to provide short, witty tips on screenwriting for amateur writers all the way up to journeymen scribes. This book is the evolution of that blog. Dozens of the best scripts (along with many brand-new ones) have been expanded into bite-sized chapters full of funny, insightful, highly usable advice. Let Xander's pain be your gain as you learn about the differences between film and television structure, how to force yourself to write when you really don't want to, and why you probably shouldn't base your first spec script around an alien invasion.

Screenwriting

Author : Paul Joseph Gulino
Publisher : Bloomsbury Publishing USA
Page : 330 pages
File Size : 48,8 Mb
Release : 2013-09-23
Category : Social Science
ISBN : 9781628922394

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Screenwriting by Paul Joseph Gulino Pdf

The great challenge in writing a feature-length screenplay is sustaining audience involvement from page one through 120. Screenwriting: The Sequence Approach expounds on an often-overlooked tool that can be key in solving this problem. A screenplay can be understood as being built of sequences of about fifteen pages each, and by focusing on solving the dramatic aspects of each of these sequences in detail, a writer can more easily conquer the challenges posed by the script as a whole. The sequence approach has its foundation in early Hollywood cinema (until the 1950s, most screenplays were formatted with sequences explicitly identified), and has been rediscovered and used effectively at such film schools as the University of Southern California, Columbia University and Chapman University. This book exposes a wide audience to the approach for the first time, introducing the concept then providing a sequence analysis of eleven significant feature films made between 1940 and 2000: The Shop Around The Corner / Double Indemnity / Nights of Cabiria / North By Northwest / Lawrence of Arabia / The Graduate / One Flew Over the Cuckoo's Nest / Toy Story / Air Force One / Being John Malkovich / The Fellowship of the Ring

The Nutshell Technique

Author : Jill Chamberlain
Publisher : University of Texas Press
Page : 220 pages
File Size : 45,9 Mb
Release : 2016-03-01
Category : Performing Arts
ISBN : 9781477303733

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The Nutshell Technique by Jill Chamberlain Pdf

Veteran script consultant Jill Chamberlain discovered in her work that an astounding 99 percent of first-time screenwriters don’t know how to tell a story. These writers may know how to format a script, write snappy dialogue, and set a scene. They may have interesting characters and perhaps some clever plot devices. But, invariably, while they may have the kernel of a good idea for a screenplay, they fail to tell a story. What the 99 percent do instead is present a situation. In order to explain the difference, Chamberlain created the Nutshell Technique, a method whereby writers identify eight dynamic, interconnected elements that are required to successfully tell a story. Now, for the first time, Chamberlain presents her unique method in book form with The Nutshell Technique: Crack the Secret of Successful Screenwriting. Using easy-to-follow diagrams (“nutshells”), she thoroughly explains how the Nutshell Technique can make or break a film script. Chamberlain takes readers step-by-step through thirty classic and contemporary movies, showing how such dissimilar screenplays as Casablanca, Chinatown, Pulp Fiction, The Usual Suspects, Little Miss Sunshine, Juno, Silver Linings Playbook, and Argo all have the same system working behind the scenes, and she teaches readers exactly how to apply these principles to their own screenwriting. Learn the Nutshell Technique, and you’ll discover how to turn a mere situation into a truly compelling screenplay story.

How to Write Photoplays

Author : John Emerson,Anita Loos
Publisher : Unknown
Page : 176 pages
File Size : 47,5 Mb
Release : 1923
Category : Motion picture plays
ISBN : STANFORD:36105010198203

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How to Write Photoplays by John Emerson,Anita Loos Pdf

Being There

Author : Jerzy Kosinski,Robert C. Jones
Publisher : Unknown
Page : 0 pages
File Size : 45,7 Mb
Release : 1985
Category : Film adaptations
ISBN : OCLC:12902858

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Being There by Jerzy Kosinski,Robert C. Jones Pdf

The Heart of the Film

Author : Cynthia Whitcomb
Publisher : Taylor & Francis
Page : 187 pages
File Size : 42,7 Mb
Release : 2017-03-31
Category : Performing Arts
ISBN : 9781315513195

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The Heart of the Film by Cynthia Whitcomb Pdf

Most movies include a love story, whether it is the central story or a subplot, and knowing how to write a believable relationship is essential to any writer's skill set. Discover the rules and laws of nature at play in a compelling love story and learn and master them. Broken into four sections, The Heart of the Film identifies the critical features of love story development, and explores every variation of this structure as well as a diverse array of relationships and types of love. Author Cynthia Whitcomb has sold over 70 feature-length screenplays and shares the keys to her success in The Heart of the Film, drawing on classic and modern films as well as her own extensive experience.

What Happens Next

Author : Marc Norman
Publisher : Crown Archetype
Page : 578 pages
File Size : 40,5 Mb
Release : 2008-10-07
Category : Performing Arts
ISBN : 9780307450203

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What Happens Next by Marc Norman Pdf

Screenwriters have always been viewed as Hollywood’s stepchildren. Silent-film comedy pioneer Mack Sennett forbade his screenwriters from writing anything down, for fear they’d get inflated ideas about themselves as creative artists. The great midcentury director John Ford was known to answer studio executives’ complaints that he was behind schedule by tearing a handful of random pages from his script and tossing them over his shoulder. And Ken Russell was so contemptuous of Paddy Chayefsky’s screenplay for Altered States that Chayefsky insisted on having his name removed from the credits. Of course, popular impressions aside, screenwriters have been central to moviemaking since the first motion picture audiences got past the sheer novelty of seeing pictures that moved at all. Soon they wanted to know: What happens next? In this truly fresh perspective on the movies, veteran Oscar-winning screenwriter Marc Norman gives us the first comprehensive history of the men and women who have answered that question, from Anita Loos, the highest-paid screenwriter of her day, to Robert Towne, Quentin Tarantino, Charlie Kaufman, and other paradigm-busting talents reimagining movies for the new century. The whole rich story is here: Herman Mankiewicz and the telegram he sent from Hollywood to his friend Ben Hecht in New York: “Millions are to be grabbed out here and your only competition is idiots.” The unlikely sojourns of F. Scott Fitzgerald and William Faulkner as Hollywood screenwriters. The imposition of the Production Code in the early 1930s and the ingenious attempts of screenwriters to outwit the censors. How the script for Casablanca, “a disaster from start to finish,” based on what James Agee judged to be “one of the world’s worst plays,” took shape in a chaotic frenzy of writing and rewriting—and how one of the most famous denouements in motion picture history wasn’t scripted until a week after the last scheduled day of shooting—because they had to end the movie somehow. Norman explores the dark days of the Hollywood blacklist that devastated and divided Hollywood’s screenwriting community. He charts the rise of the writer-director in the early 1970s with names like Coppola, Lucas, and Allen and the disaster of Michael Cimino’s Heaven’s Gate that led the studios to retake control. He offers priceless portraits of the young William Hurt, Steven Spielberg, and Steven Soderbergh. And he describes the scare of 2005 when new technologies seemed to dry up the audience for movies, and the industry—along with its screenwriters—faced the necessity of reinventing itself as it had done before in the face of sound recording, color, widescreen, television, and other technological revolutions. Impeccably researched, erudite, and filled with unforgettable stories of the too often overlooked, maligned, and abused men and women who devised the ideas that others brought to life in action and words on-screen, this is a unique and engrossing history of the quintessential art form of our time.